Share on Facebook Share on Twitter Email
Answers.com

Étienne-Jules Marey

 
Art Encyclopedia: Etienne-Jules Marey

(b Beaune, 5 March 1830; d Paris, 16 May 1904). French photographer. His photographic research was primarily a tool for his work on human and animal movement. A doctor and physiologist, Marey invented, in 1888, a method of producing a series of successive images of a moving body on the same negative in order to be able to study its exact position in space at determined moments, which he called 'chronophotographie'. He took out numerous patents and made many inventions in the field of photography, all of them concerned with his interest in capturing instants of movement. In 1882 he invented the electric photographic gun using 35 mm film, the film itself being 20 m long; this photographic gun was capable of producing 12 images per second on a turning plate, at 1/720 of a second. He began to use transparent film rather than sensitized paper in 1890 and patented a camera using roll film, working also on a film projector in 1893. He also did research into stereoscopic images. Marey's chronophotographic studies of moving subjects were made against a black background for added precision and clarity. These studies cover human locomotion

See the Abbreviations for further details.



Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Photography Encyclopedia: Étienne-Jules Marey
Top

Marey, Étienne-Jules (1830-1904), French scientist who used the camera as one of many instruments during his lifelong investigation of the human and animal physiology of movement. Marey's methods and images were remarkably influential in the histories of photography, art, aviation, military reform, moving pictures, physical education, and scientific labour management. He was a pioneer of biophysics who devised graphing machines to trace the body's movements and added the camera to his graphic method in 1882, following Muybridge's example. Unlike Muybridge's, however, Marey's photographic systems made sequential images on a single plate over space in real time. Marey called his method chronophotography. With it, he analysed for the first time the mechanics of human and animal locomotion, trajectories of projectiles, geometric forms engendered by strings and wires moving around an axis, and the movements of water and air. In 1888 Marey replaced his glass plate with roll-film, introducing one of the important technological bases of motion pictures. He was an important figure in the French scientific and photographic establishment, writing more than 300 articles and seven books. His decomposition of locomotion provided a scientific basis, in Europe, for training the body and analysing the movements of work, from which American time-and-motion studies were derived. After his death, chronophotography was integrated into the work of artists who sought ways of expressing modernity, speed, and dynamism, such as Marcel Duchamp and the Italian Futurists.

— Marta Braun

Bibliography

  • Braun, M., Picturing Time: The Work of Etienne-Jules Marey (1830- 1904) (1992)
Wikipedia: Étienne-Jules Marey
Top
Étienne-Jules Marey around 1850.

Étienne-Jules Marey (March 5, 1830 – May 21, 1904) was a French scientist and chronophotographer, born in Beaune, France.

His work was significant in the development of cardiology, physical instrumentation, aviation, cinematography and the science of labor photography. He is widely considered to be a pioneer of photography and an influential pioneer of the history of cinema.

Flying pelican captured by Marey around 1882. He found a way to record several phases of movements in one photo

He started by studying how blood moves in the body. Then he shifted to analyzing heart beats, respiration, muscles (myography), and movement of the body. To aid his studies he developed many instruments for precise measurements. For example, he was successful in selling an instrument called Sphygmographe to measure the pulse. In 1869 Marey constructed a very delicate artificial insect to show how an insect flies and to demonstrate the figure-8 shape it produced during movement of its wings. Then he became fascinated by movements of air and started to study bigger flying animals, like birds. He adopted and further developed animated photography into a separate field of chronophotography in the 1880s. His revolutionary idea was to record several phases of movement on one photographic surface. In 1890 he published a substantial volume entitled Le Vol des Oiseaux (“The Flight of Birds”), richly illustrated with photographs, drawings, and diagrams. He also created stunningly precise sculptures of various flying birds.

Marey studied other animals too. He published La Machine Animale in 1873 (translated as "Animal Mechanism"). The English photographer Eadweard Muybridge carried out his "Photographic Investigation" in Palo Alto, California, to prove that Marey was right when he wrote that a galloping horse for a brief moment had all four hooves off the ground. Muybridge published his photos in 1879 and got some public attention.

Marey hoped to merge anatomy and physiology. To better understand his chronophotographic images, he compared them with images of the anatomy, skeleton, joints, and muscles of the same species. Marey produced a series of drawings showing a horse trotting and galloping, first in the flesh and then as a skeleton.

Marey's photographic gun

Marey's chronophotographic gun was made in 1882, this instrument was capable of taking 12 consecutive frames a second, and the most interesting fact is that all the frames were recorded on the same picture, using these pictures he studied horses, birds, dogs, sheep, donkeys, elephants, fish, microscopic creatures, molluscs, insects, reptiles, etc. Some call it Marey’s "animated zoo". Marey also conducted the famous study about cats landing always on their feet. He conducted very similar studies with a chicken and a dog and found that they could do almost the same. Marey also studied human locomotion. He published another book Le Mouvement in 1894.

Marey also made movies. They were at a high speed (60 images per second) and of excellent image quality: in slow-motion cinematography, he had come close to perfection. His research on how to capture and display moving images helped the emerging field of cinematography.

Towards the end of his life he returned to studying the movement of quite abstract forms, like a falling ball. His last great work was the observation and photography of smoke trails. This research was partially funded by Samuel Pierpont Langley under the auspices of the Smithsonian Institution, after the two met in Paris at the Exposition Universelle (1900). In 1901 he was able to build a smoke machine with 58 smoke trails. It became one of the first aerodynamic wind tunnels.

References


 
 
Learn More
kinetoscope (photography)
The Gleaners and I (2000 Culture & Society Film)
Anton Giulio Bragaglia (photography)

Who is jules hernandez? Read answer...
Jule is the unit of? Read answer...
Who is Jules Hedgehog? Read answer...

Help us answer these
Where is st-etienne?
Who was lt. etienne?
What Does Julee mean?

Post a question - any question - to the WikiAnswers community:

 

Copyrights:

Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Photography Encyclopedia. The Oxford Companion to the Photograph. Copyright © 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Étienne-Jules Marey" Read more