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The Funk Brothers

 
Artist: The Funk Brothers
  • Formed: 1959, Detroit, MI
  • Disbanded: 1972
  • Genres: Rhythm & Blues
  • Representative Albums: "20th Century Masters - The Millennium Collection: The Best of the Funk Brothers," "The Best of the Funk Brothers," "A Soulful Tale of Two Cities"

Biography

The Funk Brothers were the brilliant but anonymous studio band responsible for the instrumental backing on countless Motown records from 1959 up to the company's move to Los Angeles in 1972. Woefully underappreciated as architects of the fabled "Motown sound," the individual musicians were rarely credited on the records that relied upon their performances, which downplayed their importance to the label. Motown's sophisticated, urbane brand of R&B certainly would have been difficult to achieve without the extensive jazz training that many of the Funk Brothers brought to the table. In order to keep that sound a distinctive brand name, Motown signed most of the group to exclusive, highly restrictive contracts during their tenure, although a few peripheral members were able to moonlight on sessions for other companies from time to time. In more recent years, the Funk Brothers' legacy has begun to receive proper attention, most notably in Allen Slutsky's 1989 book Standing in the Shadows of Motown, which focused on bass genius James Jamerson, and the 2002 documentary film of the same name, which covered the group as a whole.

Motown head Berry Gordy Jr. first assembled a studio band in 1959, culling its members from Detroit's fertile club scene. Most of the players came from a jazz background, although some had more experience with blues or R&B, and there was a great deal of crossover among working musicians of the time. Among the early members were pianist/bandleader Joe Hunter (not to be confused with blues balladeer Ivory Joe Hunter) and the rhythm section of bassist James Jamerson and drummer William "Benny" Benjamin, who would go on to become the backbone of the Motown beat. Other regulars who came onboard prior to 1962 were guitarists Robert White, Eddie Willis, and Joe Messina; alternate drummer Richard "Pistol" Allen; percussionists Jack Ashford (who handled the tambourine work) and Eddie "Bongo" Brown; and the aggressive pianist Earl Van Dyke, as well as numerous horn players. Eventually nicknamed the Funk Brothers, this aggregation would soon become an integral part of Motown's rise to prominence and its commercial dominance during the glory years of 1963-1967. By 1964, Hunter had quit as bandleader, paving the way for classically trained keyboardist Johnny Griffith to join and for Van Dyke to become the group leader; drummer Uriel Jones also became an active member around the same time. In addition to the numerous hit singles they played on, the Funk Brothers also played quite often around the Detroit club scene.

Things began to change over 1967-1968. The Motown hit factory was forced to reinvent its sound to fit changing trends, and with producer Norman Whitfield's brand of psychedelic soul guiding the label's fortunes, guitarists Dennis Coffey and Wah Wah Watson came onboard to update the Funk Brothers' sound. Moreover, the groundbreaking rhythm section of James Jamerson and Benny Benjamin was coming apart due to substance abuse problems. Benjamin passed away in 1968, and Jones took a much greater role in the aftermath of his death. Meanwhile, the massively influential Jamerson had grown unreliable; while he still performed, white bassist Bob Babbitt picked up much of his slack, and did an excellent job of replicating Jamerson's unpredictable melodicism. This core group remained together until 1972, when Gordy moved the Motown offices to Los Angeles, unceremoniously abandoning the Funk Brothers. Still, the group did get one glorious last hurrah in Marvin Gaye's 1971 masterpiece What's Going On, which made full use of the band's jazz training (and listed full musician credits).

Some of the Funk Brothers went on to other session and backup gigs, while others soon drifted out of the music business; regardless, most of them remained in Detroit. James Jamerson passed away in 1983, and only received wider recognition posthumously; he was finally inducted into the Rock & Roll Hall of Fame in 2000 in the sideman category. Eddie "Bongo" Brown also died in 1983; Earl Van Dyke passed on in 1992 and Robert White did the same in 1994. The surviving core members of the Funk Brothers reunited for Paul Justman's documentary Standing in the Shadows of Motown, which was released in 2002 to generally excellent reviews; the same year, however, Richard "Pistol" Allen and Johnny Griffith both passed away. ~ Steve Huey, All Music Guide
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Wikipedia: The Funk Brothers
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The Funk Brothers was the nickname of Detroit, Michigan, session musicians who performed the backing to most Motown Records recordings from 1959 until 1972, when the company moved to Los Angeles. The Funk Brothers played on Motown hits such as "My Girl", "I Heard It Through the Grapevine", "Baby Love", "Signed, Sealed, Delivered I'm Yours", "Papa Was a Rollin' Stone", "The Tears of a Clown", "Ain't No Mountain High Enough", and "(Love is Like a) Heat Wave".

The role of the Funk Brothers is described in Paul Justman's 2002 documentary film Standing in the Shadows of Motown, based on Allan Slutsky's book of the same name. The opening titles proclaim the Funk Brothers as "having played on more number-one hits than The Beatles, Elvis Presley, The Rolling Stones, and The Beach Boys combined." [1]

Contents

History

Notable members

Early members included bandleader Joe Hunter and Earl Van Dyke (piano); James Jamerson (bass guitar); Benny "Papa Zita" Benjamin and Richard "Pistol" Allen (drums); Robert White, Eddie Willis, and Joe Messina (guitar); Jack Ashford (tambourine, percussion, vibraphone, marimba); Jack Brokensha (vibraphone, marimba); and Eddie "Bongo" Brown (percussion). Hunter left in 1964, replaced on keyboards by Johnny Griffith and as bandleader by Van Dyke. Uriel Jones joined the band as a third drummer. Late era bassist Bob Babbitt joined the ensemble in 1967.

There have been many articles written which identify the actual members of The Funk Brothers, some of which claim that virtually every musician who ever played on a Motown track as a "Funk Brother". In actuality, there are 13 actual Funk Brothers as identified in the film Standing In The Shadows Of Motown, as well as 13 members identified by both NARAS for the Grammy Lifetime Achievement Award, and recognized by the recent Star on the Hollywood Walk Of fame. Despite that, many other musicians have contributed to the Motown Sound.[citation needed]

Legacy and techniques

Until the release of the Standing in the Shadows of Motown documentary, the members of the band were not widely known. Studio musicians were not credited by Motown until Marvin Gaye's What's Going On in 1971, although Motown released a handful of singles and LPs by Earl Van Dyke. The Funk Brothers shared billing with Van Dyke on some recordings, although they were billed as "Earl Van Dyke & the Soul Brothers", since Motown CEO Berry Gordy, Jr. disliked the word "funk". Alternatively, the name "Funk Brothers" could have been given to the band ex post facto; the term "funky" as an adjective came to be associated with uptempo, southern-styled soul music in the second half of the 1960s; the term "funk" as a noun is typically associated with uptempo soul music from the 1970s onwards. In the "Standing in the Shadows of Motown" documentary, Joe Hunter states that the name "The Funk Brothers" came from Benny Benjamin. Hunter states that Benjamin was leaving the studio (known as the Snake Pit) after session work, paused on the stairs, turned and said to his fellow musicians, "You all are the Funk Brothers". The band was then informally named.

The band used innovative techniques. For example, most Motown records feature two drummers, playing together or overdubbing one another — Marvin Gaye's "I Heard It Through the Grapevine" used three drummers. A number of songs utilized instrumentation and percussion unusual in soul music. The Temptations' "It's Growing" features Earl Van Dyke playing a toy piano for the song's introduction, snow chains are used as percussion on Martha & the Vandellas' "Nowhere to Run", and a custom oscillator was built to create the synthesizer sounds used to accent Diana Ross & the Supremes' "Reflections" A tire iron was used in the Martha & the Vandellas "Dancing in the Streets".

Dissolution and later years

During the mid to late-1960s, one-fifth of Motown records began utilizing session musicians based in Los Angeles, usually covers and tributes of mainstream pop songs and showtunes. By 1970, an increasing number of Motown sessions were in Los Angeles instead of Detroit, notably all The Jackson 5's hit recordings. Nevertheless, Motown producers such as Norman Whitfield, Frank Wilson, Marvin Gaye, and Smokey Robinson steadfastly continued to record in Detroit.

The Funk Brothers were dismissed in 1972, when Berry Gordy moved Motown to Los Angeles. A few members, including Jamerson, migrated to Los Angeles, but found the environment uncomfortable. Jamerson died in 1983, Brown in 1984, Van Dyke in 1992, White in 1994, Allen and Griffith in 2002, Hunter in 2007, Richard Wylie in 2008 and Uriel Jones in 2009. (Early drummer "Benny" Benjamin had died back in 1969.)

In March 2006, some remaining Funk Brothers were invited to perform on Philly writer/producer/singer Phil Hurtt's unique and interesting recording session at Studio A/Dearborn Heights/Detroit where they contributed their performances to ‘The Soulful Tale of Two Cities’ project. The double album sleeve notes read ‘Motown’s legendary Funk Brothers and members of Philadelphia’s world renown MFSB take you “back in the day” with an album filled with classic Philly and Motown hits’. Bob Babbitt, Joe Hunter, Uriel Jones and Eddie Willis performed alongside other notable Detroit session musicians like Ray Monette, Robert Jones, Spider Webb, and Treaty Womack

The musicians played on the Philly hits giving their unique Detroit interpretations of the songs under the leadership of Phil Hurtt, Bobby Eli, Clay McMurray and Lamont Dozier. Many other ex Motown and Detroit artists performed vocals on the session including The Velvelettes, Carolyn Crawford, Lamont Dozier, Bobby Taylor, Kim Weston, Freda Payne, and George Clinton.

In 2008 Uriel Jones, Ray Monette, Dennis Coffey, Robert Jones and Bob Babbitt accompanied other notable Detroit session musicians including Larry Fratangelo, Dennis Sheridan, Edward Gooch, John Trudell, George Benson, Mark Burger, David Jennings, Spider Webb and Rob Pipho where they appeared on the Carl Dixon Bandtraxs project which featured a Dennis Coffey/Carl Dixon production of 4 brand new songs. In addition vocal performances from Spyder Turner, Pree and Gayle Butts provided lead and backing for the session. The session was also arranged by ex Motown arranger David J.Van De Pitte. The session was also at Studio A, Dearborn Heights, Detroit and was the dream of a 19 year old Dixon, back in 1974, to pay homage to musicians, particularly The Funk Brothers, producers and those who influenced him with their music. It took Dixon almost 33 years to find the musicians and with luck, met some of them on the web site soulfuldetroit.com. It was via this web site that he and Dennis Coffey hooked up and then eventually collaborated together to make the session work.

Awards and recognition

The Funk Brothers have received three Grammy awards:

Bassist James Jamerson was inducted into the Rock and Roll Hall of Fame in 2000, and drummer Benny Benjamin in 2003. In 2003, surviving members were invited to the White House to meet President George W. Bush, Secretary of State Colin Powell, and National Security Advisor Condoleezza Rice, in an event tied to Black History Month.[1]

Members

Membership lists based upon research by Allan Slutsky, with some minor corrections.[2]

Detroit musicians

  • Percussion:
  • Vibes:
  • Trumpets:
    • Herbie Williams, John "Little John" Wilson, Marcus Belgrave, Russell Conway, Johnny Trudell, Floyd Jones, Maurice Davis, Billy Horner, Don Slaughter, Eddie Jones
  • Saxophones:
    • Henry "Hank" Cosby, Andrew "Mike" Terry, Norris Patterson, Thomas "Beans" Bowles, Teddy Buckner, Ronnie Wakefield, "Lefty" Edwards, Eli Fountain, Ernie Rodgers, Kasuka Malia, Eugene "BeeBee" Moore, William "Wild Bill" Moore, Angelo Carlisi, Dan Turner, Bernie Peacock, Larry Nozero, Lanny Austin
  • Trombones:
    • Bob Cousar, George Bohanon, Paul Riser, Jimmy Wilkens, Don White, Carl Raetz, Patrick Lanier, Bill Johnson, Ed Gooch
  • Flute:
    • Dayna Hartwick
  • Strings:
    • Gordon Staples and the Detroit Symphony Orchestra Strings Section

Los Angeles musicians

Many of the Los Angeles players were members of The Wrecking Crew collective of studio musicians.

  • Drums:
    • Earl Palmer
    • Jacob Greenberg
    • Gene Pello
    • Paul Humphreys
  • Percussion:
    • Gary Coleman
    • Bobbye Porter
    • King Errisson
    • Joe Clayton
    • Sandra Crouch
    • Jerry Steinholtz
    • Emil Richards

Arrangers and conductors

  • Detroit: Paul Riser, Willie Shorter, Dave Van DePitte, Wade Marcus, Johnny Allen, Gil Askey, Ernie Wilkins, Jerry Long, Henry "Hank" Cosby, Slide Hampton, and H. B. Barnum
  • Los Angeles: Gene Page, James Carmichael, and Arthur Wright

References

  1. ^ Justman, Paul. Standing in the Shadows of Motown.
  2. ^ Slutsky, Allan. "The Musicians". Hitsville USA: The Motown Singles Collection [CD Box Set]. New York: Motown Record Co., L.P.

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