A poem or stanza of eight lines with a rhyme scheme abaaabab, in which the fourth and seventh lines are the same as the first, and the eighth line is the same as the second.
[French, diminutive of trio, trio. See trio.]
Dictionary:
tri·o·let (trē'ə-lĭt, trī'-, trē'ə-lā') ![]() |
[French, diminutive of trio, trio. See trio.]
| Wordsmith Words: triolet |
(TREE-uh-lit, -lay)
noun
A poem or stanza of eight lines, having a rhyme scheme ABaAabAB, in which the first, fourth, and seventh lines are the same, and the second is the same as the eighth line.
Etymology
From French, literally small trio.
| Literary Dictionary: triolet |
triolet, a poem of eight lines using only two rhymes, the first two lines being repeated as the final two lines, the first line also recurring as the fourth. The rhyme scheme—with repeated lines given in capitals—is ABaAabAB. The triolet is one of the medieval French fixed forms, and may be considered as a simplified form of the rondel. A few English poets, including Austin Dobson and W. E. Henley, revived it in the late 19th century.
| French Literature Companion: Triolet |
Triolet (verse form), see Rondeau, rondel.
| Obscure Words: triolet |
| Poetry Glossary: Triolet |
A poem or stanza of eight lines in which the first line is repeated as the fourth and seventh lines, and the second line as the eighth, with a rhyme scheme of ABaAabAB.
| Wikipedia: Triolet |
A triolet (pronounced /ˈtraɪ.əlɨt/ or US: /ˌtriː.əˈleɪ/) is a one stanza poem of eight lines. Its rhyme scheme is ABaAabAB and often all lines are in iambic tetrameter: the first, fourth and seventh lines are identical, as are the second and final lines, thereby making the initial and final couplets identical as well.
The form stems from medieval French poetry - the earliest written examples are from the late 13th century. The triolet is a close cousin of the rondeau, another French verse form emphasizing repetition and rhyme. Some of the earliest known triolets composed in English were written by Patrick Cary, briefly a Benedictine at Douai, who purportedly used them in his devotions. British poet Robert Bridges reintroduced the triolet to the English language, where it enjoyed a brief popularity among late-nineteenth-century British poets.
An effective conventional triolet achieves two things; firstly the naturalness of the refrain and secondly the alteration of the refrain's meaning.
Notice how in the last line the punctuation is altered; this is common although not strictly in keeping with the original form. Furthermore, the fact that the 'berries now are gone' has a new relevance; the birds are going unfed.
Triolets are a relatively rare form.
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![]() | French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved. Read more | |
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