Thomas Moran

(b Bolton, Lancs, 12 Feb 1837; d Santa Barbara, CA, 26 Aug 1926). American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings (e.g. Conway Castle, after J. M. W. Turner, 1879). During the 1870s and 1880s his designs for wood-engraved illustrations appeared in most of the major magazines and in gift books, which brought him money and recognition.

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Thomas Moran (1837-1926), American painter and graphic artist, specialized in landscape painting. His gigantic canvases depict the grandeur and immensity of the Far West.

Born in Bolton, Lancashire, England, on Jan. 12, 1837, Thomas Moran was taken to the United States at the age of 7. He was educated in Philadelphia public schools. He early became familiar with the work of Washington Allston, Rembrandt Peale, John Neagle, and other American artists. Three of Moran's brothers were artists, and he learned to paint from his brother Edward.

In 1853 Moran was apprenticed to a wood engraver and illustrator in Philadelphia. In his spare time he did watercolor drawings, and in 1856 he painted his first oil, Among the Ruins There He Lingered.

In 1861 Moran went to London to study firsthand the paintings of Claude Lorrain and J. M. W. Turner. Moran returned to America the next year and married. He found that he was increasingly fascinated by the grandiose and vast in nature. In 1860 he had visited the Lake Superior region in northern Michigan. In 1871, serving as a guest artist with the Geological Survey of the Territories, he traveled into the Yellowstone country. The following year he toured the Yosemite Valley in California. In 1873, accompanying a party of the U.S. Geographical and Geological Survey, he explored the mountains of Utah to the north rim of the Grand Canyon of the Colorado River.

Moran sought to suggest the vastness and sweep of the West through huge landscapes that lacked a focal point. His paintings, more than those of any other artist, made the western wilderness familiar to people on the eastern seaboard. At the end of the 19th century few Americans had seen the Rockies, and largely because of this Moran gained great fame. His enormous Grand Canyon of the Yellowstone (1893-1901) and his subsequent Chasm of the Colorado were purchased by the U.S. Congress. Although his grandiose paintings were executed with considerable skill, he seems best in his smaller paintings and in his drawings.

Moran made some 1,500 illustrations, mostly woodcuts, for Scribner's Monthly Magazine and other periodicals, for school texts, travel books, and special editions of American poets. He also did many etchings, especially between 1878 and 1888. He died in Santa Barbara, Calif., on Aug. 26, 1926. Mt. Moran in the Teton Range is named after him.

Further Reading

Fritiof Melvin Fryxell, ed., Thomas Moran: Explorer in Search of Beauty (1958), is a biographical account containing excerpts from memoirs of people who knew Moran, including his daughter Ruth, his companion during the western treks, and the photographer and author William Henry Jackson. It contains some illustrations, with reproductions of etchings and oil sketches. A lengthier and more carefully documented work is Thurman Wilkins, Thomas Moran: Artist of the Mountains (1966), with an extensive bibliography.

This article is about the American painter. For Thomas Moran the author, see Thomas Moran (author).

Thomas Moran.

Thomas Moran (February 12, 1837 - August 25, 1926) was an artist of the Hudson River School. Thomas Moran's vision of the Western landscape was critical to the creation of Yellowstone National Park.

His pencil and watercolor field sketches and paintings captured the grandeur and documented the extraordinary terrain and natural features of the Yellowstone region. Moran's artwork was presented to members of Congress by park proponents.

These powerful images of Yellowstone fired the imagination and helped inspire Congress to establish the National Park System in 1916.

Mount Moran in the Grand Teton National Park is named for Moran.

Tower Creek, 1871

Childe Roland to the Dark Tower Came, 1859

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Thomas Moran

• The United States National Gallery of Art page on Thomas Moran
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