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The Polar Express

 
Movies:

The Polar Express

  • Director: Robert Zemeckis
  • AMG Rating: starstarstar
  • Genre: Children's/Family
  • Movie Type: Holiday Film, Children's Fantasy
  • Themes: Journey of Self-Discovery, Fantasy Lands
  • Main Cast: Eddie Deezen, Tom Hanks, Tom Hanks, Tom Hanks, Tom Hanks, Tom Hanks, Michael Jeter, Michael Jeter, Nona Gaye, Peter Scolari
  • Release Year: 2004
  • Country: US
  • Run Time: 100 minutes
  • MPAA Rating: G

Plot

Directed by Robert Zemeckis and based on children's author Chris Van Allsburg's modern holiday classic of the same name, The Polar Express revolves around Billy (Hayden McFarland), who longs to believe in Santa Claus but finds it quite difficult to do so, what with his family's dogged insistence that all of it, from the North Pole, to the elves, to the man himself, is all just a myth. This all changes, however, on Christmas Eve, when a mysterious train visits Billy in the middle of the night, promising to take him and a group of other lucky children to the North Pole for a visit with Santa. The train's conductor (Tom Hanks) along with the other passengers help turn Billy's crisis in faith into a journey of self-discovery. A long-time fan of Van Allsburg's book, Hanks also helped produce the film. ~ Tracie Cooper, All Movie Guide

Review

Even if it didn't boast state-of-the-art motion-capture effects, the holiday adventure The Polar Express would be a notable film for the way it patiently compiled an impressive box-office haul the old-fashioned way: gradually over time, thanks to strong word of mouth. That's a stark contrast to the usual harbinger of a film's success: the ritual, vigorous looting of moviegoers' pockets in one or two weekends, quickly, before anyone realizes the film stinks. Its slow build was probably due to a marketing campaign failure -- a blitz of television commercials that made the film's animation seem stodgy, dull, and flat. In fact, it's quite the opposite. Director Robert Zemeckis and his effects wizards faithfully render the distinctive style of illustrator and writer Chris Van Allsburg, the creator of the original children's picture book upon which the film is based, with magically arresting results. If The Polar Express flags a bit in the middle, it's due to the strain of stretching a very short story into a feature-length running time, but that's the only flaw in what is otherwise an instant holiday classic. Tom Hanks delivers a skillful performance in multiple roles (especially as the flinty conductor), and kids are sure to be swept up in the literal roller-coaster ride that the movie becomes. Though it's a polar opposite (pun intended) in tone, it is exciting to note that, just six months later, Sin City (2005) from director Robert Rodriguez represents a second notable effort to adhere as closely as possible to the creator's artistic vision and style, a remarkable and hopeful development in an era of cookie-cutter, corporate product. ~ Karl Williams, All Movie Guide

Cast

Michael Jeter - Steamer; Nona Gaye - Hero Girl; Peter Scolari - Lonely Boy; Charles Fleischer - Elf General; Steven Tyler - Elf Singer; Leslie Zemeckis - Sister Sarah; Daryl Sabara - Hero Boy; André Sogliuzzo - Steamer; Jimmy Bennett - Lonely Boy; Isabella Peregrina - Sister Sarah; Debbie Lee Carrington - Elf; Eddie Deezen - Know-it-All; Phil Fondacaro - Elf; Ed Gale - Elf; Julene Renee - Elf; Jon Scott - Waiter; Connor Matheus - Toothless; Aaron Hendry - Acrobatic Elf; Ashly Holloway - Sister Sarah; Jimmy "Jax" Pinchak - Know-it-All; Evan Sabara - Young Boy; Josh Hutcherson - Hero Boy; Hayden McFarland - Lonely Boy; Chantel Valdivieso - Hero Girl; Mark Povinelli - Elf; Brendan King - Pastry Chef; Andy Pellick - Pastry Chef; Josh Eli - Waiter; Mark Mendonca - Waiter; Rolandas Hendricks - Waiter; Mark Goodman - Waiter; Gregory Gast - Waiter; Sean Scott - Waiter; Gordon Hart - Waiter; Dante Pastula - Little Boy; Eric Newton - Acrobatic Elf; Aidan O'Shea - Acrobatic Elf; Kevin C. Carr - Acrobatic Elf; Bee Jay Joyer - Acrobatic Elf; Jena Carpenter - Acrobatic Elf; Karine Mauffrey - Acrobatic Elf; Beth Carpenter - Acrobatic Elf; Bill Forchion - Acrobatic Elf; Devin Henderson - Acrobatic Elf; Sagiv Ben-Binyamin - Acrobatic Elf; Chris Coppola - Toothless Boy

Credit

Norman Newberry - Art Director, George Suhayda - Art Director, James Hegedus - Art Director, Tony Fanning - Art Director, Alicia MacCarone - Art Director, Martin A. Kline - Art Director, Dan Kessler - Animator, Matthew Cordner - Animator, Aaron McComas - Animator, Matt Davies - Animator, Keith Kellogg - Animator, John Patton - Animator, Allen Ruilova - Animator, Cherie Rye - Animator, John Clark Matthews - Animator, Kenn McDonald - Animator, Jeff Schu - Animator, Chad Stewart - Animator, Deborah Carlson - Animator, David R. Davies - Animator, Brian Davis - Animator, Andy Gauvreau - Animator, Marc Horsfield - Animator, Hae Jeon Lee - Animator, Stephen Marshall - Animator, Steven Ong - Animator, Vincent Serritella - Animator, Peter Shinners - Animator, Randy Cartwright - Character Animation, Alice Kaiserian - Character Animation, Jordan Harris - Character Animation, T. Daniel Hofstedt - Character Animation, Jon Hooper - Character Animation, Kelvin Lee - Character Animation, Wolf-Rudiger Bloss - Character Animation, Robert A. Fox - Character Animation, Alfonso Alpuerto - Character Animation, Laura Barbera - Character Animation, Frank Bonniwell - Character Animation, Tom Bruno, Jr. - Character Animation, Stephanie Couture - Character Animation, James Crossley - Character Animation, Renato Dos Anjos - Character Animation, Christopher Endicott - Character Animation, Kelly Goldstein - Character Animation, Nicole Herr - Character Animation, Seth Hippen - Character Animation, Paul Jessel - Character Animation, Michael Kiely - Character Animation, Michael Kimmel - Character Animation, Jeff Lin - Character Animation, Les Major - Character Animation, Marco Marenghi - Character Animation, James Moorhead - Character Animation, Partick Osborne - Character Animation, Keith Paciello - Character Animation, Denis Samoilov - Character Animation, Henry Sato, Jr. - Character Animation, Brian Schindler - Character Animation, Alexander Sokoloff - Character Animation, Tom Sorem - Character Animation, William Tessier - Character Animation, Roger Vizard - Character Animation, Dan Wawrzaszek - Character Animation, Chris Williams - Character Animation, Eric Weiss - Character Animation, Josh McLaglen - Associate Producer, Peter M. Tobyansen - Associate Producer, Debbie Denise - Associate Producer, Cary Weitz - Boom Operator, Peggy A. Names - Boom Operator, Victoria Burrows - Casting, Scott Boland - Casting, John Carrafa - Choreography, Lisa Shriver - Choreography, Erin Collins - Coordinator, Diana Goodwin - Coordinator, Richie Kawamoto - Coordinator, Steven J. Boyd - Co-producer, Joanna Johnston - Costume Designer, Josh McLaglen - First Assistant Director, Robert Zemeckis - Director, Steve Starkey - Second Unit Director, R. Orlando Duenas - Editor, Jeremiah O'Driscoll - Editor, Stephen M. Rickert Jr. - Editor, James Andrykowski - Editor, Tim Eaton - Editor, Tom Hanks - Executive Producer, Chris Van Allsburg - Executive Producer, Jack Rapke - Executive Producer, Glen Ballard - Composer (Music Score), Alan Silvestri - Composer (Music Score), Glen Ballard - Songwriter, Alan Silvestri - Songwriter, Bill Myer - Makeup, Dan Striepeke - Makeup, Bob Norin - Makeup, Angie Wells - Makeup, Cinzia Zanetti - Makeup, Nakoma Whobrey - Makeup, Donna Cicatelli - Makeup, Karen Westerfield - Makeup, Dale Condit - Makeup, Leo Corey Castellano - Makeup, Patrick B. O'Brien - Camera Operator, Rick Carter - Production Designer, Doug Chiang - Production Designer, Don Burgess - Cinematographer, Robert Presley - Cinematographer, Gary Goetzman - Producer, Steve Starkey - Producer, Robert Zemeckis - Producer, William Teitler - Producer, Michelle Murdocca - Producer, Chris Juen - Producer, William B. Kaplan - Production Sound, Brian Magerkurth - Recording, Derrick Quarles - Recording, Robert Davis Oh - Recording, Ron Roumas - Recording, David Lensch - Recording, Masako Masuda - Set Designer, Cathy T. Marshall - Set Designer, Todd Cherniawsky - Set Designer, Jeffrey Beck - Set Designer, Jackson Bishop - Set Designer, Smokey Stover - Set Designer, Kseniya Hoppe - Set Designer, Kenneth A. Larson - Set Designer, Joel Mitchell - Special Effects, Ralph Peterson - Special Effects, Mark Chadwick - Stunts, Jeff Evans - Stunts, Dane Farwell - Stunts, Shane Habberstad - Stunts, Matthew Rugetti - Stunts, Allan Robinson - Stunts Coordinator, Sean Phillips - Supervisor/Manager, Jenny Fulle - Supervisor/Manager, Rob Bredow - Supervisor/Manager, Alberto Menache - Supervisor/Manager, Tim Sarnoff - Supervisor/Manager, Mark Lambert - Supervisor/Manager, Josh McLaglen - Unit Production Manager, Robert Zemeckis - Screenwriter, William Broyles - Screenwriter, Ken Ralston - Visual Effects Supervisor, Jerome Chen - Visual Effects Supervisor, Scott Guitteau - Sound Effects Editor, David C. Hughes - Sound Effects Editor, Allen Gonzales - Matte Artist, Dave R. Bleich - Matte Artist, Ivo Horvat - Matte Artist, Thomas Esmeralda - Matte Artist, Aaron Becker - Matte Artist, Brian Flora - Matte Artist, Marc Gabbana - Matte Artist, Randy Gaul - Matte Artist, Kurt Kaufman - Matte Artist, Bill Mather - Matte Artist, David Saccheri - Matte Artist, Mark Sullican - Matte Artist, Joshua Geisler Amhowitz - Matte Artist, Steve Matson - Matte Artist, Eric McLean - Matte Artist, Dean Wolcott - Model Effects, John Goodson - Model Effects, Jeff Frost - Model Effects, Tony Bohorquez - Model Effects, R. Kim Smith - Model Effects, Jane E. Russell - Unit Publicist, Daniel Kramer - Animation Effects, Steven Cueva - First Assistant Camera, Antony Diamond - First Assistant Camera, Bradlee Thomas Emmons III - Gaffer, Mark P. Coo - Grip, Mark P. Coo - Key Grip, Larry Aube - Key Grip, Juan Gonzales - Layout, Fernando Benítez - Layout, Corey Hels - Layout, James CJ Williams - Layout, Christopher Poplin - Layout, Lisa Suzuki - Layout, Maksymillian Naporowski - Layout, Carlos Pedroza - Layout, Joseph Thomas - Layout, Ken Karmen - Music Editor, Gabriela Rios - Production Coordinator, Virginia Bowman - Production Supervisor, Danielle Conroy - Production Supervisor, Cathy Deutmeyer - Production Supervisor, Jennifer Juen - Production Supervisor, Robin Linn - Production Supervisor, Lauren Ann Littleton - Production Supervisor, Rachel Phillips - Production Supervisor, Lisa Sanders - Production Supervisor, Sande Scoredos - Production Supervisor, Dane St. Clair - Production Supervisor, Robin L. Miller - Properties Master, Tom Johnson - Re-Recording Mixer, Randy Thom - Re-Recording Mixer, Dennis S. Sands - Re-Recording Mixer, Luca Kouimelis - Script Supervisor, Rebekcah Martz - Script Supervisor, Rick Kelly - Second Assistant Director, Michael Lantieri - Special Effects Coordinator, Francois Duhamel - Still Photographer, Maureen Beatty - Storyboard, David Schaub - Supervising Animator, Dennis Leonard - Supervising Sound Editor, Craig Sost - Visual Effects Producer, Jessica Tate - Costume/Wardrobe, Judith Bouley - Additional Casting, Charleen Richards - ADR Mixer, David Lucarelli - ADR Recordist, Scott Herbertson - Assistant Art Director, John Perry Goldsmith - Assistant Art Director, Mike Stassi - Assistant Art Director, Jim Wallis - Assistant Art Director, Andrew L. Jones - Assistant Art Director, Joe Park - Assistant Production Coordinator, Gregory Rocco - Assistant Properties, Coya Elliott - Assistant Sound Editor, Will E. Files - Assistant Sound Editor, Stuart McCowan - Assistant Sound Editor, Tony Willard - Best Boy Grip, Craig Kohtala - Best Boy Grip, Andrea Fenton - Buyer, Ann Knight - Buyer, Josh Einsohn - Casting Assistant, Steven McGee - Chief Lighting Technician, John Villarino - Construction Coordinator, Jonathan Null - Dialogue Editor, Susanne LaRiviere - First Assistant Accountant, Alex Olivares - First Assistant Editor, Alison Learned Wolf - First Assistant Editor, Ryan Chan - First Assistant Editor, Ellen Heuer - Foley Artist, Dennie Thorpe - Foley Artist, Jana Vance - Foley Artist, E. Larry Oatfield - Foley Editor, Sue Fox - Foley Editor, Deborah La Mia Denaver - Key Make-up, Keith Kellogg - Leadman, David C. Potter - Leadman, Christopher Poplin - Leadman, Lisa Suzuki - Leadman, John Clark Matthews - Leadman, Kenn McDonald - Leadman, Jeff Schu - Leadman, Chad Stewart - Leadman, Jessica Tate - Personal Assistant, Monica Perez - Personal Assistant, Amy McKenzie - Personal Assistant, Sooki Raphael - Personal Assistant, Marsha "Wyatt" Bartlett - Personal Assistant, Sharon Felder - Personal Assistant, Kelsey Clark - Personal Assistant, Heather Smith - Personal Assistant, Tamara Johnston - Personal Assistant, Julie Shimer - Personal Assistant, Tory Haljun - Personal Assistant, Margaret Sigel - Personal Assistant, Daryl C. Lefever - Production Accountant, Joanie Selden - Production Accountant, Dakau "Doc" Jackson - Production Accountant, Tina Tseng - Production Accountant, Scott Bruza - Set Dresser, Alexander Kirst - Set Dresser, Richard Wester - Set Dresser, Randy Cantor - Transportation Coordinator, Graham Ready - Transportation Coordinator, George Suhayda - Visual Effects, Stephen M. Rickert Jr. - Visual Effects, Martin A. Kline - Visual Effects, James Andrykowski - Visual Effects, Tim Eaton - Visual Effects, Karen O'Hara - Set Decorator, Chris Van Allsburg - Book Author, Terry Haggar - Color Timing, Paul O. Wright - Craft Service/Catering, Paul A. DiCocco, Jr. - Driver, Wayne Parviainen - Driver, Donna Hall - Driver, Larry Alicata - Driver, Larry Meredith - Driver, Fran Mielcarek - Driver, Lowell Smith - Driver, Joe Sullivan - Driver, Frank Rinella - Foley Mixer, George Peterson, Jr. - Foley Recordist, Mo Henry - Negative Cutter, Michael B. Louis - Production Secretary, Vladimir Todorov - Character Design, David Colman - Character Design, Jacqueline Tager - Assistant Music Editor, Patrick Ballin - Assistant Visual Effects Editor, Steven Sacks - Assistant Visual Effects Editor, Ernie Millaponce - Painter (digital)

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Wikipedia: The Polar Express (film)
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The Polar Express in 3D

Theatrical release poster
Directed by Robert Zemeckis
Produced by Robert Zemeckis
Gary Goetzman
Steve Starkey
William Teitler
Associate Producers:
Debbie Denise
Josh McLaglen
Peter M. Tobyansen
Co-Producer:
Steven J. Boyd
Executive Producers:
Tom Hanks
Jack Rapke
Chris Van Allsburg
Written by Novel:
Chris Van Allsburg
Screenplay:
Robert Zemeckis
William Broyles Jr.
Starring Tom Hanks
Leslie Harter Zemeckis
Eddie Deezen
Chantel Valdivieso
Daryl Sabara
Nona Gaye
Jimmy Bennett
Steven Tyler
Michael Jeter
Music by Alan Silvestri
Glen Ballard (songs)
Cinematography Don Burgess
Robert Presley
Editing by R. Orlando Duenas
Jeremiah O'Driscoll
Studio Castle Rock Entertainment
Shangri-La Entertainment
ImageMovers
Playtone
Golden Mean
Distributed by Warner Bros. Pictures
Release date(s) November 10, 2004 (USA)
Running time 100 minutes
Country  United States
Language English
Budget $165 million[1]
Gross revenue North America:
$180,806,128[2]
International
$124,140,582
Worldwide
$304,946,710

The Polar Express (also known as The Polar Express in 3D) is a 2004 computer-animated feature film based on the children's book of the same title by Chris Van Allsburg.

Written, produced, and directed by Robert Zemeckis, the human characters in the film were "animated" using "live action" performance capture technique, with the exception of the waiters who dispense hot chocolate on the train, because their feats were impossible for real-life actors to achieve. Performance capture technology incorporates the movements of live actors into animated characters. It stars actor Tom Hanks in five distinct roles, including the role of Santa Claus. The film was produced by Castle Rock Entertainment in association with Shangri-La Entertainment, ImageMovers, Playtone and Golden Mean, for Warner Bros. The visual effects and performance capture was done at Sony Pictures Imageworks. The studio first released the $170 million film in both conventional and IMAX 3D theaters on Wednesday, November 10, 2004. It was the last film in which Michael Jeter made a contribution as he had died on March 31, 2003, and the film is dedicated to his memory.

Contents

Plot

A young boy (Daryl Sabara) on Christmas Eve who is hoping for belief in the true spirit of Christmas. He suddenly hears some noise from downstairs and runs to investigate. Seeing a shadow of what appears to be Santa Claus, he soon discovers that it is his dad with his sister on his shoulders. He runs back to his room and looks through magazines and encyclopedias for confirmation of Santa Claus and the North Pole, but to no avail. Hearing his parents coming, he runs back to bed and pretends to be asleep while his parents whisper about how he had once stayed up late listening for Santa Claus. About an hour after they leave, a magic train called The Polar Express pulls up in front of his house. He is invited aboard by the train's mysterious conductor (Tom Hanks) to journey to the North Pole. Though he initially hesitates, he boards the train after it starts to move.

On the train, the boy encounters a group of other children who are on their way to see Santa Claus, including a young girl, a know-it-all and a lonely little boy. The boy also encounters a mysterious hobo (Tom Hanks), who lives on the top of the train, as well as the engineer and fireman (Michael Jeter). They must all overcome a variety of obstacles; at one point, a herd of caribou block the tracks. Later, the cotter pin holding the throttle together breaks. The train, now out of control and with the Hero Boy, Hero Girl (Nona Gaye), and the Conductor standing on the front, then reaches "Glacier Gulch," an area with steep downhill grades. The three must hold on tightly as the train speeds through Glacier Gulch and onto a frozen lake. The train tracks are frozen under the ice, and as a result, the Conductor must guide the engineer and the fireman towards the other side of the lake as the ice breaks up behind them

They then reach the North Pole and find out that the lonely boy named Billy (Jimmy Bennett), riding alone in the observation car does not want to see Santa (Tom Hanks) because he has come from a broken home on the bad side of his hometown; he says that Christmas does not work out for him. The boy and girl run back to try to get him to come along with them, but the Boy steps on the uncoupling lever and the car speeds back to the Roundhouse. The three of them travel from section to section of the North Pole's industrial area, first visiting the Control Center, then the Wrapping Hall, and finally a warehouse before they are airlifted back to the center of the city via air ship. As they watch the final preparations, one bell falls off Santa's sleigh. The boy picks it up and shakes it, remembering that the girl could hear a bell earlier when he could not. As before, he can not hear it. The boy then says he believes in Santa and the spirit of Christmas. He then sees Santa's reflection on the bell; he shakes the bell again and hears it at last. He gives the bell back to Santa.

The boy is handpicked by Santa Claus to receive "The First Gift Of Christmas." Realizing that he could choose anything in the world, the boy asks for the beautiful-sounding silver bell (that only believers can hear) which fell from Santa's sleigh. The boy places the bell in the pocket of his robe and all the children watch as Santa takes off for his yearly delivery.

The children return to the train, and the conductor punches letters into each ticket. These letters spell some form of advice (such as "Learn," "Lead," or "Believe" for the Know-it-All, Hero Girl, and Hero Boy respectively.) As the train leaves, the Hero Boy discovers the pocket of his robe torn and the bell missing. He returns home, saddened by the loss of the bell, but is cheered when he sees that Santa had already arrived at Billy's house. On Christmas morning, his sister finds a small present hidden behind the tree after all the others have been unwrapped. The boy opens the present and discovers that it is the bell, which Santa had found on the seat of his sleigh. When the boy rings the bell, both he and his sister marvel at the beautiful sound; but because their parents no longer believe in Santa Claus or Christmas, they do not hear it. The last line in the movie repeats the same last line from the book: "At one time, most of my friends could hear the bell, but as years passed, it fell silent for all of them. Even Sarah found one Christmas that she could no longer hear its sweet sound. Though I've grown old, the bell still rings for me, as it does for all who truly believe."

The train

The steam locomotive that pulls the Polar Express is modeled after an actual locomotive that is on display at the Steam Railroading Institute in Owosso, Michigan. The Pere Marquette 1225 Berkshire-type (2-8-4), built in 1941 at the Lima Locomotive Works in Lima, Ohio, was part of the Pere Marquette Railway system before being decommissioned in 1951. Slated for scrapping, it was acquired by Michigan State University (MSU) in 1957 and exhibited on campus.

In 1971, MSU steam enthusiasts commenced the formidable task of restoring the mighty locomotive to operating condition. Restoration was substantially completed in 1985, and in 1988, number 1225 started pulling excursion trains in the Owosso area and around Michigan. The locomotive has been listed on the United States National Register of Historical Places.

In the film, artistic liberty is taken with the appearance of the locomotive and its tender, both being made to seem even more massive than the 794,500 pound (360,400 kilogram) original. Many of the train's sound effects, such as the whistle blowing and steam exhausting, were created from live sampling of number 1225 while in operation.

Architecture

The buildings at the North Pole reference a number of buildings related to American railroading history. The buildings in the square at the center of the city are loosely based on the Pullman Factory located in Pullman, IL, and the Control Center is based on old Penn Station in New York City.

Cast

The IMAX 3D version

In addition to standard theatrical 35mm format, a 3-D version for IMAX was also released, generated from the same 3-D digital models used for the standard version. It was the first motion picture not specially made for IMAX to be presented in this format, and the first to open in IMAX 3D at the same time as main flat release. The financial results were stunning. The 3-D version out-performed the 2-D version by about 14 to 1. The 3-D IMAX version was released again for the 2005 Holiday season in 66 IMAX theaters and amazingly made another $7.5 million prior to Christmas. Due to its financial success, the IMAX version was re-released in 2006, 2007, and 2008, and has become an annual Christmas movie. The 3-D version was released to DVD and Blu-ray Disc on October 28, 2008. Both formats include both the 2-D and 3-D versions of the film.[citation needed]

Polar Express Experience

In November 2007, SeaWorld Orlando debuted the Polar Express Experience, a motion simulator based around the movie. The attraction is a temporary replacement for the Wild Arctic attraction. The building housing the attraction was also temporarily re-themed to a railroad station and ride vehicles painted to resemble Polar Express passenger cars. The plot for the ride revolves around a trip to the North Pole on Christmas Eve. Guests feel the motion of the locomotive as well as the swinging of the train on ice and feeling of ice crumbling beneath them. The attraction was available until 2008-12-01.[3] The Polar Express Experience is also now available at the Cincinnati Zoo and Botanical Garden as a permanent attraction.

From November 27, 2009 untill January 3, 2010, Polar Express 4D Experience is also available in Vancouver Aquarium.[4]

Reception

The film was released to mixed to generally positive reviews from film critics, while being much better received by audiences. The decision to model the characters so realistically was met with criticism from some reviewers, who felt that the appearances of the characters were "creepy" or "eerie".[5] This is related to the concept of the uncanny valley, which holds that, at certain levels of similarity, the dissimilarities stand out and create a negative reaction in viewers, so that either a larger or a smaller similarity would be more attractive. Critics complained that a serious problem in the film is what they refer to as "dead eye syndrome," where the eyes do not move, making the characters have a deadened, "soul-less" look as a result of inanimate eyes. Though it was not the first film to use motion capture technology, The Polar Express is generally regarded as the first film where the dead-eye syndrome was most noticeable and most distracting.

Currently, the film has a "Rotten" rating of 57% from selected critics with an average rating of 6.4/10, a worse rating of 54% when narrowed down to professional critics, also certifying it as "Rotten", with an average rating of 6.1/10, and a "Certified Fresh" rating of 69% from users on Rotten Tomatoes. However the film also has a 61 out of 100 critic rating and a 7.3 out of 10 user rating on Metacritic, both indicating "generally favorable reviews". It also received a "B" from users at Box Office Mojo, has a score of 6.7/10 at the Internet Movie Database, and earned the rare grade of an "A+" from Cinemascore.

It opened at #2, being outgrossed 2-to-1 by Disney/Pixar's The Incredibles, and brought in $23,323,463 from approximately 7,000 screens at 3,650 theaters, for a per-theater average of $6,390 and a per-screen average of $3,332 in its opening weekend. It also brought in a total of $30,629,146 since its Wednesday launch. The weekend total also included $2,100,000 from 59 IMAX theaters, for a IMAX theater average of $35,593, and had a $3,000,000 take since Wednesday. Initially, the movie seemed to be headed towards becoming a box office failure after its first week, due to it opening just five days after The Incredibles and 9 days before Disney's National Treasure and Paramount/Nickelodeon's The SpongeBob Squarepants Movie, and facing even more competition in the coming weeks with Columbia/Revolution's Christmas with the Kranks and Paramount/Nickelodeon's Lemony Snicket's A Series of Unfortunate Events. However, despite the crowded family audience marketplace, it was one of the few films to actually improve its gross in the weeks after its premiere. It dropped by only 32.82% in its second weekend, grossing $15,668,101, averaging $4,293 from 3,650 venues and boosting the 12-day cumulative to $51,463,282; and, due to the winter theme, saw its gross rise by 23.75% over Thanksgiving weekend, making another $19,389,927, averaging $5,312 from 3,650 venues and raising the 19-day cumulative to $81,479,861. By New Year's Day 2005, The Polar Express ended up grossing nearly $160 million in the United States alone. Fully 25% of the world gross came from just 82 IMAX 3D theaters. It has been widely noted, however, that much of this latent revenue was due to its status as the only major motion picture available in the IMAX 3D format. As of December 27, 2007, with the original release and IMAX re-releases, the film has made $178,519,973 domestically, and $124,100,000 overseas for a total worldwide gross of $302,619,973. The film was nominated for three Academy Awards: Best Sound, Best Sound Editing, and Best Original Song for "Believe".[citation needed]

See also

References

External links


 
 

 

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