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The Ring

 
Movies:

The Ring

  • Director: Gore Verbinski
  • AMG Rating: starstarstar
  • Genre: Horror
  • Movie Type: Supernatural Horror
  • Themes: Psychic Abilities, Haunted By the Past, Mothers and Sons
  • Main Cast: Naomi Watts, Martin Henderson, David Dorfman, Brian Cox, Jane Alexander
  • Release Year: 2002
  • Country: US
  • Run Time: 109 minutes
  • MPAA Rating: PG13

Plot

A disturbing videotape appears to hold the power of life and death over those who view it in this offbeat thriller. A strange videotape begins making the rounds in a town in the Pacific Northwest; it is full of bizarre and haunting images, and after watching it, many viewers receive a telephone call in which they are warned they will die in seven days. A handful of teenagers who watched the tape while spending a weekend at a cabin in the mountains scoff at the threat, but as predicted, they all die suddenly on the same night. Rachel Keller (Naomi Watts), the aunt of one of the ill-fated teens, is a journalist who has decided to investigate the matter and travels West with her young son, Aidan (David Dorfman), a troubled child who has been drawing pictures of strange and ominous visions. Rachel managed to find the cabin in the woods and watches the video herself; afterward, she receives the same phone call, and realizes she must solve the puzzle of the video and the person or persons behind it within a week. Rachel turns to her ex, Noah (Martin Henderson), an expert in video technology, who at first is convinced the story is a hoax until he digs deeper into the mystery. The Ring was adapted from a 1996 Japanese film by Hideo Nakata, which became a massive box-office success in Asia and spawned two sequels. ~ Mark Deming, All Movie Guide

Review

Though the majority of truly effective scares in The Ring resound most clearly when borrowed from the original source material, Gore Verbinski's reworking of the phenomenally successful 1998 Japanese film Ringu is a suitably chilling version of the story, which has already seen a Korean remake, two sequels, and a made-for-television movie. Wisely opting for a sustained sense of dread over a series of shock scenes or an over-reliance on special effects, The Ring also benefits from the suitable and assured lead performance of actress Naomi Watts, despite some over-dramatization of events early on. The majority of newly incorporated plot elements are also fairly effective, with at least one instance aboard an island-bound ferry reaching a fever pitch of disturbing heights. And though many of these elements work within the context of the story, certain embellishments are more distracting than effective. The properties of the video that spark the desperate investigation of its origins, as well as the video itself, seem slightly more forced, even if the plot developments that they ultimately lead to are indeed intriguing. A hypnotic melding of obscure nightmarish imagery in the Japanese theatrical release, the video as presented in the American remake, as one character so eloquently states, is "very student film." This isn't to say that it isn't effective in terms of uncomfortable imagery, but rather that it lacks the subtleties that made the original so obscurely menacing. This can also be said of the character of Samara. Where the original wisely refrained from giving the audience a good look at this terrifying figure of mysterious origins, we simply see too much of her here. Her seemingly unearthly and unnatural movements, so effectively realized by utilizing an actress versed in Kabuki theater in the original, is here less-engagingly realized with special effects and trick photography. Also integrating elements from the sequel as well as other contemporary Japanese chillers, The Ring pays homage to its origins while maintaining a decidedly American slant. A highly stylized visual stunner, Verbinski's sparse frame recalls the original while cinematographer Bojan Bazelli's photography helps the film stand on its own as a lusciously foreboding rain-soaked nightmare. ~ Jason Buchanan, All Movie Guide

Cast

Lindsay Frost - Ruth; Pauley Perrette - Beth; Amber Tamblyn - Katie; Rachael Bella - Becca; Sara Rue - Babysitter; Shannon Cochran - Anna Morgan; Daveigh Chase - Samara; Alan Blumenfeld - Harvey; Keith Campbell - Ship's Mate; Gary Cervantes - Painter; Joseph Chrest - Doctor; Art Frankel - Cal; Chuck Hicks - Ferry Worker; Ronald William Lawrence - Library Clerk; Richard Lineback - Innkeeper; Coleen Maloney - Mourner #1; Catherine Paolone - Mourner #2; David Povall - Girl's Father; Michael Spound - Dave; Aixa Clemente - Nurse; Sasha Barrese - Girl Teen #1; Joe Sabatino - Orderly; Adam Brody - Male Teen #1; Sandra Thigpen - Teacher; Joanna Lin Black - Cashier; Stephanie Erb - Donna; Tess Hall - Girl Teen #2; Billy Lloyd - Darby; Maura McNamara - Girl On Ferry; Lindsey Stoddart - Grad Student; Guy Richardson - Librarian

Credit

Patrick M. Sullivan, Jr. - Art Director, Benita Allen-Honess - Associate Producer, Jodi Rothfield - Casting, Denise Chamian - Casting, Fiachra Trench - Conductor, Christine Iso - Co-producer, Julie Weiss - Costume Designer, Fred Roth - First Assistant Director, Benita Allen-Honess - First Assistant Director, Giselle Gurza - First Assistant Director, Gore Verbinski - Director, Charles Gibson - Second Unit Director, Craig Wood - Editor, Michele Weisler - Executive Producer, Mike Macari - Executive Producer, Roy Lee - Executive Producer, Roxanne Wightman - Hair Styles, Sylvia Nava - Hair Styles, Murray Miller - Location Manager, Hans Zimmer - Composer (Music Score), Amy Schmiederer - Makeup, Rick Baker - Makeup Special Effects, Cinovation Studios - Makeup Special Effects, Daniel B. Gold - Camera Operator, Harry K. Garvin - Camera Operator, Tom Duffield - Production Designer, Bojan Bazelli - Cinematographer, Walter Parkes - Producer, Laurie MacDonald - Producer, Gina Segall - Singer, Maya Shimoguchi - Set Designer, Slamm Andrews - Sound Mixer, Peter Miller - Sound/Sound Designer, Keith Campbell - Stunts Coordinator, Burt Dalton - Special Effects Supervisor, Bill Johnson - Unit Production Manager, Ehren Kruger - Screenwriter, Patrick Loungway - Second Unit Director Of Photography, Charles Gibson - Visual Effects Supervisor, Craig Barron - Visual Effects Supervisor, Addison Teague - Sound Effects Editor, J.R. Grubbs - Sound Effects Editor, Jim Dooley - Additional Music, Martin Tillman - Additional Music, Henning Lohner - Additional Music, Boone Narr - Animal Trainer/Wrangler, Rex Peterson - Animal Trainer/Wrangler, Mike Boyle - Animal Trainer/Wrangler, Jeffrey M. Meyer - Animal Trainer/Wrangler, Rusty Hendrickson - Animal Trainer/Wrangler, Jennifer Sanger - Executive in Charge of Production, David Nowell - Aerial Photography, Gary Robbins - Creature Effects, Todd Homme - Executive Music Producer, Trevor Morris - Music Editor, Martin Tillman - Musical Performer, Anthony Pleeth - Musical Performer, Sven E.M. Fahlgren - Post Production Coordinator, Erica Frauman - Post Production Supervisor, Daren Hicks - Production Coordinator, Gregg Edler - Production Coordinator, Bill Sturgeon - Production Supervisor, Tom Johnson - Re-Recording Mixer, Lora Hirschberg - Re-Recording Mixer, Sharon Reynolds-Enriquez - Script Supervisor, Harry K. Garvin - Steadicam Operator, Tim Holland - Supervising Sound Editor, Krystyna Demkowicz - Visual Effects Producer, Beate Eisele - Costume/Wardrobe, Jeanne Vosloo - Costume/Wardrobe, Mike Axinn - ADR Editor, Dena Berman - Casting Associate, Nancy McArdle - Costumes Supervisor, Jon Pray - Costumes Supervisor, Ewa Sztompke-Oatfield - Dialogue Editor, Linda Kay Brown - Dialogue Editor, Dennie Thorpe - Foley Artist, Jana Vance - Foley Artist, Sue Fox - Foley Editor, Medusah - Key Hairstylist, Jean A. Black - Key Make-up, Jim Turner - Production Controller, Steven R. Molen - Production Executive, Bruce G. Moriarty - Second Unit Assistant Director, Alan Edmisten - Second Unit Assistant Director, Darrell Woodard - Second Unit Assistant Director, Emily McGovern - Second Unit Assistant Director, Rudy Persico - Second Unit Assistant Director, RaMona Fleetwood - Second Unit Makeup, Trevor Goring - Storyboard Artist, Richard Buoen - Storyboard Artist, Rhythm & Hues Studios - Visual Effects, Pacific Title & Art Studio - Visual Effects, Method Studios - Visual Effects, Asylum Visual Effects - Visual Effects, Rosemary Brandenberg - Set Decorator, J.C. Spink - Co-Executive Producer, Neal Edelstein - Co-Executive Producer, Kôji Suzuki - Book Author, Bruce Lacey - ADR Supervisor, Frank Merel - Foley Mixer, Travis Crenshaw - Foley Recordist, Robert "Bobby Z" Zajonc - Pilot, Lee Orloff - Production Sound Mixer, Rodney M. Byrd - Special Effects Foreman, Albert Delgado - Special Effects Foreman, Bob Stoker, Jr. - Special Effects Technician, Terry P. Chapman - Special Effects Technician, Dale Ettema - Special Effects Technician, Garth Majors - Special Effects Technician, Jeffrey Watts - Special Effects Technician, Ronald Goldstein - Special Effects Technician, Clark Templeman III - Special Effects Technician, William A. Klinger - Special Effects Technician, William Aldridge - Special Effects Technician, Bill Schepler - Special Effects Technician, L.A. MadDogs - Voice Casting

Similar Movies

The Amityville Horror; The Omen; Poltergeist; The Shining; Cure; The Nameless; The Cell; Pulse; Session 9; fear dot com; The Seekers; The Grudge; White Noise; The Ring Virus; The Eye; Acacia; Silent Hill; One Missed Call; Shutter; Second Name
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Wikipedia: The Ring (2002 film)
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The Ring

Theatrical release poster
Directed by Gore Verbinski
Produced by Walter F. Parkes
Roy Lee
Laurie MacDonald
Michael Macari
Written by Kôji Suzuki
Ehren Kruger
Scott Frank
Starring Naomi Watts
Daveigh Chase
Martin Henderson
David Dorfman
Brian Cox
Music by Hans Zimmer
Cinematography Bojan Bazelli
Editing by Craig Wood
Distributed by DreamWorks Pictures
Release date(s) October 18, 2002
Running time 115 min.
Country United States
Japan
Language English
Budget $48 million
Gross revenue $249,348,933
Followed by The Ring Two

The Ring is a 2002 American psychological thriller directed by Gore Verbinski and starring Naomi Watts and Martin Henderson. It is an American remake of the 1998 Japanese horror film (also known as Ringu). Both films are based on the novel of the same name by Kôji Suzuki.The Ring was a critical and commercial success.

Contents

Plot

The film focuses on a mysterious cursed videotape which contains a seemingly random series of disturbing, black and white images. After watching the tape, the viewer receives a phone call in which the voice of a girl condemns the viewer to death in seven days.

As the film opens, two teenage girls, Katie Embry (Amber Tamblyn) and Rebecca 'Becca' Kotler (Rachael Bella), discuss a supposedly cursed tape while home alone at Katie's house. Katie reveals that, seven days before, she went to a cabin at Shelter Mountain Inn with friends, where she viewed the video tape. The girls laugh it off, but after a series of strange occurrences in the next few minutes, involving a television in the house turning itself on, Katie mysteriously and horrifically dies while Becca watches, causing Becca to be institutionalized in a mental hospital.

In the next act, we learn that a young boy has recently lost his cousin. It turns out that Katie is the cousin, and the boy's mom, Rachel (Naomi Watts), is Katie's aunt. At Katie's home after the funeral, Rachel's sister discusses the death of her daughter with Rachel and says, "I saw her face," implying that Katie did not die a natural death. Then an extremely disturbing image of the dead girl in a closet is flashed for a few seconds. Rachel's sister asks her to investigate her daughter's death, since Rachel is a journalist. The investigation leads her to the cabin where Katie watched the tape. Rachel finds and watches the tape; the phone rings, and she hears a child's voice say "Seven days." Rachel is most upset after the call. The next day she calls Noah, her ex-boyfriend and the father of her precocious son Aidan (who seems to be about 9-years-old) who has media-related skills, to show him the video. He asks her to make a copy for further investigation, which she does, but later takes it home herself. To Rachel's horror, she discovers Aidan watching the copy a few days later.

After viewing the tape, Rachel begins experiencing nightmares, nose bleeds, and surreal situations (for instance, when she pauses a section of the tape in which a fly runs across the screen, she is able to pluck the fly from the monitor). Increasingly anxious about getting to the bottom of the tape, Rachel investigates images of a woman seen in the tape. The woman turns out to be Anna Morgan, who lived on Moesko Island, Washington, many years prior with her husband Richard (Brian Cox). Rachel discovers that, after bringing home an adopted daughter, tragedy befell the Morgan ranch - the horses raised on the ranch went mad and killed themselves, which in turn causes Anna to become depressed and commit suicide. Rachel goes to the Morgan house and finds Richard, who refuses to talk about the video or his daughter and sends Rachel away. A local doctor tells Rachel that Anna could not carry a baby to term and adopted a child named Samara (Daveigh Chase). The doctor recounts that Anna soon complained about gruesome visions that only happened when Samara was around, so both were sent to a mental institution. While Rachel is investigating on Moesko Island, Noah is investigating the institution, where he finds Anna's file and discovers that there was a video of Samara, but the video is missing. Meanwhile, back at the ranch, Rachel sneaks back to the Morgan house, comes across the missing video and is confronted by Richard, who says that the girl was evil. He then electrocutes himself in the bathtub, sending Rachel running out of the room screaming.

Noah arrives and, with Rachel, goes to the barn to discover an attic where Samara was kept by her father. Behind the wallpaper they discover an image of a tree seen on the tape, which grows near the Shelter Mountain Inn. At the inn, they discover a well underneath the floor, in which Rachel finds Samara's body, experiencing a vision of how her mother dropped her into it. Rachel notifies the authorities, and Samara is given a proper burial.

Rachel informs Aidan that they will no longer be troubled by Samara. However, Aidan is horrified, telling his mother she had freed her body, and that Samara never sleeps. In his apartment, Noah's TV turns on, revealing an image in which Samara crawls from the well, walks toward the screen and crawls out of the set into the room. Samara stares directly at him, and he backs away from her afraid, and she kills him, which Rachel discovers after racing to his apartment and seeing his face distorted like Katie's was. Upon returning to her apartment, Rachel destroys and burns the original tape screaming and asking what Samara wants from her. She soon notices the tape marked "COPY" underneath the couch. Afraid that Aidan will also die, Rachel realizes the only way to escape is to copy the tape and show it to someone else, continuing the cycle. The movie ends with Rachel helping Aidan to copy the tape and place it in a public library.

Cast

Reception

In order to advertise The Ring, many promotional websites were formed featuring the characters and places in the film. The film was financially successful; the box office gross actually increased from its 1st weekend to its 2nd, as the initial success led DreamWorks to roll the film into 700 additional theatres.[1] The Ring made $8.3 million in its first two weeks in Japan, compared to Ringu's $6.6 million total box-office gross.[2] The success of The Ring opened the way for American remakes of several other Japanese horror films, including The Grudge and Dark Water.[2] A sequel, The Ring Two, was released in North American theaters on March 18, 2005. It was directed by Hideo Nakata, the director of Ring.

The Ring received fairly positive reviews from film critics, receiving a “fresh” 72 percent favorable reviews out of 167 reviews on Rotten Tomatoes,[3] and a Metacritic score of 57/100 (mixed or average) from 36 reviews.[4] On the television program Ebert & Roeper, Richard Roeper gave the film "Thumbs Up" and said it was very gripping and scary despite some minor unanswered questions. Roger Ebert gave the film "Thumbs Down" and felt it was boring and "borderline ridiculous"; he also disliked the extended, detailed ending.[5] IGN’s Jeremy Conrad praised the movie for its atmospheric set up and cinematography, and said that “there are 'disturbing images'… but the film doesn't really rely on gore to deliver the scares. … The Ring relies on atmosphere and story to deliver the jumps, not someone being cleaved in half by a glass door.”[6] Film Threat Jim Agnew called it “dark, disturbing and original throughout. You know that you’re going to see something a little different than your usual studio crap.”[7] Verbinski was praised for slowly revealing the plot while keeping the audience interested, “the twists keep on coming, and Verbinski shows a fine-tuned gift for calibrating and manipulating viewer expectations.”[8]

Despite the praise given to Verbinski’s direction, critics railed the characters as being weak. The Chicago Reader’s Jonathan Rosenbaurn said that the film was “an utter waste of Watts… perhaps because the script didn’t bother to give her a character,”[9] whereas other critics such as William Arnold from Seattle Post-Intelligencer said the opposite: “she projects intelligence, determination and resourcefulness that carry the movie nicely.”[10] Many critics regarded Dorfman’s character as a "creepy-child" “Sixth Sense cliché.”[8] A large sum of critics, like Miami Herald’s Rene Rodriguez and USA Today’s Claudia Puig[11] found themselves confused and thought that by the end of the movie “[the plot] still doesn't make much sense.”[12] This movie was number 20 on the cable channel Bravo's list of the 100 Scariest Movie Moments.

See also

References

External links


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