Tobe Hooper (born January 25, 1943) is an
American television and film director best known
for his work in the horror film genre, including Lifeforce, Poltergeist, Toolbox Murders and the cult classic The Texas Chain Saw Massacre (1974).
Biography
Early life & work
Hooper was born William Tobe Hooper in Austin, Texas, the son of Lois Belle
(née Crosby) and Norman William Ray Hooper.[1] He first used his father's 8 mm camera at age 9. Hooper spent the
1960s as a college professor
and documentary cameraman. Hooper had shot
over 60 documentaries, commercials and short films before making The Texas Chainsaw Massacre. In 1969 Hooper co-wrote and
directed Eggshells, about a group of hippies in a commune house having to deal with the presence of a possible
supernatural force. Eggshells did not receive theatrical release of any kind, but did win Hooper several awards when the
film played around several colleges, including the Atlanta Film Festival Award. His intention was to go to Hollywood to become a working feature film director.
The Texas Chainsaw Massacre and Hollywood
In 1974, he organized a small cast comprised of college teachers and students, and with Kim
Henkel, on a budget of $60,000 (which eventually rose to $90,000 or some reports say up to even $120,000) made
The Texas Chain Saw Massacre. Hooper claims to have got the idea for
The Texas Chain Saw Massacre while standing in the hardware section of a crowded store. While thinking of a way to get
through the crowd, he spotted chainsaws for sale. The highly successful film changed the horror film industry, and landed Hooper
in Hollywood. Media reportings of people throwing up at the theaters and storming out of the theaters because of the film, swept
the nation. Hooper wanted a MPAA PG rating for The Texas Chain Saw Massacre (as there was no PG-13 at the time).
Hooper then received a call from Marty Rustam to direct his first Hollywood film, Eaten
Alive (1977). Hooper and Henkel rewrote most of Rustam and Alvin Fasts' script to fit their own desires. Eaten
Alive stars Mel Ferrer, Carolyn Jones, William Finley and Marilyn Burns (who played the lead role in TCM). Critics
noted that Hooper tried to recreate TCM but didn't succeed in terms of intensity. Part of the reason was Hooper felt the
producers were compromising his vision by wanting control over the film. For that reason Hooper left the set with three weeks
left to complete principal photography. Reportedly Carolyn Jones and the editor, Michael Brown finished directing the final weeks
of the film. Eaten Alive was re-released on DVD, September 25, 2007.
Richard Korbitz, producer of the suspenseful and acclaimed John Carpenter telefilm,
Someone's Watching Me!, hand picked Hooper to direct an adaptation of Salem's Lot,
based on the novel by Stephen King. Salem's Lot had
been hot property for a while and Hooper was attached briefly under producer William
Friedkin supervision in 1977. Salem's Lot (1979) was Hooper's most well polished and mainstream film to date. The
telefilm was well received by critics and fans alike and is generally thought of as a genre classic. Arguably, Salem's Lot
would influence other vampire films, most notably, Fright Night (1985) and
The Lost Boys (1987).
Hooper was offered a script in 1981 for a project called The Funhouse. The story
revolved around four teenage friends who decide to spend the night in the funhouse of a traveling sleazy carnival. The film
opened to modest box office and received mainly positive reviews. Hooper had basically the same shooting schedule as Salem's
Lot but nowhere near the budget. The cinematography of The Funhouse was well praised and visually stylish. In 1981,
Steven Spielberg suggested Tobe Hooper direct an alien invasion film titled Night
Skies. Skies would feature hostile aliens attacking a farmhouse with a family inside. However, Hooper had no
interest in directing an alien invasion film since being fired from the production of another sci-fi film The Dark (1979).
(Night Skies would later be soften and turned into E.T.: The
Extra-Terrestrial). While overseeing the final stages of The Funhouse at Universal, Hooper moved into
Robert Wise's old office. Wise had left behind a book on the supernatural and ghosts.
Hooper, already interested in ghost stories and a huge fan of Wise's classic film The Haunting asked Spielberg about his
interest in the supernatural. Spielberg, also a fan of the topic, decided to write a script for Hooper to direct. In 1982, Hooper
directed Poltergeist for MGM, with Spielberg serving as co-writer (with
Michael Grais and Mark Victor) and co-producer (with Frank Marshall) It quickly became a top-grossing motion picture. Hooper was
nominated for a Saturn Award for best director. For Hooper, it looked like he would be propelled to Hollywoods A list of
directors.
Cannon Films
Cannon Films offered Hooper a contract to direct three films. The first was a sci-fi thriller called Lifeforce about humaniod creatures from outerspace who eventually cause the destruction of London. Based on
the lengthy and complex novel Space Vampires by Colin Wilson, Lifeforce was produced on a then whopping budget of
$25 million. Hooper was unhappy about the producers decision to change the title of the film from the "fun sounding" Space
Vampires to the more serious Lifeforce. Hooper was even more troubled over the producer decision to cut about 15
minutes of the film out of the US release. Lifeforce failed to generate more than $12 million in the US, but did well in
oversea territories. In 1986 Hooper both remade the 1950s classic Invaders From
Mars and directed the much anticipated sequel, The Texas Chainsaw
Massacre 2. Due to the failure of Lifeforce, Invaders From Mars budget was repeatedly slashed,
eventually failing at the box office, and opening to mixed reviews. Chainsaw 2 starred Dennis Hopper and had a budget of
$4 million and "Hollywood" production values (compared to the originals physically grueling shoot and microbudget). However the
film failed to impress fans as it focused more on black comedy and over the top gore, rather than attempting to be actually
scary. Most fans of the first Chainsaw film were disappointed at the time of the release of this film. Today, however the film
has garnered a wide cult following. An uncut DVD version called The Gruesome Edition was released October 2006. It contains
deleted scenes, a "making of" documentary and commentary by director Hooper and others. Hooper's career however took a deep
nosedive due to the troubled productions at Cannon. In the latter 80's and much of the 90's Hooper's reputation as a boundary
breaking director was questioned due to the failure of his three films made at Cannon. In all, Hooper budgets came to a little
more than $40 million, with a total box office income of a mere $25 million. In 1989, Hooper had written a script treatment for a
third Texas Chainsaw film, but never developed it further to focus on Spontaneous Combustion (1990), a paranoid thriller starring notable actor Brad Dourif of One Flew Over the Cuckoo's
Nest and Child's Play. Shot on a budget of around $5 million, Hooper
admits constant rewrites and producer restraints kept this from becoming the hit it could have been. Dourif said "Hooper could
have had three different films from what we shot". Having barely played in theaters, Hooper's next film Night Terrors wouldn't be so lucky. Night Terrors went straight to video and is considered to be
Hooper's worst film. Hooper would ride the decade out with two other poorly received films, The
Mangler (1995) and Crocodile in 2000. Notable TV pojects include acclaimed
pilots for 1995's Nowhere Man and 1996's Dark
Skies. Hooper also directed the pilot episode for Freddy's
Nightmares, as well an episode of Tales From the Crypt,
John Carpenter's Body Bags (1993), and the telefilms I'm Dangerous Tonight (1990) and The Apartment Complex
(1999).
Recent work
In 2002, Hooper directed the pilot for the acclaimed miniseries Taken. It was announced
that New Line Cinema and Michael Bay would be remaking Hooper's cult classic Texas Chainsaw Massacre. In early 2003,
Hooper himself remade a 70's film Toolbox Murders. The orginal
Toolbox Murders had faded out long ago of the horror realm and is generally thought as a lame and dull. Many wondered why a
"Master of Horror" like Hooper would remake such a diasterous film. It ultimatly paid off for Hooper when test screenings of his
film received overwhelming positive reviews. Hooper also served as producer on Michael Bay's 2003 remake of Texas Chainsaw
Massacre, which became a box office success, grossing $120 million worldwide. Hooper also directed 2 episodes (2005, 2006)
for Showtime's series, Masters of Horror. This show allowed Hooper and other
directors "final cut" and no producer or outside interference. He served as producer on the remake prequel, The Texas Chainsaw Massacre: The Beginning. In late 2006, Hooper talked
about possibly producing a TV series, Texas Chainsaw Chronicles. However, no other details have emerged.
Tobe Hooper started his own film production company, called T.H. Nightmares in 2004. No films have emerged under this
banner.
Tobe Hooper is currently in pre-production on the thriller Training Ground. Mick
Garris, creator and producer of the Masters of Horror TV series has said that Hooper would also direct an adaptation of
From A Buick 8 based on the Stephen King
novel. Garris will also serve as a producer on the film.
Hooper regularly cites Brian DePalma, Stanley Kubrick, and Ridley Scott as his favorites directors.
Many horror and indie filmmakers have expressed admiration for Hooper's work, including Robert Rodriguez, Kevin Smith, Guillermo Del Toro, Sam Raimi and Quentin Tarantino.
Filmography
References
External links
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Films directed by Tobe Hooper |
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