| Columbia Encyclopedia: Thomas Berger |
| Works: Works by Thomas Berger |
| 1958 | Crazy in Berlin. Berger's first novel is a comic picaresque tale introducing Carlo Reinhart, an American G.I. in postwar Berlin who gradually sheds his optimism in a corrupt world of threat and betrayal. Reinhart's career would continue in Reinhart in Love (1962), Vital Parts (1970), and Reinhart's Women (1981). Born in Cincinnati, Berger graduated from the University of Cincinnati after wartime service and worked as a librarian at the Rand School of Social Science, as a staff writer for the New York Times Index, and as an associate editor of Popular Science. |
| 1962 | Reinhart in Love. The second novel in the Reinhart series shows Reinhart out of the army and trying to cope with civilian life. He falls into the clutches of employer Claude Humbold, a real estate agent/con man, and into the arms of a scheming woman, whom he marries. Critics admire Berger's exuberant comic genius. |
| 1964 | Little Big Man. Jack Crabb, a 111-year-old survivor of Custer's Last Stand, narrates his mock-heroic, picaresque adventures. This western pastiche explodes many of the cherished legends about the Old West and portrays several of its most famous figures. A sequel, The Return of Little Big Man, would appear in 1999. |
| 1967 | Killing Time. Berger's most ambitious novel sheds his characteristic comic satire for a dark exploration of a mass murderer and the prevalence of violence in modern American life. A similar serious treatment of American life is evident in Sneaky People (1975), about a man who schemes to murder his wife. |
| 1973 | Regiment of Women. Berger imagines the world controlled by women in the year 2125, in a heavy-handed satire of women's liberation pushed to extremes. |
| 1977 | Who Is Teddy Villanova? The first of two parodies and send-ups of fictional genres, here, the detective novel. It would be followed by Arthur Rex (1978), Berger's version of the Arthurian legend. |
| 1980 | Neighbors. Berger's novel is about Earl Keese, who lives on a dead-end street and feels he has also reached an impasse. Two new neighbors, Harry and Romana, are free spirits who destroy Earl's stasis. Critics cite the novel as a fine example of Berger's wordplay and energizing language. |
| 1981 | Reinhart's Women. In the fourth of Berger's novels dealing with the unheroic Carlo Reinhart, the protagonist is now in his fifties and dealing with America in the late 1970s. |
| 1983 | The Feud. Berger receives a Pulitzer Prize nomination for this black comedy of proliferating disasters that begin when a hardware store owner asks a customer to put away his unlit cigar. |
| 1988 | The Houseguest. Berger's black comedy concerns the perfect visitor to a summer house who gradually becomes sinister and violent. Reviewer Paul Gray observes, "At his best, as he is here, Thomas Berger can command attention solely as a lonely, insidious voice insisting in a stage whisper, that fiction can be stranger than truth." |
| 1990 | Orrie's Story. Berger's novel is a parodic version of Aeschylus's Oresteia, as a World War II war hero returns to his Midwestern hometown to find that his wife has taken a lover; the two conspire to murder him. |
| 1994 | Robert Crews. Berger updates Defoe's Robinson Crusoe for the 1990s, depicting the survival experiences of a middle-class man when the plane carrying his fishing party in the wilderness goes down. It would be followed by Suspects (1996), about a homicide investigation. |
| 1996 | Suspects. Berger's novel about crime and punishment includes characters taken straight out of the O. J. Simpson case. The Times Literary Supplement calls Berger "one of the 20th century's most important writers in the English-speaking world." |
| 1999 | The Return of Little Big Man. In a sequel to Berger's classic revisionist western, Little Big Man (1964), the 111-year-old Jack Crabb continues his memoirs with offbeat profiles of western legends such as Wyatt Earp, Doc Holliday, Annie Oakley, and Buffalo Bill, and the "real story" behind the shoot-out at the O.K. Corral. |
| Quotes By: Thomas Berger |
Quotes:
"What is art but a way of seeing?"
"Why do writers write? Because it isn't there."
| The Feud (1989 Comedy Film) | |
| The Romantic Englishwoman (1975 Comedy Drama Film) | |
| Ceremony (For Further Study) (novel) |
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Copyrights:
![]() | Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more | |
![]() | Works. The Chronology of American Literature, edited by Daniel S. Burt. Copyright © 2004 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved. Read more | |
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