Plot
An unusually tense and intelligent political thriller, The Manchurian Candidate was a film far ahead of its time. Its themes of thought control, political assassination, and multinational conspiracy were hardly common currency in 1962, and while its outlook is sometimes informed by Cold War paranoia, the film seemed nearly as timely when it was reissued in 1987 as it did on its original release. It opens with a group of soldiers whooping it up in a bar in Korea as their commander, Sgt. Raymond Shaw (Laurence Harvey), arrives to inform them that they're back on duty. These men obviously have no fondness for Shaw, and he feels no empathy for them. While on patrol, Shaw and his platoon are ambushed by Korean troops. Months later, Shaw is receiving a hero's welcome as he returns to the United States to accept the Congressional Medal of Honor, and several of the soldiers who served under Shaw repeatedly refer to him as "the bravest, finest, most lovable man I ever met." It soon becomes evident that after their capture by the Koreans, Shaw and his men were subjected to an intense program of brainwashing prior to their release. While several are troubled by bad dreams and inexplicable behavior, it's Capt. Bennett Marco (Frank Sinatra) who seems the most haunted by the experience. In time, Marco is able to piece together what happened; it seems Raymond Shaw was programmed by a shadowy cadre of Russian and Chinese agents into a killing machine who will assassinate anyone, even a close friend, when given the proper commands. On the other side of the coin, Shaw is also used for political gain by his harridan mother (Angela Lansbury), who guides the career of her second husband, John Iselin (James Gregory), a bone-headed congressman hoping to win the vice-presidential nomination through a campaign of anti-Communist hysteria.The Manchurian Candidate features a host of remarkable performances, several from actors cast cleverly against type. Frank Sinatra's edgy, aggressive turn as Marco may be the finest dramatic work of his career; Laurence Harvey's chilly onscreen demeanor was rarely used to s better advantage than as Raymond Shaw; James Gregory is great as the oft-befuddled Senator Iselin; and Angela Lansbury's ultimate bad mom will be a shock to those who know her as the lovable mystery writer from Murder, She Wrote. George Axelrod's screenplay (based on Richard Condon's novel) is by turns compelling, witty, and horrifying in its implications, and John Frankenheimer's direction milks it for all the tension it can muster. While Frankenheimer's career has had its ups and downs, The Manchurian Candidate and Seconds (1966) suggest that he deserves to be recognized as one of the most brilliantly paranoid American filmmakers of the '60s. Entertaining yet unsettling, both films indicate that things in the '60s were not what they seemed, with a resonance that still echoes uncomfortably in the present. ~ Mark Deming, Rovi
Review
A brilliant Cold War satire, The Manchurian Candidate is a chilling commentary on political power, international conspiracy, and the gullibility of the American people. A paean to paranoia, it was ahead of its time yet reflected the tensions of its era, and modern-day viewers can use it as a guide to the political and moral climate of the early years of Cold War America. One doesn't have to look hard to find a thinly veiled Senator Joseph McCarthy in zealous anti-Communist Senator Iselin or fears of female dominance in Angela Lansbury's megalomaniacal Mrs. Iselin. In addition to its status as one of the great political satires, The Manchurian Candidate remains a classic for its sharp, often hilarious script, for John Frankenheimer's fine-tuned direction, and for its uniformly excellent performances. Though Laurence Harvey, Frank Sinatra, and Janet Leigh are all thoroughly effective, and James Gregory is pricelessly stupid as Senator Iselin, the film belongs to Lansbury. Her Mrs. Iselin remains one of the screen's most terrifying maternal presences, a queen bee intent on clearing the hive of anyone who stands in her way. Like her clueless husband, the audience can only react dumbly to her, marveling at her single-minded rampage towards world domination. Unavailable for years due to a dispute between Sinatra and United Artists, The Manchurian Candidate is a film that should not be missed. Equal parts satire, political thriller, sly commentary, and history lesson, it has become a terrifying postcard from a time that should not be forgotten. ~ Rebecca Flint Marx, RoviCast
- Frank Sinatra - Bennett Marco
- Laurence Harvey - Raymond Shaw
- Janet Leigh - Rosie
- Angela Lansbury - Mrs. Iselin
- Henry Silva - Chunjin
Credit
Philip M. Jefferies - Art Director, Moss Mabry - Costume Designer, Joseph C. Behm - First Assistant Director, John Frankenheimer - Director, Ferris Webster - Editor, Howard W. Koch - Executive Producer, David Amram - Composer (Music Score), David Amram - Musical Direction/Supervision, Ron Berkeley - Makeup, Jack Freeman - Makeup, Bernard Ponedel - Makeup, Dorothy Parkinson - Makeup, Richard Sylbert - Production Designer, Lionel Lindon - Cinematographer, George Axelrod - Producer, John Frankenheimer - Producer, George R. Nelson - Set Designer, Paul Pollard - Special Effects, George Axelrod - Screenwriter, Richard Condon - Book Author| The Manchurian Avenger (1984 Film), The Manchu Eagle Murder Caper Mystery (1975 Film) | |
| The Manchurian Candidate (2004 Film), The Mandarin Mystery (1937 Film) |
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