This article is about totemism. For the media player, see Totem (media
player). For Canadian loudspeaker manufacturer, see Totem Acoustic. For the
upcoming Video Game see Totem (video game)
A totem is any entity which watches over or assists a group of people, such as a family, clan or tribe (Merriam-Webster Online Dictionary [1] and Webster's New World College Dictionary, Fourth Edition).
Totems support larger groups than the individual person. In kinship and descent,
if the apical ancestor of a clan is nonhuman, it is
called a totem. Normally this belief is accompanied by a totemic myth.
Although the term is of Ojibwa origin, totemistic beliefs are not limited to
Native American Indians. Similar totemism-like beliefs have been
historically found throughout much of the world, including Western Europe, Eastern Europe, Africa, Australia and the Arctic polar
region.
In modern times, some single individuals, not otherwise involved in the practice of a
tribal religion, have chosen to adopt a personal spirit animal helper, which has special meaning to them, and refer to this as a
totem. This non-traditional usage of the term is prevalent in, but not limited to, the New Age
movement, and the Mythopoetic men's movement.
Totemism
Totemism (derived from the root -oode- in the Ojibwe language,
which referred to something kinship-related, c.f. odoodem, "his totem") is a religious
belief that is frequently associated with shamanistic
religions. The totem is usually an animal or other naturalistic figure that spiritually represents a group of related people such
as a clan.
Totemism played an active role in the development of 19th and early 20th century theories of religion, especially for thinkers
such as Émile Durkheim, who concentrated their study on primitive societies (which was an
acceptable description at the time). Drawing on the identification of social group with spiritual totem in Australian Aboriginal tribes, Durkheim theorized that all human religious expression was
intrinsically founded in the relationship to a group.
In his essay Le Totemisme aujourdhui (Totemism Today), Claude Lévi-Strauss
shows that human cognition, which is based on analogical thought, is independent of
social context. From this, he excludes mathematical thought, which operates primarily through logic. Totems are chosen arbitrarily for the sole purpose of making the physical world a comprehensive and
coherent classificatory system. Lévi-Strauss argues that the use of physical analogies is not an
indication of a more primitive mental capacity. It is rather, a more efficient way to cope with this particular mode of life in
which abstractions are rare, and in which the physical environment is in direct friction
with the society. He also holds that scientific explanation entails the discovery of an
arrangement; moreover, since the science of the concrete is a classificatory system enabling individuals to
classify the world in a rational fashion, it is neither more nor less a science than any other
in the western world. It is important to recognise that in this text the egalitarian
nature of Lévi-Strauss and his work is manifested in all its force, and more importantly Lévi-Strauss diverts the interest of
anthropology towards the understanding of human cognition.
Lévi-Strauss looked at the ideas of Firth and Fortes, Durkheim, Malinowski, and Evans-Pritchard to reach his conclusions.
Firth and Fortes argued that Totemism was based on physical or psychological similarities between the clan and the totemic
animal. Malinowski proposed that it was based on empirical interest or that the totem was 'good to eat.' In other words there was
rational interest in preserving the species. Finally Evans-Pritchard argued that the reason for totems was metaphoric. His work
with the Nuer led him to believe that totems are a symbolic representation of the group.
Lévi-Strauss saw Evan-Pritchard's work as the correct explanation.
North American totem poles
-
The totem poles of the Pacific Northwest of
North America have many different designs (bears, birds, frogs, people, lizards, see
pictogram). They have arms, wings and legs.
Possibly totemic culture in ancient China
The mysterious Sanxingdui Culture in southern China, dating
back more than 5000 years, possibly placed bronze and gold heads on totems. Chinese transliterates totem as tuteng
(圖騰), which means "flags embroidered with animal patterns representing the barbarian tribes". Sanxingdui bronze masks and heads
(radiocarbon dated circa 1200BCE) appear to have been mounted on wooden poles. It has been suggested by some that
that totemic culture spread from ancient Asiatic populations to the rest of the world, although this is unlikely because totemic
cultures in North America are estimated to be over 10,000 years old.
Totems in Zimbabwe
In Zimbabwe totems (mitupo) have been in use among the Shona people from the initial stages of their culture. The use of totems identifies the different clans
that historically made up the ancient civilizations of the dynasties that ruled the Shona people from Great Zimbabwe. Most notably these symbols were associated with animal names. The purpose of the totem
was meant:
- To embody the unification, collective pride and aspirations of a clan and its ancestry and
- To guard against clan's defilement through acts that are considered to be against social and cultural morals such as
incestuous behaviour. For instance, among the Shona people, sexual relationships and marriages are strictly prohibited between
men and women who have the same totem because they are considered, for all intents and purposes, to be related;
- For the social identity of the clan; and also
- To praise someone in recited poetry.
It should be pointed out here that totems among the Shona people have nothing to do with animal worship. Shona totems are also
not considered to be, or associated with anything to do with, watching over a person or group thereof. Shona religious practices
generally do not involve the totem and where totems are mentioned, its usually only through praise poetry that uses the totem's
praise name (chidawo).
In contemporary Shona society there are at least 25 identifiable totems (mitupo) with at least 60 principal praise names
(zvidawo). Every Shona clan is identified by a particular totem (mutupo) and principal praise name (chidawo). The principal
praise name in this case is used to distinguish people who have the same totem but are from different clans; for example clans
that share the same totem Shumba (lion) will show their different clansmanship by using a particular praise name like
Murambwe, or Nyamuziwa. The foundations of the totems are inspired in rhymes that reference the history of the
totem. The Clan is the core of every Shona chiefdom. It is a group of agnatically related kinsmen and women who trace
their descent from a common founding ancestor.
See also
External links
Wikimedia Commons has media related to:
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)