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The Last Emperor

DVD Release

  • Release Date: 1999
  • 6:3 Widescreen
  • 2.0 Dolby Surround Audio
  • Digitally mastered
  • Interactive menus
  • Scene access
  • Theatrical trailer
  • Cast and crew information

  • Rating: StarStarStarStarStar
  • Genre: Epic
  • Movie Type: Biography, Historical Epic
  • Themes: Fall From Power, Crowned Heads, Political Unrest
  • Director: Bernardo Bertolucci
  • Main Cast: John Lone, Joan Chen, Peter O'Toole, Ying Ruocheng, Victor Wong, Dennis Dun, Ryuichi Sakamoto
  • Release Year: 1987
  • Country: HK/UK/IT/CN
  • Run Time: 225 minutes
  • MPAA Rating: PG13

Plot

The Last Emperor is the true story of Aisin-Gioro Pu Yi, the last ruler of the Chinese Ching Dynasty. Told in flashback, the film covers the years 1908 to 1967. We first see the three-year-old Pu Yi being installed in the Forbidden City by ruthless, dying dowager Empress Tzu-Hsui (Lisa Lu). Though he'd prefer to lark about like other boys, the infant emperor is cossetted and cajoled into accepting the responsibilities and privileges of his office. In 1912, the young emperor (Tijer Tsou) forced to abdicate when China is declared a republic, is a prisoner in his own palace, "protected" from the outside world. Fascinated by the worldliness of his Scottish tutor (Peter O'Toole), Pu Yi plots an escape from his cocoon by means of marriage. He selects Manchu descendant Wan Jung (Joan Chen), who likewise is anxious to experience the 20th century rather than be locked into the past by tradition. Played as an adult by John Lone, Pu Yi puts into effect several social reforms, and also clears the palace of the corrupt eunuchs who've been shielding him from life. In 1924, an invading warlord expels the denizens of the Forbidden City, allowing Pu Yi to "westernize" himself by embracing popular music and the latest dances as a guest of the Japanese Concession in Tientsin. Six years later, his power all but gone, Pu Yi escapes to Manchuria, where he unwittingly becomes a political pawn for the now-militant Japanese government. Humiliating his faithful wife, Pu Yi falls into bad romantic company, carrying on affairs with a variety of parasitic females. During World War II, the Japanese force Pu Yi to sign a series of documents which endorse their despotic military activities. At war's end, the emperor is taken prisoner by the Russians; while incarcerated, he is forced to fend for himself without servants at his beck and call for the first time. He is finally released in 1959 and displayed publicly as proof of the efficacy of Communist re-education. We last see him in 1967, the year of his death; now employed by the State as a gardener, Pu Yi makes one last visit to the Forbidden City...as a tourist. Bernardo Bertolucci's first film after a six-year self-imposed exile, The Last Emperor was released in two separate versions: the 160-minute theatrical release, and a 4-hour TV miniseries. Lensed on location, the film won nine Academy Awards, including Best Picture and Best Director. ~ Hal Erickson, All Movie Guide

Review

In this unprecedented Sino-Western co-production, Bernardo Bertolucci turned the strange life of final Chinese crown ruler Pu Yi into a sumptuous epic. Shooting on location in China in the first Western production allowed to film in Beijing's Forbidden City, Bertolucci spent $25 million on lavish sets and costumes, as well as a cast of thousands, for a story spanning six decades, from Pu Yi's 1908 coronation to his 1960s life as a poor civilian. The story is structured through flashback memories as Pu Yi comes to grips with existence as a villain and commoner under Communism, and Vittorio Storaro's exquisite cinematography subtly underscores the emperor's rise and fall by shifting from a palette rich in reds, oranges, and yellows for Pu Yi's imperial years to somber blues and grays for his exile and imprisonment. Despite critical complaints that the story was lacking in emotional involvement, many viewers agreed that Bertolucci had created another visual marvel. Nominated for nine Oscars, The Last Emperor scored an unexpected sweep, winning all nine, including Best Picture and Best Director. An hour of footage cut from the release version was restored in the 1998 theatrical reissue reedited by Bertolucci. ~ Lucia Bozzola, All Movie Guide

Cast


Maggie Han - Eastern Jewel; Ric Young - Interrogator; Cary-Hiroyuki Tagawa - Chang; Jade Go - Ar Mo; Fumihiko Ikeda - Yoshioka; Tijger Tsou - Pu Yi, Age 8; Fan Guang - Pu Chieh; Henry Kyi - Pu Chieh, Age 7; Alvin Riley III - Pu Chieh, Age 14; Constantine Gregory - Oculist; Lisa Lu - Tzu Hsui, The Empress Dowager; Richard Vuu - Pu Yi (3 years); Vivian Wu - Wen Hsiu; Chen Kaige - Capital of Imperial Guard; Yang Baozong - Gen. Yuan Shikai; Wang Biao - Prisoner; Xu Chunqing - Grey Eyes; Zhang Daxing - Tough Warder; Liang Dong - Lady Aisin-Gioro; Li Fusheng - Minister of Trade; Chen Kai Ge - Captain of Imperial Guard; Wu Hai - Republican Officer; Yang Hongchang - Scribe; Luo Hongnian - Sleeping Old Tutor; Cqi Hongxiang - Scarface; soong Huaikuel - Lung Yu; Pan Hung - Li Shu Xian; Lucia Hwong - Lady of the Book; Akira Ikuta - Japanese Doctor; Jiang Xi Ren - Lord Chamberlain; Dong Jiechen - Doctor; Cui Jingping - Lady of the Pen; Wu Jun - Wen Hsiu (12 years); Gu Junguo - Tang; LiDien Lang - Empress Wan Rung; Liangbin Zhang - Big Foot; Zhang Lingmu - Emperor Hirohito; Basil Pao - Prince Chun; Martin Reynolds - Englishman; Zu Ruigang - Second Warder; Shao Ruzhen - First High Consort; Luo Shigang - Chang Ching Hui's secretary; Yu Shihong - Hsiao Hsiu; Chen Shu - Chang Chinghui; Cheng Shuyan - Lady Hiro Saga; Matthew Spender - Englishman; Hajime Tachibana - Japanese Translator; Hideo Takamatsu - Gen. Ishikari; Wu Tao - Pu Yi (15 years); Zhang Tianmin - Old Tutor; Xu Tongrui - Captain of Feng's Army; Michael Vermaaten - American; Huang Wenjie - Hunchback; LiDien Xing - Li Yu Qin; Jin Yuan - Party Boss; Dong Zhendong - Old Doctor

Credit

Joanna Merlin - Casting; James Acheson - Costume Designer; Maria Teresa Barbasso - Art Director; Bernardo Bertolucci - Director; Bernardo Bertolucci - Screenwriter; David Byrne - Composer (Music Score); Gabriella Cristiani - Editor; Giannetto De Rossi - Special Effects; Gino de Rossi - Special Effects; Gianni Giovagnoni - Art Director; Fabrizio Martinelli - Special Effects; Mark Peploe - Screenwriter; Ryuichi Sakamoto - Composer (Music Score); Ferdinando Scarfiotti - Production Designer; Fabrizio Sforza - Makeup; Gianni Silvestri - Art Director; Vittorio Storaro - Cinematographer; Su Cong - Composer (Music Score); Jeremy Thomas - Producer; Enzo Ungari - Screenwriter; Ray Williams - Musical Direction/Supervision; Ivan Sharrock - Sound/Sound Designer; Joyce Herlihy - Associate Producer; Ulrike Koch - Casting; Nicola Pecorini - Camera Operator; Pu Yi - Book Author

Similar Movies

Empire of the Sun; Rikyu; Farewell, My Concubine; Little Buddha; To Live; The Emperor's Shadow; Kundun; Asoka; Siddhartha; Good Men, Good Women; Marie Antoinette; Curse of the Golden Flower
 
 
Wikipedia: The Last Emperor
The Last Emperor
Last_emperor_poster_(1987).jpg
Promotional poster of The Last Emperor.
Directed by Bernardo Bertolucci
Produced by Jeremy Thomas
Written by Mark Peploe and Bernardo Bertolucci
Starring John Lone, Joan Chen, Peter O'Toole, Ruocheng Ying, Victor Wong, Dennis Dun, Ryuichi Sakamoto, Maggie Han, Ric Young, Vivian Wu, and Chen Kaige
Music by Ryuichi Sakamoto
David Byrne
Cong Su
Cinematography Vittorio Storaro
Distributed by Columbia Pictures
Release date(s) November 18, 1987 (USA)
Running time 160 Mins
Theatrical
218 Mins
Director's Cut
224 Mins
Director's Cut
Language English
All Movie Guide profile
IMDb profile

The Last Emperor is an Academy Award-winning 1987 biopic about the life of Pǔyí, the last Emperor of China. The movie was written by Mark Peploe and Bernardo Bertolucci, and directed by Bertolucci. Pǔyí is represented as the objectified plaything of powerful and mysterious forces, whether as an Emperor or as a war criminal.

The film stars John Lone as Pǔyí, with Joan Chen, Peter O'Toole, Ruocheng Ying, Victor Wong, Dennis Dun, Ryuichi Sakamoto, Maggie Han, Ric Young, Vivian Wu, and Chen Kaige. It was the first feature film to be authorized by the government of the People's Republic of China to be filmed in the Forbidden City.

Plot

The film opens in 1950 with Pǔyí's re-entry into the just-proclaimed People's Republic of China as a prisoner and war criminal, having been captured by the Red Army when the Soviet Union entered the Pacific War in 1945 (see Operation August Storm) and put under Soviet custody for five years. Pǔyí attempts suicide which only renders him unconscious, and in a flashback, apparently triggered as a dream, Pu-Yi relives his first entry, with his nurse, into the Forbidden City.

The next section of the film is a series of chronological flashbacks to Pǔyí's early life (his hot-house upbringing, unexplainable events including his brother's childish challenge to his status as the Emperor, his arranged marriage and so on), and flash-forwards to his prison life. In the prison camp, Pǔyí is shown newsreels of Japanese war crimes in Manchuria and the defeat of Japan, and he realizes his need to assume responsibility for his complicity in Japanese atrocities.

Pǔyí (Wu Tao) and Reginald Johnston (Peter O'Toole)
Enlarge
Pǔyí (Wu Tao) and Reginald Johnston (Peter O'Toole)

The concluding section of the film ends with a flash-forward to the mid-1960s during the Mao cult and the beginning of the Cultural Revolution. Pǔyí has become a gardener who lives a proletarian existence. On his way home from work, he happens upon a Mao parade, complete with children playing pentatonic music on accordions en masse and dancers who dance the rejection of landlordism by the masses, aroused by rectified Mao thought. His prison camp commander is one of the "dunces" punished as insufficiently revolutionary in the parade. In a deliberately ironic scene, the last Emperor makes imperial remonstrance to the Red Guard students.

Pǔyí then visits the Forbidden City as an ordinary tourist, and meets an assertive little boy who wears the red scarf of the Pioneer Movement and therefore represents "the future". The boy demands that Pǔyí step away from the throne. However, Pǔyí proves to the little boy that he was indeed the Son of Heaven; as he sits on his old throne, he finds the cricket he kept as a pet as a child, and gives it to the little boy - magically, the cricket is still alive after 60 years. The little boy turns to thank Pǔyí, but sees that the Emperor has disappeared.

With just a small shift of the camera we are brought to a more modern day, after China had opened to the West, where a tour guide's klaxon (ironically emitting the tune of "Yankee Doodle") calls American tourists together in front of the throne. The guide encapsulates Pǔyí's life in a few sentences and informs us of his date of death.

Historical inaccuracies and omissions

Some characters in the movie (such as Pu-Yi's Japanese handler) are composites of actual characters, but most of the characters and the incidents correspond to actual people and events that occurred in Pǔyí's life. Pǔyí's younger brother, Pu Chieh, and Li Wenda, who helped Pǔyí write his autobiography, were brought in as advisors on the film.

Any reference to or mention of the period from 1945 to 1950 is completely absent from the film. It was during this time that Pu-Yi was held as a gulag prisoner by Stalin's Soviet Union. It was also during this time that he gave testimony and was indicted as a war criminal at the Tokyo War Crimes Tribunal. When Chinese Communists under Mao Zedong had come to power in 1949, Puyi wrote letters to Stalin requesting not to be sent back to China. However, because Stalin wished to warm his relations with his "new political friend" Mao, he repatriated the former emperor in 1950.

Any reference or mention of Pu-Yi's later wives and other concubines (such as Tan Yuling, Li Yuqin and Li Shuxian) who he was together with after 1937 is also missing from the film.

Production

Bernardo Bertolucci proposed the film to the Chinese government as one of two possible projects - the other was a remake of La Condition Humaine by André Malraux. The Chinese preferred this project. During filming of the immense coronation scene in the Forbidden City, Queen Elizabeth II was in Beijing on a state visit. The production was given priority over her by the Chinese authorities and she was therefore unable to visit the Forbidden City.

Producer Jeremy Thomas managed to raise the $25 million budget for his independent production single-handedly.

19,000 extras were needed over the course of the film.

The Buddhist lamas who appear in the film could not be touched by women, so extra male wardrobe helpers were hired to dress them.

Alternate versions

When released theatrically the film ran 160 minutes; the extended version currently available on DVD runs 218 minutes. It includes more footage from the stifling palace of Manchukuo, showing how Pǔyí was blind, at first, to the way in which he was a puppet. An entire character cut from the theatrical release is the drug-addled opium pusher appointed Minister of Defense by the Japanese, who becomes a sort of demon when he surfaces in Pǔyí's prison camp, whispering the awful truth to Pǔyí at night. In addition, the extra footage shows more detail about the way in which Pǔyí was unable to take care of his own needs without servants.

The Japanese distributor of the film elected to remove stock footage of the Nanking Massacre from the film's initial theatrical release in that country. This footage was restored to later editions after complaints were lodged by the director.

Release

The film was released by Columbia Pictures, but though Columbia released it, Nelson Entertainment released the film on VHS and was later released on DVD by Artisan Entertainment.

Awards

The film won each of the nine Academy Awards for which it was nominated. Along with Best Picture it won Best Art Direction-Set Decoration, Best Cinematography, Best Costume Design, Best Director, Best Film Editing, Best Music, Original Score, Best Sound and Best Writing, Screenplay Based on Material from Another Medium.

The film also won the BAFTA Award for Best Film.

Popular culture references

  • Olympic figure skater Chen Lu of China skated to the musical score of "The Last Emperor" in her 1995 world championship winning long program.
  • The Last Emperor (末代皇帝) is also the title of a Chinese-made TV series about Puyi, made already in 1984, three years before the release of the Bertolucci film.

Cast

External links


Awards
Preceded by
Platoon
Academy Award for Best Picture
1987
Succeeded by
Rain Man
Preceded by
Platoon
Golden Globe for Best Picture - Drama
1988
Succeeded by
Rain Man
Preceded by
Jean de Florette
BAFTA Award for Best Film
1989
Succeeded by
Dead Poets Society

 
 

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Movies. Copyright © 2008 All Media Guide, LLC. Content provided by All Movie Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
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