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The Hound of the Baskervilles

 
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The Hound of the Baskervilles

  • Director: Terence Fisher
  • AMG Rating: starstarstarstar
  • Genre: Mystery
  • Movie Type: Detective Film, Gothic Film
  • Themes: Star Detectives
  • Main Cast: Peter Cushing, Andre Morell, Christopher Lee, Marla Landi, Miles Malleson, David Oxley
  • Release Year: 1959
  • Country: UK
  • Run Time: 86 minutes

Plot

In the 17th century, the arrogant, cruel Hugo Baskerville (David Oxley) brutalizes a servant and prepares to turn the man's daughter over to his equally depraved companions, but she escapes. When he catches up with the girl in a ruined abbey, he kills her and then is attacked and killed himself by a huge hound that is never seen. The audience then learns that this story is being told in flashback to Sherlock Holmes (Peter Cushing) and Dr. Watson (Andre Morell) by Dr. Richard Mortimer (Francis DeWolff). He was the physician and friend to the late Sir Charles Baskerville, who recently died -- apparently of fright -- on the Devonshire moors near that same ruined abbey. Holmes is very skeptical, but agrees to meet Sir Henry Baskerville (Christopher Lee), who has just arrived in London to claim the estate. Sir Henry is cold and aloof but becomes convinced he's in danger when he's almost bitten by a tarantula. Holmes insists that he not go to Baskerville Hall alone, so Holmes sends Watson to Devonshire with Sir Henry.

In Devonshire, Sir Henry and Watson learn that an escaped convict, Selden, is at large on the moor. Watson meets local Bishop Frankland (Miles Malleson), and later on the moor, Baskerville's neighbors, Stapleton (Ewen Solon) and his daughter, Cecile (Marla Landi). Watson is almost trapped in one of the many bogs that dot the moors, but he escapes. Later, leaving Sir Henry stricken with a mild heart attack at the hall, Watson ventures again onto the moors, and to his surprise, discovers Sherlock Holmes there. Holmes has been hiding and watching for developments. They hear the howl of the hound, and are too late to prevent the huge beast from killing a man they take for Sir Henry. But back at Baskerville Hall, they find Sir Henry alive and well: the dead man was the convict Selden, dressed in some old clothes of Sir Henry's. At the ruined abbey, they find evidence that a strange rite has been performed.

When Holmes visits Frankland for information, he learns that someone has stolen the bishop's tarantula. (He's an amateur naturalist.) Meanwhile, near Baskerville Hall, Sir Henry meets Cecile, and they are attracted to one another. Holmes, Mortimer and Stapleton descend into a disused tin mine in search of evidence, but a cave-in almost traps Holmes. That evening, when Sir Henry goes to meet Cecile on the moors, he learns that she actually hates him, and that the hound is now on his trail. Holmes and Watson arrive almost too late to save him, but Holmes kills the hound and reveals it's an ordinary, if large, dog in a mask. The villain is a descendant of Sir Hugo's from "the wrong side of the sheets"; he and his daughter were determined to use the legend of the Hound to kill those standing between them and Baskerville Hall.

No movie version of Sir Arthur Conan Doyle's most famous novel follows its source very closely, and this colorful Hammer film is no exception. An extra killer is added, events are compressed, and even the novel's most famous line -- "they were the tracks of an enormous hound!" -- is omitted. The film also suffers at times from a budget too low for its ambitions and by extraneous elements aimed at making it more like a Hammer movie, such as the unexplained "rite." However, the movie has a brisk pace and particularly strong characters. Lee, initially icy and arrogant -- perhaps to remind us of Sir Hugo -- thaws into a likable person romantic enough to fall in love, atypically for Lee. Andre Morell is one of the most solid and realistic Watsons ever; there's nothing whatever of the harrumphing Nigel Bruce, no comedy elements to the role at all. He's straightforward, heroic in his own right. But the triumph of the film

was the casting of Peter Cushing as Sherlock Holmes. Cushing's Holmes is vivid, dynamic and arrogant; the actor does not even attempt to make Holmes likable, but instead plays the character exactly as Doyle wrote him. It's a performance of steely integrity and terrific skill, one of the greatest Holmes performances ever. Cushing later played Holmes in a television series, and became as identified with the role in England as Basil Rathbone was in the United States. Cushing returned once again to the role late in life, in the TV movie The Masks of Death, as well as writing about Holmes for several books. ~ Bill Warren, All Movie Guide

Review

The Hound of the Baskervilles is the preferred version of many Sherlock Holmes aficionados, particularly those who treasure the character as he appears in the works of Arthur Conan Doyle. Peter Cushing gives the detective the same aloof confidence that he has in the novels, subtly sneering as he cracks the case that lesser minds could not. The supporting cast is similarly serious: as Watson, Andre Morell discards the buffoonery of Nigel Bruce's incarnation of the character, and Christopher Lee provides an authoritative air of nobility as Sir Henry Baskerville. The film has the stylish look common to Hammer Films' best efforts of the late 1950s. Director Terence Fisher has a good feel for what makes the material work, keeping the most cinematic aspects of the original story and creating new elements as required. The film's biggest liability is the unconvincing look of the hound itself, but even that does little to mar Hound's overall qualities. ~ Richard Gilliam, All Movie Guide

Cast

Francis de Wolff - Dr. Mortimer; Ewen Solon - Stapleton; John Le Mesurier - Barrymore; Sam Kydd - Perkins; Helen Goss - Mrs. Barrymore; Michael Mulcaster - Convict; Michael Hawkins - Lord Caphill

Credit

Anthony Nelson Keys - Associate Producer, Terence Fisher - Director, Alfred Cox - Editor, Michael Carreras - Executive Producer, James Bernard - Composer (Music Score), John Hollingsworth - Musical Direction/Supervision, Roy Ashton - Makeup, Len Harris - Camera Operator, Bernard Robinson - Production Designer, Jack Asher - Cinematographer, Don Weeks - Production Manager, Anthony Hinds - Producer, Peter Bryan - Screenwriter, Arthur Conan Doyle - Book Author

Similar Movies

The Fall of the House of Usher; The Hound of the Baskervilles; The Private Life of Sherlock Holmes; Sleepy Hollow; Brotherhood of the Wolf; Sherlock Holmes and the Deadly Necklace; The Pearl of Death
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Wikipedia: The Hound of the Baskervilles (1959 film)
Top
The Hound of the Baskervilles
Directed by Terence Fisher
Produced by Michael Carreras
Written by A. Conan Doyle (novel)
Peter Bryan
Starring Peter Cushing
André Morell
Christopher Lee
John Le Mesurier
Music by James Bernard
Cinematography Jack Asher
Editing by Alfred Cox
Distributed by United Artists
Release date(s) 3 July 1959 (U.S.)
Running time 87 min.
Country U.K.
Language English

The Hound of the Baskervilles is a 1959 British detective film produced by Hammer Films and is directed by Terence Fisher.

The film is an adaptation from the Sir Arthur Conan Doyle novel of the same name and stars Peter Cushing as Sherlock Holmes, Christopher Lee as Sir Henry Baskerville and André Morell as Watson. It also starred Marla Landi, Ewen Solon, Francis de Wolff, John Le Mesurier and Miles Malleson.

Contents

Production

The Hound of the Baskervilles was filmed at Bray Studios during 1958. The exterior of Baskerville Hall is recognisable as Dracula's castle in Dracula, made the previous year. Filming also took place on location at Chobham Common and Frensham Ponds, both in Surrey. The Holmes of Peter Cushing received some criticism at the time, chiefly because he was not Basil Rathbone, who up to that point had been the definitive Sherlock Holmes. But time has been extremely kind to Cushing's interpretation, which for the first time presented the character truly as written by Doyle: prickly, egotistical, capricious, and not always easy to bear. It was Cushing's performance as the master sleuth that paved the way for Jeremy Brett later to become the Holmes of his generation.

Plot

The film begins with the cruel aristocrat, Sir Hugo Baskerville (David Oxley), hosting a party at Baskerville Hall, when a dead man's daughter escapes from the mansion, angry at Baskerville for treating her badly. Baskerville pursues her throughout the moor and stabs her to death. However, a huge dog-like creature suddenly appears and kills Baskerville. From then on, the hound has become known as the Hound of the Baskervilles and, any strange night a Baskerville is alone on the moor, the hound will come and kill him.

Several years later, the death of Sir Charles Baskerville is being reported by his best friend Dr. Mortimer (Francis De Wolff) to Sherlock Holmes (Peter Cushing) and Dr. Watson (Andre Morell), who are willing to meet the new owner of Baskerville Hall, Sir Henry (Christopher Lee). After meeting Sir Henry, Holmes remembers that he is going to be away on the day Sir Henry arrives at Baskerville Hall, so he puts Watson in charge of doing so. A tarantula attacks Sir Henry briefly; Holmes suspects foul play. Before he leaves, Holmes reminds Watson to not let Sir Henry go out onto the moor at dark.

While at Baskerville Hall, Watson meets a man named Stapleton (Ewen Solon) and his daughter Cecille (Marla Landi), who save him from sinking into the moor. Cecille seems to act strangely around both Sir Henry and Watson. At night, Watson sees a light shining out upon the moor, and starts to suspect something is going on. He and Sir Henry investigate the mysterious light. While out upon the moor, the Baskerville hound howls, causing Sir Henry to suffer from heart problems. As they leave, a strange man rushes past. The two pursue the man, but he gets away; they go back to Baskerville Hall.

Soon, Watson discovers that the strange man was actually Holmes in disguise; Holmes had arrived hours after Watson did. They find out that an escaped convict, Selden (Michael Mulcaster), who is actually the butler Barrymore's wife's brother, was the one shining the light the other night, and that Barrymore and his wife were the ones shining it back. Several events occur, such as Sir Henry being invited to dinner by Cecille and Stapleton, the supposed death of Sir Henry, though it is actually Selden, and finally Holmes' almost being trapped inside an old mine while investigating.

Cecille takes Sir Henry out to the moor one night. By now, Holmes has solved the case: The Stapletons are actually illegitimate descendants of Sir Hugo, and are next in line to get the Baskerville fortune and mansion if all of the Baskervilles are killed off, which is why Cecille took Sir Henry out onto the moor: So the Baskerville can appear and he can be killed! Holmes and Watson rush out just on time to hear Cecille's telling of the matter to a horrified Sir Henry. Stapleton appears and attacks Watson, but is killed. The hound of the Baskervilles suddenly appears and attacks the group; Cecille flees while Holmes kills it, revealing it to be a normal dog with a mask on. Cecille accidentally falls into the moor and sinks into her death. Holmes and Watson take a shocked Sir Henry back to Baskerville Hall, and at last the case is solved.

Changes from the novel

There are several significant changes in plot details. Among them:

  • Sir Henry does not suffer a minor heart condition in the novel, as he does in the film.
  • There is nothing involving a ritual sacrifice, a tarantula or a mine shaft in the novel, neither is Holmes thought to have been accidentally trapped in a cave-in.
  • Rather than being Stapleton's daughter, Miss Stapleton is Stapleton's wife in the novel and is playing the part of his sister. She does not hate Sir Henry, as in this film. In the novel, Holmes, Watson and Lestrade eventually find her bound, gagged and badly bruised.
  • Miss Stapleton survives in the novel, whereas in the film she drowns in the Grimpen Mire.
  • In the novel, the hound is made to look "demonic" through the use of phosphorus paint, but in the film the same effect is accomplished with a mask.
  • There is no attempt on the life of Sir Henry in the hotel, as in this film.
  • The painting next to the staircase does not go missing in the novel, because its clue is not as obvious as it is in the film; therefore, there is supposedly no danger of anyone ever figuring it out.
  • The bishop and Frankland in the novel were two separate characters entirely.
  • Barrymore the butler, in the novel is not clean-shaven.

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