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The Score

 
Movies:

The Score

  • Director: Frank Oz
  • AMG Rating: starstarstar
  • Genre: Crime
  • Movie Type: Caper, Crime Thriller
  • Themes: One Last Heist, Cons and Scams, Faltering Friendships
  • Main Cast: Robert De Niro, Edward Norton, Marlon Brando, Angela Bassett, Gary Farmer
  • Release Year: 2001
  • Country: US
  • Run Time: 123 minutes
  • MPAA Rating: R

Plot

Three generations of method acting giants unite for this crime thriller written by Kario Salem and directed by Frank Oz. Robert De Niro stars as Nick Wells, an aging thief whose specialty is safecracking and who is on the verge of retiring to a life of ease, running his jazz club and romancing his girlfriend Diane (Angela Bassett). But before he can ride off into the sunset, Nick is pressured to do one last job by his mentor and business partner, a flamboyant and extravagant upscale fence named Max (Marlon Brando). Max is plotting the heist of the Montreal Customs House, and he's got a man on the inside, Jackie Teller (Edward Norton), a talented but volatile crook who has managed to ingratiate himself with the facility's staff as a fellow employee suffering from cerebral palsy. Jackie bristles at Nick's interference in "his" score, however, and threatens violence when it seems he's going to be cut out of the action. In the meantime, Nick grows increasingly ill at ease about the operation, as it violates his two most important dictums in thievery: always work alone and never pull a job in your own city. The part of Max in The Score was written specifically for Brando by screenwriter Salem, although the improvisational star and his director Oz reportedly clashed during filming. ~ Karl Williams, All Movie Guide

Review

The Score brings three generations of master actors together with fantastic results. Marlon Brando, Robert De Niro, and Ed Norton take what amounts to a standard heist film and raise it well above the level of cops and robbers. De Niro acts with his eyes in a less-is-more-approach, giving his character, the seasoned thief Nick, the proper weight and experience to counter Norton's cock-sure youth and arrogance. Norton more than holds his own next to the two legends and further demonstrates that he is one of the best actors of his generation. Much was made of the off-camera antics of Brando, but when all is said and done, he gives his best showing since The Freshman. As Max, a gay fence who needs this one last score, Brando is both sarcastic and serious in the same breath, turning in the performance fans hoped he was still capable of. Angela Bassett is stuck with the girlfriend who issues the ultimatum, the job or me. It's unfortunate she is not given more to work with and instead is reduced to a shallow stereotype. Frank Oz (Bowfinger) makes the smart decision to let his incredible cast do what they do best -- act. For a film about a robbery, there is surprising little gunplay and not one car chase. Oz lets the story progress and the tension build without forcing his hand, creating more of a character piece than an action film. He also demonstrates an excellent eye for locations and shoots Montreal as lovingly as Woody Allen shoots New York. Although the story is one that has been told several times before, all involved refuse to allow the stale plot to drag them down with it. What's left is a smart film that can be enjoyed as a fun genre piece.

~ Scott Engel, All Movie Guide

Cast

Paul Soles - Danny; Cassandra Wilson

Credit

Claude Pare - Art Director, Tom Reta - Art Director, Margery Simkin - Casting, Aude Bronson-Howard - Costume Designer, David Sardi - First Assistant Director, Frank Oz - Director, Richard Pearson - Editor, Bernie Williams - Executive Producer, Adam Platnick - Executive Producer, Howard Shore - Composer (Music Score), Jackson de Govia - Production Designer, Rob Hahn - Cinematographer, Kathleen Courtney - Production Manager, Gary Foster - Producer, Lee Rich - Producer, K.C. Fox - Set Designer, Charlotte Rouleau - Set Designer, Claude Lafrance - Set Designer, Felix Lariviere-Charron - Set Designer, Celine Lampron - Set Designer, Lucie Tremblay - Set Designer, Glen Gauthier - Sound/Sound Designer, Pete Antico - Stunts, Louis Craig - Special Effects Supervisor, Kario Salem - Screen Story, Daniel E. Taylor - Screen Story, Kario Salem - Screenwriter, Lem Dobbs - Screenwriter, Scott Marshall Smith - Screenwriter, Bud Davis - Additional Cinematography, Bud Davis - Second Unit Camera, David Zelon - Executive in Charge of Production, Budd Carr - Executive Music Producer, Ron Bochar - Supervising Sound Editor, Syd Dutton - Visual Effects, Bill Taylor - Visual Effects, CIS Hollywood - Visual Effects, K.C. Fox - Set Decorator

Similar Movies

Breaking In; Rififi; Thief; Grand Slam; Quiet Please, Murder; The Real McCoy; Heat; Out of Sight; Ronin; The Thomas Crown Affair; The Heist; Heist; Ocean's Eleven; The Italian Job; After the Sunset; Ocean's Twelve; Triple Cross; Hard Cash; The Guilty; Inside Man; The Lookout; Fakers; Ladron Que Roba a Ladron
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Wikipedia: The Score (film)
Top
The Score
Directed by Frank Oz
Produced by Gary Foster
Written by Daniel E. Taylor,
Kario Salem
Starring Robert De Niro
Edward Norton
Marlon Brando
Angela Bassett
Music by Howard Shore
Editing by Richard Pearson
Distributed by Paramount Pictures
Release date(s) 13 July 2001 (USA)
Running time 124 min
Language English
Budget ~ US$68,000,000
Gross revenue $113,579,918

The Score is a 2001 crime drama directed by Frank Oz and starring Robert DeNiro, Edward Norton and Marlon Brando.

It was the final film performance for Brando and the only time he and De Niro appeared in a film together (although they had previously portrayed the same character, Vito Corleone, in The Godfather Part II).

The screenplay was based upon a story by Daniel E. Taylor and Emmy-winner Kario Salem.

Contents

Plot

In Montreal, a professional safe cracker who wants to retire, Nick Wells (De Niro), is persuaded to engage in one last heist by his friend Max (Brando), who plans the caper and recruits a younger thief, Jack Teller (Norton).

They intend to steal a priceless French scepter, once thought lost but rediscovered as it was brought into Canada illegally. However the job requires getting the artifact out of the heavily-guarded Customs House, where Teller has taken a maintenance job. In order to avoid suspicion, Teller pretends to be Brian, who is mentally challenged.

Nick intends to retire to spend more time with his girlfriend (Angela Bassett) and run his jazz club full-time. But he knows that he is in danger of being apprehended by the law as well as being double-crossed by his untrustworthy partners.

Production

During the production, Brando repeatedly argued with Oz and called him "Miss Piggy".[1] Oz later blamed himself for the tension and cited his tendency to be confrontational rather than nurturing in response to Brando's acting style.[2]

Most of the conversations between De Niro and Brando are improvised. Norton later admitted he wasn't very fond of the script and only did the film to work with De Niro and Brando.

This film was Brando's final completed film before his death in 2004. Two years after his death, he appeared in the film Superman Returns in archive footage as Superman's father Jor-El, a role he played in the original 1978 film Superman and in the 1980 sequel Superman II.

Reception

The film received a mix of positive and critical reviews, due to some critics expecting more from a film with such a celebrated cast. Peter Travers, a film critic for Rolling Stone, pointed out that when "two Don Corleones team up", he expected "the kind of movie that makes people say, 'I'd pay to see these guys just read from the phone book.'"[3] Instead, what he had to say about it was: "There's nothing you can't see coming in this flick, including the surprise ending. Quick, somebody get a phone book." However, Roger Ebert of the Chicago Sun-Times gave it three and a half stars out of four, calling it "the best pure heist movie in recent years."[4]

Frank Oz on the DVD commentary defends the film as one in which he desired to take risks. Therefore, they started filming with an incomplete script and used several shooting methods that are usually frowned upon in the industry.

After a July 13, 2001 opening, the sixty-eight million dollar film earned a gross domestic box office take of $71,107,711. Combined with the foreign box-office, the worldwide total is $113,579,918. [5]

Angela Bassett won a NAACP Image Award for Outstanding Supporting Actress in a Motion Picture for her portrayal of Wells' girlfriend, Diane.

The film received a rating of 74% fresh on rottentomatoes.com.

References

External links


 
 

 

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