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They Made Me a Criminal

 
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They Made Me a Criminal

  • Director: Busby Berkeley
  • AMG Rating: starstarstar
  • Genre: Drama
  • Movie Type: Social Problem Film, Psychological Drama
  • Themes: Flight of the Innocent, Boxers, Kids in Trouble
  • Main Cast: John Garfield, Gloria Dickson, Bobby Jordan, Claude Rains, Leo Gorcey, Ann Sheridan, Huntz Hall, Billy Halop
  • Release Year: 1939
  • Country: US
  • Run Time: 92 minutes

Plot

They Made Me a Criminal opens in New York, depicting the latest victory in the ring for Johnny Bradfield (John Garfield), a young boxer who seems headed for a championship. When a reporter finds Bradfield drunk and carousing with women, and learns that the squeaky-clean image that he has cultivated is a complete lie, he threatens to blow the lid off the boxer's real life, and is beaten to death by Bradfield's manager. Bradfield, who was in a drunken stupor during the fight, is framed for the killing by his manager, who rolls him for his wallet, watch, and anything else of value, makes a run for it, and is killed in a fiery car accident. As far as the police are concerned, the case is closed, "Bradfield" having been identified in the wreck by the watch he was wearing. But Johnny Bradfield now has to disappear from New York and anyplace else he's ever been seen, in order to stay "dead." He is sent on his way by his crooked attorney with just a few dollars in his pocket, thumbing rides and walking west. Bradfield collapses one day from exhaustion and near starvation outside of a ranch in Arizona. The ranch is run by May Robson as part of a relief effort to help a group of boys from the New York slums -- Tommy (Billy Halop), Spit (Leo Gorcey), Dippy (Huntz Hall), T.B. (Gabriel Dell), Angel (Bobby Jordan), and Milty (Bernard Punsly) -- keep out of trouble. Identifying himself as "Jack Dorney," he first tries to see what he can get in the way of a free ride from the kids and Tommy's sister, Peggy (Gloria Dickson), who doesn't trust Dorney or his influence over the kids. Meanwhile, back in New York, one police detective, Phelan (Claude Rains), is convinced that the body found in the burned wreck of Johnny Bradfield's car wasn't Bradfield. Phelan is an outcast in his department for having once presented "conclusive" evidence in court against a man who was executed for murder, only to discover later that the man was innocent. He sees this as his chance to redeem himself and his career, and he is such a pariah that his chief gives him permission to follow up leads anywhere he needs to. At the ranch, Dorney takes a genuine liking to the kids, and sees Peggy as a kind of woman he's never known, who has no "angles" in her approach to life. The ranch may have to be sold, however, as there is no more money coming from the church in New York to keep it going. In order to save the ranch and set Peggy and the kids up in a roadside business pumping gas -- an idea of Tommy's -- Dorney decides to enter a prize fight for money against a barnstorming boxer. On the eve of the fight, however, Phelan shows up, drawn by a newspaper photo of Dorney, his face obscured but using the same unusual left-handed boxing stance he used as Johnny Bradfield. Dorney goes into the ring, and finds himself up against a brute who has already flattened two opponents in less than one round each, trying to hide his identity by fighting right-handed. He gets savaged, round after round, until Phelan tells him from ringside that he knows who he is. Free to use his left, Dorney saves himself. Phelan confronts him in the dressing room, and Johnny tells him he'll give him no trouble -- they're about to head back east, with Peggy and the kids trying to thank him, and it dawns on Phelan that possibly this is one case that might better be left "solved" officially the way it is already, even though it means the detective going back to his job as a laughing stock. ~ Bruce Eder, All Movie Guide

Review

They Made Me a Criminal is an unusual movie, as well as an unusually good movie, on numerous counts. For starters, it is, along with John Huston's version of The Maltese Falcon, one of a handful of Hollywood remakes that are better than the original movies that they followed. Mostly, this comes from John Garfield's excellent performance as Johnny Bradfield/Jack Dorney, the vain, self-centered opportunist who finds a better side of himself at the lowest point in his life -- Garfield is good throughout the movie, but he is brilliant in the scenes in which he is staring adversity and then doom right in the face. He is supported by an excellent cast, including some of the best work ever done by those resident Warner Bros. delinquents the Dead End Kids, with a top-notch performance by Billy Halop as their leader. Along with Angels With Dirty Faces, this was the best of the Warner Bros. movies in which they appeared. Also notable were a pair of fine, earthy, lusty performances by Gloria Dickson and May Robson, as the two women who come to believe in Garfield's character. For most viewers the only weak link was Claude Rains as Detective Phelan -- most viewers find it hard to accept Rains as a tough New York detective, but he is sincere in his performance and suppresses his accent sufficiently to pull off the portrayal, despite some apparently awkward moments with the role. The movie was also extraordinary as the final Warner Bros. film of Busby Berkeley, who had begged and cajoled the studio for non-musical projects and so they gave him this film, a remake of the 1933 drama The Life of Jimmy Dolan. Berkeley ran with it, turning the movie into a showcase for more than half a dozen actors and even making room for a notably sympathetic performance from Louis Jean Heydt, playing a would-be boxer who is even more desperate for money than Dorney. Berkeley applied his skills at visual presentation, acquired in numerous musicals, to the fight sequence at the movie's climax with memorably brutal results. The movie was also one of the last of the major Warner Bros. movies to deal with the consequences of the Great Depression -- by 1940-1941, in the wake of the outbreak of the Second World War in Europe, and the gradual move toward re-armament of the United States, the lingering traces of unemployment would be forgotten; seen today They Made Me a Criminal offers a last look back at an impoverished but still resourceful America of the late '30s. ~ Bruce Eder, All Movie Guide

Cast

Gabriel Dell - T.B.; Bernard Punsly - Milty; Robert Gleckler - Doc Ward; John Ridgely - Charlie Magee; Barbara Pepper - Budgie; Ward Bond - Lenihan, fight promoter; Robert Strange - Malvin; Louis Jean Heydt - Smith; Frank Riggi - Gaspar Rutchek; Raymond Brown - Sheriff; Sam Hayes - Fight Announcer; Irving Bacon - Speed, Gas Station Attendant; Clem Bevans - Ticket Taker; Richard Bond - Reporter; Nat Carr - Reporter; Eddy Chandler - Detective; Cliff Clark - Rutchek's Manager; William B. Davidson - Inspector Ennis; Dead End Kids; Leyland Hodgson - Mr. Williamson; Stuart Holmes - Timekeeper; Arthur Houseman - Drunk; Doris Lloyd - Mrs. Williamson; Frank Mayo - Man; Sam McDaniel - Splash; Bob Perry - Cawley; Bert Roach - Hendricks; May Robson - Grandma; Cliff Saum - Man; John Sheehan - Man; Elliott Sullivan - Hoodlum; Dick Wessel - Collucci; Jack Wise - Ticketman; Ronald Sinclair - J. Douglas Williamson; Tom Dugan - Man; Al Lloyd - Man; Hal Craig - Detective; Frank Meredith - Cop; Jack Austin

Credit

Anton Grot - Art Director, Milo Anderson - Costume Designer, Russ Saunders - First Assistant Director, Busby Berkeley - Director, Jack Killifer - Editor, Max Steiner - Composer (Music Score), Leo F. Forbstein - Musical Direction/Supervision, James Wong Howe - Cinematographer, Benjamin Glazer - Producer, Hal B. Wallis - Producer, Jack L. Warner - Producer, Sig Herzig - Screenwriter, Bertram Millhauser - Book Author, Beulah Marie Dix - Book Author

Similar Movies

Kids Return; Body and Soul; Hard Times; The Young Sinner
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'They Made Me a Criminal'

They Made Me a Criminal theatrical poster
Directed by Busby Berkeley
Produced by Benjamin Glazer
Hal B. Wallis
Written by Sig Herzig
Bertram Millhauser (uncredited)
Beulah Marie Dix (uncredited)
Starring John Garfield
Claude Rains
Ann Sheridan
May Robson
Gloria Dickson
Billy Halop
Music by Max Steiner
Cinematography James Wong Howe
Editing by Jack Killifer
Distributed by Warner Bros. Pictures
Release date(s) January 28, 1939
Running time 92 min
Language English
Preceded by Angels with Dirty Faces (1938)
Followed by Hell's Kitchen (1939)

They Made Me a Criminal is a 1939 Warner Bros. drama crime film directed by Busby Berkeley and starring John Garfield, Claude Rains, and The Dead End Kids. It is a remake of the 1933 film The Life of Jimmy Dolan.

Contents

Plot

Johnnie Bradfield (John Garfield) is a world champion boxer falsely accused of murder. He disappeared and is presumed dead. The only witnesses who could have exonerated him were his manager and girlfriend, both of whom have died in an automobile accident. Detective Monty Phalen (Claude Rains) believes that Johnnie is still alive and hasn't given up the search for him. Johnnie, meanwhile, is hiding out on Grandma Rafferty's (May Robson) farm in Arizona. It is there that Johnnie meets up with some juvenile delinquents, Tommy (Billy Halop), Angel (Bobby Jordan), Spit (Leo Gorcey), Dippy (Huntz Hall), T.B. (Gabriel Dell), and Milty (Bernard Punsly), who are under the guardianship of Tommy's sister Peggy (Gloria Dickson).

Johnnie, using the fake name of Jack Dorney takes Tommy under his wing and encourages him to go in business for himself by buying a gas pump for the farm. He helps the kids raise money by returning to the boxing ring for a match against an up-and-coming boxer. Johnnie sees Phalen arriving at the fight and decides to hide who he really is by not using his trademark stance in the ring. However his determination to help the kids overcomes him and he reveals who he really is, although he is defeated in the fifth round. He surrenders to Phalen, but the detective allows him to remain in Arizona instead of returning to New York.

Cast

References to other films

When Dippy is operating the shower controls for Jack, who is showering, he serenades him with the song, By a Waterfall, which was a hit song from the director's earlier film, Footlight Parade.

Malaprop

This film also contains the first malapropism of the Dead End Kids/East Side Kids/Bowery Boys series when Jordan says Regenerate, ya dope when Hall used the word degenerate. Malapropisms became a staple of these films, with Gorcey using them on a regular basis throughout the series.

DVD release date

As this film is in the public domain, there have been several DVD releases from a variety of companies over the years. The image below is the cover to the Alpha Video DVD release.

See also

External links


 
 

 

Copyrights:

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