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The Wild Duck

 
Notes on Drama: The Wild Duck

Contents:

Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


Henrik Ibsen 1884

In a letter accompanying the manuscript for The Wild Duck, Henrik Ibsen wrote to his publisher, “This new play in many ways occupies a place of its own among my dramas; the method is in various respects a departure from my earlier one.. . . The critics, will, I hope, find the points; in any case, they will find plenty to quarrel about, plenty to misinterpret.” Ibsen, however, was disappointed in these early expectations. When the play opened in Scandinavia early in 1885, critics paid relatively little attention to it. The play soon traveled throughout the continent. While a few luminaries commended it — notably the playwright George Bernard Shaw and the poet Rainer Maria Rilke — most early critics found the play incomprehensible and incoherent. Audiences, as well, showed little positive response to The Wild Duck.

In ensuing years, however, and as people began to understand both Ibsen’s notion of “tragi-comedy” as well as his insightful characterization, the play began to develop the fine reputation it still holds today. Now popularly regarded as one of Ibsen’s more important works, The Wild Duck gains further eminence in its issuance of Ibsen into a new era of writing, one in which symbolism and characterization-as opposed to social realism-gained prominence. With The Wild Duck, an already esteemed playwright showed his continued interest in exploring new interests and concerns through his work.

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Wikipedia: The Wild Duck
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The Wild Duck
Written by Henrik Ibsen
Characters Håkon Werle
Gregers Werle
Old Ekdal
Hjalmar Ekdal
Gina Ekdal
Hedvig Ekdal
Mrs. Sørby
Relling
Molvik
Pettersen
Jensen
Mr. Balle
Mr. Flor
Date premiered January 9, 1885 (1885-01-09)
Place premiered Den Nationale Scene, Bergen, Norway
Original language Norwegian
Genre Drama
Setting The 1880s. Werle's house and later Hjalmar Ekdal's studio in Christiania, Norway.
IBDB profile

The Wild Duck (original Norwegian title: Vildanden) is an 1884 play by the Norwegian playwright Henrik Ibsen.

Contents

Plot

The first act opens with a dinner party hosted by Hakon Werle, a wealthy merchant and industrialist. The gathering is attended by his son, Gregers Werle, who has just returned to his father's home following a self-imposed exile. There, he learns the fate of a former classmate of his, Hjalmar Ekdal. Hjalmar married Gina, a young servant woman in the Werle household. The elder Werle had arranged the match by providing Hjalmar with a home and a profession as a photographer. Gregers, whose mother died believing that Gina and her husband had carried on an affair, becomes enraged at the thought that his old friend is living a life built on a lie.

Guided by a fervent strain of idealism, Gregers endeavors to reveal the truth to Hjalmar, and thereby free him from the mendacity which surrounds him. To that end, Gregers takes up residence in the Ekdal Home.

He meddles in the affairs of a strange family, producing disastrous results. Figuratively speaking, he lives in a house whose closets are full of skeletons. Over the course of the play the many secrets that lie behind the Ekdals' apparently happy home are revealed to Gregers, who insists on pursuing the absolute truth, or the "Summons of the Ideal". This family has achieved a tolerable modus vivendi by ignoring the skeletons (among the secrets: Gregers' father impregnated his servant Gina then married her off to Hjalmar to legitimize the child, and Hjalmar's father has been disgraced and imprisoned for a crime the elder Werle committed.) and by permitting each member to live in a dreamworld of his own—the feckless father believing himself to be a great inventor, the grandfather dwelling on the past when he was a mighty sportsman, and little Hedvig, the child, centering her emotional life around an attic where a wounded wild duck leads a crippled existence in a make-believe forest.

To the idealist all this appears intolerable. To him as to other admirers of Ibsen it must seem that the whole family is leading a life "based on a lie"; all sorts of evils are "growing in the dark".[1] The remedy is obviously to face facts, to speak frankly, to let in the light. However, in this play the revelation of the truth is not a happy event because it rips up the foundation of the Ekdal family. When the skeletons are brought out of the closet, the whole dreamworld collapses; the weak husband thinks it is his duty to leave his wife, and the little girl, after trying to sacrifice her precious duck, shoots herself with the same gun. One of the famous quotes from the doctor Relling who built up and maintained the lies the family is founded on is "Deprive the average human being of his life-lie, and you rob him of his happiness.” "

Different translations use different words for the 'life-lie'. In Eva le Gallienne's translation, Relling says "I try to discover the Basic Lie - the pet illusion - that makes life possible; and then I foster it." He also says "No, no; that's what I said: the Basic Lie that makes life possible."


Adaptations

In 1963 the play was made into a motion picture by Tancred Ibsen, Henrik Ibsen's grandson.

A 1983 film version in English, with the characters' names completely Anglicized, starred Jeremy Irons.

Playwright Paul Grellong based his play Radio Free Emerson on The Wild Duck, receiving its world premiere at the Gamm Theatre in Pawtucket in May 2007.

List of characters

  • Håkon Werle, a wholesale merchant
  • Gregers Werle, his son
  • Old Ekdal, the former business partner of Håkon Werle
  • Hjalmar Ekdal, Old Ekdal's son, a photographer
  • Gina Ekdal, his wife
  • Hedvig, their daughter, aged fourteen
  • Mrs. Sørby, housekeeper and fiancee of Håkon Werle
  • Relling, a doctor, lives below the Ekdals.
  • Molvik, formerly a student of theology, lives below the Ekdals
  • Pettersen, servant to Håkon Werle
  • Jensen, a hired waiter
  • Mr. Balle, a dinner guest
  • Mr. Flor, a dinner guest

Notes

  1. ^ Krutch, Joseph Wood. "Modernism" in Modern Drama: A Definition and an Estimate. Ithaca: Cornell University Press, 1953. Page 15.

See also

Reference

le Gallienne, E. (1961). The Wild Duck and Other Plays by Henrick Ibsen. The Modern Library: New York. Page 194.

External links


 
 

 

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