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Todd Solondz

 
Director: Todd Solondz
  • Born: Oct 15, 1960
  • Occupation: Director, Writer, Actor
  • Active: '80s-2000s
  • Major Genres: Comedy Drama, Comedy
  • Career Highlights: Welcome to the Dollhouse, Happiness, Palindromes
  • First Major Screen Credit: Feelings (1984)

Biography

With Welcome to the Dollhouse (1995) and Happiness (1998), director Todd Solondz established himself as one of the most eloquent interpreters of suburban hell and general human dysfunction. Himself a product of the suburbs he portrays in his films, Solondz was born in Newark, New Jersey in 1960. Saddled with years of suburban experience and a decidedly unconventional appearance (one of his trademarks is the thick black glasses that distort his face), Solondz decided to funnel his energies into filmmaking and duly enrolled at New York University's film school.

On the strength of a few film shorts he made while at NYU (including "How I Became a Leading Artistic Figure in New York City's East Village Cultural Landscape" for Saturday Night Live), Solondz was offered three-picture deals by two major Hollywood studios. Unfortunately, his first film, Fear, Anxiety and Depression (1989) failed miserably. Following this disappointment, Solondz dropped out of filmmaking for a while, opting to teach English to Russian immigrants.

An arrangement with a lawyer friend who secured him funding for a low-budget effort brought Solondz back into filmmaking, and the result was Welcome to the Dollhouse. The bleak, unforgiving, and perversely hilarious tale of pubescent outcast Dawn "Wienerdog" Wiener (played expertly by Heather Matarazzo) was first shown at the Toronto Film Festival (after being rejected from several other prominent festivals), and then at the Sundance Film Festival, where it was awarded the festival's Grand Prize in 1996. Upon its general (arthouse) release, Dollhouse was greeted with a positive reception, although more than one critic had trouble with the film's punishing content.

Welcome to the Dollhouse's critical controversies were overshadowed by Solondz's next effort, 1998's Happiness. A very, very black comedy that served up a heaping dose of suburban dysfunction, Happiness, in the words of producer Christine Vachon, was a "nonjudgmental film about a pedophile." One of its central plotlines--about a father who has an unnatural attraction to his young son's friends--caused sizable unhappiness among various critics and cultural watchdogs. However, the film also won considerable acclaim, premiering at the 1998 Cannes Festival to a positive reception and going on to establish Solondz further as one of the most original and provocative directors of his era.

Now a bona-fide auteur, Solondz began work on his next feature, courting Hollywood buzz and more controversy in equal measure. A planned triptych of tales about the fine line between authorship, fiction and reality, 2001's Storytelling found its plot threads cut down to two when heartthrob James Van Der Beek backed out of the production. It was the first segment - featuring Selma Blair as a naïve student whose professor (Robert Wisdom) demands she yell out racial epithets during sex - that garnered the wrath of the MPAA, who insisted certain moments be cut if the movie were to avoid a "NC-17" rating. Committed to delivering an "R," Solondz chafed at the restriction, choosing instead to place black boxes over the offending anatomical details. Ultimately, it mattered little, as neither audiences nor critics embraced Storytelling the way they had the director's prior two features.

Four years later, the director regrouped for an even more formally adventurous experiment, the warped coming-of-age tale Palindromes. Chronicling the long, strange journey of a runaway named Aviva, Solondz decided to cast eight actresses of varying age, race and weight in the role; thematically, he touched on such hot-button issues as abortion, teen pregnancy and fundamentalism. Scaled back in both budget and profile, Solondz saw Palindromes open to staunchly mixed reviews and meager box-office. ~ Rebecca Flint Marx, All Movie Guide
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Todd Solondz
Born Todd Solondz
October 15, 1959 (1959-10-15) (age 50)
Newark, New Jersey, U.S.
Occupation film director and screenwriter

Todd Solondz (born October 15, 1959 in Newark, New Jersey) is an American screenwriter and independent film director known for his style of dark, thought-provoking,[1] socially conscious satire. Solondz has been critically acclaimed for his examination of the "dark underbelly of middle class American suburbia", a reflection of his own background in New Jersey.[2] His work includes the cult hit Welcome to the Dollhouse, the award-winning Happiness, Storytelling, and Palindromes.

Contents

Biography

Solondz originally considered becoming a rabbi[1], but eventually set his sights on writing screenplays. He even wrote several while he had a job as a delivery boy for the Writers Guild of America.

Solondz received his undergraduate degree in English from Yale and attended New York University's (NYU) Graduate MFA Program in film and television, but did not complete a degree.

During the early '90s Solondz worked as a teacher of English as a second language to newly arrived Russian immigrants at NYANA, a refugee resettlement agency in New York City (his co-workers there included Alexander Gelman, Gary Shteyngart and Roman Turovsky),[1] an experience he has described as deeply rewarding[citation needed] (although the character named "Joy" in his film Happiness finds a similar experience to be traumatic).

Solondz is currently an adjunct professor at New York University's Tisch School of the Arts Asia in Singapore, where he teaches writing and aesthetics.

Early films

One of Solondz's short films was Schatt's Last Shot, made in 1985.[1] The title character is a high schooler who wants to get into Stanford, but his gym teacher hates him and fails him because he can't make a shot in basketball. He also has no luck with the girl of his dreams, but he wishes he was more like the coach, whom he challenges to a game of one-on-one. The short has seldom been seen outside film schools.

In 1989 he wrote and directed Fear, Anxiety & Depression,[1] an episodic comedy about fledgling playwright Ira (played by Solondz himself) and his frustrating interactions with the opposite sex. The film's fractured narrative structure and casual relationship with the "fourth wall" are somewhat reminiscent of Annie Hall, and the neurotic, bespectacled protagonist uncomfortable with attainable love is reminiscent of many of Woody Allen's roles. As Solondz's approach to writing changed considerably after this film, it bears little resemblance in tone or style to his later work, except in its bleak world outlook and the way in which it draws humor from grim situations like suicide attempts and sexual assault. Characterizations are broader than viewers of Solondz's more deadpan later films might expect. The film contains several musical interludes, including three songs written especially for the film. Stanley Tucci appears in one of his earliest roles as an old, disliked acquaintance of Ira's, who takes up playwriting on a whim and instantly becomes the toast of Off-Broadway. The studio's second-guessing soured Solondz on the film and directing in general; as a result the film rarely appears on Solondz's official filmography.

Welcome to the Dollhouse

The frustrations of his first feature led Solondz to swear off further involvement with the industry. More than five years later, an attorney friend urged Solondz to give filmmaking another go, and promised to partially finance any project Solondz came up with.[citation needed] The end result was 1995's Welcome to the Dollhouse, which went on to win the Grand Jury Prize at the Sundance Film Festival.[2] The dark comedy follows the travails of Dawn Wiener, a bespectacled, toothy, and shy 7th grade girl who is mercilessly teased at school and treated to alternating contempt and neglect at home. It was distinct from most earlier films about adolescent abuse due to its complex characterization, particularly its sympathetic portrayal of the bully antagonist Brandon, and its depiction of Dawn, the ostensible protagonist and victim of the story, as deeply flawed and sometimes cruel herself. It was a major success among critics,[1] and a moderate success at the box office, but was a festival hit, with screenings all over the world, paving the way for a film which would occupy a much larger canvas.

Happiness

Solondz's next piece was Happiness (1998), a highly controversial film due to the themes explored in it, which range from rape, pedophilia, suicide and murder to a bizarre sexual phone caller. The original distributor, October Films, dropped it and then it was scooped up by Good Machine Releasing.[1] The movie received numerous awards,[1] including International Critics' Prize at the Cannes Film Festival,[2] and yielded strong critical praise for Solondz.

Storytelling and Palindromes

In 2001, Solondz released Storytelling, which premiered at the 2001 Cannes Film Festival.[1] It is a film separated into two parts, entitled "Fiction" and "Nonfiction." The two stories share two thematic elements, but deal with each in an autonomous manner. This format was utilized because the filmmaker wanted to "find a fresh structure, a fresh form and a different way of tackling what may be identical geographical material."[3] When Solondz initially presented the film to the MPAA, he was told that if he wished to receive a rating other than NC-17, he would have to remove a scene of explicit sex involving a white female and a black male. However, due to a clause in Solondz's contract, the censors were forced to admit the scene with a bright red box covering the actors. "For me it's a great victory to have a big red box, the first red box in any studio feature [...] it's right in your face: You're not allowed to see this in our country."[3] Solondz did, however, remove a portion of the film (which has variously been reported as either a subplot of the second story, or a third story entirely) which contained a scene of sensuality involving two male actors (one of whom was James Van Der Beek).[4]

Solondz's next film, Palindromes (2004), raised the eyebrows of many pundits and reviewers due to its themes of child molestation, statutory rape and abortion. The film was financed largely by the filmmaker. Like all of Solondz's previous films, Palindromes is set in suburban New Jersey. It was released unrated in the US.

Life During Wartime

Life During Wartime (formerly known as "Forgiveness") is Todd Solondz's newest film, produced by John Hart at Evamere Entertainment.[5] The new film was said by Solondz in an interview at Cannes to be a companion piece to Happiness and Welcome to the Dollhouse.[6] It has also been described as "A Dark Comedy of Sexual Obsession." It features Ally Sheedy, Renee Taylor, Paul Reubens, Chane't Johnson, Ciaran Hinds, Shirley Henderson, Michael Lerner, Michael Kenneth Williams, Rich Pecci, Charlotte Rampling, Allison Janney and Chris Marquette;[7] with a budget of $4.5 million.

The film debuted at the Toronto Film Festival in September 2009, and has been competing for the Golden Lion at the Venice Film Festival in August-September 2009, obtaining the Osella for Best Screenplay award.[8] The basic changes in the life of main characters have been known since at least August 2009.[9]

References

  1. ^ a b c d e f g h i "The Todd Solondz Picture Pages". http://www.superiorpics.com/todd_solondz/. Retrieved 2007-06-29. 
  2. ^ a b c "Todd Solondz - WOLFMAN PRODUCTIONS". http://www.wolfmanproductions.com/solondz.html. Retrieved 2007-06-29. 
  3. ^ a b Interview at Salon.com, 1/30/2002
  4. ^ Interview in The Guardian, 4/15/2005
  5. ^ According to IMDB, and
  6. ^ CHUD.com - A film site for the brilliant
  7. ^ Kay, Jeremy (2008-11-02). "Paris Hilton, Charlotte Rampling join cast of new Solondz picture". Screen Daily. http://www.screendaily.com/ScreenDailyArticle.aspx?intStoryID=41951&Category. Retrieved 2008-11-12.  URL EXPIRED
  8. ^ Venice Film Festival 66th edition awards
  9. ^ Festival di Venezia 2009: Life During Wartime di Todd Solondz - Alla ricerca dei personaggi e della trama

External links


 
 
Learn More
Fear, Anxiety & Depression (1989 Comedy Film)
Untitled Todd Solondz Project (2009 Comedy Drama Film)
Max Cantor (Actor, Musical/Romance)

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