Group Members:
Similar Artists:
The Mighty Clouds of Joy,
Dorothy Norwood,
The Five Blind Boys of Mississippi,
Pilgrim Travelers,
The Fairfield Four,
Pilgrim Jubilee Singers,
Chosen Gospel Singers,
The Harmonizing Four,
The Paschall Brothers,
Zion Travelers,
Bright Light Quartet ,
The Swan Silvertones,
The Clefs of Calvary ,
Golden Gate Quartet
Influenced By:
The Five Blind Boys of Alabama,
Willie Mae Ford Smith,
Mattie Moss Clark,
Arizona Dranes,
Rev. Thomas A. Dorsey
Followers:
Candi Staton,
The Fairfield Four,
Pilgrim Travelers,
John Ellison,
The Highway Q.C.'s,
The Dixie Hummingbirds,
The Charioteers,
Lee Williams,
Willie Banks,
The Sensational Nightingales,
The Swan Silvertones,
The Temptations,
Ladysmith Black Mambazo,
The 5th Dimension,
Jerry Butler,
The Mighty Clouds of Joy,
Roy Brown,
James Cleveland,
Bettye LaVette,
Brook Benton,
The Impressions,
Sandi Patty,
Curtis Mayfield,
Joe Simon,
Aaron Neville,
The Caravans,
Dionne Warwick,
Larry Jon Wilson ,
Juanita Bynum
Performed Songs By:
Formal Connection With:
- Formed: 1927, Trinity, TX
- Genres: Gospel
- Representative Albums: "Shine on Me", "The Last Mile of The Way", "Gospel Music"
- Representative Songs: "The Last Mile of the Way", "How Far Am I from Canaan?", "Come and Go to That Land"
Biography
Indisputably among the premier gospel groups of the modern era, the Soul Stirrers pioneered the contemporary quartet sound. Pushing the music away from the traditional repertoire of jubilees and spirituals towards the visceral, deeply emotional hard gospel style so popular among postwar listeners, the group's innovative arrangements -- they were the first quartet to add a second lead -- and sexually charged presence irrevocably blurred the lines between religious and secular music while becoming a seminal influence on the development of rock & roll and soul, most notably by virtue of their connection to the legendary Sam Cooke. The Soul Stirrers' origins date back to 1926, where in the town of Trinity, TX, baritone Senior Roy Crain formed a quartet with a number of other teens with whom he attended church. After one of the group's early appearances, a member of the audience approached Crain to tell him how their performance had "stirred his soul," and from this chance compliment the Soul Stirrers were officially born.The original group fell apart soon after, but Crain continued to pursue a singing career; upon relocating to Houston during the early '30s, he joined a group called the New Pleasant Green Singers on the condition that they change their name to the Soul Stirrers. So rechristened, this incarnation of the quartet made a 1936 field recording for Alan Lomax; as other members dropped out, Crain brought in replacements, finally arriving at the classic early lineup which also included bass Jesse Farley, baritone T.L. Bruster, second lead James Medlock, and, most notably, lead R.H. Harris, whose high, crystalline voice remains the inspiration for virtually all great male quartet leads to follow since. After moving to Chicago, the Soul Stirrers began shifting away from the signature tight harmonies and compact songs of traditional gospel towards a harder style distinguished by shifting leads and performances elongated to increase their emotional potency; they also began performing new material from the pens of Thomas A. Dorsey, Kenneth Morris, and others.
Throughout the 1940s, the Soul Stirrers' reputation grew; not only were they constantly on tour, but they booked most of the major gospel programs in the Chicago area -- in their spare hours, they even operated their own cleaning business. When the grind got to be too much for Medlock, he retired from the road, and was replaced by onetime Golden Echo Paul Foster. In early 1950, the Soul Stirrers signed to the Specialty label, debuting with the single "By and By"; it was quickly followed by "I'm Still Living on Mother's Prayer" and "In That Awful Hour," both originals composed by Detroit's Reuben L.C. Henry. In total, the Soul Stirrers recorded over two dozen tracks for Specialty in 1950 before Harris quit the group that same year; many predicted a dire future, especially when it was announced that his replacement was a relatively unknown 20-year-old named Sam Cooke. When Cooke made his recording debut with the Soul Stirrers in 1951, however, any reservations were quickly dispelled -- blessed with a gossamer voice even sweeter and more graceful than Harris', he would take the group to even greater heights than before.
The first Soul Stirrers 78 to feature Cooke, "Jesus Gave Me Water," was a major hit, and with his good looks the young singer made an instant impact with female audiences, in the process becoming the gospel circuit's first sex symbol. The group's popularity continued to soar, but as the Soul Stirrers entered their third decade, the daily grind began to wear on its members, and soon Bruster retired; he was replaced by baritone Bob King, who also doubled as a guitarist, becoming their first-ever steady instrumentalist. In 1954, the Soul Stirrers briefly added Julius Cheeks to their roster; after lending his raspy vocals to a recording of "All Right Now," however, contractual obligations forced him to exit almost as quickly as he arrived. In 1956, Cooke finally crossed over to the pop market, and was replaced by ex-Highway QC Johnnie Taylor; while Taylor himself would also enjoy pop success in the years to follow, he failed to command the same devotion as his predecessor. Lineup changes continued regularly in the years to follow, but the Soul Stirrers forged on, with new, younger members keeping the group afloat into the 1990s. ~ Jason Ankeny, All Music Guide
