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The Three Burials of Melquiades Estrada

 
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The Three Burials of Melquiades Estrada

  • Director: Tommy Lee Jones
  • AMG Rating: starstarstarstar
  • Genre: Western
  • Movie Type: Modern Western
  • Themes: Obsessive Quests, Death of a Friend, Kidnapping
  • Main Cast: Tommy Lee Jones, Barry Pepper, Julio Cedillo, Dwight Yoakam, January Jones
  • Release Year: 2005
  • Country: US/FR
  • Run Time: 121 minutes
  • MPAA Rating: R

Plot

Veteran screen star Tommy Lee Jones makes his directorial debut with the fractured tale of murder and injustice on the U.S.-Mexico border scripted by Amores perros and 21 Grams screenwriter Guillermo Arriaga. Mike Norton (Barry Pepper) is a fresh-faced Border Patrol officer in Cibolo County, Texas whose dedication to his new job leaves his lonely wife Lou Ann (January Jones) with little to do but spend her days at the local diner, where she strikes up a friendship with waitress Rachel (Melissa Leo). Despite her own status as a married woman, Rachel is unfulfilled in her marriage and is intimately involved with both rugged rancher Pete Perkins (Tommy Lee Jones) and local Sherrif Belmont (Dwight Yoakam). Soon after Pete hires Mexican illegal Melquiades Estrada (Julio Cesar Cedillo) as a ranch hand, the growing bond between the pair is suddenly shattered when, in a moment of panic on a routine patrol, Mike hastily guns down the innocent Melquaides. When an enraged Pete learns that Mike had unceremoniously buried the illegal immigrant in an unmarked desert grave and local authorities opt to overlook the case, he kidnaps the crooked lawman and sets out to ensure that justice is served with or without the involvement of the local police force. ~ Jason Buchanan, All Movie Guide

Review

For his debut feature, Tommy Lee Jones follows in the footsteps of other fine actors who paid attention when they were directed – Clint Eastwood, Robert Redford and Robert Duvall spring to mind. That is to say, he comes on the scene a confident, honed storyteller. This – with the assistance of scripter Guillermo Arriaga – enables a film like The Three Burials of Melquiades Estrada. In what could be the same border town John Sayles presents in Lone Star, Jones mines a subject that’s both timely to the nation, and timeless to Texans: the unexpected byproducts of illegal immigration. But the director steers clear of a heavy-handed message movie, fixating on a single Mexican, a ranch hand named Melquiades Estrada (Julio Cedillo), who is accidentally shot by an overzealous border patrol agent (Barry Pepper). As Pete Perkins, Jones the performer is no human rights crusader; he just cares about this particular man. In keeping a promise to his compadre – even when it involves carrying his decaying corpse across the desert on horseback – Jones radiates an unyielding determination, kidnapping Pepper’s Mike Norton and teaching him a lesson with an almost disembodied sense of calm. But the film leaves all interpretation of the characters’ growth and change up to the audience, never cheating them through a big speech or a moment of dramatic clarity. Every detail feels real, and the cinematography (by veteran Chris Menges and neophyte Hector Ortega) makes the barren Mexican countryside as formidable as any wilderness on film – a dying frontier for men of justice. Arriaga’s script also effectively carries out the parallel subplot of several stolid women resigned to disappointment back in town. While its deliberate pace may not move fast enough for some viewers, those who fall in stride with Estrada will find plenty of buried treasures. ~ Derek Armstrong, All Movie Guide

Cast

Melissa Leo - Rachel; Levon Helm - Old Man With Radio; Melvin Rodriguez - Captain Gomez; Cecilia Suarez - Rosa; Ignacio Guadalupe - Lucio; Vanessa Bauche - Mariana; Rodger Boyce - Salesman; Sonny Carl Davis - Kruger; Barry Tubb - A.L.; Charles Sanders - Doctor; Maya Zapata - El Toston Woman 1; Richard Dillard - Jim; Guillermo Arriaga - Juan; Uriel Chavez - Cowboy 2; Victoria Jones - Immigrant Girl; Josh Berry - Border Patrolman; Angelina C. Torres - Adriana; Richard Jones - Bob; Jesse De Luna - Miller; Sean Hennigan - Chuck; Gustavo Sanchez Parra - Tomas; Terry Parks - Neil; Hugo Perez - Man; Irineo Alvarez - Manuel; Edwin 'Bubba' Broussard - Bubba; René Campero - Don Casimiro; Lupe Campos - Sands Guy 2; Ariel Castro - Jorge; Montserrat De León - El Toston Woman 2; Jorge Ádrian Espíndola - Cowboy 1; Jordan Henderson - Mary, Soap Opera Girl; Karen Jones - Dog Lady; Raul Molinar - Radio Announcer 1; Adrian Navarette - Agustin; Lonnie Nelson - Gravedigger; Juan Pareja - Sands Guy 1; Paulina Reyes - Piano Player; Sergio Rodriguez - Radio Announcer 2; Brent Smiga - Deputy Antonio; Spike Spencer - John, Soap Opera; Guillermo Von Son - Chino

Credit

Jeff Knipp - Art Director, Jeanne McCarthy - Casting, Jo Edna Boldin - Casting, Manuel Teil - Casting, Pete Anthony - Conductor, Kathy Kiatta - Costume Designer, Rene Villarreal - First Assistant Director, Philip Hardage - First Assistant Director, Tommy Lee Jones - Director, Roberto Silvi - Editor, Lily Flashner - Location Manager, John K. Patterson - Location Manager, Eric Austin Williams - Line Producer, Marco Beltrami - Composer (Music Score), Annette Fradera - Musical Direction/Supervision, Jerome Lateur - Musical Direction/Supervision, Richard Snell - Makeup, Joel Harlow - Makeup Special Effects, Rob Hinderstein - Makeup Special Effects, Duane Manwiller - Camera Operator, Merideth Boswell - Production Designer, Hector Ortega - Cinematographer, Chris Menges - Cinematographer, Tommy Lee Jones - Producer, Pierre-Ange Le Pogam - Producer, Luc Besson - Producer, Michael Fitzgerald - Producer, Mark Weingarten - Sound Mixer, Cliff Happy - Stunts Coordinator, Eric Austin Williams - Unit Production Manager, Héctor López L. - Unit Production Manager, Guillermo Arriaga - Screenwriter, Robert Fitzgerald - Sound Effects Editor, Larry Madaras - Additional Editing, Robert A. Baumgartner - Gaffer, Sergio Suaste - Gaffer, Al Laverde - Key Grip, Larry Madaras - Post Production Supervisor, Eric Bassoff - Production Supervisor, Byron Thomas - Properties Master, Dominique Hennequin - Re-Recording Mixer, Pam Fuller - Script Supervisor, Ana Rebuelta - Script Supervisor, Kathleen Tull - Second Assistant Director, Jeffery D. Woodrel - Special Effects Coordinator, David Bach - Supervising Sound Editor, LeAnn Radeka - Costume/Wardrobe, Rocio Ceja - Costumes Supervisor, Anna Abbey - Costumes Supervisor, Steve Beeson - Production Accountant, Cecilia Monterrubio - Production Accountant, Phil Shirey - Set Decorator, Antonio Diego - Production Sound Mixer, John Johns - Video Playback, Pacific Title & Art Studio - Title Design, Jimmy Zelinger - Title Design, Jennie Baker - Department Head Hair, John Blake - Department Head Makeup

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Wikipedia: The Three Burials of Melquiades Estrada
Top
The Three Burials
of Melquiades Estrada

Film poster for The Three Burials of Melquiades Estrada
Directed by Tommy Lee Jones
Produced by Luc Besson
Michael Fitzgerald
Pierre-Ange Le Pogam
Written by Guillermo Arriaga
Starring Tommy Lee Jones
Barry Pepper
Julio Cedillo
Dwight Yoakam
January Jones
Music by Marco Beltrami
Cinematography Chris Menges
Hector Ortega
Editing by Roberto Silvi
Distributed by Sony Classics
Release date(s) Canada September 11, 2005
USA December 14, 2005
UK March 31, 2006
Australia May 25, 2006
Running time 121 min.
Language English
Spanish
Budget USD$15,000,000[citation needed]
Gross revenue USD$9,045,364[1]

The Three Burials of Melquiades Estrada is a 2005 drama film directed by Tommy Lee Jones and written by Guillermo Arriaga. It stars Tommy Lee Jones, Barry Pepper, Julio Cedillo, and Dwight Yoakam.

Contents

Plot

Melquiades Estrada, an illegal immigrant from Mexico, is shot and buried in a shallow grave in the high desert of West Texas (inspired by the real-life shooting of Esequiel Hernandez.[2]). His body is found and reburied in a local cemetery. After kidnapping the killer and forcing him to disinter the body, Pete Perkins, Melquiades' best friend and employer, undertakes a dangerous and quixotic journey on horseback into Mexico, with his captive in tow and Melquiades' body tied to a mule.

The film has many flashbacks. Sometimes the same event is shown twice, from different perspectives.

Mike Norton (Barry Pepper) and his wife move to the border area of West Texas. He is a naive and gung-ho border patrolman, prone to violent over-reaction. He has rough sex with his wife, without any regard for her pleasure or emotion.

Melquiades Estrada (Julio Cedillo), a Mexican immigrant working as a cowboy, shoots at a coyote which is menacing his small flock of goats. Patrolman Norton thinks he is being attacked and shoots back, killing Melquiades. Norton quickly buries Melquiades and does not report anything.

Melquiades' body is found and is reburied in a local cemetery by the sheriff's office. Evidence that he may have been killed by the U.S. Border Patrol is ignored by the local sheriff, Belmont (Dwight Yoakam), who would prefer to avoid trouble with the Border Patrol.

Pete Perkins (Tommy Lee Jones), a rancher and Melquiades' best friend, finds out that the killer was Norton. Pete kidnaps Norton and forces him to dig up Melquiades' body.

In order to keep his promise to Melquiades that he would bury him in his home town of Jiménez in Mexico if he died in the U.S., Pete undertakes a journey horseback into Mexico, with his captive in tow and the body tied to a mule. His motive for taking Norton along appears to be revenge as well as to teach him respect and empathy for Mexicans.

It is clear to Sheriff Belmont that Pete has kidnapped Norton, and he searches for them; when Belmont sees them heading toward the Mexico border, he takes aim at Pete. But Belmont can't bring himself to shoot Pete, in spite of his dislike of the man. So Pete and Norton are pursued by the border patrol instead.

On their way across the harsh countryside, the pair experience a series of surreal encounters. They spend an afternoon with an elderly, blind, American man (Levon Helm), who has only Mexican radio for company and eventually asks them to shoot him since there is no-one left to take care of him. He does not want to commit suicide, because, he argues, doing so would offend God. Pete refuses, because if he killed the man, he would offend God.

Norton attempts to escape but is bitten by a rattlesnake and discovered by a group of illegal immigrants crossing into Texas. Pete gives one of them a horse as payment for guiding them across the river into Mexico, and to a herbal healer to treat Norton. She turns out to be a woman whom Norton had punched in the face and broken the nose a few weeks previously. Nevertheless, at Pete's request, she saves Norton's life. However, she breaks Norton's nose as revenge for his doing the same to her earlier.

The captivity, the tiring journey, and the disintegrating corpse slowly take a profound psychological toll on Norton. At one point, the duo encounter a group of Mexican vaqueros watching American soap operas on a television hooked up to the battery of their pickup truck. The program is the same that was airing when Norton had sex with his wife in their trailer earlier in the movie. Norton is visibly shaken and is given half a bottle of liquor by one of the vaqueros. Parallel to this, back in the United States, Norton's wife decides to leave the border town, ostensibly to return to their home town of Cincinnati. She has grown distant from her husband and seems unconcerned about his kidnapping, stating that he is "beyond redemption."

Pete and Norton then arrive at a small town that is supposed to be near Jiménez — the town Melquiades Estrada claimed was his home. No one in the town has heard of Jiménez. Perkins has some luck in locating a woman Melquiades indicated was his wife. However, when Pete confronts her, she states that she has never heard of Melquiades Estrada and lives in town with her husband and children. She does however visibly react to Estrada's Polaroid photograph Pete shows her of Melquiades standing behind her and her children, stating that she does "...not want to get in trouble with her husband...". This suggests ambiguously that Estrada and the woman may have once had an illicit affair.

Perkins continues onward, based on Melquiades' vague descriptions of a place "filled with beauty". Eventually with Norton still in tow, Perkins comes upon a ruined house which Perkins feels was the Jiménez Melquiades spoke of. Pete and Norton repair the walls and construct a new roof and bury Estrada for the third and final time. Perkins then demands that Norton beg forgiveness for the killing, after which the border patrolman is free to go. Mike responds with obstinance, and Pete fires several shots from his pistol around Norton until he breaks down and relents, begging forgiveness for killing Melquiades. Pete accepts his outpouring of grief, and gives Norton a horse. As Pete rides away, Norton calls out and asks him if he will be okay, suggesting that Mike may have found the redemption his wife felt he was incapable of.

Cast

Awards and nominations

Cannes Film Festival:

Satellite Awards:

  • Nominated: Best Actor in a Motion Picture, Drama - Tommy Lee Jones

Locations

References

External links


 
 

 

Copyrights:

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