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The Matrix: Reloaded

 
AnswerNote: Matrix Reloaded
Matrix Reloaded
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In the blockbuster sequel to The Matrix, Neo, Morpheus, Trinity, and the rest of their crew continue to battle the machines that have enslaved the human race. Now, more humans are waking up out of the matrix and attempting to live in the real world. Zion, the last real-world city and center of human resistance, becomes the battle-ground.

The third film in the trilogy is called The Matrix Revolutions and was released at the end of 2003.

Last updated: March 16, 2009.

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The Matrix Reloaded

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  • Directors: Andy Wachowski; Larry Wachowski
  • AMG Rating: starstarstar
  • Genre: Science Fiction
  • Movie Type: Sci-Fi Action
  • Themes: Fighting the System, Virtual Reality, Post-Apocalypse
  • Main Cast: Keanu Reeves, Carrie-Anne Moss, Laurence Fishburne, Hugo Weaving, Jada Pinkett Smith
  • Release Year: 2003
  • Country: US
  • Run Time: 138 minutes
  • MPAA Rating: R

Plot

After creating an international sensation with the visually dazzling and intellectually challenging sci-fi blockbuster The Matrix, the Wachowski brothers returned with the first of two projected sequels that pick up where the first film left off. Neo (Keanu Reeves) and Trinity (Carrie-Anne Moss) have been summoned by Morpheus (Laurence Fishburne) to join him on a voyage to Zion, the last outpost of free human beings on Earth. Neo and Trinity's work together has been complicated by the fact the two are involved in a serious romantic relationship. Upon their arrival in Zion, Morpheus locks horns with rival Commander Lock (Harry J. Lennix) and encounters his old flame Niobe (Jada Pinkett Smith). Meanwhile, Agent Smith (Hugo Weaving) has returned with some surprises for Neo, most notably the ability to replicate himself as many times as he pleases. Neo makes his way to The Oracle (Gloria Foster), who informs him that if he wishes to save humankind, he must unlock "The Source," which means having to release The Key Maker (Randall Duk Kim) from the clutches of Merovingian (Lambert Wilson). While Merovingian refuses to cooperate, his wife, Persephone (Monica Bellucci), angry at her husband's dalliances with other women, offers to help, but only in exchange for a taste of Neo's affections. With The Keymaker in tow, Neo, Trinity, and Morpheus are chased by Merovingian's henchmen: a pair of deadly albino twins (Neil Rayment and Adrian Rayment). Filmed primarily in Australia and California (the extended chase scene was shot on a stretch of highway build specifically for the production outside of San Francisco), The Matrix Reloaded was produced in tandem with the third film in the series, The Matrix Revolutions. ~ Mark Deming, All Movie Guide

Review

One of the most genuinely anticipated movies of its time, The Matrix Reloaded saturated theaters with an expectation of excellence that few films would ever be able to meet. But even with unrealistic expectations taken into account, this first sequel to The Matrix still disappoints. Respect must be given to the ambition, complexity, and sheer scale of the endeavor, but this quickly gives way to the significant problems with pacing and structure that didn't exist in the first movie. Case in point: After a brief blaze of action, The Matrix Reloaded settles into nearly 30 minutes of talk, talk, and more talk. Weighed down by these overlong sections of meaningless blather among insignificant characters, there are some truly head-scratching scenes that could've easily been excised -- Neo's (Keanu Reeves) late-night encounter with Councillor Harmann (Anthony Zerbe) being the most glaring example -- and the remainder of the movie strains to regain lost audience enthusiasm after this point. Where The Matrix was tightly structured and fast-paced, The Matrix Reloaded plays out on a larger scale, with its various pieces struggling to cohere together. The lengthy action sequences are motivated less by plot than by the need to have another action sequence, and though the story has a wobbly arc of its own, the finale feels as if it was arbitrarily cut to create a cliffhanger that's more puzzling than "whoa" inducing. Those expecting something as new and surprising as the first Matrix may also be let down by the sequel's lack of a truly dazzling effect on the magnitude of "bullet-time." Instead, the old effects are refined and reused in set pieces like an exhausting 14-minute vehicle chase and a CG fight sequence that comes close to replicating the look of reality. It's telling that one of the most entertaining action scenes -- the precise hand-to-hand combat between Neo and Seraph (Collin Chou) -- is also one of the simplest. But in sequel-land, simple is rarely good enough, and The Matrix Reloaded is ultimately diminished by its affinity for all things exaggerated. For the Wachowskis, no chase is too long, no speech too windy, no Biblical reference too overt. By the end of nearly two-and-a-half hours, the Matrix hasn't been reloaded; it's been deflated. ~ Skyler Miller, All Movie Guide

Cast

Gloria Foster - The Oracle; Harold Perrineau, Jr. - Link; Monica Bellucci - Persephone; Harry J. Lennix - Commander Lock; Lambert Wilson - Merovingian; Randall Duk Kim - The Keymaker; Nona Gaye - Zee; Anthony Zerbe - Councillor Hamann; Helmut Bakaitis - The Architect; Neil Rayment - Twin #1; Adrian Rayment - Twin #2; Daniel Bernhardt - Agent Johnson; Josephine Byrnes - Zion Virtual Control Operator; Robert Mammone - AK; David Roberts - Roland; David Franklin - Maitre D'; Robyn Nevin - Councillor Dillard; Nathaniel Lees - General Mifune; Steve Bastoni - Captain Sorren; Matt McColm - Agent Thompson; Cornel West - Councillor West; Essie Davis - Maggie; Ngai Sing - Seraph; Malcolm Kennard - Abel; Lachy Hulme - Sparks; Gina Torres - Cass, Dozer's widow; Rupert Reid - Lock's Lieutenant; Ian Bliss - Bane; Tahei Simpson - Binary; David No - Cain; Christine Mitchell - Power Station Guard; Christine Anu - Kali; Steve Morris - Computer Room Guard; David A. Kilde - Agent Jackson; Chris Kirby - Mauser; John Walton - Security Bunker Guard; Clayton Watson - The Kid; Valerie Berry - Priestess; Kelly Butler - Ice; Damon White - dancer; Donald Battee - Vector; Peter Lamb - Colt; Roy Jones Jr. - Captain Ballard; Monique Montez; Che Timmins - Radio Man; Nick Scoggin - "Gidim" Truck Driver; Genevieve O'Reilly - Officer Wirtz; Socratis Otto - Operator (Vigilant); Tory Mussett - Beautiful Woman at Le Vrai; Rene Naufahu - Zion Gate Operator; Andy Arness - Police #2; Alima Ashton-Sheibu - Girl (Link's Niece); Liliana Bogatko - Old Woman At Zion; Michael Budd - Zion Controller; Stoney Burke - Bike Carrier Driver; Noris Campos - Woman With Groceries; Paul Cotter - Corrupt; Marlene Cummins - Another Old Woman At Zion; Attila Davidhazy - Young Thomas Anderson (12); Terrell Dixon - Wurm; Nash Edgerton - Security Guard #5; Austin Galuppo - Young Thomas Anderson (4); Daryl Heath - A. P. U. Escort; Tony Lynch - Computer Room Technician; Joshua Mbakwe - Boy (Link's Nephew); Scott McLean - Security Bunker Guard #2; Montaño Rain - Young Thomas Anderson (8); Shane C. Rodrigo - Ajax; Frankie Stevens - Tirant; Nicandro Thomas - Young Thomas Anderson (2); Andrew Valli - Police #1; Steve Vella - Malachi; Tammy Cheney - dancer; Michael E. Cole - dancer; Brandon Freeman - dancer; Yukie Fujimoto - dancer; Jenifer Golden - dancer; Chae Hill - dancer; Maurya Kerr - dancer; Silfredo Lao Vigo - dancer; Monique Strauss - dancer; Leigh Whannell - Axel; Anthony Wong - Ghost; Ray Anthony - Power Station Guard; Kevin Scott - 18 Wheel Trucker

Credit

Mark Mansbridge - Art Director, Catherine Mansil - Art Director, Charlie Revai - Art Director, Jules Cook - Art Director, Hugh Bateup - Supervising Art Director, Steve Richards - Associate Producer, Vicki Popplewell - Associate Producer, Phil Oosterhouse - Associate Producer, Scott Kinzey - Boom Operator, Gerry Nucifora - Boom Operator, Mark Van Kool - Boom Operator, Mali Finn - Casting, Shauna Wolifson - Casting, John O'Connell - Choreography, Charles Moulton - Choreography, Geofrey Darrow - Consultant/advisor, Benjamin Ball - Consultant/advisor, Dwight Williams - Coordinator, Trish Foreman - Coordinator, Aimee Rousey - Coordinator, Colette Birrel - Coordinator, Abigale Cardell - Coordinator, Aaran Gordon - Coordinator, Lucinda Fergus - Coordinator, Nick Morrell - Coordinator, Jonathan Blake - Coordinator, Sue Osmond - Coordinator, Joclyn McCahon - Coordinator, Carrie Macfadden - Coordinator, Kate McCarthy - Coordinator, Jacqueline Rosado - Coordinator, Sarah Hicks - Coordinator, Trista Gormley - Coordinator, Vanessa Walshe - Coordinator, Kym Barrett - Costume Designer, Janis Mekaelian - Costume Designer, Christine Renee Dye - Costume Designer, Frank Morales - Costume Designer, Judy Feil - Costume Designer, Jean Fredrickson - Costume Designer, Molly Harris Campbell - Costume Designer, Tasha Lemel - Costume Designer, Kathleen Giordano - Costume Designer, Alfred Tiegs - Costume Designer, Michael Green - First Assistant Director, James McTeigue - First Assistant Director, Toby Pease - First Assistant Director, Andy Wachowski - Director, Larry Wachowski - Director, David R. Ellis - Second Unit Director, Kimble Rendall - Second Unit Director, Zach Staenberg - Editor, Andrew Mason - Executive Producer, Grant Hill - Executive Producer, Andy Wachowski - Executive Producer, Larry Wachowski - Executive Producer, Bruce Berman - Executive Producer, David Forbes - Executive Producer, Yuen Cheung-Yan - Fights Choreographer, Yuen Woo Ping - Fights Choreographer, Dion Lam - Fights Choreographer, Warren Hanneman - Hair Styles, Caroline Olweny - Hair Styles, Teresa Hinton - Hair Styles, Mia Kovero - Hair Styles, Rick Burns - Hair Styles, Rick Echols - Hair Styles, Howard "Butch" Leonard - Hair Styles, Peter Lawless - Location Manager, David Wolfson - Location Manager, Paul Shakeshaft - Lighting, Don Davis - Composer (Music Score), Jason Bentley - Musical Direction/Supervision, Chad Stahelski - Martial Arts Instructor/Coordinator, Cheung Yan Yuen - Martial Arts Instructor/Coordinator, Karen Bradley - Makeup, Kenny-King Turko - Makeup, Tina Gordon - Makeup, Margaret Aston - Makeup, Steven E. Anderson - Makeup, Chris Moseley - Camera Operator, Howard Smith - Camera Operator, Andrew Rowlands - Camera Operator, David Williamson - Camera Operator, Calum McFarlane - Camera Operator, Steve St. John - Camera Operator, Owen Paterson - Production Designer, Bill Pope - Cinematographer, Kim Marks - Cinematographer, Joel Silver - Producer, Brian Dusting - Set Designer, Ronald R. Reiss - Set Designer, Philip Thomas - Set Designer, Godric Cole - Set Designer, Mark Hitchler - Set Designer, Matt Saxon - Set Designer, Christian Husband - Set Designer, Dane A. Davis - Sound/Sound Designer, David Lee - Sound/Sound Designer, Rick Camara - Sound Recordist, Mark Johnston - Sound Recordist, Martin Pashley - Sound Recordist, Troy Brown - Stunts, Kelsee Devoreaux - Stunts, Ousuan Elam - Stunts, Thomas Huff - Stunts, Willie Leong - Stunts, Billy Lucas - Stunts, John Meier - Stunts, Christine O'Hara - Stunts, Chad Randall - Stunts, Erik Rondell - Stunts, John Sarviss - Stunts, Danny Weselis - Stunts, Danny Wynands - Stunts, Rocky Capella - Stunts, Gilbert Combs - Stunts, Steve Holladay - Stunts, Jack Carpenter - Stunts, Mike Martinez - Stunts, Larry Nicholas - Stunts, Pat Romano - Stunts, Tim Trella - Stunts, Ronnie R. Rondell - Stunts, Brian Duffy - Stunts, Debbie Evans - Stunts, Freddie Hice - Stunts, John Martin - Stunts, Alex Kuzelicki - Stunts, Mike Gunther - Stunts, Jeff Dashnaw - Stunts, Darren Prescott - Stunts, Tim Rigby - Stunts, Annie Ellis - Stunts, Kenny Alexander - Stunts, Jimmy N. Roberts - Stunts, Troy Robinson - Stunts, Rex Reddick - Stunts, Larry Rippenkrogger - Stunts, Brad Martin - Stunts, Nigel Harbach - Stunts, Peter Jerimijenko - Stunts, Andre McCoy - Stunts, David Leitch - Stunts, Jeff Mosley - Stunts, Marcus Young - Stunts, Douglas Neithercut - Stunts, Hank Amos - Stunts, Clancy Lee Beck - Stunts, Keir Beck - Stunts, Paul Borne - Stunts, Bobby Bowles - Stunts, Danielle Burgio - Stunts, Tim Connolly - Stunts, John Cypert - Stunts, Paul Doyle - Stunts, Thomas Dryden - Stunts, Tawny Ellis Lehman - Stunts, Ashley Fairfield - Stunts, Clay Donahue Fontenot - Stunts, Thomas Robinson Harper - Stunts, Lou Horvarth - Stunts, Henry Klingi - Stunts, Kevin Larson - Stunts, Anthony Lloyd - Stunts, Mike Massa - Stunts, Mike Mukatis - Stunts, Melanie Peyton-Smith - Stunts, Jim Pratt - Stunts, Debby Ross-Rondell - Stunts, Douglas Snivley - Stunts, Gray Stearns - Stunts, Keith Suzuki - Stunts, Cynthia VanAlstyne - Stunts, Bernadette van Gyen - Stunts, Tim Walkey - Stunts, Aaron Walters - Stunts, Troy Wood - Stunts, Avril Wynne - Stunts, David M. Barrett - Stunts, Paul Crawford - Stunts, R.A. Rondell - Stunts Coordinator, Glenn Boswell - Stunts Coordinator, Helen Gray - Stunts Coordinator, Steven Richard Courtley - Special Effects Supervisor, Clay Pinney - Special Effects Supervisor, L. Dean Jones, Jr. - Unit Production Manager, Grant Hill - Unit Production Manager, Andrew Hayes - Unit Production Manager, Simon Lucas - Unit Production Manager, Wil Milne - Unit Production Manager, Andy Wachowski - Screenwriter, Larry Wachowski - Screenwriter, Kim Marks - Additional Cinematography, Geoff Wharton - Additional Cinematography, David Brown - Production Assistant, Justin Folk - Production Assistant, Anthony Reyna - Production Assistant, Jenny Wolfe-Binder - Production Assistant, Saran Van Ommen - Production Assistant, Jesse Frazer - Production Assistant, Angaline Atkins - Production Assistant, Benjamin Naughtin - Production Assistant, Michele Ryan - Production Assistant, Eva Stolics - Production Assistant, Richelle Vawter - Production Assistant, Catherine Leyba - Production Assistant, Craig White - Production Assistant, Ben Bohling - Production Assistant, Torrey Oates - Production Assistant, John Gaeta - Visual Effects Supervisor, John "D.J." Desjardin - Visual Effects Supervisor, Dan Glass - Visual Effects Supervisor, Eric Warren Lindemann - Sound Effects Editor, Mark Larry - Sound Effects Editor, Richard Adrian - Sound Effects Editor, Andrew Lackey - Sound Effects Editor, Michael Edward Johnson - Sound Effects Editor, Michael W. Mitchell - Sound Effects Editor, Mark Hitchler - Model Effects, JD Sansaver - Model Effects, Fiona Searson - Unit Publicist, Bronwyn Preston - Unit Publicist, Greg Luntzel - First Assistant Camera, Colin Deane - First Assistant Camera, Frank Hruby - First Assistant Camera, John Gazdik - First Assistant Camera, Frank Flick - First Assistant Camera, Rod Williams - First Assistant Camera, Paul Sanchez - First Assistant Camera, Johnstone Paul - Gaffer, Reg Garside - Gaffer, Iain Mathieson - Gaffer, Jeff Gilliam - Gaffer, Steve Condiotti - Gaffer, Stephen Harding - Grip, Martin Fargher - Grip, Karl Dickard-Worth - Grip, John Regan - Grip, Roderick Scott - Grip, Henry Richards - Grip, Joseph Allen - Grip, Lisa Harper - Grip, Russell Hosking - Grip, A. Frank Mazzucchi - Grip, James Stuart - Grip, David Bouillez - Grip, Phillip Ho - Grip, Zach Love - Grip, Ken Phelps - Grip, Michael Larcombe - Grip, Justin Sykes - Grip, Jon Leahy - Grip, Ian Bird - Key Grip, Tony Mazzucchi - Key Grip, Toby Copping - Key Grip, Joey Rand - Music Editor, Zig Gron - Music Editor, Larry Mah - Musical Performer, Jessica Alan - Post Production Supervisor, Jacqueline King - Production Coordinator, Suzanne Mallos - Production Coordinator, Amanda Crittenden - Production Supervisor, Jim Scaife - Production Supervisor, Debra James - Production Supervisor, Paul Ranford - Production Supervisor, Ronald Rametta - Properties, Greg Upston - Properties, Brad Burnet - Properties, Jeremy Davis - Properties, Andrew Thilby - Properties, Thomas Perry - Properties, Luis Fonseca - Properties, Rowan Wademan - Properties, David Jolliffe - Properties, Andrew Hardingham - Properties, Dion Horstmans - Properties, John "Bert" Burless - Properties, Simon Bethune - Properties, Peter Thompson - Properties, Steve Reid - Properties, Craig Martin - Properties, Amanda Amphlett - Properties, Anna Marchant - Properties, Matthew Cotter - Properties, Gavin Walker - Properties, Peter Baxter - Properties Master, Mike Blaze - Properties Master, John Allan - Properties Master, Natalie Roth-Corti - Properties Master, Jason Baird - Prosthetic Makeup Effects, Rick Connelly - Prosthetic Makeup Effects, Charmaine Connelly - Prosthetic Makeup Effects, Bill Harrison - Pyrotechnic Special Effects, John Neal - Pyrotechnic Special Effects, John Bennett - Pyrotechnic Special Effects, Luigi Stefanel - Pyrotechnic Special Effects, Mark Killip - Pyrotechnic Special Effects, Dick Weight - Pyrotechnic Special Effects, Bernard Golenko - Pyrotechnic Special Effects, Tristan Hadden - Pyrotechnic Special Effects, Henry Buescher - Pyrotechnic Special Effects, Richard Georgensen - Pyrotechnic Special Effects, David E. Campbell - Re-Recording Mixer, Gregg Rudloff - Re-Recording Mixer, John Reitz - Re-Recording Mixer, Carol De Pasquale - Script Supervisor, Victoria Sullivan - Script Supervisor, Michelle Tankin - Script Supervisor, Heather McCann - Script Supervisor, Lou Grant - Script Supervisor, Claire Richardson - Second Assistant Director, Naomi Enfield - Second Assistant Director, Sean Hobin - Second Assistant Director, Sonia Whiteman - Second Assistant Director, Kent Genzlinger - Second Assistant Director, Howard Smith - Steadicam Operator, Steve St. John - Steadicam Operator, Jason Boland - Still Photographer, Mark Nettleton - Still Photographer, Mark Lapwood - Still Photographer, Phil Sheather - Still Photographer, Kane Skennar - Still Photographer, Dane A. Davis - Supervising Sound Editor, Julia Evershade - Supervising Sound Editor, Terry Clotiaux - Visual Effects Producer, Scott Lenau - Costume/Wardrobe, Cami Thompson - Costume/Wardrobe, Stephanie Brown - ADR Editor, Thomas J. O'Connell - ADR Mixer, Rick Canelli - ADR Recordist, Nancy Noblett - Assistant Art Director, Damien Drew - Assistant Art Director, Cindi Knapton - Assistant Art Director, Karen Murphy - Assistant Art Director, Michael Turner - Assistant Art Director, Gary McClendon - Assistant Chief Lighting Technician, Peter Martorano - Assistant Location Manager, Mark Hager - Assistant Production Coordinator, Bronwyn Fox - Assistant Production Coordinator, Diane Haddon - Assistant Production Coordinator, Charly Wrencher - Assistant Properties, Steve Gardner - Assistant Properties, Don Watson - Assistant Properties, Noel McIntosh - Assistant Sound Editor, David Kudell - Assistant Sound Editor, Eryne Prine - Assistant Sound Editor, Paul Hackner - Assistant Sound Editor, Bill R. Dean - Assistant Sound Editor, Michael Finley - Best Boy Electric, Ken Patsel - Best Boy Electric, Jay Munro - Best Boy Grip, Gary Gill - Best Boy Grip, Andy Smith - Best Boy Grip, Adrian Dalton - Buyer, Martin Williams - Buyer, Kate Patrick - Buyer, Hannah Knowlton - Buyer, Nicole Martin - Buyer, Alex Mansell - Buyer, Harvey Juchau - Buyer, Albert Marangoni - Buyer, Shareen Beringer - Buyer, Sandy Burcul - Buyer, Tracy Nagel - Buyer, Fergus Leese - Buyer, Mathew Windon - Camera Loader, Brett Tracey - Camera Loader, Ulrike Lamster - Camera Loader, Matthew Blea - Camera Loader, David Rapaport - Casting Assistant, Lindsey Hayes - Casting Associate, Bob Finley - Chief Lighting Technician, Mary Andrews - Construction Coordinator, Butch West - Construction Coordinator, Dan Bronson - Costumes Supervisor, Mick Vivian - Dolly Grip, Aron Walker - Dolly Grip, Matt Coping - Dolly Grip, Simon Elsley - Draftsman, Mark Harris - Electrician, Grant Wilson - Electrician, Bill Pelkey - Electrician, Mark Newnham - Electrician, Mark Jeffries - Electrician, Joel Lattigan - Electrician, Travis Magee - Electrician, Mark Watson - Electrician, Tony Lang - Electrician, Peniaku Loloa - Electrician, Richard Mason - Electrician, Robert Macdonald - Electrician, Samuel McKinnon - Electrician, Iain Godfrey - Electrician, Chris Mckinnon - Electrician, Matt Dowd - Electrician, Michael Pedder - Electrician, Tim Pack - Electrician, David "Sean" Dolan - Electrician, Charlie Nott - Electrician, Scott Rogers - Electrician, Tony Reaiche - Electrician, Ted Williams - Electrician, Richard Mills - Electrician, Peter McManus - Electrician, Peter Whitby - Electrician, Tim Neill - Electrician, Joel Klinger - Electrician, Grant Neutroski - Electrician, Jason Waide - Electrician, Paul Naylor - Electrician, John Ellard - Electrician, Mitch Gray - Electrician, Chris Dodd - Electrician, Nicholai Danko - Electrician, I. J. Van Perre Jr. - Electrician, Catherine Bever - Electrician, Steve Parenti - Electrician, Patrick Ryan - Electrician, Michael Pullens - Electrician, Graham Beatty - Electrician, Zyra McAuliffe - Electrician, Greg Little - Electrician, Scott Bever - Electrician, Spencer Mulcahy - Electrician, Mark Nakahara - Electrician, Daniel Mikulski - Electrician, Mark Shankel - Electrician, Maria T. Mendoza - Electrician, Beau Bonneau Casting - Extra Casting, Tim Littleton - Extra Casting, Ian Slater - First Assistant Editor, David Birrell - First Assistant Editor, Catherine Chase - First Assistant Editor, Craig Alpert - First Assistant Editor, John Roesch - Foley Artist, Alyson Moore - Foley Artist, Peggy Schnitzer - Key Costumer, Elaine Ramires - Key Costumer, Karyn Huston - Key Hairstylist, Deborah Taylor - Key Make-up, Maggie Fung - Key Make-up, Kerryn Roberts - Key Make-up, Matt Bilski - Personal Assistant, Darren Le Gallo - Personal Assistant, Melina Kevorkian - Personal Assistant, Nicholas Tory - Personal Assistant, Diana Valia Chen - Personal Assistant, Chris Tangney - Personal Assistant, Marcy Guiragossian - Personal Assistant, Chandler Wood - Personal Assistant, Kathy Stefanac - Personal Assistant, Vanessa Carmichael - Personal Assistant, Bob Perkins - Personal Assistant, Andrew Flakelar - Personal Assistant, Michelle Tuella - Personal Assistant, Janette Vecchiarelli - Personal Assistant, Kristel Krews - Personal Assistant, Reinaldo Puentes-Tucki - Personal Assistant, Mimi Brown - Personal Assistant, Cathy Liu - Post Production Assistant, Thad Baker - Post Production Assistant, Derek Ousley - Post Production Assistant, Sean Hunter Moe - Second Assistant Camera, Starrs McBurney - Second Assistant Camera, Mark Gerasimenko - Second Assistant Camera, Anna Lee - Second Assistant Camera, Deborah Antoniou - Second Second Assistant Director, Paul Sullivan - Second Second Assistant Director, John Morse - Second Second Assistant Director, Jim Poynter - Set Dresser, Peter Baxter - Set Dresser, Kris Boxell - Set Dresser, Rob Wood - Set Dresser, Adrian Dalton - Set Dresser, Martin Williams - Set Dresser, Kate Patrick - Set Dresser, Hannah Knowlton - Set Dresser, Matt Milgate - Set Dresser, Joanna Pullen - Set Dresser, Slavko Peraic - Set Dresser, Donald A. McMillian - Set Dresser, Emilio Aramendia - Set Dresser, John "Lucky" Lister - Set Dresser, Shaun Roberts - Set Production Assistant, Shaun O'Banion - Set Production Assistant, Betty Fotofili - Set Production Assistant, Joe Roddey - Set Production Assistant, Kendall Cafritz - Set Production Assistant, Michele Gold - Set Production Assistant, Adam Schardein - Set Production Assistant, Rob Pitagora - Set Production Assistant, Lisa Wood - Set Production Assistant, Courtney Atinsky - Set Production Assistant, Erica Headley - Set Production Assistant, Nicki Larosa - Set Production Assistant, Jonathon Mecenas - Set Production Assistant, Paul Muldrew - Set Production Assistant, Christopher Hall - Set Production Assistant, Phil Keller - Storyboard Artist, Ricardo Delgado - Storyboard Artist, Tony Kieme - Storyboard Artist, Sony Pictures Imageworks - Visual Effects, Animal Logic Film - Visual Effects, Buf Compagnie - Visual Effects, ESC Entertainment - Visual Effects, Giant Killer Robots - Visual Effects, Barbara Harris - ADR Voice Casting, Pamela French - Assistant Choreographer, Emma Barham - Cable Person, Steve Balliet - Cable Person, Les Seaward - Construction Foreman, Peter Coy - Construction Foreman, Brett Bartlett - Construction Foreman, Ian Bickerton - Construction Foreman, Garth Tompkins - Construction Foreman, Danny Burnett - Construction Foreman, Dave Woods - Construction Foreman, David Jobe - Foley Mixer, Mary Jo Lang - Foley Mixer, Scott Morgan - Foley Recordist, Mike Leben - Motion Control Camera, Joseph Stevenson - Motion Control Camera, Mike Kelly - Motion Control Camera, Michael Sarkis - Motion Control Camera, Steve Switaj - Motion Control Camera, Tim Donlevy - Motion Control Camera, Gerald Thompson - Motion Control Camera, Tim Taylor - Motion Control Camera, Craig Hosking - Pilot, Rick Shuster - Pilot, Gary Ticehurst - Pilot, Sandi Archer - Production Secretary, Nelson Stoll - Production Sound Mixer, Nicole Martin - Runner, Alex Mansell - Runner, Harvey Juchau - Runner, David Brown - Runner, Justin Folk - Runner, Anthony Reyna - Runner, Jenny Wolfe-Binder - Runner, Saran Van Ommen - Runner, Jesse Frazer - Runner, Fergus Leese - Runner, Paul Adzic - Runner, Peter Livesey - Runner, Joanne Collins - Runner, Craig McClements - Runner, Geoff Willman - Runner, Lawrence Foster - Runner, Andrew Ascough - Runner, Stefhan Dane Perr - Runner, Ernie Garland - Runner, Craig Parnaby - Runner, Paul Quinn - Runner, Samantha Smith - Third Assistant Director, Drew Bailey - Third Assistant Director, Samantha Smith - Third Assistant Director, Jeb Johenning - Video Assist, John Trunk - Video Playback, Michael Taylor - Video Playback, Robert Komatsu - Visual Effects Editor, Jody Rogers - Visual Effects Editor, Geofrey Darrow - Conceptual Design, Cynthia Morris - Assistant Editor, Michael Struk - Assistant Editor, Jenny Hicks - Assistant Editor, Bridgette Fahey-Goldsmith - Assistant Editor, Allison Gibbons - Assistant Editor, Steve Galloway - Assistant Music Editor, Barbara Mcdermott - Assistant Music Editor, Denie Pentecost - Assistant Standby Props, Jacinta Hennessy - Assistant Standby Props, Byron Mason - Assistant Standby Props, Shane Bennett - Assistant Standby Props, Kara Walsh - Assistant Standby Props, Judith A. Cory - Department Head Hair, Peter Robb-King - Department Head Makeup, Nancy Barker - First Assistant Sound Editor, Murray Gosson - Key Standby Props, Robert McDonald - Properties Maker Foreman, Robert Van Dyke - Properties Maker Foreman, Michael Van Dyke - Properties Maker Foreman, Douglas Elliot - Properties Maker Foreman, Miles Puccinelli - Properties Maker Foreman, Erich Giese - Properties Maker Gang Boss, Katsuhiko Okada - Properties Maker Gang Boss, Sean Wright - Properties Maker Gang Boss, James Cox - Standby Properties, Susan Hegarty - Dialect Coach, Marian Murray - Assistant Set Decorator, Carl Beaumont - Assistant Unit Manager, Pat Lacey - Assistant Unit Manager, Dermot Leybourne - Assistant Unit Manager, John Bowring - Armorer, Peter Cogar - Armorer

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Wikipedia: The Matrix Reloaded
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The Matrix Reloaded

Promotional film poster
Directed by Wachowski Brothers
Produced by Joel Silver
Wachowski Brothers
Written by Wachowski Brothers
Starring Keanu Reeves
Laurence Fishburne
Carrie-Anne Moss
Hugo Weaving
Harold Perrineau
Randall Duk Kim
Jada Pinkett Smith
Music by Don Davis
Cinematography Bill Pope
Editing by Zach Staenberg
Studio Village Roadshow Pictures
Silver Pictures
Distributed by Warner Bros. Pictures
Release date(s) North America:
May 15, 2003
Running time 138 minutes
Country United States
Language English
Budget US$ 150 million
Gross revenue US$ 742,128,461[1]
Preceded by The Matrix
Followed by The Matrix Revolutions

The Matrix Reloaded is a 2003 film, the second installment in The Matrix trilogy, written and directed by the Wachowski Brothers. It premiered on May 7, 2003, in Westwood, Los Angeles, California, and went on general release by Warner Bros. in North American theatres on May 15, 2003, and around the world during the latter half of that month. It was also screened out of competition at the 2003 Cannes Film Festival.[2] The video game Enter the Matrix, which was released May 15, and a collection of nine animated shorts, the Animatrix, which was released on June 3, supported and expanded the storyline of the movie. The Matrix Revolutions, which completes the story, was released six months after Reloaded in November 2003.

Contents

Plot

Six months after the events of the first movie, Neo wakes from a nightmare where Trinity had been shot by an Agent of the Matrix while falling from a building. Morpheus receives a message from captain Niobe (Jada Pinkett Smith) of the Logos calling an emergency meeting of all Zion's hovercraft fleet. She has successfully recovered the information left by Captain Thadeus (in the Animatrix short film Final Flight of the Osiris, depicted in the video game Enter the Matrix): 250,000 Sentinels are tunneling towards the underground city of Zion and will reach it in 72 hours. Commander Lock, the ranking military officer of Zion, orders all ships and their crews, including Neo, Trinity, Morpheus, and their new operator Link, to return to Zion to prepare for the onslaught of the machines. Morpheus asks a ship to remain behind to contact the Oracle, in defiance of Commander Lock's orders. The Caduceus receives a message from the Oracle, and the Nebuchadnezzar, also in defiance of Lock's order, ventures out to allow Neo to contact her. Meanwhile, one of the Caduceus crew members, Bane, encounters Agent Smith, who takes over Bane's avatar in the world of the Matrix. Smith then leaves the Matrix via the nearby hard line and into Bane's body in physical reality.

After returning to Zion, the crew of the Nebuchadnezzar attend a meeting in Zion's temple, where Morpheus announces the news of the advancing machines to the people; but his positive attitude and stirring speech gives them courage as a dance breaks out. While having sex with Trinity, Neo has the nightmare again. Neo receives a message from the Oracle and the next morning returns to the Matrix, where he meets her and her bodyguard Seraph. Realizing that the Oracle is a part of the Matrix, Neo asks how he can trust her, but is answered that the decision to treat her as ally or enemy is his alone. The Oracle then explains that she is an exiled computer program and instructs Neo to reach the Source of the Matrix by finding the Keymaker, a prisoner in the home of the Frenchman-like program called the Merovingian. The Keymaker, as his name implies, can make keys that can open a series of portals hidden within the Matrix. As the Oracle departs, Agent Smith appears despite his apparent destruction in the first film. Missing his earpiece (which he sent to Neo in a package as a sign of his survival), Smith tells Neo that after being defeated by him he knew that he was supposed to return to the Matrix's Source to be deleted, but refused and now is no longer bound by rules or a duty to remove threats from the Matrix. Following that line of reasoning, he states that he is "apparently free", but then subsequently asserts that because he no longer has a purpose, he is in fact not free. He demonstrates his ability to clone himself using the people of the Matrix as hosts (even assimilating the body of another Agent), prompting a fight between Neo and Smith's clones, who number in the hundreds. Neo flees when he realizes he is hopelessly outnumbered.

Neo, Morpheus, and Trinity visit the Merovingian and ask for the Keymaker; but the Frenchman refuses. His wife, Persephone, tired of her husband's attitude and infidelity, turns against him and leads the trio to the Keymaker, at the cost of a passionate kiss from Neo. Her desire to have her husband know of her treachery becomes apparent when she shoots one of his assistants, and then forces the other to tell the Merovingian what happened. While Neo battles the Merovingian's guards, Morpheus, Trinity, and the Keymaker escape onto a nearby freeway with the ghostly Twins, Agents, and the police in pursuit. Morpheus defeats the Twins and tells Trinity to escape with the Keymaker. Pursued by Agents in a dangerous highway chase, Trinity gives the Keymaker back to Morpheus, who then saves the Keymaker from an Agent with help from Niobe. Both Morpheus and the Keymaker are then retrieved by a flying Neo.

In the story's real world, the remaining ships at Zion prepare for a battle with the machines. At a building, the crews of the Nebuchadnezzar, Vigilant, and Logos help the Keymaker and Neo reach the Source's door. The crew of the Logos must destroy a nearby power plant in order to prevent a destructive security system from being triggered by the Keymaker's keys, and the crew of the Vigilant must destroy the backup power station. The Vigilant's mission goes wrong when a Sentinel throws a bomb at their ship and all their members, including the ones plugged into the Matrix, instantly die. Trinity (who had remained in the Nebuchadnezzar because of Neo's wishes to prevent his vision of her death from coming true), upon seeing this turn of events, decides to destroy the back-up station herself. Although this is a success, her escape is inhibited by an Agent and a duel occurs. Neo, Morpheus, and the Keymaker attempt to reach the source through a hallway of shortcuts to other doors in the Matrix. The 'Smiths' invade and try to kill Neo, Morpheus, and the Keymaker. The Keymaker manages to unlock the door to the source but is shot by the 'Smiths' and dies.

Neo confronts "The Architect", surrounded by expressions of Neo's every thought.

Neo enters the source and meets an anthropomorphic program called the Architect, who is revealed as the creator of the Matrix. The Architect informs Neo that there have been multiple versions of the Matrix, and with it, multiple versions of the One, which is itself a computer anomaly chosen by the Matrix to be used as a means of control. Because humanity rejected the "perfect" Matrix, the world that has come to be accepted is flawed and remains an unbalanced equation. The One is therefore the sum of the remainder of that flaw. The prophecy is that the One must reach the source in order to destroy the Matrix and free humanity: however, the One's actual purpose is to return to the Source, which will reset the Matrix to its prime program. Afterwards, he will be asked to choose 16 females and 7 males to rebuild Zion after the inevitable final battle, which in turn repopulates the city to provide the next round of humans for the "rebellion" and the next iteration of the "Prophecy", a confirmation of Morpheus's statement of the last film in reference to the One who previously freed himself and others. Failure to do so will cause the unresolved Matrix error to spiral out of control, and result in the death of every human attached to the Matrix. Along with the final battle at Zion, this would mean the extinction of the human race. Neo retorts that because the machines need humans in order to survive, they will not allow this; but the Architect replies that without humans, "there are levels of survival we are prepared to accept."

After conversing, the Architect gives Neo a choice of two exits from the room: one door will lead to the rebuilding of Zion, the other door to Trinity's rescue, causing the downfall of humanity. Neo hastens from the building in an attempt to save Trinity, who is shot by an Agent as they fall from a building and is caught by Neo before she hits the ground. Refusing to accept her impending death, Neo removes the bullet lodged in her chest and manages to revive her by stimulating her heart. In the Nebuchadnezzar, Neo explains his findings to the crew, revealing that the prophecy of the One is false and that Zion will be destroyed in twenty-four hours. Sentinels approach and destroy the ship, whereupon Neo saves his friends by using a previously unknown power to overload and disable the Sentinels' program with an EMP-like shockwave. The exertion inherent in this effort causes Neo to fall suddenly unconscious. The crew is picked up by the hovercraft Mjolnir (also known as the Hammer), whose crew explains that they were under orders from Lock to lead a pre-emptive attack on the army of Sentinels advancing on Zion. The strategy was to use the ships' EMPs and stay out of each other's range; but an EMP was detonated by the Caduceus before the ships could get into position. Therefore multiple ships were left without power, with only a handful of survivors escaping, the Sentinels having destroyed any ship that could not get away. Once the machines had completed the massacre and returned to digging for Zion, the Mjolnir made a quick pass to look for survivors, and found only one: Bane.

Production

The Matrix Reloaded was largely filmed at Fox Studios Australia in Australia, concurrently with filming of the sequel Revolutions. The freeway chase scene was filmed at the decommissioned Naval Air Station Alameda in Alameda, California. Producers constructed a 1.5-mile freeway on the old runways just for the movie. Portions of the chase were also filmed in Oakland, California, and the tunnel shown briefly is the Webster Tube connecting Oakland and Alameda. Some post-production editing was done in old aircraft hangars on the base as well.

The city of Akron was willing to give full access to Route 59, the stretch of freeway known as the "Innerbelt", for filming of the freeway chase when it was under consideration. However, producers decided against this as "the time to reset all the cars in their start position would take too long".[3] MythBusters would later reuse the Alameda location in order to explore the effects of a head-on collision between two semi trucks, and to perform various other experiments.

97% of the materials from the sets of the movie were recycled after the production ended. For example, tons of wood were sent to Mexico to build low-income housing.[4]

Scenes from the movie Baraka by Ron Fricke were selected to represent the real world shown by the wallmonitors in the Architect's room.[citation needed]

Sound design

Sound editing on the Matrix Trilogy was completed by Danetracks in West Hollywood, CA.

Soundtrack

Don Davis, composer on The Matrix, returned to score Reloaded. For many of the pivotal action sequences, such as the "Burly Brawl", he collaborated with Juno Reactor. Some of the collaborative cues by Davis and Juno Reactor are extensions of material by Juno Reactor; for example, a version of "Komit" featuring Davis' strings is used during a flying sequence, and "Burly Brawl" is essentially a combination of Davis' unused "Multiple Replication" and Juno Reactor's "Masters of the Universe". One of the collaborations, "Mona Lisa Overdrive", is titled in reference to the cyberpunk novel of the same name by William Gibson, a major influence on the directors. Leitmotifs established in The Matrix return (such as the Matrix main theme, Neo and Trinity's love theme, the Sentinel's theme and Neo's flying theme, and a more frequent use of the four-note Agent Smith theme), and some used in Revolutions are established.

As with its predecessor, many tracks by external musicians are featured in the movie, its closing credits, and the soundtrack album, some of which were written for the movie. Many of the musicians featured (for example Rob Zombie, Rage Against the Machine and Marilyn Manson) had also appeared on the soundtrack for The Matrix. Rob Dougan contributed again, licensing the instrumental version of his eponymous "Furious Angels", as well as being commissioned to provide an original track, ultimately scoring the battle in the Merovingian's chateau. A remixed version of "Another Kind of Blues" by electronic artist Fluke (listed on the soundtrack as "Zion") was used during the rave scene.

Linkin Park contributed their instrumental song "Session" to the film as well, though it did not appear during the actual runtime. P.O.D. composed a song called "Sleeping Awake", with a music video that focused heavily on Neo and many images that were part of the movie.

Cast

Zee was originally to be played by Aaliyah, who died in a plane crash in August 25, 2001, before filming was complete.

Reception

Reloaded earned an estimated $42.5 million on its Thursday opening day in North America, a new record surpassing the one set in May 2002 by Spider-Man, which took in $39.4 million on its first day. The movie earned $91.8 million over its first Friday, Saturday, and Sunday, establishing it as the second-best opening weekend ever after Spider-Man's 2002 (inflation unadjusted) record of $114.8 million in ticket sales during its three-day opening weekend. Reloaded garnered the biggest (inflation unadjusted) debut ever for an R-rated film (The Passion of the Christ is a close second at $83.8 million, and 300 came in third with $70.9 million). Although the film exceeded box office records during its first week, it fell to the number two spot on the box-office totals the following week when it was beaten by the Jim Carrey movie Bruce Almighty. The film earned $281.5 million in the US and $742.1 million worldwide.[1] It is currently the 30th highest grossing film, and is one of the highest grossing R-rated features of all time.

The Matrix Reloaded had positive critical reception in most of the media, with a Rotten Tomatoes approval rating of 73%.[5] However, it was rated by Entertainment Weekly as one of "The 25 Worst Sequels Ever Made".[6]

Positive comments included commendation for the quality and intensity of its action sequences[7] and intelligence.[8] Tony Toscano of Talking Pictures had exceptional praise for it, saying that "its character development and writing...is so crisp it crackles on the screen" and that "Matrix Reloaded re-establishes the genre and even raises the bar a notch or two" above the first movie, The Matrix.[9]

Negative comments included the sentiment that the plot was alienating,[10][11] with some critics taking the view that the focus on the action came at the cost of the movie's human element.[12][13] Some also said that the dialogue focus on exposition scenes[14] worked against the film. Although it was well-known that the plot of Reloaded would be resolved in Revolutions, the many unresolved subplots and the cliffhanger ending were criticised by some.[15]

The film was banned in Egypt because of the violent content and because it put into question issues about human creation "linked to the three monotheistic religions that we respect and which we believe in".[16] Egyptian media claimed it promoted Zionism since it talks about Zion and the dark forces that wish to destroy it. However, it was later allowed to be shown in theatres and was later released on DVD and VHS.

See also

References

  1. ^ a b "The Matrix Reloaded (2003)". Box Office Mojo. http://boxofficemojo.com/movies/?id=matrixreloaded.htm. Retrieved 2009-02-05. 
  2. ^ "Festival de Cannes: The Matrix Reloaded". festival-cannes.com. http://www.festival-cannes.com/en/archives/ficheFilm/id/4075505/year/2003.html. Retrieved 2009-11-10. 
  3. ^ Ann Job. "Chasing the Stars: Carmakers in Movies". MSN.com. http://autos.msn.com/advice/article.aspx?contentid=4021949&src=News. Retrieved 2005-01-30. 
  4. ^ "Hollywood smog an inconvenient truth". Associated Press (CNN.com). November 14, 2006. http://web.archive.org/web/20061215051825/http://www.cnn.com/2006/TECH/science/11/14/hollywood.pollution.ap/index.html. 
  5. ^ The Matrix Reloaded Movie Reviews, Pictures - Rotten Tomatoes
  6. ^ The worst movie sequels ever | Countdown! | Movies | Entertainment Weekly | 2
  7. ^ Todd McCarthy (May 7, 2003). "The Matrix Reloaded". Variety. http://www.variety.com/index.asp?layout=review&reviewid=VE1117920694&categoryid=31&cs=1. Retrieved 2007-07-12. 
  8. ^ William Arnold (May 14, 2003). "'Matrix' fans can't afford to miss 'Reloaded'". Seattlepi.com. http://seattlepi.nwsource.com/movies/121764_matrix14q.html. Retrieved 2007-07-12. 
  9. ^ Tony Toscano (May 20, 2003). "The Matrix Reloaded (2003) movie review". Rotten Tomatoes. http://uk.rottentomatoes.com/click/movie-1122457/reviews.php?critic=columns&sortby=default&page=3&rid=1140415. Retrieved 2007-07-12. 
  10. ^ Richard Schickel (May 11, 2003). "The Matrix Reboots". TIME. http://www.time.com/time/magazine/article/0,9171,1101030519-450996,00.html. Retrieved 2007-07-12. 
  11. ^ Rene Rodriguez (May 14, 2003). "Sequelitis infects 'Matrix Reloaded' with talk - lots of it". MiamiHerald.com. http://ae.miami.com/entertainment/ui/miami/movie.html?id=95606&reviewId=12076. Retrieved 2007-07-12. 
  12. ^ David Sterritt (May 16, 2003). "Ready for a Neo world order?". csmonitor.com. http://www.csmonitor.com/2003/0516/p15s02-almo.html. Retrieved 2007-07-12. 
  13. ^ Nathan Rabin (May 13, 2003). "The Matrix Reloaded review". A.V. Club. http://www.avclub.com/content/node/16898. Retrieved 2007-07-12. 
  14. ^ The Austin Chronicle
  15. ^ Mark Caro (June 11, 2003). "Movie review: 'The Matrix Reloaded'". metromix.com. http://metromix.chicagotribune.com/movies/mmx-030514-moviesreviewmatrixreloadedmc,0,1704389.story?coll=mmx-movies_top_heds. Retrieved 2007-07-12. 
  16. ^ "Egypt bans 'too religious' Matrix". BBC News. June 11, 2003. http://news.bbc.co.uk/1/hi/entertainment/film/2980432.stm. Retrieved 2007-07-12. 

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