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| Britannica Concise Encyclopedia: Thomas Bailey Aldrich |
For more information on Thomas Bailey Aldrich, visit Britannica.com.
| Columbia Encyclopedia: Thomas Bailey Aldrich |
| Works: Works by Thomas Bailey Aldrich |
| 1855 | The Bells: A Collection of Chimes. A widely popular and highly acclaimed poem that is praised by members of the New York literati, including Fitz-Greene Halleck and Nathaniel Parker Willis. Originally published in the Journal of Commerce, it launches Aldrich's literary career when reprinted in newspapers throughout the country; it would later be collected in The Ballad of Babie Bell and Other Poems (1859). |
| 1869 | The Story of a Bad Boy. Aldrich's popular narrative based on his own experiences growing up in Portsmouth, New Hampshire, appears as a year-long serial in Our Young Folks; it would be published in book form in 1870. Aldrich explains that by "bad boy" he actually means "a real human boy." |
| 1870 | The Story of a Bad Boy. Originally published serially in Our Young Folks (1869), Aldrich's best and most enduring fiction is a semi-autobiographical and nostalgic tale of boyhood. Noted as the first novel to present a realistic portrayal of American boyhood, it would become a classic children's book. |
| 1873 | Marjorie Daw and Other People. A collection of the Aldrich's most famous short stories. The immensely popular and frequently anthologized title piece concerns Edward Delaney's attempts to help his friend John Fleming recover from an injury by writing him letters about his fictional neighbor, Marjorie Daw. The collection also contains "A Struggle for Life," "A Young Desperado," and "The Friend of My Youth." |
| Quotes By: Thomas B. Aldrich |
Quotes:
"To keep the heart unwrinkled, to be hopeful, kindly, cheerful, reverent that is to triumph over old age."
"They fail, and they alone, who have not striven."
"The ocean moans over dead men's bones."
"Books that have become classics -- books that have had their day and now get more praise than perusal -- always remind me of retired colonels and majors and captains who, having reached the age limit, find themselves retired on half pay."
"The man who suspects his own tediousness is yet to be born."
"Gracious to all, to none subservient, Without offense he spoke the word he meant."
See more famous quotes by
Thomas B. Aldrich
| Wikipedia: Thomas Bailey Aldrich |
| Thomas Bailey Aldrich | |
|---|---|
| Born | November 11, 1836 Portsmouth, New Hampshire, United States |
| Died | March 19, 1907 (aged 70) Boston, Massachusetts, United States |
| Occupation | Poet, novelist and editor |
| Notable work(s) | The Story of a Bad Boy An Old Town by the Sea |
Thomas Bailey Aldrich (November 11, 1836 – March 19, 1907) was an American poet, novelist, traveler and editor, born in Portsmouth, New Hampshire.
When he was a child his father moved to New Orleans, but after ten years he was sent back to Portsmouth—the "Rivermouth" of several of his stories—to prepare for college. This period of his life is partly described in his semi-autobiographical novel The Story of a Bad Boy (1870), of which "Tom Bailey" is the juvenile hero. Critics have said that this novel contains the first realistic depiction of childhood in American fiction and prepared the ground for Adventures of Huckleberry Finn.
His father's death in 1849 compelled Aldrich to abandon the idea of college and he entered his uncle's business office in New York at age 16 in 1852. Here he soon became a constant contributor to the newspapers and magazines, and the friend of the young poets, artists and wits of the metropolitan Bohemia of the early 1860s, among whom were Edmund Clarence Stedman, Richard Henry Stoddard, Fitz Hugh Ludlow, Bayard Taylor and Walt Whitman. From 1856 to 1859 he was on the staff of the Home Journal, then edited by N P Willis, while during the Civil War he was the editor of the New York Illustrated News.
In 1865 he moved to Boston and was editor for ten years for Ticknor and Fields—then at the height of their prestige—of the eclectic weekly Every Saturday, discontinued in 1875. From 1881 to 1890 he was editor of the Atlantic Monthly.
Meanwhile Aldrich had written much, both in prose and verse. His genius was many-sided, and it is surprising that so busy an editor and so prolific a writer should have attained the perfection of form for which he was remarkable. His successive volumes of verse, chiefly The Ballad of Babie Bell (1856), Pampinea, and Other Poems (1861), Cloth of Gold (1874), Flower and Thorn (1876), Friar Jerome's Beautiful Book (1881), Mercedes and Later Lyrics (18S}), Wyndham Towers (1889), and the collected editions of 1865, 1882, 1897 and 1900, showed him to be a poet of lyrical skill, light touch and felicitous conceit, the influence of Robert Herrick being constantly apparent.
He repeatedly attempted long narrative or dramatic poems, but seldom with success, save in such earlier work as Garnaut Hall. But no American poet of the time had shown more skill in describing some single picture, mood, conceit or episode. His best things are such lyrics as "Hesperides," "When the Sultan goes to Ispahan," "Before the Rain," "Nameless Pain," "The Tragedy," "Seadrift," "Tiger Lilies," "The One White Rose," "Palabras Cariñosas," "Destiny," or the eight-line poem "Identity," which did more to spread Aldrich's reputation than any of his writing after Babie Bell.
Beginning with the collection of stories entitled Marjorie Daw and Other People (1873), Aldrich applied to his later prose work that minute care in composition which had previously characterized his verse—taking a near, new or salient situation, and setting it before the reader in a pretty combination of kindly realism and reticent humour. In the novels, Prudence Palfrey (1874), The Queen of Sheba (1877), and The Stillwater Tragedy (1880), there is more rapid action; but the Portsmouth pictures in the first are elaborated with the affectionate touch shown in the shorter humorous tale, A Rivermouth Romance (1877). In An Old Town by the Sea (1893) the author's birthplace was once more commemorated, while travel and description are the theme of From Ponkapog to Pesth (1883).
In 1901, Aldrich's son, Charles, married just the year before, was diagnosed with tuberculosis. Aldrich built two houses, one for himself and one for his son, in Saranac Lake, New York, then the leading treatment center for the disease. On March 6, 1904, Charles Aldrich died of tuberculosis, age thirty-four. The family left Saranac Lake, never to return.[1]
Aldrich died at Boston on March 19, 1907. His last words were "In spite of it all, I'm going to sleep." His Life was written by Ferris Greenslet (1908).
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| Every Saturday (literature) | |
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