Share on Facebook Share on Twitter Email
Answers.com

The Rascals

 
Artist: The Rascals
See The Rascals Lyrics
  • Formed: 1964, New York, NY
  • Disbanded: 1972
  • Genres: Rock
  • Representative Albums: "The Very Best of the Rascals," "The Young Rascals," "Groovin'"
  • Representative Songs: "Groovin'," "Good Lovin'," "A Beautiful Morning"

Biography

The Rascals, along with the Righteous Brothers, Mitch Ryder, and precious few others, were the pinnacle of '60s blue-eyed soul. The Rascals' talents, however, would have to rate above their rivals, if for nothing else than the simple fact that they, unlike many other blue-eyed soulsters, penned much of their own material. They also proved more adept at changing with the fast-moving times, drawing much of their inspiration from British Invasion bands, psychedelic rock, gospel, and even a bit of jazz and Latin music. They were at their best on classic singles like "Good Lovin'," "How Can I Be Sure," "Groovin'," and "People Got to Be Free." When they tried to stretch their talents beyond the impositions of the three-minute 45, they couldn't pull it off, a failure which -- along with crucial personnel losses -- effectively finished the band as a major force by the 1970s.

The roots of the Rascals were in New York-area twist and bar bands. Keyboardist/singer Felix Cavaliere, the guiding force of the group, had played with Joey Dee & the Starliters, where he met Canadian guitarist Gene Cornish and singer Eddie Brigati. Brigati would split the lead vocals with Cavaliere and also write much of the band's material with him. With the addition of drummer Dino Danelli, they became the Rascals. Over their objections, manager Sid Bernstein (who had promoted the famous Beatles concerts at Carnegie Hall and Shea Stadium) dubbed them the Young Rascals, although the "Young" was permanently dropped from the billing in a couple of years.

After a small hit with "I Ain't Gonna Eat Out My Heart Anymore" in 1965, the group hit number one with "Good Lovin'," a cover of an R&B tune by the Olympics, in 1966. This was the model for the Rascals' early sound: a mixture of hard R&B and British Invasion energy, with tight harmony vocals and arrangements highlighting Cavaliere's Hammond organ. After several smaller hits in the same vein, the group began to mature at a rapid rate in 1967, particularly as songwriters. "Groovin'," "Beautiful Morning," "It's Wonderful," and "How Can I Be Sure?" married increasingly introspective and philosophical lyrics to increasingly sophisticated arrangements and production, without watering down the band's most soulful qualities. They were also big hits, providing some of the era's most satisfying blends of commercial and artistic appeal.

In 1968, almost as if to prove they could shake 'em down as hard as any soul revue, the Rascals made number one with one of their best songs, "People Got to Be Free." An infectious summons to unity and tolerance in the midst of a very turbulent year for American society, it also reflected the Rascals' own integrationist goals. Not only did they blend white and black in their music; they also, unlike many acts of the time, refused to tour on bills that weren't integrated as well.

"People Got to Be Free," surprisingly, was the group's last Top 20 hit, although they would have several other small chart entries over the next few years, often in a more explicitly gospel-influenced style. The problem wasn't bad timing or shifting commercial taste; the problem was the material itself, which wasn't up to the level of their best smashes. More worrisome were their increasingly ambitious albums, which found Cavaliere in particular trying to expand into jazz, instrumentals, and Eastern philosophy. Not that this couldn't have worked well, but it didn't. They had never been an album-oriented group, but unlike other some other great mid-'60s bands, they were unable to satisfactorily expand their talents into full-length formats.

A more serious problem was the departure of Brigati, the band's primary lyricist, in 1970. Cornish was also gone a year later, although Cavaliere and Dinelli kept the Rascals going a little longer with other musicians. The band broke up in 1972, with none of the members going on to notable commercial or artistic success on their own, though Cavaliere remained the most active. ~ Richie Unterberger, All Music Guide
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: The Rascals
Top
The Rascals
Also known as The Young Rascals
Origin New York City, New York, United States
Genres Soul
Rock
R&B Punk
Years active 1964–1972
Labels Atlantic, Columbia
Associated acts Joey Dee and the Starliters, Little Steven and the Disciples of Soul

The Rascals (known initially as The Young Rascals) were an American soul and rock musical team of the 1960s.

Contents

History

Eddie Brigati (vocals), Felix Cavaliere (keyboard, vocals), Gene Cornish (guitar) and Dino Danelli (drums) started the band in Brigati and Danelli's native state New Jersey. Three-quarters of the group - Brigati, Cavaliere and Cornish - had previously been members of Joey Dee and the Starliters. Eddie's brother, David Brigati, an original Starliter, helped arrange the vocal harmonies and sang backgrounds on many of the group's recordings (informally earning the designation as the Fifth Rascal). When Atlantic Records contracted with them, they discovered that another group (Borrah Minnevitch's and Johnny Puleo's Harmonica Rascals) objected to the vending of records under the name Rascals. To avoid conflict, manager Sid Bernstein decided to rename the group the Young Rascals.

Their first television performance was on the program "Hullabaloo" on February 27, 1965, where they performed their debut single, "I Ain't Gonna Eat Out My Heart Anymore". The track was actually more successful in Canada where it scored #23. This modest success was followed by the US/Canada #1 single album "Good Lovin'" (1966, originally recorded by The Olympics in 1965).

Their first two singles were covers, but after that the band's songwriting team of Eddie Brigati and Cavaliere began providing most of their songs, and the successes kept happening for the next two years. Their immediate followups to "Good Lovin'", including "You Better Run" (1966, famously covered in 1980 by Pat Benatar) and "(I've Been) Lonely Too Long" (1967), were only modest successes, but "Groovin'" (#1 US/Canada, 1967) scored at the top of the charts. After that, the group performed a succession of US top 20 US successes, including "A Girl Like You" (1967), "How Can I Be Sure?" (1967), "It's Wonderful" (1968), and "A Beautiful Morning" (1968). The band was exceptionally popular in Canada, where "A Girl Like You", "How Can I Be Sure?" and "A Beautiful Morning" all reached #1. However in the UK they only twice scored the top 75 (both times in 1967), with "Groovin'" (#8) and "A Girl Like You" (#35). The band would bill themselves as the Young Rascals for the last time with the single release of "It's Wonderful"; they would be known henceforth as simply "The Rascals."

Bruce Eder, writing for allmusic.com, rates the band's 1967 album Groovin' as their best, noting the record's soulful core and innovative use of jazz and Latin instrumental arrangements. However, 1968's Once Upon A Dream was the first Rascals album designed from conception as an album, rather than as a vehicle to package their singles (eight of Groovin''s eleven songs were released as single A- or B-sides in advance of the album). Once Upon a Dream, which reached #9 on the album charts, contained the single "It's Wonderful" plus many other strong songs, including "Easy Rollin'," "Rainy Day," "My World," and the title track. Perhaps understandably, the album's song "My Hawaii" became a #1 chart success in Hawaii.

Time Peace: The Rascals' Greatest Hits, released in mid-1968, scored #1 on the album chart and became the team's best-selling album. The same year, "People Got to Be Free," a horn-punctuated plea for racial tolerance (the band was known for refusing to tour on segregated bills) became their third and final U.S. #1 single, and their sixth and final Canadian #1 success. It was also their final U.S. Top Ten success, although they remained a Canadian top 10 act for the next few years.

"A Ray of Hope," "Heaven," "See" and "Carry Me Back" were all modest U.S. singles for the band during late 1968 and 1969; all entered the top 40, but none acheiving higher than #24. In Canada, however, the Rascals were still major successes – all these songs scored top ten, completing a run of 11 straight Canadian top ten successes for The Rascals from 1967 to 1969.

December 1969's "Hold On" ended the series of top 40 US singles for the Rascals, stalling at #51, as well as the series of Canadian top tens, maximizing at #22.

During their period of greatest celebrity, the band's influence on aspiring Rhythm & Blues -style caucasian acts was without equal, especially in the northeastern U.S. Notable bands that incorporated (sometimes to the extent of parody) the Rascals' stage demeanor and energy included the Vagrants (featuring Leslie West, later of Mountain), the Rich Kids and the Vanilla Fudge.

Brigati left the group in 1970, followed by Cornish in 1971. Their last Rascals album was Search and Nearness (#198 U.S.), which featured Brigati's lead vocals on the Cornish-penned "You Don't Know" and a cover of The Box Tops' hit "The Letter," and drummer Danelli's composition "Fortunes." The only single release from the album was the spiritually-themed "Glory, Glory" (#58 U.S., #40 Canada), with backing vocals by The Sweet Inspirations. Search and Nearness would be the Rascals' last album for Atlantic Records, with Cavaliere and Danelli taking the band to Columbia Records in mid-1971.

Cavaliere shifted towards more jazz- and gospel-influenced writing for the Rascals' next two albums, Peaceful World (U.S. #122) and The Island Of Real (U.S. #180), using Robert Popwell and Buzzy Feiten on bass and guitar respectively, and new singer Annie Sutton. These albums didn't sell as well as their earlier work, with none of their associated singles reaching higher than #95 on the U.S. chart. Danny Weis (previously with Rhinoceros and Iron Butterfly) then joined as guitarist for the band's final album Rascals.

Cavaliere released several solo albums during the 1970s. Brigati, with his brother David, released Lost in the Wilderness during 1976. Cornish and Danelli worked together in other groups, including Bulldog and Fotomaker. During 1982, Cavaliere and Danelli joined Steve Van Zandt in Little Steven and the Disciples of Soul for the group's first two albums.

After appearing at Atlantic Records 40th Anniversary Celebration on 5/14/88, The Rascals reunited (with Cavaliere, Cornish, and Danelli) for a brief reunion tour in 1988; Eddie Brigati opted not to participate with it. The reunion group featured an expanded lineup that included Mel Owens (in Brigati's place) on vocals and percussion, Steve Mackey on bass, Ed Mattey on guitar, Dena Iverson on backup vocals and a horn section from Nashville to increase the sound. The reunion did not last beyond the end of the year.

After that, Cavaliere returned to his solo career and during the 1990s there were two factions touring: The New Rascals (featuring Cornish & Danelli) and Cavaliere, who sometimes called his grouping Felix Cavaliere's Rascals. The New Rascals lasted only a brief time during the 1990s but toured again during 2006 with two new members: Bill Pascali (formerly of Vanilla Fudge) on vocals and keyboards and Charlie Souza on bass and vocals.

The (Young) Rascals were inducted into the Rock and Roll Hall of Fame on May 6, 1997. Steve Van Zandt gave the induction speech and presented the award. For the first time in years, all four original members appeared together. For their "jam session" (including David Brigati), they performed "Good Lovin'", "Groovin'", "How Can I Be Sure?", and "People Got To Be Free".

The Rascals were also inducted into the Vocal Group Hall of Fame in 2005.

The entire series of albums from Atlantic Records was re-released on August 28, 2007.

Membership

Discography

Albums

Atlantic 8123-8148 as "The Young Rascals", Atlantic 8169 onward as "The Rascals"

Release Date Label/Catalog # Album Title Billboard Top 200 Cashbox
03/28/1966 Atlantic 8123 (mono) Atlantic SD-8123 (stereo) The Young Rascals
15
10
01/09/1967 Atlantic 8134 (mono) Atlantic SD-8134 (stereo) Collections
14
15
07/31/1967 Atlantic 8148 (mono) Atlantic SD-8148 (stereo) Groovin'
5
6
02/19/1968 Atlantic 8169 (mono) Atlantic SD-8169 (stereo) Once Upon A Dream
9
8
06/24/1968 Atlantic SD-8190 (stereo) Time Peace: The Rascals' Greatest Hits
1
1
03/17/1969 Atlantic SD 2-901 (stereo) Freedom Suite
17
16
12/15/1969 Atlantic SD-8246 (stereo) See
45
18
03/01/1971 Atlantic SD-8276 (stereo) Search and Nearness
198
Did not chart
 ??/??/1971 Columbia G30462 (stereo) Peaceful World
122
69
 ??/??/1972 Columbia KC 31103 (stereo) The Island of Real
180
Did not chart
 ??/??/1973 Columbia (stereo) Rascals
 ?
Did not chart

Cashbox charts not standard.

Singles

Atlantic 2312-2463 (1965-1967) as "The Young Rascals", Atlantic 2493 onward (1968-1971) as "The Rascals"

Release Date Label/Catalog # Titles (A-side / B-side) U.S.
Billboard Top Singles
U.S.
Cashbox
Canada
RPM
UK
11/22/1965 Atlantic 2312 I Ain't Gonna Eat Out My Heart Anymore / Slow Down
52
63
23
--
02/21/1966 Atlantic 2321 Good Lovin' / Mustang Sally
1
1
1
--
05/30/1966 Atlantic 2338 You Better Run / Love Is A Beautiful Thing
20
23
22
--
09/12/1966 Atlantic 2353 Come On Up / What Is The Reason
43
51
63
--
01/16/1967 Atlantic 2377 I've Been Lonely Too Long / If You Knew
16
17
7
--
04/10/1967 Atlantic 2401 Groovin' / Sueño
1
1
1
8
07/03/1967 Atlantic 2424 A Girl Like You / It's Love
10
8
1
37
07/17/1967 Atlantic 2428 Groovin' (Spanish Version) / Groovin' (Italian Version)
--
--
08/28/1967 Atlantic 2438 How Can I Be Sure / I'm So Happy Now
4
2
1
--
11/27/1967 Atlantic 2463 It's Wonderful / Of Course
20
15
7
--
04/01/1968 Atlantic 2493 A Beautiful Morning / Rainy Day
3
3
1
--
07/01/1968 Atlantic 2537 People Got To Be Free / My World
1
1
1
--
11/18/1968 Atlantic 2584 A Ray of Hope / Any Dance'll Do
24
14
10
--
01/27/1969 Atlantic 2599 Heaven / Baby I'm Blue
39
17
4
--
05/05/1969 Atlantic 2634 See / Away Away
27
13
8
--
08/25/1969 Atlantic 2664 Carry Me Back / Real Thing
26
12
6
--
12/15/1969 Atlantic 2695 Hold On / I Believe
51
29
22
--
07/06/1970 Atlantic 2743 Glory Glory / You Don't Know
58
42
40
--
12/07/1970 Atlantic 2773 Right On / Almost Home
119
--
--
06/1971 Columbia 4-45400 Love Me / Happy Song
95
74
--
--
 ??/1971 Columbia 4-45491 Lucky Day / Love Letter
--
--
--
 ??/1971 Columbia 4-45568 Brother Tree / Saga of New York
--
--
 ??/1971 Columbia 4-45600 Hummin' Song / Echoes
--
--
--

References


External links

The Rascals
Discography
The Young Rascals: The Young Rascals (1966) | Collections (1967) | Groovin' (1967)
The Rascals: Once Upon a Dream (1968) | Freedom Suite (1969) | See (1970) | Search and Nearness (1971) | Peaceful World (1971) | The Island of Real (1972)

 
 
Learn More
rascaldom
panderly
traitorly

What does rascal mean? Read answer...
Where is rascal flatts from? Read answer...
Who is Dizzie Rascal? Read answer...

Help us answer these
Why is rascal a dragon?
Rascal in shakespeare?
Rascal in shakespearen?

Post a question - any question - to the WikiAnswers community:

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "The Rascals" Read more