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The Man in the High Castle
Cover of first edition (hardcover)
Author	Philip K. Dick
Country	United States
Language	English
Genre(s)	Alternative history
Publisher	Putnam
Publication date	1 January 1962
Media type	Print (Hardcover & Paperback)
Pages	239 pp
OCLC Number	145507009

The Man in the High Castle (1962), by Philip K. Dick, is a science fiction novel of the alternative history sub-genre. The novel won a Hugo Award in 1963^[1] and has since been translated into many languages.

The story of The Man in the High Castle, about daily life for the victors and the vanquished under totalitarian Fascist imperialism, occurs in 1962, fourteen years after the end of a longer Second World War (1939–1948). The victorious Axis Powers — Imperial Japan and Nazi Germany — are conducting intrigues against each other in North America, specifically in the former U.S., which surrendered to them once they had conquered Eurasia and destroyed the populaces of Africa.^[2]

1 Plot summary
2 The story-within-the-story
3 The I Ching as literary device
4 Themes
5 Inspirations
6 Sequel
7 See also
8 References
- 8.1 Notes
  - 8.1.1 Bibliography
9 External links

Plot summary

Background

Giuseppe Zangara's assassination of U.S. President Franklin D. Roosevelt, in 1933, led to the weak governments of FDR's Vice President John Nance Garner and of the Republican John W. Bricker in 1940; both politicians failed to surmount the Great Depression and maintained the country's isolationist policy against participating in the Second World War; thus, the U.S. had insufficient military capabilities to assist the UK and the USSR against Nazi German aggression, and itself against Japanese Imperial aggression.

In 1941, the Nazis conquered the USSR and then exterminated most of its Slavic peoples; the few whom they allowed to live were confined to reservations. In the Pacific Ocean theatre of war, the Japanese destroyed the U.S. Navy fleet in a decisive, definitive attack on Pearl Harbor; thereafter, the superior Imperial Japanese military conquered Hawaii, Australia, New Zealand and Oceania by the early 1940s. Afterwards, the Axis Powers, each attacking from opposite fronts, conquered the coastal United States, and, by 1948, the Allied forces surrendered to the Axis.

Japan established the puppet Pacific States of America out of Alaska, California, Hawaii, Oregon, parts of Nevada and Washington as part of the Japanese Empire's Greater East Asian Co-Prosperity Sphere. The remaining Mountain, Great Plains and Southwestern states became the Rocky Mountain states, a buffer between the PSA and the remaining USA, now a Nazi puppet state in the style of Vichy France. Having defeated the Allies of World War II and won the war for the world, the Third Reich and Imperial Japan, as the resultant superpowers, consequently embarked upon a Cold War.

After Adolf Hitler's syphilitic incapacitation, Martin Bormann, as Nazi Party Chancellor, assumes power as Führer of Germany, and proceeds to execute Hitler's plans, as laid out in Mein Kampf, of colonial empire and of genocidal extermination of the inferior races to increase the size of Germany's Lebensraum, especially the Jews and Blacks in the United States and Africa.

Moreover, absent Hitler's technological myopia, Germany continued to scientifically advance its rocket science programs and made a successful nuclear program. By 1952 Germany had established a commercial rocket transport system permitting hours-long intercontinental travel, and space exploration advanced to the level that by the end of the 1950s, the Swastika flag flew on Mars and travel to the Moon, Venus, or Mars was available. The Nazis used nuclear power to "bottle up" the Mediterranean for use as farmland for the Italian Empire, which has expanded from the entire Mediterranean regions and the Balkans into East Africa. Germany later invented television while Imperial Japan remained (somewhat) technologically behind the Third Reich; however, given the military and aerospace overspending, Germany suffers severe consumer goods shortages and a fragile economy, thus, the internecine intrigue against Japan. Despite being powerful in its own right, Italy lies firmly within Germany's sphere of influence, relegated into subordination along with the Nazi puppet states. Canada seems to be the only country truly free of the influence of Germany and Japan. Though broadcasters criticize the superpowers in Canada, the country is too weak to threaten either superpower and is left alone as a buffer between the two superpowers.

As the novel begins, Führer Bormann dies, and Joseph Goebbels and Reinhard Heydrich fight politically to succeed him as Reichskanzler; moreover, Nazi Party factions struggle for the supremacy of their programs: either war against Japan or colonizing the solar system for National Socialism.

The political world in the novel.

Characters

The Man in the High Castle contains a loose collection of characters. Some of them know each other, while others are connected in more indirect ways as they all cope with living under totalitarianism. Three characters guide their lives based on the I Ching:

Nobusuke Tagomi is a trade missioner in Japanese San Francisco.

Frank Frink works for the Wyndham–Matson Corporation, that specializes in reproductions of pre-war Americana artifacts; he is fired for showing his temper. He is a secret Jew (né Fink) who hides to avoid extermination. He is a veteran of the Pacific War.

Juliana Frink, a judo instructor, is Frank's ex-wife.

Others believe different things:

Robert Childan owns American Artistic Handicrafts, an Americana antiques business supplied by Wyndham–Matson Inc. He believes the items genuine; Mr Tagomi is one of his best customers, who buys "gifts" for himself and for visiting businessmen. Given his mostly Japanese clientele, Childan has adopted their manners, Anglicised modes of speech, and ways of thinking, yet, despite such deference to the Japanese overlords, he is contemptuous of them, privately retaining his pre-war white supremacy — believing in the essential inferiority of the non-white Asian and African races. Nonetheless, he is very conscious of his image, often deliberating, to himself, in the Asian mentality, how his actions might appear to others.

Wyndham-Matson (Frank Frink's boss) muses about the difference between a real antique and a reproduction antique; via his girlfriend, he introduces the novel The Grasshopper Lies Heavy to the plot.

Mr. Baynes, a wealthy Swedish industrialist, is actually Rudolf Wegener, a Captain in Reich Naval Counter-Intelligence, who is en route to meet Mr. Tagomi, through whom he expects to meet an important Japanese representative. He is taken aback by Tagomi's gift of a "genuine Mickey Mouse watch" (bought at the American Artistic Handicrafts Inc. shop).

Story lines

The narrative story lines of the plot alternate among those of the characters, providing a broad picture of quotidian life in totalitarian America:

Mr. Baynes travels undercover to San Francisco, as a Swedish merchant. There, he talks with Mr Tagomi, but, in pursuit of his true mission, must prolong their meeting until the arrival, from Japan, of the Yatabe (General Tedeki, formerly of the Imperial General Staff). His mission is to warn the Japanese of Operation Löwenzahn (Operation Dandelion), a nuclear attack upon the Japanese Archipelago Home Islands planned by Joseph Goebbels's faction within the ruling Nazi Party.

Frank Frink and his friend Ed McCarthy start a jewelry business; their beautiful, original art works strangely affect the Americans and Japanese who see them. He is arrested after his attempted sabotage of Wyndham-Matson — by telling Childan that the items of Americana he sells are fake.

Mr. Tagomi, unable to acknowledge the unpleasant rumors he has heard, finds solace in action, fighting the Nazi agents attempting to kill Baynes; he uses the "authentic" Colt-brand U.S. Army revolver bought from Childan. Then, he retaliates against local Nazi authority, by directing the release of the Jew Frank Frink, who was slated for deportation to Nazi America. Tagomi and Frink never meet, nor does he know that Frank Frink created the beautiful artwork that so impressed him; however, as a devout Buddhist, the existential implications of deliberately taking a human life so bother him they provoke a heart attack.

Juliana, living in Colorado, begins a romantic relationship with Joe, a truck driver claiming to be an Italian war veteran. He wants to meet Hawthorne Abendsen (the titular Man in the High Castle, so called, because he lives in a guarded residence), who wrote The Grasshopper Lies Heavy novel. Juliana travels with him, but discovers that he actually is a Swiss assassin meaning to kill the writer; she attempts to leave, but he bars her way. Distressed beyond reason, Juliana, instead, cuts Joe's throat with the straight razor with which she had considered using to commit suicide. She completes the journey alone, meets author Abendsen, and induces him to reveal the truth about The Grasshopper Lies Heavy.

Robert Childan desperately attempts to retain his honor despite the forced obsequiousness towards the Japanese overlords. Although ambivalent about the lost war and foreign occupiers of his country, whom he loathes and respects, he discovers a sense of cultural pride in himself. He also investigates the widespread forgery in the antiques market amid increased Japanese interest in genuine Americana.

The story-within-the-story

Several characters in The Man in the High Castle read the popular novel The Grasshopper Lies Heavy, by Hawthorne Abendsen, whose title, putatively, derives from the Bible verse: "The grasshopper shall be a burden" (Ecclesiastes 12:5). It is a novel within a novel, wherein Abendsen posits an alternative universe where the Axis lost WWII (1939–1948), for which reason the Japanese and the Germans proscribed it in the occupied U.S., despite its being a widely-read book in the Pacific and its publication being legal in the neutral countries.

The Grasshopper Lies Heavy postulates that President Franklin D. Roosevelt survives assassination and forgoes re-election in 1940, honoring George Washington's two-term limit. The next president, Rexford Tugwell, removes the U.S. Pacific fleet from Pearl Harbor, Hawaii, saving it from Japanese attack, and ensuring that the U.S. enters World War II a well-equipped naval power. The U.K. retains most of its military-industrial strength, contributing more to the Allied war effort, making feasible: Field Marshal Erwin Rommel's defeat in North Africa; a British advance through the Caucasus to join the Russian Communists to victory in the Battle of Stalingrad; Italy reneges its membership in and betrays the Axis Powers; British armor and the Red Army jointly conquer Berlin; and, at war's end, the Nazi leaders — including Adolf Hitler — are tried for their war crimes; the Führer's last words are Deutsche, hier steh' ich ("Germans, here I stand"), in imitation of the priest Martin Luther.

Post-war, Churchill remains Britain's leader; and, because of its military-industrial might, the British Empire does not collapse; the U.S. establishes strong business relations with Chiang Kai-shek's right-wing (nationalist) China, after vanquishing the Communist Mao Zedong. In the event, the British Empire becomes openly racist, confirming the senile Churchill's truly irrational, imperial aggression, while the U.S. outlaws Jim Crow, resolving its racism by the 1950s. Both changes provoke racialist-cultural tensions between the U.S. and the U.K., leading them to a Cold War for global hegemony. As both are "liberal", "democratic", capitalist societies, the less hypocritical U.K. defeats the U.S., becoming the planetary superpower.

The I Ching as literary device

Dick used the philosophic I Ching (Book of Changes) to determine the plot particulars of The Man in the High Castle, explaining:

"I started with nothing but the name, Mister Tagomi, written on a scrap of paper, no other notes. I had been reading a lot of Oriental philosophy, reading a lot of Zen Buddhism, reading the I Ching. That was the Marin County zeitgeist, at that point; Zen Buddhism and the I Ching. I just started right out and kept on trucking."^[3] In the event, he blamed the I Ching for plot incidents he disliked: "When it came to close down the novel, the I Ching had no more to say. So, there's no real ending on it. I like to regard it as an open ending".^[4]

The I Ching is prominent in The Man in the High Castle; having diffused it as part of their cultural hegemony overlordship of the Pacific Coast U.S., the Japanese — and some American — characters consult it, and then act per its replies to their queries. Specifically, "The Man in the High Castle", Hawthorne Abendsen, himself, used it to write The Grasshopper Lies Heavy, and, at story's end, in his presence, Juliana Frink, queries the I Ching: "Why did it write The Grasshopper Lies Heavy?" and "What is the reader to learn from the novel?" The I Ching replies with Hexagram 61 ([中孚] zhōng fú) Chung Fu, "Inner Truth", describing the true state of the world—every character in The Man in the High Castle is living a false reality.

Themes

The interpretation and confusion of true and false realities is the principal theme of The Man in the High Castle; it is explored several ways:

Robert Childan grasps that most of his antiques are counterfeit, thus, becomes paranoid that his entire stock might be counterfeit; a theme common to Dick's writing (cf. Do Androids Dream of Electric Sheep?), wherein the counterfeit is better than the original, because it is functionally real, e.g. the .44 caliber Colt Army Model 1860 revolver indistinguishable by no-one, but an expert armorer, as Tagomi's shoot-out demonstrates.

Wyndham-Matson, himself a collector, has a Zippo cigarette lighter with documentation attesting to its having been in FDR's coat pocket when he was assassinated. He compares it with his girlfriend's identical lighter, inviting her to "feel the historicity"; despite, of course, his fortune depending upon genuine counterfeits.

Several characters are secret agents traveling under assumed persona and pretenses; the gentile "Frank Frink" is the counterfeit persona of the Jew "Frank Fink".

The Man in the High Castle, 2001 Penguin Classics edition, cover by James P. Keenan.

The Grasshopper Lies Heavy, the book-within-a-book, postulates an alternative universe where the Axis lost WWII to the Allies, albeit with an alternative sequence of events.

The Edfrank jewelry more resembles 1960s American folk art than it does Japanese and German art; its connections with deeper reality manifested in the effect exerted upon the characters who handle it.

The Grasshopper Lies Heavy is the alternative history analogue of The Man in the High Castle, wherein it is a work of fiction within a work of fiction; the interpenetration of two false realities suggesting that the idea of a false and a true reality is inaccurate, because there exist more than two realities.

Novelist Hawthorne Abendsen, the titular Man in the High Castle, lives in a house after having lived in a castle (fortified house) that was more prison than home, yet, for the sake of perception (false reality) he perpetuates the myth of his fortified isolation.

At novel's end, Hawthorne Abendsen and Juliana Frink consult the I Ching — it tells them they are living in an immaterial (false) world.

Mr. Tagomi briefly perceives an alternative world upon meditating over a pin containing a Wu (Satori) form of "inner truth"; said Frank Frink artifact transports him to a San Francisco city where white folk do not defer to the Japanese, possibly the world of The Grasshopper Lies Heavy. In this world the Embarcadero Freeway runs through downtown San Francisco, whereas in Mr. Tagomi's world it does not exist. This suggests that the world might in fact be our own.

In Operation Dandelion, a false need for military action in Canada is used to hide an attack on mainland Japan.

The authorial Dick asks: "Who, and what, are the agents behind this interpenetration of true and false realities?" and "Why do those agents desire that the artifice of said realities be recognized?" These thematic questions feature in the novels Ubik, VALIS, and Flow My Tears, the Policeman Said.

The Man in the High Castle deals with justice and injustice (Frink flees Nazi racist persecution); gender and power (the relationship between Juliana and Joe); the shame of cultural inferiority and identity (Childan's new-found confidence in American culture via his limited nostalgia and obsession with antiques); and the effects of fascism and racism upon culture (the devaluation of life under Nazi world totalitarianism and the presumptions of Japanese, German, and American racial superiority), cf. cultural hegemony.

Inspirations

Later, Dick explained he conceived The Man in the High Castle from reading Bring the Jubilee (1953), by Ward Moore, which occurs in an alternative twentieth-century U.S. wherein the Confederate States of America won the American Civil War in the 1860s. In the acknowledgments, he mentions other influences: The Rise and Fall of the Third Reich (1960), by William L. Shirer; Hitler: A Study in Tyranny (1962), by Alan Bullock; The Goebbels Diaries (1948), Louis P. Lochner, translator; Foxes of the Desert (1960), by Paul Carrell; and the I Ching (1950), Richard Wilhelm, translator. There are also many similarities between this book and the short story Two Dooms (1958) by Cyril Kornbluth, the US divided at the Mississppi river by rival German and Japanese occupiers, and the predominant agricultural and religious themes in particular.

The acknowledgments have three references to traditional Japanese and Tibetan poetic forms; (i) volume one of the Anthology of Japanese Literature (1955), Donald Keene editor, from which is cited the haiku in page 48; (ii) from Zen and Japanese Culture (1955), by Daisetz Teitaro Suzuki, from which is cited a waka in page 135; and (iii) the Tibetan Book of the Dead (1960), by W. Y. Evans-Wentz, translator.

Sequel

In a 1976 interview, Dick said he planned to write a sequel novel to The Man in the High Castle: "And so there's no real ending on it. I like to regard it as an open ending. It will segue into a sequel sometime." Dick said that he had "started several times to write a sequel", but progressed little, because he was too disturbed by his original research for The Man in the High Castle and could not mentally bear "to go back and read about Nazis again."^[4] He suggested that the sequel would be a collaboration with another author: "Somebody would have to come in and help me do a sequel to it. Someone who had the stomach for the stamina to think along those lines, to get into the head; if you're going to start writing about Reinhard Heydrich, for instance, you have to get into his face. Can you imagine getting into Reinhard Heydrich's face?"^[4]

Two chapters of the proposed sequel were published in a collection of essays about Dick titled The Shifting Realities of Philip K. Dick (ISBN 0-679-74787-7). The chapters describe Gestapo officers reporting to Nazi Party officials about their time-travel visits to a parallel world in which the Nazi conquest has failed, but which contains nuclear weapons, available for the stealing by the Nazis back to their world. Ring of Fire, describing the emergence of a hybrid Japanese–American culture, was a working title for the novel.

On occasion, Dick said that 1967's The Ganymede Takeover began as a sequel to The Man in the High Castle, but that it did not coalesce as such; specifically, the Ganymedans occupying the Earth began as the Imperial Japanese occupying the conquered U.S.

Dick's novel Radio Free Albemuth also started as a sequel to The Man in the High Castle.^[5] Dick described the plot of this early version of Radio Free Albemuth — then titled VALISystem A — writing: "... a divine and loving ETI [extraterrestrial intelligence] ... help[s] Hawthorne Abendsen, the protagonist-author in [The Man in the High Castle], continue on in his difficult life after the Nazi secret police finally got to him... VALISystem A, located in deep space, sees to it that nothing, absolutely nothing, can prevent Abendsen from finishing his novel."^[5] The novel eventually evolved into a new story unrelated to The Man in the High Castle, and Dick ultimately abandoned the book and it went unpublished during his lifetime. Portions of it were salvaged and used for 1981's VALIS; the full book was not published until 1985, three years after Dick's death.

References

Notes

^ "1963 Award Winners & Nominees". Worlds Without End. http://www.worldswithoutend.com/books_year_index.asp?year=1963. Retrieved 2009-09-27.
^ Pringle 1990, p. 193.
^ Philip K. Dick's Final Interview, June 1982 John Boonstra, Rod Serling's The Twilight Zone Magazine, Vol. 2, No. 3, June 1982, pp. 47-52
^ ^a ^b ^c "Hour 25: A Talk With Philip K. Dick". philipKdick.com. http://www.philipkdickfans.com/frank/hour25.htm. Retrieved 2008-07-30.
^ ^a ^b A Possible Man in the High Castle Sequel? Tony Pfarrer, The Palm Tree Garden of Philip K. Dick, Philip K. Dick at Alphane Moon

Bibliography

Brown, William Lansing 2006. "Alternate Histories: Power, Politics, and Paranoia in Philip Roth's The Plot against America and Philip K. Dick's The Man in the High Castle", The Image of Power in Literature, Media, and Society: Selected Papers, 2006 Conference, Society for the Interdisciplinary Study of Social Imagery. Wright, Will (ed.); Kaplan, Steven (ed.); Pueblo, CO: Society for the Interdisciplinary Study of Social Imagery, Colorado State University-Pueblo; pp. 107–11.
Campbell, Laura E. 1992. "Dickian Time in The Man in the High Castle", Extrapolation, 33: 3, pp. 190–201.
Carter, Cassie 1995. "The Metacolonization of Dick's The Man in the High Castle: Mimicry, Parasitism and Americanism in the PSA", Science-Fiction Studies #67, 22:3, pp. 333–342.
Clute, John; Nicholls, Peter (1995). The Encyclopedia of Science Fiction. New York: St. Martin's Press. pp. 1386. ISBN 0-312134-86-X.
Clute, John; Nicholls, Peter (1995). The Multimedia Encyclopedia of Science Fiction. Danbury, CT: Grolier. pp. CD–ROM. ISBN 0-7172-3999-3.
DiTommaso, Lorenzo, 1999. "Redemption in Philip K. Dick's The Man in the High Castle", Science-Fiction Studies # 77, 26: , pp. 91–119.
Fofi, Goffredo 1997. "Postfazione", Philip K. Dick, La Svastica sul Sole, Roma, Fanucci, pp. 391–5.
Hayles, N. Katherine 1983. "Metaphysics and Metafiction in The Man in the High Castle", Philip K. Dick eds. Olander and Greenberg New York, Taplinger, 1983, pp. 53–71.
Jakubowski, Maxim; Edwards, Malcolm (1983). The Complete Book of Science Fiction and Fantasy Lists. St Albans, Herts, UK: Granada Publishing Ltd.. pp. 350. ISBN 0-586-05678-5.
Malmgren, Carl D. 1980. "Philip Dick's The Man in the High Castle and the Nature of Science Fictional Worlds", Bridges to Science Fiction, eds. George E. Slusser, George R. Guffey and Mark Rose, Carbondale and Edwardsville: Southern Illinois University Press, pp. 120–30.
Nicholls, Peter (1979). The Encyclopedia of Science Fiction. St Albans, Herts, UK: Granada Publishing Ltd.. pp. 672. ISBN 0-586-05380-8.
Pagetti, Carlo, 2001a. "La svastica americana" [Introduction], Philip K. Dick, L'uomo nell'alto castello, Roma: Fanucci, pp. 7–26.
Pringle, David (1990). The Ultimate Guide to Science Fiction. London: Grafton Books Ltd.. pp. 407. ISBN 0-246-13635-9.
Proietti, Salvatore, 1989. "The Man in The High Castle: politica e metaromanzo", Il sogno dei simulacri, eds. Carlo Pagetti and Gianfranco Viviani, Milano, Nord, 1989 pp. 34–41.
Rieder, John 1988. "The Metafictive World of The Man in the High Castle: Hermeneutics, Ethics, and Political Ideology", Science-Fiction Studies # 45, 15.2: 214-25.
Rossi, Umberto, 2000. "All Around the High Castle: Narrative Voices and Fictional Visions in Philip K. Dick's The Man in the High Castle", Telling the Stories of America - History, Literature and the Arts - Proceedings of the 14th AISNA Biennial conference (Pescara, 1997), eds. Clericuzio, A., Annalisa Goldoni and Andrea Mariani, Roma: Nuova Arnica, pp. 474–83.
Simons, John L. 1985. "The Power of Small Things in Philip K. Dick's The Man in the High Castle". The Rocky Mountain Review of Language and Literature, 39:4, pp. 261–75.
Tuck, Donald H. (1974). The Encyclopedia of Science Fiction and Fantasy. Chicago: Advent. pp. 136. ISBN 0-911682-20-1.
Warrick, Patricia, 1992. "The Encounter of Taoism and Fascism in The Man in the High Castle", On Philip K. Dick, eds. Mullen et al., Terre Haute and Greencastle: SF-TH Inc. 1992, pp. 27–52.

External links

Review and analysis
Review and analysis
"The World Hitler Never Made"
The Man in the High Castle cover art gallery
The Man in the High Castle at the Internet Book List
The Man in the High Castle at Worlds Without End

Awards and achievements
Preceded by Stranger in a Strange Land by Robert A. Heinlein	Hugo Award for Best Novel 1963	Succeeded by Here Gather the Stars by Clifford D. Simak

Works of Philip K. Dick

Novels

Gather Yourselves Together · Voices from the Street · Vulcan's Hammer · Dr. Futurity · The Cosmic Puppets · Solar Lottery · Mary and the Giant · The World Jones Made · Eye in the Sky · The Man Who Japed · A Time for George Stavros · Pilgrim on the Hill · The Broken Bubble · Puttering About in a Small Land · Nicholas and the Higs · Time Out of Joint · In Milton Lumky Territory · Confessions of a Crap Artist · The Man Whose Teeth Were All Exactly Alike · Humpty Dumpty in Oakland · The Man in the High Castle · We Can Build You · Martian Time-Slip · Dr. Bloodmoney, or How We Got Along After the Bomb · The Game-Players of Titan · The Simulacra · The Crack in Space · Now Wait for Last Year · Do Androids Dream of Electric Sheep? · Clans of the Alphane Moon · The Three Stigmata of Palmer Eldritch · The Zap Gun · The Penultimate Truth · Deus Irae · The Unteleported Man · The Ganymede Takeover · Counter-Clock World · Nick and the Glimmung · Ubik · Galactic Pot-Healer · A Maze of Death · Our Friends from Frolix 8 · Flow My Tears, the Policeman Said · A Scanner Darkly · Radio Free Albemuth · VALIS · The Divine Invasion · The Transmigration of Timothy Archer · The Owl in Daylight (unfinished)

Short story collections

A Handful of Darkness (1955) · The Variable Man (1956) · The Preserving Machine (1969) · The Golden Man (1980) · The Book of Philip K. Dick (1973) · The Best of Philip K. Dick (1977) · Robots, Androids, and Mechanical Oddities (1984) · I Hope I Shall Arrive Soon (1985) · The Collected Stories of Philip K. Dick (1987) · Beyond Lies the Wub (1988) · The Dark Haired Girl (1989) · The Father-Thing (1989) · Second Variety (1989) · The Days of Perky Pat (1990) · The Little Black Box (1990) · The Short Happy Life of the Brown Oxford (1990) · We Can Remember It for You Wholesale (1990) · The Minority Report (1991) · Second Variety (1991) · The Eye of the Sibyl (1992) · The Philip K. Dick Reader (1997) · Minority Report (2002) · Selected Stories of Philip K. Dick (2002) · Paycheck (2004) · Vintage PKD (2006)

Short stories

"Beyond Lies the Wub" (1952) · "The Gun" (1952) · "The Skull" (1952) · "The Little Movement" (1952) · "The Defenders" (1953) · "Mr. Spaceship" (1953) · "Piper In The Woods" (1953) · "Roog" (1953) · "The Infinities" (1953) · "Second Variety" (1953) · "The World She Wanted" (1953) · "Colony" (1953) · "The Cookie Lady" (1953) · "Impostor" (1953) · "Martians Come In Clouds" (1953) · "Paycheck" (1953) · "The Preserving Machine" (1953) · "The Cosmic Poachers" (1953) · "Expendable" (1953) · "The Indefatigable Frog" (1953) · "The Commuter" (1953) · "Out In The Garden" (1953) · "The Great C" (1953) · "The King of the Elves" (1953) · "The Trouble with Bubbles" (1953) · "The Variable Man" (1953) · "The Impossible Planet" (1953) · "Planet for Transients" (1953) · "Some Kinds of Life" (1953) · "The Builder" (1953) · "The Hanging Stranger" (1953) · "Project: Earth" (1953) · "The Eyes Have It" (1953) · "Tony and the Beetles" (1953) · "Prize Ship" (1954) · "Beyond the Door" (1954) · "The Crystal Crypt" (1954) · "A Present for Pat" (1954) · "The Short Happy Life of the Brown Oxford" (1954) · "The Golden Man" (1954) · "James P. Crow" (1954) · "Prominent Author" (1954) · "Small Town" (1954) · "Survey Team" (1954) · "Sales Pitch" (1954) · "Time Pawn" (1954) · "Breakfast at Twilight" (1954) · "The Crawlers" (1954) · "Of Withered Apples" (1954) · "Exhibit Piece" (1954) · "Adjustment Team" (1954) · "Shell Game" (1954) · "Meddler" (1954) · "Souvenir" (1954) · "A World of Talent" (1954) · "The Last of the Masters" (1954) · "Progeny" (1954) · "Upon the Dull Earth" (1954) · "The Father-thing" (1954) · "Strange Eden" (1954) · "Jon's World" (1954) · "The Turning Wheel" (1954) · "Foster, You're Dead!" (1955) · "Human Is" (1955) · "War Veteran" (1955) · "Captive Market" (1955) · "Nanny" (1955) · "The Hood Maker" (1955) · "The Chromium Fence" (1955) · "Service Call" (1955) · "A Surface Raid" (1955) · "The Mold of Yancy" (1955) · "Autofac" (1955) · "Psi-man Heal My Child!" (1955) · "The Minority Report" (1956) · "To Serve the Master" (1956) · "Pay for the Printer" (1956) · "A Glass of Darkness" (1956) · "The Unreconstructed M" (1957) · "Misadjustment" (1957) · "Null-O" (1958) · "Explorers We" (1959) · "Recall Mechanism" (1959) · "Fair Game" (1959) · "War Game" (1959) · "All We Marsmen" (1963) · "Stand-by" (1963) · "What'll We Do with Ragland Park?" (1963) · "The Days of Perky Pat" (1963) · "If There Were No Benny Cemoli" (1963) · "Waterspider" (1964) · "Novelty Act" (1964) · "Oh, to be a Blobel!" (1964) · "The War with the Fnools" (1964) · "What the Dead Men Say" (1964) · "Orpheus with Clay Feet" (1964) · "Cantata 140" (1964) · "A Game of Unchance" (1964) · "The Little Black Box" (1964) · "Precious Artifact" (1964) · "The Unteleported Man" (1964) · "Retreat Syndrome" (1965) · "Project Plowshare" (1965) · "We Can Remember It for You Wholesale" (1966) · "Holy Quarrel" (1966) · "Your Appointment Will Be Yesterday" (1966) · "Return Match" (1967) · "Faith of Our Fathers" (1967) · "Not by Its Cover" (1968) · "The Story To End All Stories" (1968) · "The Electric Ant" (1969) · "A. Lincoln, Simulacrum" (1969) · "The Pre-persons" (1974) · "A Little Something for Us Tempunauts" (1974) · "The Exit Door Leads In" (1979) · "Chains Of Air, Web Of Aethyr" (1980) · "Rautavaara's Case" (1980) · "I Hope I Shall Arrive Soon" (1980) · "The Alien Mind" (1981) · "Strange Memories Of Death" (1984) · "Cadbury, the Beaver Who Lacked" (1987) · "The Day Mr. Computer Fell Out Of Its Tree" (1987) · "The Eye of the Sibyl" (1987) · "Stability" (1987) · "Goodbye, Vincent" (1988)

Film adaptations

Blade Runner (1982) · Total Recall (1990) · Confessions d'un Barjo (1992) · Screamers (1995) · Impostor (2002) · Minority Report (2002) · Paycheck (2003) · A Scanner Darkly (2006) · Next (2007) · Screamers: The Hunting (2009) · Radio Free Albemuth (TBA) · The Adjustment Bureau (TBA) · King of the Elves (2012)

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The Man in the High Castle

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