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The Pursuit of Happyness

 
Movies:

The Pursuit of Happyness

  • Director: Gabriele Muccino
  • AMG Rating: starstarstar
  • Genre: Drama
  • Movie Type: Inspirational Drama, Family Drama
  • Themes: Down on Their Luck, Fathers and Sons, Rags To Riches
  • Main Cast: Will Smith, Jaden Smith, Thandie Newton, Brian Howe, James Karen
  • Release Year: 2006
  • Country: US
  • Run Time: 117 minutes
  • MPAA Rating: PG13

Plot

The rousing, true-life story of a single dad who went from living on the streets to owning his own brokerage firm is brought to the big screen by superstar Will Smith, appearing for the first time opposite his real-life son Jaden Smith. Set in early-'80s San Francisco, the film charts the hard times and eventual comeback of Chris Gardner, a suddenly single salesman who has custody of his son, but finds that providing for the two of them is a challenge in the increasingly unstable economic climate. He struggles to work his way from unpaid intern at Dean Witter to something more substantial, even as life continues to offer him setbacks. Making his Hollywood debut, Italian director Gabriele Muccino was championed by Will Smith for the project. ~ Michael Hastings, All Movie Guide

Review

The trouble with most inspirational movies -- which often gets them reclassified as manipulative schlock -- is that their outcomes are too easily predicted. The Pursuit of Happyness goes about matters a little differently, telling its story in retrospect, after the happy ending has occurred -- thereby setting aside the charade of suspense. This lets Gabriele Muccino's film focus on the engrossing details of Chris Gardner's improbable journey, as well as Will Smith's Oscar-nominated performance -- making it a little like a Shakespearean play, where audiences are more interested in how a plot is interpreted than whether it contains surprises. One such engrossing detail is the most vividly used prop since Wilson the volleyball: the bulky x-ray devices Chris drags around like overgrown sewing machines, sometimes losing them, sometimes recovering them again, but always as duty bound to them as he is to his son. As both remnants of a financial miscue and his only potential source of income, they're perfect symbols for his hardscrabble San Francisco existence, which Muccino renders with both grittiness and sensitivity.

Smith produces his greatest depth and range yet, his performance containing an ingenuity to match that of his determined character. But the actor's contributions also extend to his real-life son, Jaden. Some observers saw this casting choice as gimmicky, perhaps a fatal dose of the preciousness informing Smith's 1997 single "Just the Two of Us," an ode to his older son. But not only is Jaden incredibly cute, he's also a chip off the old block, natural and true. That The Pursuit of Happyness was a box-office success is no great surprise to anyone who's followed Will Smith's career. But that he earns it this time through earnest commitment to his craft, rather than a wink and a clever sound bite, is an outcome worth cheering. ~ Derek Armstrong, All Movie Guide

Cast

Dan Castellaneta - Alan Frakesh; Kurt Fuller - Walter Ribbon; Takayo Fischer - Mrs. Chu; Kevin West - World's Greatest Dad; George Cheung - Chinese Maintenance Worker; Michael Silverman - Doctor at First Hospital David; Domenic Bove - Tim Ribbon; Geoff Callan - Ferrari, Owner; Raven Joyful - Hippie Girl; Scott Klace - Tim Brophy; Rashida Clendening - Bus Driver; Eric Schniewind - Dotors; Peter Fitzsimmons - Doctors; Maurice Sherbanee - Roy the Old Neighbor; Zuhair Haddad - Cab Driver; Victor Raider-Wexler - Landlord; Mark Christopher Lawrence - Wayne; Darryl Fong - Policeman; George Maguire - Police Clerk; Joseph A. Nuñez - Driver Who Hits Chris; Adam Del Rio - Shoe-Spotting Intern; Rocky LaRochelle - Motel Manager; Erin Cahill - Dean Witter Receptionist; Reuben Grundy - Businessman; Ming Lo - Young Executives; John Kovacevich - Young Executives; Bonnie Akimoto - Doctor's Receptionist; Stu Klitsner - Dr. Strauk; Esther Scott - Shelter Workers; Tina D'Elia - Shelter Workers; Rev. Cecil Williams - Reverend Williams; David Fine - Big Guy Rodney; George Moffatt - Homeless Guy In Line; Amir Talai - Clerk; Mike Garibaldi - Paul; Jason Frazier - Young Man - Bus Fight; Kevin Crook - Smug Intern; David Haines - Other Young Executive; Jim Finnerty - News Reporter; Abigail van Alyn - Ribbon's Receptionist; Bob Greene - Doctor at Oakland Memorial Hospital; Robert Anthony Peters - Glide Shelter Worker; Terri Orth-Pallavicini - Secretary; John Robb - Homeless Guys; Daniel Wilder - Homeless Guys; Cathy Fithian - Policewoman; Keith Stevenson - Indian Grocery Clerk; Jeff Applebaum - Dean Witter Employee; Victor Hoagland - Ribbon's Associates; Richard Bischoff - Ribbon's Associates; Edward Donlin - Dr. Don Florio; Larry Hunt - Bucket Man; Rose Aispuro - Blood Center Clerk; Arbin C. Kumar - Check Cashing Clerk; The Glide Ensemble - Glide Singers; Jerry Edwards McLilly - Smiley; Shareef Allman - Prisoner; Jeffrey Moon - Pizza Dad; Peaches Hutchinson - Pizza Mom; Brandon Dadwiler - Pizza Son; Tateanna Wheeler-Lezine - Pizza Daughter; Karen Kahn - Professional Woman

Credit

David F. Klassen - Art Director, Christopher P. Gardner - Associate Producer, Marvin E. Lewis - Boom Operator, Denise Chamian - Casting, Nina Henninger - Casting, Denise Chapman - Casting, Blake Neely - Conductor, Sharen Davis - Costume Designer, Michael J. Becker - Costume Designer, Robert Mata - Costume Designer, Yvonne Bastidos - Costume Designer, Valerie White - Costume Designer, Michael Viglietta - First Assistant Director, Lars P. Winther - First Assistant Director, Gabriele Muccino - Director, Hughes Winborne - Editor, Mark Clayman - Executive Producer, Louis D'Esposito - Executive Producer, Teddy Zee - Executive Producer, David Alper - Executive Producer, Wesley Hodge - Hair Styles, Yvette Rivas - Hair Styles, Pierce E. Austin - Hair Styles, Rory Enke - Location Manager, Molly Allen - Location Manager, Andrea Guerra - Composer (Music Score), Seal - Songwriter, Christopher Bruce - Songwriter, Debra Coleman - Makeup, Judy Murdock - Makeup, Gretchen Davis - Makeup, Kirk R. Gardner - Camera Operator, Goran Pavicevic - Camera Operator, J. Michael Riva - Production Designer, Phedon Papamichael - Cinematographer, Will Smith - Producer, Todd Black - Producer, Steve Tisch - Producer, Jason Blumenthal - Producer, James Lassiter - Producer, Noelle King - Set Designer, Chad Owens - Set Designer, Willie D. Burton - Sound/Sound Designer, Randolph Le Roi - Stunts, Jeff Mosley - Stunts, Thomas R. Harper - Stunts Coordinator, Matthew Heron - Special Effects Supervisor, Louis D'Esposito - Unit Production Manager, David A. Siegel - Unit Production Manager, Steven Conrad - Screenwriter, Jason Halley - Production Assistant, Gregory A. II Huster - Production Assistant, Daniel Lee - Production Assistant, Brandon Heidt - Production Assistant, Teresa Jolene Lee - Production Assistant, Ted Leonard - Production Assistant, Jennifer Jourdan - Production Assistant, Zachary Bogart - Production Assistant, Vince Cueva - Production Assistant, Allan Marasco - Production Assistant, Philip Shanahan - Second Unit Camera, Tim Guffin - Second Unit Camera, Cid Swank - Unit Publicist, Bob Hall - First Assistant Camera, Patrick McArdle - First Assistant Camera, Ray Garcia - Key Grip, Adam Milo Smalley - Music Editor, Mike Boustead - Music Editor, C. Scott Johnson - Music Editor, Gretel Twombly - Production Coordinator, Patrick Sterling Ludden - Properties Master, Carol De Pasquale - Script Supervisor, Gregory G. Hale - Second Assistant Director, Kirk R. Gardner - Steadicam Operator, Zade Rosenthal - Still Photographer, Michael O'Farrell - Supervising Sound Editor, Dennis Drummond - Supervising Sound Editor, Howard London - ADR Mixer, Michael E. Goldman - Assistant Art Director, Paul Howard - Assistant Chief Lighting Technician, Janie Graves - Assistant Location Manager, Dan Kemp - Assistant Location Manager, Sean Garcia - Assistant Production Coordinator, Shuana Moss - Assistant Production Coordinator, Annie Mueller - Assistant Properties, Galen Goodpaster - Assistant Sound Editor, Eryne Prine - Assistant Sound Editor, Robert J. McCann - Best Boy Grip, Jeph Folkins - Camera Loader, Angela Demo - Casting Assistant, Scout Masterson - Casting Associate, Michael Ambrose - Chief Lighting Technician, Walton Hadfield - Construction Coordinator, Riki Sabusawa-Roach - Costumes Supervisor, Mark Yardas - Dialogue Editor, Orlando Orona - Dolly Grip, Antonio V. Garrido - Dolly Grip, Beau Bonneau Casting - Extra Casting, Colleen Kenneavy - Extra Casting, Michelle A. De Mayo - First Assistant Accountant, Ross Jensen - First Assistant Accountant, John Breinholt - First Assistant Editor, Andy Malcolm - Foley Artist, Goro Koyama - Foley Artist, Vincent Guisetti - Foley Artist, Pamela Nedd Kahn - Foley Artist, JoAnn Strafford-Chaney - Key Hairstylist, Amy Di Sarro-Sasgen - Key Make-up, Anthony Carlino - Leadman, Sheilah Sullivan - Production Accountant, Cheryl McHugh - Production Accountant, Julian Brain - Second Second Assistant Director, Jasmine Marie Alhambra - Second Second Assistant Director, Jim Chesney - Transportation Captain, Ken Moore - Transportation Captain, Digital Dimension - Visual Effects, Lauri Gaffin - Set Decorator, The Reel Team - ADR Loop Group, James Chandler - Craft Service/Catering, Tony's Food Services - Craft Service/Catering, Sandy Reed - Craft Service/Catering, Ron Mellegers - Foley Mixer, Kyle Rochlin - Foley Mixer, Meg Dickler-Taylor - Foley Supervisor, Mo Henry - Negative Cutter, Sharon Lopez - Production Secretary, Jill Vaupen - Production Secretary, Brad Moore - Special Effects Foreman, Michael Haight - Supervising ADR Editor, John Trunk - Video Assist, mOcean - Title Design, Amina A. Dieye - Art Department Coordinator, Gregg London - Assistant Editor, Heather Mullen - Assistant Editor, Geraud Brisson - Assistant Editor, Camille Friend - Department Head Hair, Halsted Craig Hannah - Illustrator, Tommy Tran - Compositor, Travis Wade Ivy - Compositor, Erik Bruhwiler - Lead Compositor, Ryan Smolarek - Lead Compositor, Andrew Roberts - Painter (digital), Travis Yonke - Painter (digital)

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Wikipedia: The Pursuit of Happyness
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The Pursuit of Happyness

Theatrical release poster
Directed by Gabriele Muccino
Produced by Will Smith
Steve Tisch
James Lassiter
Todd Black
Jason Blumenthal
Written by Steven Conrad
Starring Will Smith
Jaden Smith
Thandie Newton
Brian Howe
Dan Castellaneta
Music by Andrea Guerra
Cinematography Phedon Papamichael
Editing by Hughes Winborne
Studio Relativity Media
Overbrook Entertainment
Escape Artists
Distributed by Columbia Pictures
Release date(s) United States:
December 15, 2006
United Kingdom:
January 12, 2007
Running time 117 minutes
Country United States
Language English
Budget $55,000,000
Gross revenue $307,077,295

The Pursuit of Happyness is a 2006 American biographical drama film, directed by Gabriele Muccino and based on the true story of Chris Gardner. The film stars Will Smith as Gardner, an on-and-off-homeless salesman-turned stockbroker.

The screenplay by Steven Conrad is based on the eponymous best-selling memoir written by Gardner with Quincy Troupe. The film was released on December 15, 2006, by Columbia Pictures. For his performance Smith received an Academy Award nomination for Best Actor and a Golden Globe nomination.

Contents

Plot

In 1981, in San Francisco, the smart salesman and family man Chris Gardner invests the family savings in Osteo National bone-density scanners, an apparatus twice as expensive as an x-ray machine but with a slightly clearer image. This white elephant financially breaks the family, bringing troubles to his relationship with his wife Linda, who leaves him and moves to New York where she has received a job in a pizza parlor. She wishes to take their son Christopher with her, but Chris refuses because they both know that Linda will be unable to take care of him.

Without money or a wife, but totally committed to his son Christopher, Chris sees the chance to fight for a stockbroker internship position at Dean Witter, offering a more promising career at the end of a six month unpaid training period. There are nineteen other candidates for the one position. Meanwhile, he encounters many challenges and difficulties, including a period of homelessness and troubles with the IRS.

Principal cast

Production

The film was largely shot in San Francisco.[1]

A fake BART station was constructed in Duboce Park and removed after filming.[2]

Critical reception

Chris Gardner (Will Smith) with his son, Christopher (Jaden Smith)

In the San Francisco Chronicle, Mick LaSalle observed, "The great surprise of the picture is that it's not corny . . . The beauty of the film is its honesty. In its outlines, it's nothing like the usual success story depicted onscreen, in which, after a reasonable interval of disappointment, success arrives wrapped in a ribbon and a bow. Instead, this success story follows the pattern most common in life - it chronicles a series of soul-sickening failures and defeats, missed opportunities, sure things that didn't quite happen, all of which are accompanied by a concomitant accretion of barely perceptible victories that gradually amount to something. In other words, it all feels real."[3]

Manohla Dargis of The New York Times called the film "a fairy tale in realist drag . . . the kind of entertainment that goes down smoothly until it gets stuck in your craw . . . It's the same old bootstraps story, an American dream artfully told, skillfully sold. To that calculated end, the filmmaking is seamless, unadorned, transparent, the better to serve Mr. Smith's warm expressiveness . . . How you respond to this man's moving story may depend on whether you find Mr. Smith's and his son's performances so overwhelmingly winning that you buy the idea that poverty is a function of bad luck and bad choices, and success the result of heroic toil and dreams."[4]

Peter Travers of Rolling Stone awarded the film three out of a possible four stars and commented, "Will Smith is on the march toward Oscar . . . [His] role needs gravity, smarts, charm, humor and a soul that's not synthetic. Smith brings it. He's the real deal."[5]

In Variety, Brian Lowry said the film "is more inspirational than creatively inspired—imbued with the kind of uplifting, afterschool-special qualities that can trigger a major toothache . . . Smith's heartfelt performance is easy to admire. But the movie's painfully earnest tone should skew its appeal to the portion of the audience that, admittedly, has catapulted many cloying TV movies into hits . . . In the final accounting, [it] winds up being a little like the determined salesman Mr. Gardner himself: easy to root for, certainly, but not that much fun to spend time with."[6]

Kevin Crust of the Los Angeles Times stated, "Dramatically it lacks the layering of a Kramer vs. Kramer, which it superficially resembles . . . Though the subject matter is serious, the film itself is rather slight, and it relies on the actor to give it any energy. Even in a more modest register, Smith is a very appealing leading man, and he makes Gardner's plight compelling . . . The Pursuit of Happyness is an unexceptional film with exceptional performances . . . There are worse ways to spend the holidays, and, at the least, it will likely make you appreciate your own circumstances."[7]

In the St. Petersburg Times, Steve Persall graded the film B- and added, "[It] is the obligatory feel-good drama of the holiday season and takes that responsibility a bit too seriously . . . the film lays so many obstacles and solutions before its resilient hero that the volume of sentimentality and coincidence makes it feel suspect . . . Neither Conrad's script nor Muccino's redundant direction shows [what] lifted the real-life Chris above better educated and more experienced candidates, but it comes through in the earnest performances of the two Smiths. Father Will seldom comes across this mature on screen; at the finale, he achieves a measure of Oscar-worthy emotion. Little Jaden is a chip off the old block, uncommonly at ease before the cameras. Their real-life bond is an inestimable asset to the onscreen characters' relationship, although Conrad never really tests it with any conflict."[8]

National Review Online has named the film #7 in its list of 'The Best Conservative Movies'. Linda Chavez of the Center for Equal Opportunity wrote, "this film provides the perfect antidote to Wall Street and other Hollywood diatribes depicting the world of finance as filled with nothing but greed."[9]

Box office

The film debuted at #1 at the North American box office, earning $27 million during its opening weekend and beating out heavily promoted films such as Eragon and Charlotte's Web. It was Will Smith's sixth consecutive #1 opening. The film grossed $162,586,036 in the US and Canada, nearly three times its production cost, and a further $141,700,000 in other markets, for a total worldwide box office of $304,286,036.

DVD sales

The film was released on DVD on March 27, 2007 and As of November 2007, US Region 1 DVD sales accounted for an additional $89,923,088 in revenue, slightly less than half of which was earned in its first week of release[10]. About 5,570,577 units have been sold, bringing in $90,582,602 in revenue.[11]

Awards and nominations

Trivia

The title relates to "life, liberty, and the pursuit of happiness", which are listed as "inalienable rights" in the United States Declaration of Independence.

The man seen walking across the street at the end of the movie while Chris and his son are walking away is the real-life Christopher Gardner. You can see Will Smith make a double take back at him.

See also

References

External links


 
 

 

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