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Tiny Grimes

 
Artist: Tiny Grimes
  • Born: July 07, 1916, Newport News, VA
  • Died: March 04, 1989, New York, NY
  • Active: '40s, '50s, '60s, '70s
  • Genres: Jazz
  • Instrument: Guitar
  • Representative Albums: "Tiny in Swingsville," "Tiny Grimes," "1949-1951"
  • Representative Songs: "Romance Without Finance," "Red Cross," "Tiny's Boogie Woogie"

Biography

Tiny Grimes was one of the earliest jazz electric guitarists to be influenced by Charlie Christian, and he developed his own swinging style. Early on, he was a drummer and worked as a pianist in Washington. In 1938, he started playing electric guitar, and two years later he was playing in a popular jive group, the Cats and the Fiddle. During 1943-1944, Grimes was part of a classic Art Tatum Trio which also included Slam Stewart. In September 1944, he led his first record date, using Charlie Parker; highlights include the instrumental "Red Cross" and Grimes' vocal on "Romance Without Finance (Is a Nuisance)." He also recorded for Blue Note in 1946, and then put together an R&B-oriented group, "the Rockin' Highlanders," that featured the tenor of Red Prysock during 1948-1952. Although maintaining a fairly low profile, Tiny Grimes was active up until his death, playing in an unchanged swing/bop transitional style and recording as a leader for such labels as Prestige/Swingville, Black & Blue, Muse, and Sonet. ~ Scott Yanow, All Music Guide
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Lloyd "Tiny" Grimes (July 7, 1916 - March 4, 1989) was an American jazz and R&B guitarist. He was a member of the Art Tatum Trio from 1943 to 1944, was a backing musician on recording sessions by Charlie Parker and others, and later led his own bands. He is notable for playing the tenor guitar, a four-stringed electric instrument.

Grimes was born in Newport News, Virginia and began his musical career playing drums and one-fingered piano. In 1938 he took up the electric 4-string tenor guitar. In 1940 he joined the Cats and a Fiddle as guitarist and singer. In 1943 he joined the Art Tatum Trio as guitarist and made a number of recordings with Tatum. The early Tatum Trio recordings some of the more interesting early examples of Tiny Grimes’ guitar work.

After leaving Tatum, Grimes recorded with his own groups in New York and he recorded with a long list of leading musicians, including vocalist Billie Holiday. He made four recordings with Charlie Parker that are considered excellent examples of early bebop jazz: "Tiny’s Tempo", "Red Cross", "Romance Without Finance", and "I’ll Always Love You". He was one of the 52d street regulars.

In the late 1940s, he had a hit on a jazzed up version of "Loch Lomond". His band was billed as Tiny "Mac" Grimes and the Rocking Highlanders and appeared in kilts. This groups included top tenor saxman Red Prysock and big-voiced baritone singer Screaming Jay Hawkins. Grimes continued to lead his own groups into the later 1970’s and he recorded on Prestige Records in a series of strong blues-based performances with Coleman Hawkins, Illinois Jacquet, Pepper Adams, Roy Eldridge and other noted players including, in 1977, Earl Hines.[1]

With Paul Williams, he co-headlined the first "Moondog Coronation Ball", promoted by Alan Freed in Cleveland on March 21, 1952, often claimed as the first rock and roll concert. In 1953 he may have played on The Crows one-hit wonder, "Gee", that has been called the first original rock and roll record by an R&B group.[2]

References

  1. ^ "An Evening With Earl Hines": with Tiny Grimes, Hank Young, Bert Dollander and Marva Josie: Vogue VDJ-534, 1977
  2. ^ Jim Dawson, & Steve Propes (1992). What Was the First Rock'n'Roll Record. Boston & London: Faber & Faber. pp. 124–127. ISBN 0-571-12939-0. 

External links


 
 
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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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