
[After Tony, nickname of PERRY.]
For more information on Tony Awards, visit Britannica.com.
Officially the Antoinette Perry Awards, they were established by the American Theatre Wing in 1947, a year after the death of Perry, and have been offered ever since for “distinguished achievement” in the theatre. There are numerous categories, some of which have changed over the years, and only Broadway productions are considered. Special awards are also given regularly. Apart from the Pulitzer Prize and the New York Drama Critics Circle Award for best plays, these are the most respected of all theatrical honors. More so than the other honors, the Tonys carry the most clout at the box office. The televised ceremony itself is often seen as a national advertisement for Broadway, and sometimes nominations are determined with the broadcast in mind. Shows that have closed and cannot benefit from the free advertising, for example, are frequently overlooked, while less‐accomplished offerings that are still running are favored. Like all of the major awards, the Tonys have been surrounded by controversy on many occasions. Much of the grumbling is more a matter of money than aesthetics since so much business rides on the Tonys. The awards have even changed the structure of the theatre season, producers all trying to get their productions opening in the late spring right before the nominations are determined. All of the American works that won the Tony for best play and best musical have their own entry. All the winners in these two categories, American or not, are herein listed. 1948: Mister Roberts; 1949: Death of a Salesman, Kiss Me, Kate; 1950: The Cocktail Party, South Pacific; 1951: The Rose Tattoo, Guys and Dolls; 1952: The Fourposter, The King and I; 1953: The Crucible, Wonderful Town; 1954: The Teahouse of the August Moon, Kismet; 1955: The Desperate Hours, The Pajama Game; 1956: The Diary of Anne Frank, Damn Yankees; 1957: Long Day's Journey into Night, My Fair Lady; 1958: Sunrise at Campobello, The Music Man; 1959: J. B., Redhead; 1960: The Miracle Worker, Fiorello! and The Sound of Music (tie); 1961: Becket, Bye Bye Birdie; 1962: A Man for All Seasons, How to Succeed in Business Without Really Trying; 1963: Who's Afraid of Virginia Woolf?, A Funny Thing Happened on the Way to the Forum; 1964: Luther, Hello, Dolly!; 1965: The Subject Was Roses, Fiddler on the Roof; 1966: Marat/Sade, Man of La Mancha; 1967: The Homecoming, Cabaret; 1968: Rosencrantz and Guildenstern Are Dead, Hallelujah, Baby!; 1969: The Great White Hope, 1776; 1970: Borstal Boy, Applause; 1971: Sleuth Company; 1972: Sticks and Bones, Two Gentlemen of Verona; 1973: That Championship Season, A Little Night Music; 1974: The River Niger, Raisin; 1975: Equus, The Wiz; 1976: Travesties, A Chorus Line; 1977: The Shadow Box, Annie; 1978: Da, Ain't Misbehavin'; 1979: The Elephant Man, Sweeney Todd; 1980: Children of a Lesser God, Evita; 1981: Amadeus, 42nd Street; 1982: The Life and Adventures of Nicholas Nickleby, Nine; 1983: Torch Song Trilogy, Cats; 1984: The Real Thing, La Cage aux Folles; 1985: Biloxi Blues, Big River; 1986: I'm Not Rappaport, The Mystery of Edwin Drood; 1987: Fences, Les Misérables; 1988: M. Butterfly, The Phantom of the Opera; 1989: The Heidi Chronicles, Jerome Robbins' Broadway; 1990: The Grapes of Wrath, City of Angels; 1991: Lost in Yonkers, The Will Rogers Follies; 1992: Dancing at Lughnasa, Crazy for You; 1993: Angels in America (Pt. 1), Kiss of the Spider Woman; 1994: Angels in America (Pt. 2), Passion; 1995: Love! Valour! Compassion!, Sunset Boulevard; 1996: Master Class, Rent; 1997: The Last Night of Ballyhoo, Titanic; 1998: Art, The Lion King; 1999: Side Man, Fosse; 2000: Copenhagen, Contact; 2001: Proof, The Producers; 2002: The Goat, Thoroughly Modern Millie; 2003: Take Me Out, Hairspray.
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| The Tony |
| Toni Morrison | |
| Tori Amos |
From our Archives: Today's Highlights, June 11, 2006

| Tony Award | |
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![]() Designed by Herman Rosse, 1949 |
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| Awarded for | Excellence in Broadway theatre |
| Presented by | American Theatre Wing and The Broadway League |
| Country | United States |
| First awarded | 1947 |
| Official website | www.tonyawards.com |
The Antoinette Perry Award for Excellence in Theatre, more commonly known informally as a Tony Award, recognizes achievement in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League[1] at an annual ceremony in New York City. The awards are given for Broadway productions and performances, and an award is given for regional theatre. Several discretionary non-competitive awards are also given, including a Special Tony Award, the Tony Honors for Excellence in Theatre, and the Isabelle Stevenson Award.[2] The awards are named after Antoinette Perry, co-founder of the American Theatre Wing.
The rules for the Tony Awards are set forth in the official document "Rules and Regulations of The American Theatre Wing's Tony Awards", which applies for that season only.[3] The Tony Awards are considered the highest U.S. theatre honor, the New York theatre industry's equivalent to the Academy Awards (Oscars) for motion pictures, the Grammy Awards for music and the Emmy Awards for television, and the Laurence Olivier Award for West End theatre in England.
Since 1997, the Tony Awards ceremony has usually been held at Radio City Music Hall in New York City in June and broadcast live on CBS television. The 65th Tony Awards ceremony was held on June 12, 2011 at the Beacon Theatre in New York City, and broadcast on CBS television. The Tony ceremony will return to the Beacon Theatre in 2012.[4]
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The award was founded in 1947 by a committee of the American Theatre Wing headed by Brock Pemberton.[5] The award is named after Antoinette Perry, an actress, director, producer and co-founder of the American Theatre Wing, who died in 1946.[6]
The first awards ceremony was held on April 6, 1947, at the Waldorf Astoria hotel in New York City.[7] The first prizes were "a scroll, cigarette lighter and articles of jewelry such as 14-carat gold compacts and bracelets for the women, and money clips for the men."[5] It was not until the third awards ceremony in 1949 that the first Tony medallion was given to award winners.[5]
Since 1997, the Tony Awards ceremony has been held at Radio City Music Hall in New York City in June and broadcast live on CBS television, except in 1999, when it was held at the Gershwin Theatre[8] and 2011, when the ceremony was held at the Beacon Theatre.[9]
Awarded by a panel of approximately 700 judges from various areas of the entertainment industry and press, the Tony Award is generally regarded as the theatre's equivalent to the Oscars, for excellence in film; the Grammys for the music industry, and the Emmys for excellence in television. In British theatre, the equivalent of the Tony Award is the Laurence Olivier Award. A number of the world's longest-running and most successful shows, as well as some actors, directors, choreographers and designers, have received both Tony Awards and Olivier Awards.
Since 1967, the award ceremony has been broadcast on U.S. national television and includes songs from the nominated musicals, and occasionally has included video clips of, or presentations about, nominated plays. The American Theatre Wing and The Broadway League jointly present and administer the awards. Audience size for the telecast is generally well below that of the Academy Awards shows, but the program reaches an affluent audience, which is prized by advertisers. According to an article in The New York Times: "What the Tony broadcast does have, say CBS officials, is an all-important demographic: rich and smart. Jack Sussman, CBS's senior vice president in charge of specials, said the Tony show sold almost all its advertising slots shortly after CBS announced it would present the three hours. 'It draws upscale premium viewers who are attractive to upscale premium advertisers,' Mr. Sussman said..."[10][11] The viewership has declined from the early years of its broadcast history (for example, the number of viewers in 1974 was 20,026,000, in 1999 9,155,000) but has settled into between six and eight million viewers for most of the decade of the 2000s.[12] In contrast, the 2009 Oscar telecast had 36.3 million viewers.[13]
The Tony Award medallion was designed by Art Director Herman Rosse and is a mix of mostly brass and a little bronze, with a nickel plating on the outside; a black acrylic glass base, and the nickel-plated pewter swivel.[14] The face of the medallion portrayed an adaptation of the comedy and tragedy masks and, as noted, the reverse side had a relief profile of Antoinette Perry.[15]
A larger base was introduced in time for the 2010 award ceremony. The new base is slightly taller—5 inches (12.7 cm), up from 3¼ inches (8.3 cm) – and heavier—3½ pounds (1.6 kg), up from 1½ pounds (682 grams). This change was implemented to make the award "feel more substantial" and easier to handle at the moment the award is presented to the winners. According to Howard Sherman, the executive director of the American Theater Wing:
"We know the physical scale of the Oscars, Emmys and Grammys. While we’re not attempting to keep up with the Joneses, we felt this is a significant award, and it could feel and look a bit more significant.
"By adding height, now someone can grip the Tony, raise it over their head in triumph and not worry about keeping their grip. Believe me, you can tell the difference."[16]
Source: Tony Awards Official Site, Rules[17]
For the purposes of the award, a "new" play or musical is one that has not previously been produced on Broadway and is not "determined to be 'classic' or in the historical or popular repertoire", as determined by the Administration Committee, (per Section (2g)of the Rules and Regulations). This phrase has been the subject of some controversy, as some shows have been ruled ineligible for the "new" categories, meaning that their authors did not have a chance to win the marquee awards of Best Play or Best Musical (or Best Score or Best Book for musicals). On the other hand, some people[who?] feel that allowing plays and musicals that have been frequently produced to be eligible as new gives them an unfair advantage, because they will have benefited from additional development time as well as additional familiarity with the Tony voters. Shows recently transferred from Off-Broadway or the West End are eligible as new, as are productions based closely on movies.
The Administration Committee has 24 members: 10 designated by the American Wing, 10 by The Broadway League, and one each by the Dramatists Guild, Actors' Equity Association, United Scenic Artists and the Society of Stage Directors and Choreographers. This committee, among other duties, determines eligibility for nominations in all awards categories.[18]
The Nominating Committee makes the nominations for the various categories. This rotating group of up to 30 theatre professionals is selected by the Tony Awards Administration Committee. Nominators serve three-year terms and are asked to see every new Broadway production.[19]
There are approximately 700 eligible Tony Award voters, a number that changes slightly from year to year and was decreased in 2009 when the first-night critics were excluded as voters.[20] These include the board of directors and designated members of the advisory committee of the American Theatre Wing; members of the governing boards of Actors' Equity Association, the Dramatists Guild, the Society of Stage Directors and Choreographers, United Scenic Artists, and the Association of Theatrical Press Agents and Managers; members of the Theatrical Council of the Casting Society of America; and voting members of The Broadway League.
To be eligible for Tony Award consideration, a production must have officially opened by the "eligibility date" that the Management Committee establishes each year. For example, the cut-off date for eligibility the 2008–09 season was April 30, 2009. The "Season" for Tony Award eligibility is defined in the Rules and Regulations.
A Broadway theatre is defined as having 500 or more seats, among other requirements. While the Rules define a "Broadway" theatre in terms of its size, not its geographical location, the list of "Broadway" theatres is determined solely by the Tony Awards Administration Committee. As of the 2010–2011 season, the list consists solely of the 40 theaters located in the vicinity of Times Square in New York City and Lincoln Center's Vivian Beaumont Theatre.[21][22]
As of 2011[update] there are 26 categories of awards, plus several special awards. Starting with 11 awards in 1947, the names and number of categories have changed over the years; a complete history of each award category was published in 2005.[23]
A newly established non-competitive award, The Isabelle Stevenson Award, was given for the first time at the awards ceremony in 2009. The award is for an individual who has made a "substantial contribution of volunteered time and effort on behalf of one or more humanitarian, social service or charitable organizations."[24]
The category of Special Theatrical Event was "retired" as of the 2009–2010 season.[25]
Retired awards
While the theatre-going public may consider the Tony Awards to be the Oscars of live theatre, critics have suggested that the Tony Awards are primarily a promotional vehicle for a small number of large production companies and theatre owners in New York City.[26] Only shows playing in one of 40 large "Broadway" theatres designated by the Tony Awards Management Committee are eligible for the Tony Awards. Only a portion of the Broadway theatres feature a "new" production in any given season, and there are 27 award categories, so most new shows receive one or more nominations.
Producers say that the Tony Award is the only award that sells tickets. "Winning best musical or best play, they say, means money in the bank."[27]
Some notable records and facts about the Tony Awards include the following:[28]
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