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The Stanley Brothers

 
Artist: The Stanley Brothers
See The Stanley Brothers Lyrics
  • Formed: 1947
  • Disbanded: 1966
  • Genres: Country
  • Representative Albums: "The Definitive Collection 1947-1966," "Angel Band: The Classic Mercury Recordings," "Stanley Brothers & The Clinch Mountain Boys 1953-59"
  • Representative Songs: "Little Glass of Wine," "How Mountain Girls Can Love," "Little Maggie"

Biography

If you even think you know bluegrass, you have to know Ralph (born 1927) and Carter Stanley (born 1925), the Stanley Brothers. Parallel to Flatt & Scruggs and Bill Monroe's Blue Grass Boys, though not with their renown, were Virginians Ralph and Carter, mountain boys who took those mountains and their traditions and their songs and wove them into a traditional bluegrass sound of utter purity, simplicity, and astonishing beauty. Their first band, formed around 1947, played more of a mountain/folk music reminiscent of the old string bands, changing to their style of ultra-traditional bluegrass when Monroe's band became popular. Even on their recordings in the early '50s, the Stanleys' unmistakable sound is there, with guitarist Carter singing lead and banjo player Ralph singing tenor harmony. In the opinion of many, Carter possessed the best lead voice in bluegrass history -- rich, emotional, and (in the best sense of the word) lonely. He took a happy song and sang it sad; he took a sad song and sang it sadder. And Ralph's unworldly mountain tenor matched his brother's voice perfectly, soaring above and often lightening the emotional load of the lyrics, creating a duet unsurpassed in country history.

Ralph and Carter were born into a musical family -- their father sang and their mother played banjo. As teenagers, the brothers began performing around their hometown. After graduating from high school, the siblings both served in the Army during World War II. Carter was discharged before Ralph. When he returned to the States he got a job singing in Roy Sykes' Blue Ridge Mountain Boys. He quit the group as soon as Ralph returned from the Army in October of 1946, and the brothers formed a band, the Clinch Mountain Boys.

The Stanley Brothers had a regular gig at WNVA Norton for a few months. Then they moved to the Bristol, TN-based WCYB, where they appeared regularly on the Farm and Fun Time program. While they appeared on the show, they gained quite a following and soon signed a contract with the Rich-R-Tone label. The Stanleys made their first records early in 1947, the same year they began playing various radio stations in the South, including ones in North Carolina, Louisiana, and Kentucky. The Brothers and their five-piece Clinch Mountain Boys were developing their style, moving from traditional string band sounds to a Monroe-inspired bluegrass style. During the late '40s and early '50s, several well-respected musicians passed through the band, including Curly Lambert, Pee Wee Lambert, Chubby Anthony, and Bill Napier.

After recording ten songs for Rich-R-Tone, the Stanley Brothers were signed to Columbia in 1948. For the next three years, they stayed with Columbia, producing 22 songs during their stint at the label -- these songs would become bluegrass classics. For a brief time in 1951, the Stanley Brothers broke up. Carter sang with Monroe and made a handful of records with the father of bluegrass. Ralph was sidelined for several months following a car crash. The break was brief and the band was back together before the end of the year.

In the summer of 1953, they left Columbia for Mercury Records. During the mid-'50s, they made a series of recordings that expanded their boundaries, as they played gospel, honky tonk, instrumentals, and a number of original songs.

At the end of the decade, the Brothers left Mercury and signed to both Starday and King, moved to Live Oak, FL, and began playing the Swannee River Jamboree. In the early '60s, they played a number of television shows and concerts throughout the South and recorded numerous records. However, the duo began to suffer financial problems beginning in 1961, which meant they couldn't afford to retain a whole band. Nevertheless, the Stanley Brothers continued to tour, playing clubs and various bluegrass festivals. However, they rarely left the South and their career suffered because of this. They recorded for a number of smaller labels after leaving King, though none of the records sold much. In 1966, Carter became seriously ill. On December 1 of that year, he passed away. He was only 41 years old.

Ralph continued performing with a new lineup of the Clinch Mountain Boys. For the next three decades, he performed with various new lineups of the band, playing festivals and clubs and recording numerous records. ~ Stephen Thomas Erlewine & David Vinopal, All Music Guide
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Discography: The Stanley Brothers
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Ridin' That Midnight Train: Starday King Recordings 1958-1961

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Too Late to Cry

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Ralph and Carter/The Later King Years

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I'm a Man of Constant Sorrow [3 CD]

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Essential Masters

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Best of the Stanley Brothers: 20th Century Masters/The Millennium Colle

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Echoes of Clinch Mountain

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Best of the Best of the Stanley Brothers

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Best of the Best [Federal]

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Evening Long Ago: Live 1956

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Choo Choo Coming

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Traditional Bluegrass Gospel

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I'll Meet You in Church Sunday Morning

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Best of the Best of Gospel

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Sweetest Love

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Earliest Recordings: Complete Rich-R-Tone 78s (1947-1952) [Revenant]

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Stanley Series, Vol. 4 #1 (Live - 1956)

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Stanley Series, Vol. 3 #4

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16 Greatest Gospel Hits

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16 Greatest Hits [Hollywood]

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Amazing Grace

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Hills of Roan County

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Bluegrass Salvation: I'm Ready to Go

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Bluegrass Salvation: I'm Ready to Go

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Clinch Mountain Bluegrass

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Complete Mercury Recordings

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All-Time Greatest Hits

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King Years 1961-1965

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Essential Gospel Masters

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Don't Cheat in Our Hometown

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Precious Memories

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Earliest Recordings: Complete Rich-R-Tone 78s (1947-1952) [Rounder]

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Definitive Collection 1947-1966

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16 Greatest Hits [King]

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I'm a Man of Constant Sorrow

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Complete Starday and Kind Instrumentals

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Complete Columbia Recordings

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Angel Band: The Classic Mercury Recordings

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Stanley Brothers & The Clinch Mountain Boys 1953-59

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Early Starday-King Years 1958-1961

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Stanley Brothers & The Clinch Mountain Boys 1949-1952

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Stanley Series, Vol. 2 #1

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20 Bluegrass Originals

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Shadows of the Past

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I Saw the Light

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Hymns of the Cross

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Old Country Church

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Long Journey Home

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On Radio

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Sacred Songs from the Hills

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Hymns and Sacred Songs

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Stanley Brothers & the Clinch Mountain Boys

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Wikipedia: The Stanley Brothers
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The Stanley Brothers
Origin Dickenson County, Virginia, USA
Genres Bluegrass
Years active 1946-1966
Labels Rich-R-Tone, Columbia, Mercury, King, Starday, Wango, Rimrock
Former members
Carter Stanley
Ralph Stanley

The Stanley Brothers were a legendary American bluegrass duo made up of brothers Carter and Ralph Stanley.

Contents

Biography

Carter and Ralph Stanley hailed originally from Dickenson County, Virginia. The family soon moved to McClure, Virginia where their parents worked a small farm in the Clinch Mountains. Music was a part of their lives from early on, as they were able to listen to the likes of the Monroe Brothers, J. E. Mainer's Mountaineers and the Grand Ole Opry on local radio. World War II interrupted any thoughts of a musical career, and it was not until both brothers returned from the service that they were able to make their own mark in music.

They formed their band, the Stanley Brothers and the Clinch Mountain Boys, in 1946 as the first band to copy the Monroe sound.[1] Carter played guitar and sang lead while Ralph played banjo and sang with a strong, high tenor voice. Additional members of this early band were Darrell "Pee Wee" Lambert on mandolin and Bobby Sumner on fiddle. Sumner was soon to be replaced by Leslie Keith.[2] On December 26, 1946, the band began performing at radio station WCYB in Bristol, Tennessee as stalwarts of the famed "Farm and Fun Time" radio show.[3] They made their recording debut in September 1947 for Rich-R-Tone Records which had been founded the year before. Their records sold well "outselling even Eddy Arnold" regionally.[4] Up to now, Ralph had been playing the banjo with two fingers only on recordings and in concerts but switched in 1948 to the three-finger style popularised by Earl Scruggs.[5] In March 1949, the Stanley Brothers began recording for Columbia Records.[6]

During this time, Bill Monroe was not particularly fond of groups like the Stanley Brothers and Flatt & Scruggs whom he believed "stole" his music by copying it and they were therefore seen as "economic threats."[7][8] Financially hard times in the early 1950s, forced the brothers to take a short break in their musical career and they began working for the Ford Motor Company in Detroit. Eventually, Monroe and the Stanley Brothers became friends and Carter performed for several months with Bill Monroe in the summer of 1951. In August 1951, Ralph was involved in a serious automobile accident that almost ended his career.[9] Following his recovery, Carter & Ralph reunited to front their Clinch Mountain Boys.

As bluegrass music grew less popular in the late 1950s, the Stanley Brothers moved to Live Oak, Florida to headline the weekly Suwannee River Jamboree radio show on WNER from 1958 to 1962. The three-hour show was also syndicated across the Southeast.[10] In 1966, the brothers toured Europe and upon returning home they continued to perform together until Carter's death in December 1966.[11]

The brothers wrote many of their own songs and Carter had a particular knack for writing deceptively simple lyrics that portrayed strong emotion. The Stanley's style can best be described as a traditional "mountain soul" sound that remained close to the Primitive Baptist vocal stylings they learned from their parents and others near their southwestern Virginia home. Ralph has often used the expression "...old-time, mountain style, what they call 'bluegrass' music", to differentiate the Stanley's sound from mainstream bluegrass. They later added an innovative touch to their traditional sound with the guitar solos of George Shuffler, an early proponent of the crosspicking guitar style.

Later, Ralph revived the Clinch Mountain Boys and is still performing as of 2009. Among the musicians who have played in the revived Clinch Mountain Boys are Ricky Skaggs, Keith Whitley, Larry Sparks, Curly Ray Cline, Jack Cooke, Roy Lee Centers, Charlie Sizemore, Ray Goins, and Ralph Stanley II. Ralph's career received a big boost with his prominent role on the phenomenally successful soundtrack recording of the 2000 film, O Brother, Where Art Thou?. The Stanley Brothers were inducted into the International Bluegrass Music Hall of Honor in 1992. In 2005, The Barter State Theatre of Virginia premiered an original stage production entitled, "Man of Constant Sorrow: The Story of the Stanley Brothers," written by Dr. Douglas Pote.

Selected recordings

Among the Stanley Brothers' best known recordings are:

  • I'm A Man of Constant Sorrow (1950, Columbia)
  • Rank Stranger
  • Angel Band
  • How Mountain Girls Can Love
  • How Far to Little Rock? (novelty)
  • Still trying to get to Little Rock (novelty)
  • Ridin' That Midnite Train
  • Clinch Mountain Backstep
  • She's More To Be Pitied
  • The Memory of Your Smile
  • Love Me Darlin' Just Tonight

Clinch Mountain Boys Members

Discography

78 RPM

Year Title Label Number
1947 "Mother No Longer Awaits Me at Home" / "The Girl Behind the Bar" Rich-R-Tone 420
1948 "Little Maggie" / "The Little Glass of Wine" Rich-R-Tone 423
1948 "The Rambler's Blues" / "Molly and Tenbrooks" Rich-R-Tone 418
1949 "The Jealous Lover" / "Our Darling's Gone" Rich-R-Tone 435
1949 "The White Dove" / "Gathering Flowers for the Master's Bouquet" Columbia 20577
1949 "Little Glass of Wine" / "Let Me Be Your Friend" Columbia 20590
1949 "The Angels Are Singing (In Heaven Tonight)" / "It's Never Too Late" Columbia 20617
1949 "A Vision of Mother" / "Have You Someone (In Heaven Awaiting)" Columbia 20647
1950 "The Old Home" / "The Fields Have Turned Brown" Columbia 20667
1950 "Death is Only a Dream" / "I Can Tell You the Time" Rich-R-Tone 466
1950 "I Love No One But You" / "Too Late to Cry" Columbia 20697
1950 "We'll Be Sweethearts in Heaven" / "The Drunkard's Hell" Columbia 20735
1950 "Hey! Hey! Hey!" / "Pretty Polly" Columbia 20770
1951 "The Lonesome River" / "I'm a Man of Constant Sorrow" Columbia 20816
1952 "Sweetest Love" / "The Wandering Boy" Columbia 20953
1952 "Little Girl and the Dreadful Snake" / "Are You Waiting Just for Me?" Rich-R-Tone 1055
1952 "Little Glass of Wine" / "Little Birdie" Rich-R-Tone 1056
1953 "This Weary Heart You Stole Away" / "I'm Lonesome Without You" Mercury 70217
1953 "Say Won't You Be Mine" / "Our Last Goodbye" Mercury 70270
1954 "I Long To See The Old Folks" / "A Voice From On High" Mercury 70340
1954 "Memories Of Mother" / "Could You Love Me One More Time" Mercury 70400
1954 "Poison Lies" / "Dickson County Breakdown" Mercury 70437-X45
1954 "Blue Moon of Kentucky" / "I Just Got Wise" Mercury 70453-X45
1954 "Calling From Heaven" / "Harbor Of Love" Mercury 70483-X45
1955 "Hard Times" / "I Worship You" Mercury 70546-X45
1955 "So Blue" / "You'd Better Get Right" Mercury 70612-X45
1955 "Lonesome And Blue" / "Orange Blossom Special" Mercury 70663-X45
1955 "I Hear My Savior Calling" / "Just A Little Talk With Jesus" Mercury 70718-X45
1956 "Nobody's Love Is Like Mine"/ "Big Tilda" Mercury 70789-X45
1956 "Baby Girl" / "Say You'll Take Me Back" Mercury 70886-X45
1957 "I'm Lost, I'll Never Find The Way" / "The Flood" Mercury 71064-X45
1957 "Fling Ding" / "Loving You Too Well" Mercury 71207-X45
1958 "She's More To Be Pitied" / "Train 45" King 5155
1958 "Midnight Ramble" / "Love Me Darling Just Tonight" King 5165
1959 "Keep a Memory" / "Mastertone March" King 5180
1959 "How Can We Thank Him" / "That Home Far Away" King 5197
1959 "The Memory of Your Smile" / "Suwanee River Hoedown" King 5210
1959 "The White Dove" / "Mother's Footsteps Guide Me On" King 5233

Albums (US)

Year Title Label Number Notes
1958 Country Pickin' and Singin' Mercury MG-20349
1959 Stanley Brothers & The Clinch Mountain Boys King 615
1959 Hymns and Sacred Songs King 645
1959 Mountain Song Favorites Featuring 5 String Banjo Starday SLP 106 reissued 1964 as Nashville NLP-2014
1960 Sacred Songs From the Hills Starday SLP-122
1960 The Stanley Brothers Sing Everybody's Country Favorites King 690
1960 For the Good People - Sacred Songs King 698
1961 The Stanley's In Person King 719 Stereo
1961 Stanley Brothers Live At Antioch College - 1960 Vintage ZK 002 limited edition of 500
1961 Sing The Songs They Like Best King 772
1961 The Stanley Brothers Harmony HL-7291 recorded in 1949
1961 Old Country Church Gusto 0084
1962 Award Winners at the Folk Song Festival King 791 live
1962 Good Old Camp Meeting Songs King 805
1962 The Mountain Music Sound of the Stanley Brothers Starday SLP-201
1962 Old Time Camp Meeting King 750
1963 Folk Concert from the Heart of America King 834 reissued as Hollywood HT-248, Just Because
1963 The Country Folk Music Spotlight King 864
1963 The World's Finest Five String Banjo King 872 alternate title: Banjo in the Hills
1963 Hard Times Mercury MG 20884 SR 60884 stereo
1964 Hymns of the Cross King 918 with George Shuffler
1965 The Remarkable Stanley Brothers Play and Sing Bluegrass Songs for You King 924
1965 Songs of Mother and Home Wango LP 106 reissued 1973 as County 738
1966 The Stanley Brothers: Their Original Recordings Melodeon MLP 7322 1947 Rich-R-Tone sessions, recorded in Bristol, Tennessee
1966 A Collection of Original Gospel & Sacred Songs King 963 original title: The Greatest Country and Western Show On Earth
1966 Jacob's Vision Starday SLP-384
1966 The Stanley Brothers Goes to Europe Rimrock RLP 200
1966 The Angels Are Singing Harmony HL 7377 HS 11177 stereo
1966 Carter & Ralph Nashville NLP-2037
1966 John's Gospel Quartet Wango LP 103 reissued 1977 as County 753
1966 John's Country Quartet Wango LP 104 reissued 1973 as County 739
1966 John's Gospel Quartet Wango LP 105 reissued 1976 as County 754
1966 Bluegrass Gospel Favorites Cabin Creek 203
1967 Stanley Brothers Sing the Best-Loved Sacred Songs of Carter Stanley King 1013
1967 An Empty Mansion: In Memory of Carter Stanley Rimrock RLP 153 reissued 1978 as Old Homestead 118
1967 A Beautiful Life Rimrock RLP 200 reissued 1978 as Old Homestead 119
1967 Gospel Singing As Pure As the Mountain Stream Rimrock RLP 200
1969 How Far To Little Rock King KLP-1046
1970 Sweeter Than the Flowers Nashville NLP-2078 also NA7-2046-2
1970 The Legendary Stanley Brothers, Recorded Live Rebel SLP 1487
1970 The Legendary Stanley Brothers, Recorded Live, Vol 2 Rebel SLP 1495
1971 Together For the Last Time Lisa Joy 10329 recorded live in 1956 and 1966, reissued 1972 as Rebel SLP 1512
1972 On Radio - Great 1960 Radio Shows Rebel 1115 recorded in Live Oak, Florida
1976 Stanley Brothers on the Air Wango 115
1980 Columbia Sessions Vol 1 Rounder SS-09
1980 Columbia Sessions Vol 2 Rounder SS-10
1984 On Radio Vol 1 County 780
1984 On Radio Vol 2 County 781
1984 Starday Sessions County 106/107
1988 The Stanley Brothers on WCYB Bristol Farm & Fun Time Rebel 855 recorded 1947
1994 Clinch Mountain Bluegrass Vanguard 77018-2 live, Newport Folk Festival, 1959 and 1964
1997 Earliest Recordings Rich-R-Tone 6004 recorded 1947-1952
2004 An Evening Long Ago Columbia Legacy CK-86747 recorded in Bristol, VA, March 1956

Video

Year Title Label Number Notes
2005 Rainbow Quest: The Stanley Brothers and Doc Watson Shanachie 605 DVD, season 1, episode 18, 1965

Footnotes

  1. ^ Malone, McCulloh 1975, p. 426.
  2. ^ Rosenberg 2005, p. 80.
  3. ^ Wright 1995, p. 3.
  4. ^ Rosenberg 2005, p. 82.
  5. ^ Rosenberg 2005, p. 84.
  6. ^ Rosenberg 2005, p. 87.
  7. ^ Rosenberg 2005, p. 88.
  8. ^ Rosenberg 2005, p. 85.
  9. ^ Wright 1995, p. 4.
  10. ^ "Folklife Database: Recording of the Suwannee River Jamboree radio program". State Library and Archives of Florida. http://www.floridamemory.com/Collections/folklife/profile.cfm?idsThing=4476. Retrieved 2009-05-20. 
  11. ^ Wright 1995, p. 5.

References

  • Malone, Bill C. (1975) Judith McCulloh, Stars of Country Music, University of Illinois Press
  • Rosenberg, Neil V. (2005) Bluegrass: A History, University of Illinois Press
  • Wright, John (1995) Traveling the High Way Home, University of Illinois Press

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