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Throbbing Gristle

 
Artist: Throbbing Gristle
See Throbbing Gristle Lyrics
  • Formed: 1975 09, London, England
  • Disbanded: 1981
  • Genres: Rock
  • Representative Albums: "20 Jazz Funk Greats," "Throbbing Gristle's Greatest Hits," "The First Annual Report of Throbbing Gristle"
  • Representative Songs: "Hot on the Heels of Love," "Hamburger Lady," "Adrenalin"

Biography

Abrasive, aggressive, and antagonistic, Britain's Throbbing Gristle pioneered industrial music; exploring death, mutilation, fascism, and degradation amid a thunderous cacophony of mechanical noise, tape loops, extremist anti-melodies, and bludgeoning beats, the group's cultural terrorism -- the "wreckers of civilization," one tabloid called them -- raised the stakes of artistic confrontation to new heights, combating all notions of commerciality and good taste with a maniacal fervor.

Formed in London in the autumn of 1975, Throbbing Gristle consisted of vocalist/ringleader Genesis P-Orridge, his then-lover, guitarist Cosey Fanni Tutti, tape manipulator Peter "Sleazy" Christopherson, and keyboardist Chris Carter. A performance art troupe as much as a band, their early live shows -- each starting with a punch clock and running exactly 60 minutes before the power to the stage was cut -- threatened obscenity laws; during their notorious premiere gig, P-Orridge even mounted an art exhibit consisting entirely of used tampons and soiled diapers.

Upon forming their own label, Industrial, the group issued their introductory release, The Best of Throbbing Gristle, Vol. 2, in 1976. A full-length debut, The Second Annual Report of Throbbing Gristle, followed in 1977, in a pressing of only 500 copies; bowing to fan demand, the record was later reissued -- cut from a master tape played backward. The 1977 underground hit "United" marked a tiny step toward accessibility, thanks to the inclusion of a discernible rhythm. Typically, when the track reappeared on 1978's D.O.A: The Third and Final Report, it was sped up to last all of 17 seconds; no less provocative was "Hamburger Lady" (inspired by the story of a burn-unit victim) or "Death Threats" (a compilation of murderous messages left on the group's answering machine).

20 Jazz Funk Greats, a harsh electro-pop outing, followed a year later, and after 1980's live-in-the-studio Heathen Earth, Throbbing Gristle called it quits. P-Orridge and Christopherson soon formed Psychic TV (though Christopherson split again to form Coil), while the remaining duo continued on as Chris & Cosey. As Throbbing Gristle's influence swelled, a seemingly endless series of posthumous releases followed, most of them taken from live dates; among the more notable were 1981's 24 Hours of Throbbing Gristle, 1983's Once Upon a Time (Live at the Lyceum), 1998's Dimensia in Excelsis, 2001's The First Annual Report of Throbbing Gristle, and 2004's Mutant TG and TG+. Throbbing Gristle reunited during the early 2000s for performances, and released Part Two: Endless Not, their first album in 25 years, in 2007. ~ Jason Ankeny, All Music Guide
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Wikipedia: Throbbing Gristle
Top
Throbbing Gristle
Origin London, England
Genres Avant-garde
Industrial
Experimental
Performance art
Noise
Dark ambient
Years active 1975-1981, 2004-Present
Labels Industrial Records
Mute Records
Associated acts Psychic TV, Coil, Chris & Cosey, Carter Tutti, SoiSong, SplinterTest
Website www.throbbing-gristle.com
Members
Genesis P-Orridge
Peter Christopherson
Cosey Fanni Tutti
Chris Carter

Throbbing Gristle are a British industrial music and visual arts group that evolved from the performance art group COUM Transmissions. The band consist of Genesis P-Orridge (bass, violin, vocals, vibraphone), Cosey Fanni Tutti (guitars, cornet, vocals), Peter "Sleazy" Christopherson (tapes, found sounds, horns, vibraphone, synthesizer), and Chris Carter (synthesizers, tapes, electronics).

Contents

History

First era: 1975 to 1981

Throbbing Gristle evolved from the performance art group COUM Transmissions, a group of performers centered around Genesis P-Orridge and Cosey Fanni Tutti. The final performance of COUM Transmissions in 1976 was the debut of Throbbing Gristle.

Throbbing Gristle's confrontational live performances and use of often disturbing imagery, including pornography and photographs of Nazi concentration camps, gave the group a notorious reputation. However the group always maintained that their mission was to challenge and explore the darker and obsessive sides of the human condition rather than to make attractive music. Throbbing Gristle pioneered the use of pre-recorded tape-based 'samples'[citation needed], and made extensive use of special effects to produce a distinctive, highly distorted background, usually accompanied by lyrics or spoken-word performances by Cosey Fanni Tutti or Genesis P-Orridge. Though they asserted they wanted to provoke their audience into thinking for themselves rather than pushing any specific agenda (as evidenced by the song "Don't Do As You're Told, Do As You Think" on Heathen Earth), Throbbing Gristle also frequently associated with the anarchist punk scene. They even appeared on the infamous Crass pamphlet Toxic Grafity, with a condensation of their own propaganda parody series, Industrial News.[1]

In 1977, they released their debut single United/Zyklon B Zombie, followed by an album, Second Annual Report. Although pressed in a limited initial run of 786 copies on the band's own Industrial Records label, it was later re-released due to high demand on Mute records, however this later release was reversed with all tracks playing backwards and in reverse order. This was followed by a series of albums, singles and live performances over a four year period.

On 29 May 1981, Throbbing Gristle performed at the Kezar Pavilion in San Francisco, California, USA. This concert marked the end of the group and its mission. As Cosey succinctly put it, "TG broke up because me and Gen broke up".[citation needed]

Genesis P-Orridge and Peter Christopherson went on to form Psychic TV, whilst Cosey Fanni Tutti and Chris Carter continued to record together under the names of Chris and Cosey, Carter Tutti and Creative Technology Institute. Christopherson later went on to become half of the band Coil with his partner and fellow Psychic TV member, the late John Balance. Meanwhile, Gen (now known as Genesis Breyer P-Orridge) subsequently formed Thee Majesty and PTV3 with the help of his wife, Jacqueline "Jaye" Breyer.

Reunion: 2004-Present

In 2004, Throbbing Gristle reunited for a brief while to record and release the limited album TG Now. On April 2, 2007, TG released the album Part Two which the group had finished recording in Berlin. With the exception of the limited release TG Now, it was their first studio album in 25 years. It was originally set to be released by Mute in September 2006 but was delayed for unknown reasons.

In March 2007 Side-Line announced Part Two's final release date, adding that a string of special live events would take place in 2007. [2]

A 7-disc DVD set, titled TGV, is currently available for preorder.[3] The set contains old and new footage of the band. "TGV" comes packaged in a deluxe box with a 64-page book, all designed by Peter Christopherson.[4]

Throbbing Gristle are currently recording a new album based on their interpretation of Nico's album Desertshore. [5]

Throbbing Gristle appeared at the Coachella Valley Music and Arts Festival on Sunday, April 19, 2009 as part of their USA Tour 2009 where they visited Los Angeles, New York, San Francisco, and Chicago.

Throbbing Gristle played in San Francisco on Thursday, April 23, 2009. Project One Gallery featured a Throbbing Gristle art show and after party for the SF show.[6]

In November 2009, Throbbing Gristle & Industrial Records are releasing their version of the Buddha Machine, Gristleism. This was designed by Throbbing Gristle and Christiaan Virant based on FM3's design. Gristleism will offer more loops and almost twice the frequency range of the Buddha Machine. The player comes in three colors: black, chrome and red.

Live

Throbbing Gristle are noted for their live performances, which are often experimental and quite different from their recorded work. In addition to studio albums, a large number of recordings of live shows have been released.

Discography

During Throbbing Gristle's extensive career they have released numerous volumes of music including studio albums, live releases as well as box sets.

See also

Footnotes

Further reading

  • RE/Search: Industrial Culture Handbook
  • "Rip It up and Start Again: Postpunk 1978-1984", Simon Reynolds
  • "Wreckers of Civilization: The Story of Coum Transmissions and Throbbing Gristle", Simon Ford, Black Dog Publishing, 2001 [1]
  • "Industrial Music For Industrial People", Éric Duboys, Camion Blanc, 2007 (In French) [2]
  • 20 Jazz Funk Greats (33 1/3) (Paperback) "20 Jazz Funk Greats by Drew Daniel for 33 1/3 music series"

External links


 
 
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