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Topkapi

 
Movies:

Topkapi

  • Director: Jules Dassin
  • AMG Rating: starstarstarstar
  • Genre: Crime
  • Movie Type: Crime Comedy, Caper
  • Themes: Art Theft, Perfect Crime
  • Main Cast: Melina Mercouri, Peter Ustinov, Maximilian Schell, Robert Morley, Akim Tamiroff
  • Release Year: 1964
  • Country: US
  • Run Time: 122 minutes

Plot

After years of enduring movie lampoons of his 1955 crime-caper classic Rififi, director Jules Dassin topped them all with his own spoof, Topkapi. It's a rather disreputable crew that teams for the elaborate jewel theft masterminded by Maximillian Schell. Sexy Melina Mercouri (Mrs. Dassin) is probably the best of the batch: the others are faffling Robert Morley, unreliable Gilles Segal and Jess Hahn. Bumbling Peter Ustinov (who won an Oscar for his performance) is duped into helping the thieves, and soon finds himself uneasily straddling both sides of the law. As in Rififi, the theft itself (taking place in Istanbul's Topkapi Palace museum) is played out in near-complete silence. We won't tell you how the crooks are foiled; just be advised that money flies out the door when something else flies in the window. Topkapi was based on The Light of Day, a somewhat more somber novel by Eric Ambler. ~ Hal Erickson, All Movie Guide

Review

In the genre of films about jewel thieves, Topkapi covers all the familiar territory, with a light touch and an infectious enthusiasm that helps surmount the rather predictable plot. Maximilian Schell heads an international gang of criminals targeting the impregnable Topkapi Palace Museum in Istanbul, Turkey. The film is an international (or, more precisely, pan-European) effort, with director Jules Dassin overseeing a cast headed by his wife Melina Mercouri and including Peter Ustinov (who won a Best Supporting Actor Oscar as a contributor to the heist)

and Akim Tamiroff. The script was adapted by Monja Danischewsky from a novel by Eric Ambler. The sets are grand, the suspense enjoyably pitched, and the climax pays homage to the genre with touches reminiscent of Dassin's earlier classic, Rififi (1954). ~ Michael Betzold, All Movie Guide

Cast

Jess Hahn - Fischer; Gilles Segal - Giulio; Senih Orkan - First Shadow; Ahmet Danyal Topatan - Second Shadow; Amy Dalby - Nanny; Despo Diamantidou - Voula; Joseph Dassin - Josef; Ege Emart - Major Tufan; Titos Vandis - Harback

Credit

Max Douy - Art Director, Denny Vachlioti - Costume Designer, Lucie Lichtig - Continuity, Tom Pevsner - First Assistant Director, Jules Dassin - Director, Roger Dwyre - Editor, Manos Hadjidakis - Composer (Music Score), Amato Garbini - Makeup, Henri Alékan - Cinematographer, Jules Dassin - Producer, Monja Danischewsky - Screenwriter, Eric Ambler - Book Author

Similar Movies

The Big Scam; Charade; $ (Dollars); Gambit; The Italian Job; The League of Gentlemen; The Object of Beauty; To Catch a Thief; The Biggest Bundle of Them All; Cairo; Grand Slam; The Happy Thieves; The Hot Rock; Du Rififi à Tokyo; The Thomas Crown Affair
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Wikipedia: Topkapi (film)
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Topkapi

Original film poster
Directed by Jules Dassin
Produced by Jules Dassin
Written by Eric Ambler (novel The Light of Day)
Monja Danischewsky
Starring Melina Mercouri
Peter Ustinov
Maximilian Schell
Robert Morley
Music by Manos Hadjidakis
Cinematography Henri Alekan
Editing by Roger Dwyre
Distributed by United Artists
Running time 119 min
Language English

Topkapi (1964) is a heist film made by Filmways Pictures and distributed by United Artists. It was produced and directed by an American film director, Jules Dassin. The film is based on Eric Ambler's novel The Light of Day (1962), adapted as a screenplay by Monja Danischewsky. The music score was by Manos Hadjidakis, the cinematography by Henri Alekan and the costume design by Theoni V. Aldredge.

The film stars Melina Mercouri (who later became Dassin's wife), Maximilian Schell, Peter Ustinov, Robert Morley, Akim Tamiroff and Gilles Ségal.

Contents

Plot

Arthur Simon Simpson (Peter Ustinov) is a lazy, middle-aged, small-time crook biding his time in Kavala, Greece. He works as a tout, accosting tourists at the airport, selling them cheap souvenirs, offering his services as a driver and, given the chance, stealing their valuables. One of his potential victims, however, turns out to be a gentleman thief (Maximilian Schell) planning to steal the emerald-encrusted dagger of Sultan Mahmud I from Istanbul's Topkapı Museum, where it is on display in a glass-enclosed case for tourists to admire. He introduces himself to Simpson as Walter Harper and his attractive companion (Melina Mercouri) as Elizabeth Lipp and hires him to drive his American limousine from Athens to Istanbul—alone.

At the Turkish border, Simpson is arrested when firearms are found hidden in the car. The Turkish Secret Police suspect the "tourists" to be terrorists plotting an assassination and release Simpson only on condition that he become one of their agents. From then on, Simpson has to spy on Harper, Lipp and everyone else they meet in Istanbul. But ultimately Simpson is hired by Harper, too—not as their driver but as a member of the gang.

While all this is happening, Simpson, a coward longing for his less dangerous life back in Kavala, has no idea what exactly they are planning. When the big day finally comes, Simpson, who is afraid of heights, panics because his job involves climbing to the roof of the museum. But he summons up the nerve to carry on, and he and Harper's gang of thieves do go through with the robbery—with a quite unexpected result.

Production

Ambler's novel is different from the movie on several counts. For example, in the book there are frequent flashbacks in which Simpson's school days back in England are described, which explains his character and motives more clearly than in the film.

Although he played one of the leading parts, Peter Ustinov won the 1964 Academy Award for Best Supporting Actor for his portrayal of Arthur Simpson. In an interview given on Ustinov's death in 2004, Maximilian Schell surmised that this may have been due to the misconception that playing a servant could only be done in a supporting role.

The film was shot in Paris at the Studios Boulogne-Billancourt, and on location in Istanbul, Turkey.

See also

References

External links


 
 

 

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