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Tommaso Salvini

 
American Theater Guide: Tommaso Salvini

Salvini, Tommaso (1829–1916), actor. The distinguished Italian tragedian made five American visits between 1873 and 1889. He had a majestic figure and a mobile face with a large forehead, dark, striking eyes, and an aquiline nose. His voice has been described as “one of the most powerful, flexible, and mellifluous organs ever implanted in a human throat.” Salvini made his debut in his greatest role, Othello. His performance was so violent that when he later played opposite American performers many actresses refused to be his Desdemona. He always performed in Italian while the others played in English. The most memorable of these bilingual productions were several in which he co‐starred with Edwin Booth, playing Othello and the Ghost to Booth's Iago and Hamlet. Among his other roles were Hamlet, Macbeth, King Lear, Coriolanus, Ingomar, and Paolo. His son Alessandro (1860–96) enjoyed some American success. Autobiography: Leaves from the Autobiography of T. Salvini, 1893.

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Tommaso Salvini

Salvini as Othello, as portrayed by Vanity Fair in 1875.
Born 1 January 1829(1829-01-01)
Milan, Italy
Died 31 December 1915 (aged 86)
Florence, Italy

Tommaso Salvini (January 1, 1829 in Milan – December 31, 1915 in Florence) was an Italian actor. His father and mother were both actors, and Tommaso first appeared when he was barely fourteen as Pasquino in Goldoni's Donne curiose. In 1847 he joined the company of Adelaide Ristori, who was then at the beginning of her brilliant career. It was with her as Elettra that he won his first success in tragedy, playing the title rôle in Alfieris Oreste at the Teatro Valle in Rome.

He fought in the cause of Italian independence in 1849; otherwise his life was an unbroken series of successes in his art. He acted frequently in England, and made five visits to America, his first in 1873 and his last in 1889. In 1886 he played there Othello to the lago of Edwin Booth.

Apart from Othello, which he played for the first time at Vicenza in June 1856, his most famous impersonations included Conrad in Paolo Giacometti's La Morte civile, Egisto in Alfieri's Merope, Saul in Alfieri's Saul, Paolo in Silvio Pellico's Francesca da Rimini, Oedipus in Nicolini's play of that name, Macbeth and King Lear.

Salvini's acting in Othello greatly inspired the young Russian actor Constantin Stanislavski, who saw Salvini perform in Moscow in 1882 and who would, himself, go on to become one of the most important theatre practitioners in the history of theatre. Stanislavski wrote that Salvini was the "finest representative" of his own approach to acting.[1]

Salvini retired from the stage in 1890, but in January 1902 took part in the celebration in Rome of Ristori's eightieth birthday. Salvini published a volume entitled Ricordi, anedotti ed impressioni (Milan, 1895). Some idea of his career may be gathered from Leaves from the Autobiography of Tommaso Salvini (London, 1893).

Salvini was so confident in his talents as an actor that he was once quoted as saying, "I can make an audience weep by reading them a menu."

His son Alessandro(aka Alexander) (1861-1896), also an actor, had several notable successes in America, particularly as d'Artagnan in The Three Guardsmen.

References

  1. ^ Stanislavski (1938, 19) and Benedetti (1999, 18).

Sources

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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
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