
[Middle English teme, theme, from Old French tesme, from Latin thema, from Greek.]
themeless theme'less adj.1. Primary topic, subject, or idea around which an advertising campaign, book, motion picture, television show, recording, or the like is organized. In an advertising campaign, the theme is most likely to be a product feature or a sales point that will have maximum impression on the intended prospective consumers.
2. Recurring melody that characterizes a personality, television show, movie, radio broadcast, or theatrical presentation. See also signature.
noun
The musical material on which part or all of a work is based; usually the term implies a recognizable melody. ‘Theme’ and ‘subject’ are sometimes used interchangeably but ‘theme’ implies a certain completeness that distinguishes it from the shorter Motif. A theme may be used to identify a work and may be the melody on which a set of variations is based.
theme, a salient abstract idea that emerges from a literary work's treatment of its subject‐matter; or a topic recurring in a number of literary works. While the subject of a work is described concretely in terms of its action (e.g. ‘the adventures of a newcomer in the big city’), its theme or themes will be described in more abstract terms (e.g. love, war, revenge, betrayal, fate, etc.). The theme of a work may be announced explicitly, but more often it emerges indirectly through the recurrence of motifs.
Adjective: thematic.
A central idea in a piece of writing or other work of art: “The theme of desperation is found throughout his novels.” Also a short composition assigned to a student as a writing exercise.
To produce a mighty book, you must choose a mighty theme.
— Herman Melville
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In music, a theme is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms such as the fugue this may be known as the subject.
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A theme may be perceivable as a complete musical expression in itself, separate from the work in which it is found (Drabkin 2001). In contrast to an idea or motif, a theme is usually a complete phrase or period (Dunsby 2002). The Encyclopédie Fasquelle defines a theme as "Any element, motif, or small musical piece that has given rise to some variation becomes thereby a theme." (Michel 1958–61)
Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective (Reti 1951; Reti 1967). Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis (Lerdahl 2001, 5).[clarification needed]
Music based on one theme is called monothematic, while music based on several themes is called polythematic. Most fugues are monothematic and most pieces in sonata form are polythematic (Randel 2002, 429). In the exposition of a fugue, the principal theme (usually called the subject) is announced successively in each voice – sometimes in a transposed form.
In some compositions, a principal theme is announced and then a second melody, sometimes called a countertheme or secondary theme, may occur. When one of the sections in the exposition of a sonata form movement consists of several themes or other material, defined by function and (usually) their tonality, rather than by melodic characteristics alone, the term theme group (or subject group) is sometimes used (Rushton 2001; Benward & Saker 2009, 136).
Music without themes, or without recognizable, repeating, and developing themes, is called athematic. Examples include the pre-twelve-tone or early atonal works of Arnold Schoenberg, Anton Webern, and Alban Berg. Schoenberg once said that, "intoxicated by the enthusiasm of having freed music from the shackles of tonality, I had thought to find further liberty of expression. In fact...I believed that now music could renounce motivic features and remain coherent and comprehensible nevertheless" (Schoenberg 1975).[page needed]
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Dansk (Danish)
n. - tema, emne, stil, opgave
v. tr. - tematisere
idioms:
Nederlands (Dutch)
onderwerp, thema, terugkerend deuntje in muziek
Français (French)
n. - thème, (Mus) thème, (Radio, TV) indicatif, (Ling) thème, (US) rédaction
adj. - à thème, à thème commun
v. tr. - donner un thème à, thématiser, décorer sur le thème de
idioms:
Deutsch (German)
n. - Thema, Gegenstand, Leitmotiv, Aufsatz, Wortstamm
v. - einem Leitmotiv folgend anlegen, ein Thema geben
adj. - Titel-, einem Leitmotiv folgend
idioms:
Ελληνική (Greek)
n. - θέμα (πίνακα κ.λπ.), υπόθεση, (μουσ.) θέμα, μοτίβο, μουσική υπόκρουση έργου, κεντρική ιδέα
v. - δίνω συγκεκριμένο θέμα
idioms:
Italiano (Italian)
tema, tematizzare
idioms:
Português (Portuguese)
n. - tema (m), assunto (m), motivo musical (m), matéria (f), característica (f)
idioms:
Русский (Russian)
тема, предмет (чего-л.), основная мысль, (муз.) тема
idioms:
Español (Spanish)
n. - composición, ensayo, tema, asunto, materia, motivo
v. tr. - desarrollar un tema
adj. - temático
idioms:
Svenska (Swedish)
n. - tema, ämne, grundtanke, uppsats, stil (skol.), ledmotiv (mus.), refräng, stam (språkvet.)
v. - följa ett tema, ge ett ämne
中文(简体)(Chinese (Simplified))
主题, 题目, 话题, 成为主题
idioms:
中文(繁體)(Chinese (Traditional))
n. - 主題, 題目, 話題
v. tr. - 成為主題
idioms:
한국어 (Korean)
n. - 주제 , 작문, 어간
v. tr. - 주제를 정하다
日本語 (Japanese)
n. - 主題, テーマ, 話題, 作文, 主旋律, 小論文
idioms:
العربيه (Arabic)
(الاسم) موضوع الكلام او الكتابه, جذر الكلمه (فعل) يكتب الأنشاء
עברית (Hebrew)
n. - נושא, לחן חוזר, חיבור על נושא מסוים בבתי-ספר אמריקאיים, שורש של שם-עצם או פועל אליו מוצמדות ההטיות
v. tr. - עוצב סביב נושא מסוים, היה בעל נושא מסוים
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