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Theodora

 

Theodora, detail of a Byzantine mosaic in the church of San Vitale, Ravenna, Italy.
(click to enlarge)
Theodora, detail of a Byzantine mosaic in the church of San Vitale, Ravenna, Italy. (credit: Andre Held/J.P. Ziolo)
(born c. 497 — died June 28, 548, Constantinople) Byzantine empress, wife of Justinian I. The daughter of a bear keeper at the Hippodrome in Constantinople, she became an actress and the mistress of Justinian. He married her in 525, and when he became emperor in 527 she was proclaimed empress. Probably the most powerful woman in Byzantine history, she was her husband's most trusted adviser, sponsoring legal reforms and wielding great influence in diplomacy, military appointments, and internal politics. Her impassioned speech gave Justinian the strength to order the brutal suppression of the Nika revolt (532) and save his empire. She recognized the rights of women and ended persecution of Monophysite Christians, with whom she sympathized.

For more information on Theodora, visit Britannica.com.

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Oratorio by Handel to a text by Morell (1750, London).



Empress and wife of Justinian I, the courage and statesmanship of Theodora (ca. 500-548) complemented the genius of her husband and significantly contributed to the glories of his reign.

Little is know about the early life of Theodora, who rose to become one of the most famous women in Western civilization. She was born of humble origins at the beginning of the sixth century - probably in the year 500 - and died on June 28, 548. Much of what is known comes from the writings of the sixth-century Byzantine historian Procopius of Caesarea (d. 565), especially his seven-volume Anecdota (commonly called Secret History). Although an important primary source for the life of Theodora and the era in which she lived, Procopius's Secret History must be viewed as written on the level of a modern tabloid, at least with respect to its factual accuracy. However biased, especially in the case of Theodora, it is felt that Procopius correctly portrayed the decadent lifestyle of Constantinople during the first half of the sixth century.

From Procopius and other writings of the era, including official chronicles, some outline of Theodora's early life prior to her marriage to Justinian I can be constructed. Some of the later chroniclers place her birth on the island of Cyprus, or more likely in Syria. Her father was a poor man named Acacius. Her mother's name is lost to history. Acacius was the keeper, or guardian, of the bears for the Greens at the hippodrome in Constantinople.

The hippodrome was a gigantic stadium where chariot races and other entertainments were staged, including bear-baiting. The all-important chariot races were sponsored by organizations, or factions, two of which, the Blues and the Greens, attained significant political power. These factions staged additional entertainments for the crowds, including animal contests and stage plays.

Theodora had two sisters, Comitona and Anastasia. Upon the death of her father when she was but a child, Theodora began to work on stage as a mime with her older sister Comitona, and soon became a full-fledged actress. By her late teens, she was a favorite both on the stage, where she delighted in displaying "undraped the beauty of which she was so proud, " and off, where she followed in the footsteps of her sister as a prostitute and/or courtesan. In the context of the time, "actress" was synonymous with "prostitute."

Theodora was a smashing success. It is evident from all accounts that she was a stunning beauty. But she was gifted in more than her physical charms. Writes historian Charles Diehl: "She was intelligent, witty, and amusing … [and] … when she wanted to please, she knew how to put forth irresistible powers of fascination." On the stage, she was noted for what in our day would be euphemistically termed "adult" entertainment. Off the stage she was noted for her numerous lovers and her wild parties. It was said that her reputation was such that respectable people tried to avoid meeting her on the streets of Constantinople for fear of becoming contaminated. Diehl perhaps best sums up her reputation, when he writes: "Belonging to a profession of which virtue is not a necessary attribute, she amused, charmed, and scandalized Constantinople."

When she was 16, Theodora took as one of her lovers a wealthy man named Hecebolus. When Hecebolus was appointed governor of African Pentapolis, a minor province in north Africa, Theodora accompanied him to his new post. After approximately four years (in c. 521), and for reasons unknown to us, Hecebolus expelled her penniless from his house. For the next year, she traveled through the Middle East, apparently making use of her many gifts and talents as she "worked" her way back to Constantinople.

Theodora settled briefly in Alexandria, the luxurious capital of Egypt, and a favorite haunt of many famed courtesans. While there, she met leaders of the Monophysite religion - including Patriarch Timothy and Severus of Antioch - who were known to preach to women. It was apparently in Alexandria, although some sources say Antioch, that Theodora was converted to this heretical form of Christianity. Having undergone a religious conversion, she renounced her former lifestyle, returned to Constantinople in 522, settled in a house near the palace, and made a living spinning wool. It was also in 522, perhaps in Antioch, that Theodora first met Justinian.

Justinian was 40 years old when he met Theodora, then only half his age. He was the favorite nephew and heir apparent of Justin I (reigned, 518-27). Some modern scholars believe that Justinian actually ruled during his uncle's reign. In any event, the future emperor fell deeply in love with Theodora, and she with him. Justinian had his uncle confer upon Theodora the rank of patrician. Still, two obstacles stood in the way of marriage. The empress Euphemia, herself of peasant origins, firmly opposed the marriage. Also, there was an old Roman law which forbade high dignitaries to marry "women of servile condition, inn-keepers' daughters, actresses, or courtesans."

Soon after Euphemia died in 523 or 524, Justin I issued an edict which decreed that "henceforth actresses who have abandoned their former life may contract a legal marriage, and those upon whom a high dignity has been conferred may marry men of the highest rank." In 525, the couple were married in the great church of Santa Sophia, built two centuries earlier by Constantine, founder of the Eastern Roman, or Byzantine, Empire. They settled down to a respectable, and by all accounts happy, married life.

Whatever she may have been in her youth, once married to Justinian, Theodora conducted herself with the nobility of character worthy of one of history's greatest female personalities. It is significant that no contemporary source, however hateful of her, ever accuses her of unfaithfulness to Justinian, and no historian since records anything that would call into question her moral conduct after her marriage. Apparently, Theodora gave birth to a daughter, either before she met Justinian, or early in their marriage, but the girl did not live. No other children were ever born to the imperial couple.

In April 527, Justin I became mortally ill. On Easter Sunday, April 4, he crowned Justinian co-emperor, granting him the title " Augustus, " and Theodora "Augusta." Following the ceremony, they went to the hippodrome to receive the acclamations of the populace. One can only imagine what thoughts must have passed through Theodora's mind as she returned, now mistress of the Roman world, to that place where life's circumstances forced her into the life of a prostitute. On August 1, 527, Justin I died. It is from that date that the beginning of Justinian's reign is dated, although modern scholars believe that he actually reigned in fact as early as 518.

The imperial team of Justinian and Theodora, which lasted until the latter's death in 548, was one of history's remarkable combinations. Although they did not officially rule as joint monarchs, they in fact did. It is not correct to suggest that Theodora dominated her husband. Neither is it correct to suggest that by intrigue or otherwise she pursued goals of which he was ignorant. Rather, they complemented each other, even when, as in the case of religious issues, they pursued opposite goals. Justinian championed the cause of Christian orthodoxy, while at the same time he allowed Theodora to pursue the objective of religious tolerance for the Monophysite heretics with whom she identified.

Theodora rightly foresaw that the future of the Empire lay in the Middle East, while Justinian spent much of his reign in a futile attempt to reconquer the old Roman Empire in the West. In the area of women's rights, she achieved legislation which prohibited forced prostitution as well as alterations in the divorce laws which made them more favorable to women. Justinian allowed Theodora to share his throne, not simply because he adored her, but because he recognized in her the qualities of a true sovereign. Until her death, writes Diehl: "He never refused her anything, either the outward show or the real exercise of supreme power."

Theodora proved during the Nika Revolt of January 532 that she was a true statesman. The revolt started on Tuesday, January 13, as the chariot races were to begin in the hippodrome. The two factions, Blues and Greens, set aside their traditional rivalry and made common cause against the government. Before the day was over, many public buildings were in flames. By the evening of the next day, the crowd was proclaiming a new emperor. Failing to regain control of the situation, Justinian prepared to abandon his throne and flee.

At a meeting of the Imperial Council on Sunday, January 18, Theodora sat silently listening to the men present debating whether or not Justinian should attempt to flee. Preparations were made, and a ship sat ready in the harbor to carry the emperor and empress to safety. Then Theodora rose and - as quoted in Browning's Justinian and Theodora - made what must be considered one of the greatest short speeches ever recorded:

Whether or not a woman should give an example of courage to men, is neither here nor there. At a moment of desperate danger one must do what one can. I think that flight, even if it brings us to safety, is not in our interest. Every man born to see the light of day must die. But that one who has been emperor should become an exile I cannot bear. May I never be without the purple I wear, nor live to see the day when men do not call me "Your Majesty." If you wish safety, my Lord, that is an easy matter. We are rich, and there is the sea, and yonder our ships. But consider whether if you reach safety you may not desire to exchange that safety for death. As for me, I like the old saying, that the purple is the noblest shroud.

After Theodora sat down, there were moments of nervous silence as the men present looked at one another. Any thought of fleeing fled before the courage of the empress. We are told by the chroniclers that it was two loyal generals, Belisarius and Mundus, who first broke the silence. They began to discuss military plans.

Having assembled their German mercenaries, and joined by a third general, they proceeded to the hippodrome. After securing the exits so that none could escape, they fell upon the rebellious crowd of Blues and Greens. Soon the cries for Justinian's removal were changed to cries for mercy mingled with the screams and groaning of the dying. When the generals finally called a halt to the killing, the benches of the hippodrome were drenched with the blood of an estimated 30, 000 to 40, 000 rebels.

Historians agree that Theodora's timely display of courage saved Justinian his crown. She had proven herself a great statesman and a worthy partner in power. No one was more aware of that fact than Justinian. Far from arousing in him any sense of jealously, her resolute action only deepened his respect and love for her. Throughout the remainder of her life, she was Justinian's active assistant in all matters of importance. She was not a dark power behind the throne, but shared openly in both the decision-making and the glory of her husband's reign. Her name appeared linked with his upon church walls and over the gates of citadels. Even in the mosaics that decorated the apartments of the Sacred Palace, writes Diehl, "Justinian had in like manner associated Theodora with him in connection with his military triumphs and the brightest glories of his reign." Her power was equal to, perhaps at times even greater than, Justinian's.

Following the Nika Revolt, Theodora and Justinian set about rebuilding Constantinople. They transformed it into the most splendid city in the world, so much so that Europeans during the Middle Ages referred to it as simply "The City." Constantinople, not Rome, was the center of Christian civilization from the 6th to the beginning of the 12th century. Justinian and Theodora built more that 25 churches and convents in Constantinople. The greatest of them, and indeed the greatest church in all of Christendom prior to the building of St. Peter's in Rome, was the Hegia Sophia, rebuilt by the imperial couple. With its great dome, 107 feet in diameter, and decorated in rich marbles and mosaics, it dazzled visitors for centuries. One European churchman who visited Constantinople during the high Middle Ages recorded that upon entering the Hegia Sophia he felt as if he had died and entered heaven itself.

Both Justinian and Theodora recognized the importance of religious issues. Complex theological issues dominated the lives of even the common people. They were inseparable from the important political issues of the day. Hence Justinian, who wanted to reconquer the Latin West, stoutly defended the orthodox position in such theological debates as those concerning the nature of Christ. To do so won support among the Christians in the ruins of the old Roman Empire in the West. But it also tended to alienate the Christians in the eastern provinces of the Empire who were attracted to the Monophysite heresy. Monophysitism held that Christ had but one nature, a composite divine-human one. The orthodox position, as defined by the Council of Chalcedon in 451, was that Jesus Christ was at the same time both fully human and fully divine.

While Justinian might use the carrot-and-stick approach to combat Monophysitism, Theodora championed their cause both openly and in secret. No doubt her own convictions, which went back to her conversion under Monophysite influence, were behind her efforts to secure religious tolerance for Monophysitism. But she was motivated also by her belief that the strength of the Empire was in the Middle East. Monophysitism was especially strong in the eastern provinces along the frontier with the revived Persian Empire. To grant toleration to them would be to strengthen and further the unity of the Empire where it faced a powerful enemy. But it also would undermine Justinian's dream of reuniting the old Roman Empire.

In her efforts to help the Monophysites, Theodora influenced the election of popes, provided refuge within the apartments of her palace for Monophysite leaders, and openly established a Monophysite monastery in Sycae, directly across the Golden Horn from Constantinople. In c. 542, she even influenced Justinian to appoint a Monophysite bishop for the pro-Monophysite Arab client state of the Ghassanids. By such efforts, Theodora was able to keep alive the fire of the Monophysite heresy in the eastern provinces of the Empire.

When Theodora died of cancer on June 28, 548, her body was buried in the Church of the Holy Apostles, one of the splendid churches she and Justinian had built in Constantinople. Her death was a great loss to Justinian. It is tempting to see, as some have, the decline of imperial fortunes during the latter years of Justinian's reign as the result of his loss of her counsel. But that would be unfair to Justinian's own genius. Nevertheless, he cherished her memory, as later Queen Victoria did that of her dear Prince Albert. In his latter years, Justinian was in the habit of swearing in the name of Theodora. Those who wished to win his favor learned the importance of reminding him of her virtues. How much she meant to him personally was evident in an incident which occurred on August 11, 559. Following a campaign against the Huns, Justinian was making a triumphal entry into Constantinople. The official record states that "as the procession passed before the Church of the Holy Apostles it halted while the emperor went in to offer a prayer and light candles before Theodora's tomb." Four years later at the age of 83, Justinian died. His body was taken to the Church of the Holy Apostles to lie with the one whom he was fond of calling "his sweetest delight."

Further Reading

Barker, John W. Justinian and the Later Roman Empire. University of Wisconsin Press, 1966.

Browning, Robert. Justinian and Theodora. Praeger, 1971.

Diehl, Charles. Byzantine Portraits. Knopf, 1906.

Lamb, Harold. Constantinople: Birth of an Empire. Knopf, 1966.

McCabe, Joseph. The Empresses of Constantinople. Gorham Press, n.d.

Bury, J. B. A History of the Later Roman Empire from the Death of Theodosius I to the Death of Justinian (a.d. 395-565). 2 vols. Dover Publications, 1958.

Holmes, W. G. The Age of Justinian and Theodora. 2 vols. G. Bell, 1905-07.

Procopius. History of the Wars, Secret History, and Buildings. Washington Square Press, 1967.

Ure, P. N. Justinian and His Age. Penguin Books, 1951.

Vandercook, John W. Empress of the Dusk: A Life of Theodora of Byzantium. Reynal & Hitchcock, 1940.

Columbia Encyclopedia:

Theodora

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Theodora (thēədôr'ə), d. 548, Byzantine empress. Information about her early career comes from the often-questionable source, the Secret History of Procopius. It appears that she was the daughter of an animal trainer in the circus, and that she was an actress and prostitute before her marriage (523) to Justinian I, who, on his accession in 527, made her joint ruler of the empire. A stronger person than her husband, she helped save the throne through her energetic action in the Nika riot (532; see Blues and Greens). In her youth Theodora came under the influence of the Monophysite sect; Justinian's efforts to reconcile the Monophysites to orthodoxy were probably inspired by her. She is represented in the mosaics of the church of San Vitale, in Ravenna.
Wikipedia on Answers.com:

Theodora (wife of Justinian I)

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Theodora
Empress of the Roman (Byzantine) Empire
Theodora, detail of a Byzantine mosaic in Basilica of San Vitale, Ravenna
Byzantine Empress
Tenure 9 August 527 – 28 June 548
(&1000000000000002000000020 years, &10000000000000324000000324 days)
Predecessor Euphemia
Successor Sophia
Spouse Justinian I
Issue
John, Theodora
Full name
Theodora
Father Acacius
Mother Theodora?
Born c. 500
Cyprus
Died 28 June 548 (aged 48)
Constantinople
Burial Church of the Holy Apostles

Theodora I (Greek: Θεοδώρα) (c. 500 – June 28, 548), was empress of the Roman (Byzantine) Empire and the wife of Emperor Justinian I. Like her husband, she is a saint in the Orthodox Church, commemorated on November 14. Theodora is perhaps the most influential and powerful woman in the Roman Empire's history.

Contents

Historiography

The main historical sources for her life are the works of her contemporary Procopius, scribe for General Belisarius. However the historian has offered three contradictory portrayals of the Empress. The Wars of Justinian, largely completed in 545, paints a picture of a courageous and influential empress.

Later he wrote the Secret History, which was not published at the time. The work revealed an author who had become deeply disillusioned with the emperor Justinian, the empress, and even his patron Belisarius. Justinian is depicted as cruel, venal, prodigal and incompetent; as for Theodora, the reader is treated to a detailed and titillating portrayal of vulgarity and insatiable lust, combined with shrewish and calculating mean-spiritedness; Procopius even claims both are demons whose heads were seen to leave their bodies and roam the palace at night. Yet much of the work covers the same time period as The Wars of Justinian.

Procopius' Buildings of Justinian, written about the same time as the Secret History, is a panegyric which paints Justinian and Theodora as a pious couple and presents particularly flattering portrayals of them. Besides her piety, her beauty is excessively praised. Although Theodora was dead when this work was published, Justinian was very much alive, and probably commissioned the work.[1]

Her contemporary John of Ephesus writes about Theodora in his Lives of the Eastern Saints. He mentions an illegitimate daughter not named by Procopius.[2]

Various other historians presented additional information on her life. Theophanes the Confessor mentions some familial relations of Theodora to figures not mentioned by Procopius. Victor Tonnennensis notes her familial relation to the next empress, Sophia.

Michael the Syrian, the Chronicle of 1234 and Bar-Hebraeus place her origin in the city of Daman, near Kallinikos, Syria. They contradict Procopius by making Theodora the daughter of a priest, trained in the pious practices of Monophysitism since birth. These are late Miaphysite sources and record her depiction among members of their creed. The Miaphysites have tended to regard Theodora as one of their own and the tradition may have been invented as a way to improve her reputation and are also in conflict with what is told by the contemporary Miaphysite historian John of Ephesus.[3] These accounts are thus usually ignored in favor of Procopius.[2]

Early years

Theodora, according to Michael Grant, was of Greek Cypriot descent.[4] There are several indications of her possible birthplace. According to Michael the Syrian her birthplace was in Syria; Nicephorus Callistus Xanthopoulos names Theodora a native of Cyprus, while the Patria, attributed to George Codinus, claims Theodora came from Paphlagonia.

Her father, Acacius, was a bear trainer of the hippodrome's Blue faction in Constantinople. Her mother, whose name is not recorded, was a dancer and an actress.[5] Her parents had two more daughters.[6] After her father's death, her mother brought her children wearing garlands into the hippodrome and presented them as suppliants to the Blue faction. From then on Theodora would be their supporter.[6]

Both John of Ephesus and Procopius (in his Secret History) relate that Theodora from an early age followed her sister Komito's example and worked in a Constantinople brothel serving low-status customers; later she performed on stage.[7] Lynda Garland in "Byzantine Empresses: Women and Power in Byzantium, AD 527-1204" notes that there seems to be little reason to believe she worked out of a brothel "managed by a pimp". Employment as an actress at the time would include both "indecent exhibitions on stage" and providing sexual services off stage. In what Garland calls the "sleazy entertainment business in the capital", Theodora would earn her living by a combination of her theatrical and sexual skills.[3] Theodora made a name for herself with her portrayal of Leda and the Swan, where she stripped off her clothes as far as the law allowed, lying on her back while some attendants scattered barley on her groin and then some geese picked up the barley with their bills. She also entertained notables at banquets and accepted a multitude of lovers.[citation needed]

During this time she met the wife of Belisarius, Antonina, with whom she would remain lifelong friends.

At the age of 16, she traveled to North Africa as the companion of a Syrian official named Hecebolus when he went to the Libyan Pentapolis as governor. She stayed with him for almost four years before returning to Constantinople. Abandoned and maltreated by Hecebolus, on her way back to the capital of the Byzantine Empire, she settled for a while in Alexandria, Egypt. She is said to have met Patriarch Timothy III in Alexandria, who was Monophysite, and it was at that time that she converted to Monophysite Christianity. From Alexandria she went to Antioch, where she met a Blue faction's dancer, Macedonia, who was perhaps an informer of Justinian.

She returned to Constantinople in 522 and gave up her former lifestyle, settling as a wool spinner in a house near the palace. Her beauty, wit and amusing character drew attention from Justinian, who wanted to marry her. However, he could not: He was heir of the throne of his uncle, Emperor Justin I, and a Roman law from Constantine's time prevented government officials from marrying actresses. Empress Euphemia, who liked Justinian and ordinarily refused him nothing, was against his wedding with an actress. However, Justin was fond of Theodora. In 525, when Euphemia had died, Justin repealed the law, and Justinian managed to marry Theodora. By this point, she already had a daughter (whose name has been lost). Justinian apparently treated the daughter and the daughter's son Athanasius as fully legitimate,[8] although sources disagree whether Justinian was the girl's father.

Ascent to the Byzantine throne

Justinian was crowned augustus (emperor) and Theodora augusta on April 4 527, giving them control of the Byzantine Empire. A contemporary official, Joannes Laurentius Lydus, remarked that she was "superior in intelligence to any man".[9] Justinian clearly recognized this as well, allowing her to share his throne and take active part in decision making. As Justinian writes, he consulted Theodora when he promulgated a constitution that included reforms meant to end corruption by public officials.[10]

The imperial status of Theodora also proved profitable for her relatives. Her sister Komito became the wife of a rising young officer, Sittas, though he was to die young while campaigning in Armenia. Her niece Sophia married the nephew of Justinian, Justin II, who succeeded his uncle as emperor in 565.

Partnership in power

Empress Theodora and attendants (mosaic from Basilica of San Vitale, 6th century).

The Nika riots

Theodora proved herself a worthy and able leader during the Nika riots. There were two rival political factions in the Empire, the Blues and the Greens, who started a riot in January 532 during a chariot race in the hippodrome. The riots stemmed from many grievances, some from Justinian's and Theodora's own actions.[11] The rioters set many public buildings on fire, including the Hagia Sophia, and proclaimed a new emperor, Hypatius, the nephew of former emperor Anastasius I. Unable to control the mob, Justinian and his officials prepared to flee. At a meeting of the government council, Theodora spoke out against leaving the palace and underlined the significance of someone who died as a ruler instead of living as an exile or in hiding.

Her determined speech convinced them all. As a result, Justinian ordered his loyal troops led by two reliable officers, Belisarius and Mundus, to attack the demonstrators in the hippodrome. His generals attacked the hippodrome, killing (according to Procopius) over 30,000 rebels. Despite his claims that he was unwillingly named emperor by the mob, Hypatius was also put to death, apparently at Theodora's insistence.[12] Historians agree that it was Theodora's courage and decisiveness that saved Justinian's reign.

Beyond Nika

Following the Nika revolt, Justinian and Theodora rebuilt and reformed Constantinople and made it the most splendid city the world had seen for centuries, building or rebuilding aqueducts, bridges and more than twenty five churches. The greatest of these is Hagia Sophia, considered the epitome of Byzantine architecture and one of the architectural wonders of the world.

Theodora was punctilious about court ceremony. According to Procopius, the Imperial couple made all senators, including patricians, prostrate themselves before them whenever they entered their presence, and made it clear that their relations with the civil militia were those of masters and slaves. They also carefully supervised the magistrates, much more so than previous emperors, possibly to reduce bureaucratic corruption.

Theodora also created her own centers of power like the Hagia Sophia (the most elaborate church built). The eunuch Narses, who in old age developed into a brilliant general, was her protege, and so was the praetorian prefect Peter Barsymes. John the Cappadocian, Justinian's chief tax collector, was identified as her enemy, because of his independent influence.

Theodora participated in Justinian's legal and spiritual reforms, and her involvement in the increase of the rights of women was substantial. She had laws passed that prohibited forced prostitution and closed brothels. She created a convent on the Asian side of the Dardanelles called the Metanoia (Repentance), where the ex-prostitutes could support themselves. She also expanded the rights of women in divorce and property ownership, instituted the death penalty for rape, forbade exposure of unwanted infants, gave mothers some guardianship rights over their children, and forbade the killing of a wife who committed adultery. Procopius wrote that she was naturally inclined to assist women in misfortune.[13]

Religious policy

Bust of a Byzantine empress, possibly Theodora. 6th century. Museum of Ancient Art in the Castello Sforzesco in Milan, Italy.

Theodora worked against her husband's support of Chalcedonian Christianity in the ongoing struggle for the predominance of each faction.[10] In spite of Justinian being Orthodox Christian, Theodora founded a Monophysite monastery in Sykae and provided shelter in the palace for Monophysite leaders who faced opposition from the majority Orthodox Christians, like Severus and Anthimus. Anthimus, had been appointed Patriarch of Constantinople under her influence, and after the excommunication order he was hidden in Theodora's quarters for twelve years, until her death. When the Chalcedonian Patriarch Ephraim provoked a violent revolt in Antioch, eight Monophysite bishops were invited to Constantinople and Theodora welcomed them and housed them in the Hormisdas Palace adjoining the Great Palace, which had been Justinian and Theodora's own dwelling before they became emperor and empress.

In Egypt, when Timothy III died, Theodora enlisted the help of Dioscoros the Augustal Prefect and Aristomachos the duke of Egypt, to facilitate the enthronement of a disciple of Severus, Theodosius, thereby outmaneuvering her husband who had been plotting for a Catholic successor as patriarch. But Pope Theodosius I of Alexandria, even with the help of imperial troops, could not hold his ground in Alexandria against the Julianists and when he was exiled by Justinian along with 300 Monophysites to the fortress of Delcus in Thrace, Theodora rescued him and brought him to the Hormisdas Palace where he lived under her protection, and after her death in 548, under Justinian's.

When Pope Silverius refused Theodora's demand that he remove the anathema of Pope Agapetus I from Patriarch Anthimus, she sent Belisarius instructions to find a pretext to remove Silverius. When this was accomplished, Pope Vigilius was appointed in his stead.

Conclusively, Theodora's policy on theological matters was separatist. One could argue, as the Chalcedonians did, that Theodora fostered heresy and thus undermined the unity of Christendom. But it would be equally fair to say that Theodora's policy delayed the alienation of the eastern church.

Another incident, which shows how far Theodora could go to thwart her husband on religious matters, is the case of Nobatae, south of Egypt, whose inhabitants were converted to Monophysite Christianity about 540. Justinian had been determined that they be converted to the Chalcedonian faith and Theodora equally determined that they should be Monophysites. Justinian made arrangements for Chalcedonian missionaries from Thebaid to go with presents to Silko, the king of the Nobatae. But on hearing this, Theodora prepared her own missionaries and wrote to the duke of Thebaid that he should delay her husband's embassy so that the Monophysite missionaries should arrive first; otherwise he would pay for it with his life. The duke was canny enough to thwart the easygoing Justinian instead of the unforgiving Theodora. He saw to it that the Chalcedonian missionaries were delayed. When they eventually reached Silko, they were sent away, for the Nobatae had already adopted the Monophysite creed of Theodosius.

Death

The Empress Theodora at the Colosseum, oil painting by Jean-Joseph Benjamin-Constant

Theodora died of an unspecified cancer on June 28, 548 before the age of 50, 17 years before Justinian. Her body was buried in the Church of the Holy Apostles, in Constantinople. Though it has been argued that the sole source for her illness, Victor of Tonnena, may not use the word "cancer" in its modern medical sense, yet cancer seems to be best guess. (There is no documentation to suggest that she died of breast cancer, as some scholars have suggested.) Justinian wept bitterly at her funeral.[14]

Both Theodora and Justinian are represented in mosaics that exist to this day in the Basilica of San Vitale of Ravenna, Italy, which was completed a year before her death.

Lasting Influence

Her influence on Justinian was so strong that after her death, he worked to bring harmony between the Monophysites and the Orthodox Christians in the Empire, and he kept his promise to protect her little community of Monophysite refugees in the Hormisdas Palace. Theodora provided much political support for the ministry of Jacob Baradaeus, and apparently personal friendship as well. Diehl attributes the modern existence of Jacobite Christianity equally to Baradaeus and to Theodora.[15]

Theodora is considered a great female figure of the Byzantine Empire, and a pioneer of feminism, because of the laws she passed, increasing the rights of women. As a result of Theodora's efforts, the status of women in the Byzantine Empire was elevated far above that of women in the Middle East and the rest of Europe.

Olbia in Cyrenaica renamed itself Theodorias after Theodora. (It was a common event that ancient cities renamed themselves to honor an emperor or empress.) The city, now called Qasr Libya, is known for its splendid sixth-century mosaics.

Sarah Bernhardt in the title role of Sardou's Théodora in 1884.

Films, plays and popular culture

Victorien Sardou wrote the play Théodora in 1884. Sarah Bernhardt performed in the title role. The play was turned into an opera by Xavier Leroux in 1907.

The 1910 silent film Justinian and Theodora was directed by Otis Turner and starred Betty Harte and Bebe Daniels.

The Italian silent films Teodora (1914) and Teodora (or "Theodora, the Slave Princess", 1919) were directed by Roberto Roberti and Leopoldo Carlucci, respectively. The 1954 Italian film Teodora, imperatrice di Bisanzio was directed by Riccardo Freda.

References

  1. ^ James Allan Evans, "Theodora (Wife of Justinian I)"
  2. ^ a b Prosopography of the Later Roman Empire, vol. 3, ed. J.Martindale. 1992.
  3. ^ a b Lynda Garland, "Byzantine Empresses: Women and Power in Byzantium, AD 527-1204", page 13
  4. ^ From Rome to Byzantium: The Fifth Century A.D., Michael Grant, Published by Routledge, p.132
  5. ^ The Prosopography of the Later Roman Empire 2 Volume Set., J. R. Martindale, 1992 Cambridge University Press, p.1240
  6. ^ a b Garland. p. 11. 
  7. ^ Claudine M. Dauphin (1996). "Brothels, Baths and Babes: Prostitution in the Byzantine Holy Land". Classics Ireland 3: 47–72. doi:10.2307/25528291. http://www.ucd.ie/cai/classics-ireland/1996/Dauphin96.html. 
  8. ^ Diehl, Charles. Theodora, Empress of Byzantium ((c) 1972 by Frederick Ungar Publishing, Inc., transl. by S.R. Rosenbaum from the original French Theodora, Imperatice de Byzance), 69-70.
  9. ^ Lynn Hunt et al., The Making of the West: Peoples and Cultures, Boston Bedford, 2001, p. 263.
  10. ^ a b "Theodora - Byzantine Empress". About.com. http://womenshistory.about.com/library/bio/blbio_theodora.htm. Retrieved 2008-04-11. 
  11. ^ Dielh, ibid.
  12. ^ Diehl, ibid.
  13. ^ Garland. p. 18. 
  14. ^ Diehl, ibid., p.197.
  15. ^ Diehl, ibid., p.184.

Further reading

  • Diehl, Charles. "Theodora, Empress of Byzantium" ((c) 1972 by Frederick Ungar Publishing, Inc., transl. by S.R. Rosenbaum from the original French "Theodora, Imperatice de Byzance"). Popular account based on the author's extensive scholarly research.
  • Garland, Lynda. Byzantine empresses: women and power in Byzantium, AD 527-1204. London, Routledge, 1999.
  • Gibbon, Edward. "The History of the Decline and Fall of the Roman Empire". (See volume 4, chapter 40 for Gibbon's account of Theodora.)
  • Graves, Robert. "Count Belisarius". (A historical novel by the author of "I, Claudius" which features Theodora as a character.)
  • Bury, J. B. "The Later Roman Empire". (Volume 2 deals with the reign of Justinian and Theodora)
  • Procopius The Secret History at the Internet Medieval Sourcebook
  • Procopius The Secret History at LacusCurtius

External links

Royal titles
Preceded by
Euphemia
Byzantine Empress
527–548
Succeeded by
Sophia


 
 
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