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The Killing

 
Movies:

The Killing

  • Director: Stanley Kubrick
  • AMG Rating: starstarstarstar
  • Genre: Crime
  • Movie Type: Crime Thriller, Gangster Film
  • Themes: Dishonor Among Thieves, Crime Gone Awry, Perfect Crime
  • Main Cast: Sterling Hayden, Coleen Gray, Marie Windsor, Elisha Cook, Jr., Vince Edwards, Jay C. Flippen
  • Release Year: 1956
  • Country: US
  • Run Time: 83 minutes

Plot

The Killing was director Stanley Kubrick's first major film effort -- though, like Kubrick's earlier films, it was economically produced with an inexpensive cast. In a variation of his Asphalt Jungle role, Sterling Hayden plays veteran criminal Johnny Clay, planning one last big heist before settling down to a respectable marriage with Fay (Colleen Gray). Teaming with several cohorts, Johnny masterminds a racetrack robbery. The basic flaw is that all the crooks involved are losers and small-timers who find themselves in way over their heads despite their supposed cleverness. None of the participants is more pathetic than George Peatty (Elisha Cook Jr.), who is goaded into the robbery by his covetous and far-from-faithful wife (Marie Windsor). As in a Greek tragedy, Johnny's best-laid schemes go awry. Prominently featured in the cast of The Killing are offbeat character actors Tim Carey and Joe Turkel, who'd show up with equally showy roles in future Kubrick productions. The Killing is based on the novel Clean Break by Lionel White. ~ Hal Erickson, All Movie Guide

Review

Stanley Kubrick's third feature showed that he was no ordinary director, as he dispensed with traditional time structure to detail the planning and execution of a racetrack heist gone wrong. Combining a non-linear story with a unifying, matter-of-fact voice-over narration, Kubrick constructed an intricate yet lucid cinematic puzzle that shifted back and forth both in time and among the central characters, revealing the personal stakes for each participant by following their individual actions leading up to the fateful seventh race. Johnny the leader thinks he has it all under control, but, in true Kubrick fashion, his plan is not immune to human failure. While the fractured time frame and use of long takes and tracking shots signaled Kubrick's stylistic break from classical form, the sharp black-and-white photography, Marie Windsor's insidious femme fatale, and Sterling Hayden's doomed Johnny place The Killing in the mode of 1940s/1950s film noir. His first film made on a reasonable budget and with an established cast of pros, The Killing caught critics' attention and established Kubrick as a director to watch, especially for such future cinematic time-tricksters as Quentin Tarantino. ~ Lucia Bozzola, All Movie Guide

Cast

Ted de Corsia - Randy Kennan; Joe Sawyer - Mike O'Reilly; Timothy Carey - Nikki Arane; Jay Adler - Leo; Joe Turkel - Tiny; Dorothy Adams; William Benedict - Airline Clerk; Mary Carroll; James Edwards - Parking Attendant; James Griffith; Kola Kwarian - Maurice Oboukhoff; Tito Vuolo; Robert B. Williams; Steve Mitchell

Credit

Ruth Sobotka - Art Director, Alexander Singer - Associate Producer, Rudy Harrington - Costume Designer, Stanley Kubrick - Director, Betty Steinberg - Editor, Gerald Fried - Composer (Music Score), Lucien Ballard - Cinematographer, James B. Harris - Producer, Harry Reif - Set Designer, David Koehler - Special Effects, Earl Snyder - Sound/Sound Designer, Stanley Kubrick - Screenwriter, Jim Thompson - Screenwriter, Lionel White - Book Author

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Armored Car Robbery; The Asphalt Jungle; High Sierra; Ocean's Eleven; Reservoir Dogs; Rififi; Seven Thieves; Bob le Flambeur; Cairo; La Città si difende; Mailbag Robbery; Sette Uomini D'oro; Le Clan des Siciliens; Target: Harry; Touchez Pas au Grisbi; 23 H 58; Banditi a Milano; Jusqu'au Dernier
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Wikipedia: The Killing
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The Killing

theatrical poster
Directed by Stanley Kubrick
Produced by James B. Harris
Written by Novel:
Lionel White
Screenplay:
Stanley Kubrick
Jim Thompson
Starring Sterling Hayden
Coleen Gray
Vince Edwards
Jay C. Flippen
Elisha Cook Jr.
Marie Windsor
Music by Gerald Fried
Cinematography Lucien Ballard
Editing by Betty Steinberg
Distributed by United Artists
Release date(s) 20 May 1956
Running time 83 minutes
Country United States
Language English
Budget $320,000

The Killing (1956) is the second feature length film noir directed by Stanley Kubrick, written by Kubrick and Jim Thompson, based on the novel Clean Break by Lionel White. The drama features Sterling Hayden, Coleen Gray, Vince Edwards and Elisha Cook Jr.[1]


Contents

Plot

Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Coleen Gray). His plan is to rob the money-counting room of a racetrack of two million dollars during a featured race, and to do this he assembles a team consisting of a corrupt cop (Ted de Corsia); George Peatty (Elisha Cook Jr.), a betting window teller at the track to give access to the backroom; a sharpshooter (Timothy Carey) to shoot the favorite horse during the race, distracting the crowd; a wrestler (Kola Kwariani, born 1903, Republic of Georgia) to provide another distraction by provoking a fight at the track bar, and the bartender (Joe Sawyer).

After a successful heist, the robbers return to the apartment where they were to meet and wait for Johnny to show up with the money so they can divide it. Unfortunately, George's wife Sherry (Marie Windsor) has learned about the heist from her weak-willed husband, and she has told her boyfriend Val (Vince Edwards), who shows up at the apartment to rip them off. In the ensuing shootout, a badly wounded George is the sole survivor. He goes home and shoots Sherry before dying himself.

On his way to the apartment, Johnny sees George staggering on the street, and knows that something is wrong. He puts the cash in an old used suitcase, and he and Fay go to the airport to get on a plane to leave town & dash; but when the bag falls off a cart on its way to be loaded on the plane, it opens up, and the money is blown all over the tarmac by the wind. Fay urges Johnny to make a run for it, but he refuses, stating that there is no use in trying to escape. The film ends with two officers coming to arrest him.

Cast


Cast notes:

  • Three members of the cast, Hayden, de Corsia, and Carey, had appeared together the previous year in another low budget noir, Crime Wave

Critical reaction

The gang plan their heist.

Film noir critic Eddie Muller wrote, "With The Killing, Stanley Kubrick offered a monument to the classic caper film, and a fresh gust of filmmaking in one package. Who knew when he wrapped it, that it would be the last amusing movie he'd ever make?"[2]

A.H. Weiler, film critic for The New York Times, wrote, "Though The Killing is composed of familiar ingredients and it calls for fuller explanations, it evolves as a fairly diverting melodrama. ... Aficionados of the sport of kings will discover that Mr. Kubrick's cameras have captured some colorful shots of the ponies at Bay Meadows track. Other observers should find The Killing an engrossing little adventure."[3]

Film critic Mike Emery wrote, "Kubrick's camerawork was well on the way to finding the fluid style of his later work, and the sparse, low-budget circumstances give the film a raw, urgent sort of look. As good as the story and direction are, though, the true strength of The Killing lies in the characters and characterizations."[4]

The staff at Variety magazine liked the acting and wrote, "This story of a $2 million race track holdup and steps leading up to the robbery, occasionally told in a documentary style which at first tends to be somewhat confusing, soon settles into a tense and suspenseful vein which carries through to an unexpected and ironic windup...Hayden socks over a restrained characterization, and Cook is a particular standout. Windsor is particularly good, as she digs the plan out of her husband and reveals it to her boyfriend."[5]

The review aggregator Rotten Tomatoes reported that 96% of critics gave the film a positive review, based on 24 reviews.[6]

In 2001, Empire magazine named it one of the 50 greatest crime films ever.[7]

Awards

Nominations

Trivia

  • Quentin Tarantino has confirmed that this influenced him a lot for his first film Reservoir Dogs, especially the use of different perspectives of different characters on a heist.

Notes

  1. ^ The Killing at the Internet Movie Database.
  2. ^ Muller, Eddie. Dark City: The Lost World of Film Noir.
  3. ^ Weiler, A.H. The New York Times, film review, May 21, 1956. Last accessed: February 7, 2008.
  4. ^ Emery, Mike. The Austin Chronicle, film review, March 15, 1999. Last accessed: February 7, 2008.
  5. ^ 'Variety. Film review, 1956. Last accessed: February 7, 2008.
  6. ^ The Killing at Rotten Tomatoes. Last accessed: February 7, 2008.
  7. ^ They Shoot Pictures web site. Last accessed: September 5, 2008.

External links



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