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Troy

DVD Release: Troy [WS] [2 Discs]

  • Release Date: 2005
  • "Troy: An Effects Odyssey" reveals the secrets behind the miraculous special effects
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  • "In the Thick of the Battle" analyzes the film's thrilling action sequences
  • "From Ruins to Reality" explores the history behind the production design
  • "Gallery of the Gods" 3D-animated guide to Greek myths
  • Theatrical trailer

DVD Release: Troy [P&S] [2 Discs]

  • Release Date: 2005
  • Troy: An Effects Odyssey reveals the secrets behind the miraculous special effects
  • Gallery of the Gods: 3D-animated guide to Greek myths
  • cc
  • In the Thick of the Battle analyzes the film's thrilling action sequences
  • From Ruins to Reality explores the history behind the production design
  • Theatrical trailer

DVD Release: Troy [2 Discs] [With BBQ Book]

  • Release Date: 2006
  • Disc One: Movie
  • Languages: English & Français (dubbed in Quebec)
  • Subtitles: English, Français & Español
  • Disc Two: Bonus Materials
  • Troy: An Effects Odyssey
  • cc
  • In the Thick of the Battle
  • From Ruins to Reality
  • Gallery of the Gods
  • Theatrical trailer

DVD Release: Troy [2 Discs] [With Golf Book]

  • Release Date: 2006
  • Disc One - Movie:
  • Languages: English & Français (Dubbed in Quebec)
  • Subtitles: English, Français & Español
  • Disc Two - Bonus Materials:
  • Troy: An effects Odyssey reveals the secrets behind the miraculous special effects
  • Gallery of the Gods: 3D-animated guide to Greek myths
  • cc
  • In the Thick of the Battle analyzes the film's thrilling action sequences
  • From Ruins to Reality explores the shitory behind the production design
  • Theatrical trailer

DVD Release: Troy [HD]

  • Release Date: 2006
  • In-Movie Experience: Watch history in the moviemaking as director Wolfgang Petersen and his creative team lead you on an audiovisual tour through their epic recreation of ancient Greece and Troy - all as you watch the movie
  • In the Thick of Battle: analyzes the thrilling action sequences
  • From Ruins to Reality: uncovers the history behind the production design
  • Troy: An Effects Odyssey
  • Gallery of the Gods: 3-D animated guide to Greek myths
  • Previsualizations: Greek Ship Towing a Waterskier, Greek Warriors Setting Up Camp, Two Greek Ships and 1000 Rubber Duckies, Warriors Using Urinals
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  • Theatrical trailer

DVD Release: Troy [Special Edition] [2 Discs]

  • Release Date: 2007

DVD Release: Troy [Ultimate Collector's Edition] [2 Discs]

  • Release Date: 2007

DVD Release: Troy [HD]

  • Release Date: 2007

DVD Release: Troy [Blu-Ray]

  • Release Date: 2007

  • Rating: StarStarStar
  • Genre: Epic
  • Movie Type: Sword-and-Sandal, Historical Epic
  • Themes: Great Battles, Forbidden Love, Crowned Heads
  • Director: Wolfgang Petersen
  • Main Cast: Brad Pitt, Eric Bana, Orlando Bloom, Diane Kruger, Brian Cox, Sean Bean, Brendan Gleeson, Peter O'Toole
  • Release Year: 2004
  • Country: US/UK/MT
  • Run Time: 165 minutes
  • MPAA Rating: R

Plot

Homer's sprawling tale of love and war in ancient Greece comes to the screen in all its grandeur in this epic-scale adventure. In 1193 B.C., Paris, Prince of Troy (Orlando Bloom), has fallen in love; however, the beautiful woman who has beguiled him is Helen, Queen of Sparta (Diane Kruger), who is wed to King Menelaus (Brendan Gleeson). While Helen is hardly immune to Paris' charms, this doesn't blunt Menelaus' fury when Paris steals her away from him. Menelaus' brother Agamemnon (Brian Cox), the power-hungry king of the Mycenaeans, is eager to expand his empire through Troy to the lands of the Aegean Sea, and he uses Paris' romantic slight against Menelaus as an excuse to wage an all-out war against the great walled city. Priam, King of Troy (Peter O'Toole), summons his armies, led by Prince Hector (Eric Bana), to meet the onslaught of Agamemnon's forces, but while the great city has yet to yield in a battle, Agamemnon has a formidable ally -- Achilles (Brad Pitt), a mighty and seemingly unstoppable warrior whose presence could tip the scales in Agamemnon's favor. Sean Bean, Julie Christie, Saffron Burrows, and Rose Byrne highlight the film's supporting cast. ~ Mark Deming, All Movie Guide

Review

Outside of its hyper-edited battle sequences, and its Hong Kong-tinged one-on-one fight scenes, Wolfgang Petersen's epic Troy feels like a Victor Mature film from the 1950s. For this film to work, the actors must play larger than life, and that can lead to moments of unintentional hilarity that, for the most part, this film avoids. The earnest tone might make more than a few audience members giggle with the possibility for Mystery Science Theater 3000-like responses to the stilted dialogue, but the confident visuals and the presence of the lead actors finally do lend Troy enough self-respect that one is forced to deal with the film on its terms. Brad Pitt (displaying the most sculpted muscles of his career), Eric Bana, and Brian Cox (hamming but getting away with it) manage to pull off the more implausible dialogue passages, actually making the political intrigue in the story more engaging than the action sequences. While Troy most certainly delivers what it promises, the film can bring nothing new to the venerable sword-and-sandal genre. Pitt's character, Achilles, is driven by the need to achieve immortality through his bravery -- the desire to have his name live through history. The sad truth is that it is unlikely anyone other than personal trainers will think of this film when they discuss Brad Pitt's career. ~ Perry Seibert, All Movie Guide

Cast


Saffron Burrows - Andromache; Julie Christie - Thetis; Rose Byrne - Briseis; Garrett Hedlund - Patroclus; John Shrapnel - Nestor; Nathan Jones - Boagrius; James Cosmo - Glaucus; Julian Glover - Triopas; Vincent Regan - Eudorus; Trevor Eve - Velior; Tyler Mane - Ajax; Ken Bones - Hippasus; Nigel Terry - Archeptolemus; Mark Lewis Jones - Tecton; Alex King - Apollonian Guard; Jordi Casares - Horsemaster; Jacob Smith - Messenger Boy; Adoni Maropis - Agamemnon's Officer; Manuel Cauchi - Old Spartan Fisherman; Siri Svegler - Polydora; Lucie Barat - Helen's Handmaiden; Owain Yeoman - Lysander; Luke Tal - Scamandrius; Matthew Tal - Scamandrius; Louis Dempsey - Aphareus; Joshua Richards - Haemon; Tim Chipping - Echepolus; Desislava Stefanova - singing woman; Tanja Tzarovska - singing woman; Richard Ryan - sword master

Credit

Paul Engelen - Key Make-up; Peter Honess - Editor; James Horner - Conductor; James Horner - Composer (Music Score); James Horner - Musical Arrangement; Randy Kerber - Musical Arrangement; Randy Kerber - Musical Performer; John King - Supervising Art Director; Wolfgang Petersen - Director; Wolfgang Petersen - Producer; Nigel Phelps - Production Designer; Kevin Phipps - Supervising Art Director; Roger Pratt - Cinematographer; Bob Ringwood - Costume Designer; Cliff Robinson - Art Director; Les Tomkins - Supervising Art Director; Peter Young - Set Designer; Jim Boyle - Sound/Sound Designer; Jon Paul Jones - Animator; Mauricio Martinez - Stunts; Bronco McLoughlin - Stunts; Colin Wilson - Producer; Gerry Gavigan - First Assistant Director; Anna Pinnock - Set Designer; Cinesite - Visual Effects; Simon Crane - Second Unit Director; Simon Crane - Stunts Coordinator; Tony Dawe - Sound/Sound Designer; Joss Williams - Special Effects Supervisor; Chas Cash - Animator; Gregory King - CGI Effects; Aldo Signoretti - Key Hairstylist; Wylie Stateman - Supervising Sound Editor; Conrad Pope - Musical Arrangement; Lucinda Syson - Casting; Mark Lafbery - ADR Mixer; Marc Niro - Art Director; Framestore - Visual Effects; Artur Berezin - Stunts; Eduardo Gomez - Stunts; Sue Rowe - Visual Effects Supervisor; Mike Dowson - Re-Recording Mixer; Andrew Nicholson - Art Director; Jon Billington - Art Director; Jon Thum - Visual Effects Supervisor; Rob Harvey - Visual Effects Supervisor; Stephen Dobric - Art Director; Tom Struthers - Stunts; Derek Lea - Stunts; Moving Picture Company - Visual Effects; Mark Franklin Henson - Stunts; Martin Hub - Stunts; Guy List - Stunts; Adam O'Neill - Art Director; Rowley Irlam - Stunts; Homer - Short Story Author; Omar Ayala - Stunts; Andy Bennett - Stunts; Jan Holicek - Stunts; Peter Burgis - Foley Artist; Andi Derrick - Foley Artist; Buster Reeves - Stunts; Ruth Sullivan - Foley Artist; Nick Davis - Visual Effects Supervisor; Martin Cantwell - Supervising Sound Editor; Dick Bernstein - Music Editor; Steve Harding - Unit Production Manager; Mark Taylor - Re-Recording Mixer; David Leitch - Stunts; David Benioff - Screenwriter; Jon Kull - Musical Arrangement; Cinesite Limited - Visual Effects; Blake Sweeney - CGI Effects; Simon Rhodes - Recording; Ramiro Belgardt - Music Editor; Jillian Ashby - Art Director; Eddie Karam - Musical Arrangement; Diana Rathbun - Producer; Alex Payman - Compositor; Marianne Jenkins - Unit Production Manager; Marianne Jenkins - Post Production Supervisor; Ed Coyler - Foley Mixer; Zuzana Drdacka - Stunts; Hana Dvorska - Stunts; Barbara Huber - Associate Producer; Lola Post Production - Visual Effects; Winston Azzopardi - Co-producer; Alex Bicknell - Visual Effects Producer; Paul Taylor - Second Assistant Director; Mark Mottram - Stunts; Mark Southworth - Stunts; Eunice Huthart - Stunts; Daniel Naprous - Stunts; Stuart Clark - Stunts; Cedric Proust - Stunts; Steve Abela - Stunts; Daryl Andrews - Stunts; Asen Asenov - Stunts; Alejandro Avendano - Stunts; George Barbara - Stunts; Ivan Baena Delgado - Stunts; Kenneth Camilleri - Stunts; Steve Caswell - Stunts; Jonathan Cohen - Stunts; Aris Comninos - Stunts; Danielle Da Costa - Stunts; Andre Degabrielle - Stunts; Dimitar Doichinov - Stunts; Menyhert Dutombe Balog - Stunts; Marketa Frankova - Stunts; Leonardo Godinez - Stunts; Angel Gomez Fdez - Stunts; Daniel Hirst - Stunts; Jitka Holickova - Stunts; Ivo Kehajov - Stunts; Tyrell Kemlo - Stunts; Jindrich Klaus - Stunts; Jiri Kraus - Stunts; Javier Lambert - Stunts; Todor Lazzarov - Stunts; David Listavan - Stunts; Raul Lopez - Stunts; Marc Mailley - Stunts; Nick McKinless - Stunts; Tanja Tzarovska - Singer; Michael Elson - Series Producer; Felicity Cotrell - Foley Artist; Richard Hinnigan - Musical Performer; Eric Rigler - Musical Performer; Bulgarian Women's Choir - Singer; Chas Jarrett - Visual Effects Supervisor; Martin Hobbs - Visual Effects Producer; Charlie Bradbury - Series Producer; Gilbert James - Series Producer; Charlotte Loughnane - Series Producer; Matthew Sagar - Series Producer; Andy Feery - CGI Effects; Geoff Pedder - CGI Effects; Eduardo Schmidek - CGI Effects; James Turner - CGI Effects; Joern Weisspfennig - CGI Effects; Vania Alban-Zapata - CGI Effects; Tim Jones - CGI Effects; Lizzie Bentley - Matte Artist; Juan Jesus Garcia - Matte Artist; Rachael Haupt - Matte Artist; Dan Neal - Matte Artist; Chris Thunig - Matte Artist; Sharon Fitzgerald - Visual Effects Producer; Jason Horley - Matte Artist; Nathan Hughes - Matte Artist; Marcus Alexander - Visual Effects Editor; Tom Partridge - Visual Effects Editor; Ken Dailey - Visual Effects Producer; Jason Snyman - Animator; Abbie Tucker-Williams - Visual Effects Producer; Tim Zaccheo - CGI Effects; Grahame Andrew - CGI Effects; Artem Digital - Motion Control Camera; PNC - Negative Cutter; John Ensby - Color Timing; Peter Hunt - Color Timing; Pauline Hume - Title Design; Doug Larmour - Compositor; Barbara Mcdermott - Assistant Music Editor; Chris Baker - Assistant Visual Effects Editor; Francis Cunningham - Assistant Visual Effects Editor; Tim Pounds-Cornish - Assistant Visual Effects Editor; Giuseppe Tagliavini - Compositor; Garrett Honn - Compositor; Adrian Metzelaar - Compositor; John Slattery - Compositor; Dan Harrod - Compositor; Suzanne Jandu - Compositor; Kirsty Lamb - Compositor; Arundi Asregadoo - Compositor; Sarah Norton - Compositor; Murray Barber - Compositor; Gavin Digby - Compositor; George Zwier - Compositor; Lyse Beck - Compositor; Andre Brizzard - Compositor; Alessandra Cioffi - Compositor; Sheila Gorman - Compositor; Julien Goldsbrough - Compositor; Stuart Lashley - Compositor; Marian Mavrovic - Compositor; Hannah Peirce - Compositor; Julia Egerton - Compositor; Jonathan Hairman - Compositor; Alex Lemke - Compositor; Martin Davison - Compositor; Stuart Partridge - Compositor; Merrin McLeod - Compositor; Jan Toensman - Compositor; Martin Riedel - Compositor

Similar Movies

Gladiator; Helen of Troy; La Guerra di Troia; The Avenger; The Fall of the Roman Empire; The Robe; Helen of Troy; Jason and the Argonauts; Alexander; The Trojan Women; Kingdom of Heaven; Rome [TV Series]; 300; The Last Legion
 
 
Wikipedia: Troy (film)
Troy
Troy-poster.jpg
Troy Theatrical Poster
Directed by Wolfgang Petersen
Produced by Wolfgang Petersen
Diana Rathbun
Colin Wilson
Plan B
Written by Poem The Iliad:
  Homer
Screenplay:
  David Benioff
Starring Brad Pitt
Eric Bana
Orlando Bloom
Brian Cox
Sean Bean
Peter O'Toole
Diane Kruger
Music by James Horner
Cinematography Roger Pratt
Editing by Peter Honess
Distributed by Warner Bros.
Release date(s) May 13, 2004
Running time 162 Min
Theatrical
196 Min
Director's Cut
not released yet
Language English
Budget $180 million USD
IMDb profile

Troy is an Oscar-nominated movie released on May 14, 2004 about the Trojan War, as described in Homer's Iliad, Virgil's Aeneid, and other Greek myths. However, the plot differs significantly from Homer. The film has the following cast of actors prominent at the time of its release: Brad Pitt as Achilles, Eric Bana as Hector, Orlando Bloom as Paris, Diane Kruger as Helen, Brian Cox as Agamemnon, Sean Bean as Odysseus, Garrett Hedlund as Patroclus, and Peter O'Toole as Priam. It is directed by Wolfgang Petersen, and written by David Benioff. It received an Oscar nomination for its costume design.

Plot

The film starts with the character Odysseus (Sean Bean) dictating: "Men are haunted by the vastness of eternity; and so we ask ourselves: Will our actions echo across the centuries? Will strangers hear our names long after we are gone, and wonder who we were, how bravely we fought, how fiercely we loved?"

The film is set in the 12th century BC when King Agamemnon of Mycenae and his army are in Thessaly, Greece, looking to expand their military might and empire. His army prepares to engage in combat against a host of soldiers under Thessaly's king. Rather than suffer great losses, the King of Thessaly agrees to avoid unnecessary deaths by settling the matter through a decisive match between the heroes of the opposing armies. The King of Thessaly summons his greatest and most accomplished warrior (who has reputedly never lost) - Boagrius. A huge brute emerges from the ranks of Thessalian warriors, then stands proudly before his chanting comrades. Agamemnon shouts for Achilles, who (eventually) arrives at the scene. Achilles sprints towards the giant, avoiding Boagrius's spears, and jumps past Boagrius while thrusting his blade through his shoulder and neck. The mighty Boagrius falls to his knees and dies. Achilles questions the stunned enemy army if anyone else would challenge him. Accepting defeat, the King of Thessaly presents Achilles with scepter as a token for his King, which he refuses, stating: "He is not my King". In the show, Achilles fights for Agamemnon solely for personal glory. Therein, their relationship is not a cordial one, and Agamemnon detests him and calls upon him because of his (supposedly) undefeated strength.

As fate would have it, Agamemnon has to call upon Achilles again when his brother Menelaus seeks revenge on the Trojan Prince Paris for running off with his wife, Helen of Sparta. Paris' warrior brother—Hector—isn't pleased to learn of this affair and when he returns to Troy, he urges their father, King Priam, to return the young woman to Sparta. But Priam puts too much faith in his high priests and their interpretation of how Apollo will react. Accordingly—and with Agamemnon realizing that a victory over Troy would give him complete control over the Aegean—the Greeks amass the largest naval force ever known to man and set sail for the foreign land with 1,000 ships, each with 50 soldiers. With them are Achilles and his younger and inexperienced cousin, Patroclus, who have been persuaded by King Odysseus (the only King in Greece whom Achilles respects) and Achilles' mother, Thetis, to join the quest. It is also Thetis who tells Achilles of a prophecy she had learned of that stated that if he does not go to the war he will find peace and have a family of his own but he will eventually be forgotten. If he chooses to go to Troy, his name will last for eternity but he will die there. Achilles cannot resist the glory of such fame and heads for Troy.

The Trojan Horse
Enlarge
The Trojan Horse

The Greeks land on Trojan soil and are able to take control of the beach on the first day of the war. Achilles and the Myrmidons—always extremely useful in battle—are able to not only cause many Trojan deaths but also desecrate the Trojan temple of Apollo and kill the unarmed priests that reside there. Notably, Achilles decapitates the statue of Apollo, supposedly angering the gods. Briseis—cousin of Hector of Troy—was taken in the midst of the fight and brought to Achilles' tent to "amuse" him. Briseis questions Achilles' motives and he tells her "I have killed men in five countries; never a priest". Agamemnon decides to take Briseis from Achilles in order to anger and insult him. Achilles protests, but Briseis' words stop Achilles from killing anybody to take her back. The result of this is that Achilles decides not to fight in the next battle. But before this battle, a challenge is issued by Paris, who does not wish to have a war. He—a man inexperienced in combat—challenges Menelaus—who is a hardened and fierce warrior—to a duel for Helen's hand in marriage. Menelaus pretends to agree to a duel that would end the war, only to agree with his comrades that no matter what the outcome is, the Greeks will try to take the City of Troy. Menelaus and Paris fight and Paris, though able to knock out one of Menelaus's teeth, is utterly dominated by the Greek. He is painfully but superficially wounded and crawls to Hector for help. Menelaus goes to attack Paris as he lies at his brother's feet, but Hector blocks the attack and slays him, and the war is back on. The Greek Generals lose control of their army in the mad rush towards the walls of Troy, the Trojans halt the advancing Greeks and shower them with volley after volley of arrows, inflicting devastating casualties. During the battle, Hector also kills Ajax and the increasingly energized Trojans press their attack against the uncoordinated Greeks. With command of the battle lost, Agamemnon grudgingly bows to Odysseus's pleas to withdraw, and the Greeks retreat to the beach.

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Achilles learns that Briseis has been given to some men by the king after their poor performance in battle as a "morale booster". The men are beating up and molesting Briseis when Achilles saves her from being raped and branded by hurting two of them. He then takes her back to his tent. Achilles attempts to clean her wounds but she fights him away. That night, he wakes up with Briseis planning to slit his throat so he won't kill any more Trojans; but she can't do it, and instead he wrestles her down, caresses her thigh and has sex with her. The next night the two are in bed talking, when Achilles tells her he is leaving in the morning. The Trojans attack the Greek camp at dawn. Frustrated at not getting a chance to fight, Patroclus takes Achilles' armor when the Trojans attack the beachside camp and a battle ensues. He brings courage to the Greeks, as they mistake him for Achilles, and eventually fights man-to-man against Hector. In the fight with Hector, Patroclus' throat is cut: Hector is dismayed when he pulls Achilles's helmet off—Patroclus—and gives him the coup de grace. When Achilles finds out about this, he punches his best friend and begins to strangle Briseis. He is enraged and marches toward the Trojan gates to fight Hector. Hector stops the city's archers from opening fire and goes down to face Achilles face to face in battle. After engaging in a ferocious spear and sword fight in which both combatants are wounded (Achilles in the chest and side, and Hector on the leg), Achilles finally plunges his spear through Hector's armor, piercing his chest and killing him. Achilles ties Hector's body behind his chariot and drags it around the city walls, then drags it back to the Greek camp. Later that night King Priam secretly slips into the camp and meets Achilles to plead with him to return Hector's body. Impressed by Priam's courage and virtue, Achilles returns Hector's body to him and allows Briseis to leave with Priam back to Troy. He also assures Priam that a proper amount of time (12 days) is given to allow for a proper funeral service for Prince Hector.

During the 12 days that Troy mourns Hector's death, the Greeks devise a plan to enter the city, using a hollowed-out wooden horse, devised by King Odysseus. Assuming victory, the Trojans, against the advice of Paris, take the horse into the city and celebrate long into the night. After the celebrations, the Greeks hidden inside the horse engage in a surprise attack, and open the gates of Troy to allow the entire army inside the city walls. They commence the Sack of Troy, killing nearly everyone and burning down anything they can find. Achilles starts searching for Briseis; meanwhile a group of Trojans (including Helen) flee the city. Though Priam is killed by Agamemnon, Paris refuses to leave at this time and hands the Sword of Troy to Aeneas, quoting his father by telling Aeneas that as long as the Sword of Troy remains in the hands of a Trojan, the people have a future.

Achilles frantically searches for Briseis, who is at the shrine of Apollo being threatened by Agamemnon. Agamemnon tells her that she will be his sexual slave. She kills him with a concealed knife, and is saved from Agamemnon's guards when Achilles reaches her. However, Paris sees Achilles and shoots him in the heel (Achilles' tendon) once, and three times in the chest, while Briseis screams at Paris not to kill him. He pulls out the three from his chest, but the one is left in his foot as he passes into death. Briseis tearfully leaves the city with Paris after Achilles assures her that "everything's all right, go." Achilles then delivers his last words,"You gave me peace in a lifetime of war."

After a last disorganized and futile attempt by surviving Trojan soldiers to repel the invaders, the battle ends and the Greeks storm the inner palace only to find that Achilles has died just a few moments earlier. They perform the funeral rituals for him the next morning. The story ends with Odysseus lighting Achilles' pyre, saying "Find peace, my brother," and then narrating "If they ever tell my story, let them say...I walked with giants. Men rise and fall like the winter wheat, but these names will never die. Let them say...I lived in the time of Hector, tamer of horses. Let them say...I lived in the time of Achilles".

Finance and Reaction

Troy was an expensive film from its conception. When the film was completed, total production costs were approximately $180,000,000. This makes Troy one of the most expensive films made in modern cinema. Not adjusted for inflation, it is number 8 on the all time list of most expensive films and number 15 when adjusted for inflation.

Troy screenings have earned $133 million (US$133,378,256) in the United States.[1] Having cost $180 million to make,[1] the film was a disappointment in the US. Many critics anticipated that it would flop as Troy barely missed the $50 million mark on its opening US weekend and wrote off the film. Troy was among the several historical epics released in 2004 that disappointed, such as Alexander, The Alamo, and King Arthur, although it fared better than those films.

However, Troy did extremely well at the international box office financial success, making more than 73%[1] of its revenues outside of the U.S. Eventually Troy made over US$497 million dollars worldwide,[1] placing it in the #52 spot[1] of top box office hits of all time. This places the film 18 spots above Gladiator (#70) and approximately 20 spots above 300 (#72).[2] in the all-time worldwide box office.

Troy met mixed reactions by reviewers. Rotten Tomatoes gave it a Tomatometer rating of 55% from a base of 211 reviews while Yahoo! Movies gave it a critic rating of "B-" (although that was based on 15 Critical Reviews). Roger Ebert, who seemed to dislike what he saw as an unfaithful adaptation of the Iliad, gave it two stars out of four [1] Ebert claimed that Troy "sidesteps the existence of the Greek gods, turns its heroes into action movie clichés and demonstrates that we're getting tired of computer-generated armies." David Denby of The New Yorker, however, seemed to like it[2]: "[It's] harsh, serious, and both exhilarating and tragic, the right tonal combination for Homer."

Box Office totals

  • Budget - $180,000,000[1]
  • Marketing cost - $50,000,000
  • Opening Weekend Gross (Domestic) - $46,865,412
  • Total Domestic Grosses - $133,378,256
  • Total Overseas Grosses - $364,031,596[1]
  • Total Worldwide Grosses - $497,378,256

Cast

Actor Role
Brad Pitt Achilles
Eric Bana Hector
Orlando Bloom Paris
Diane Kruger Helen
Peter O'Toole King Priam
Sean Bean Odysseus
Brian Cox Agamemnon
Brendan Gleeson Menelaus
Ken Bones Hippasus
Saffron Burrows Andromache
Rose Byrne Briseis
Julie Christie Thetis
James Cosmo Glaucus
Frankie Fitzgerald Aeneas
Julian Glover Triopas
Garrett Hedlund Patroclus
Tyler Mane Ajax
Vincent Regan Eudorus
John Shrapnel Nestor
Nigel Terry Telephus
Adoni Maropis Philoctetes
Nathan Jones Boagrius

Deviations from the Iliad

British Museum displays costumes from the movie.
Enlarge
British Museum displays costumes from the movie.
3D red_cyan glasses recommended for your viewing pleasure

Assessing the historical truth of Troy is difficult primarily because the historicity of Homer's largely mythological Iliad and Odyssey, upon which the movie is based, is itself uncertain. The actual events surrounding the Trojan War are a matter of debate among scholars. One can, however, compare the film to Homer's original Epic Cycle story, on which the filmmakers claimed to have based their story.

The film Troy differs greatly from what Homer wrote, in many ways. The time scale is reduced to weeks, and major characters die at Troy who in Homer's writings survive beyond the ten-year war, such as Agamemnon and Menelaus. The Greek gods and goddesses are not active forces in the film, as they were in Homer's works. Also, other characters' actions, injuries, and deaths are depicted differently in the poems and the film, such as the high rank in Troy of Aeneas, the future death of Achilles' father, and the fate of Helen of Troy, who, according to Homer, went back to Greece with Menelaus.

Ajax is in fact noteworthy in the Illiad as the only major character to survive entirely unwounded, despite fighting Hector twice, whilst in the film he is slain.

The big discrepancy is the absence of the gods. The underlying idea is that Homer's version used gods and goddesses to exaggerate and explain elements of the events, and perhaps as representations for other forces at play. In the movie, the gods are repeatedly mentioned, but they are not major actors in the plot as they are in the Homeric poems, in which many events are the result of divine intervention. Though Achilles' mother, Thetis, does make a brief appearance, displaying prophetic powers as well as some maritime nature, she is not identified as a goddess except when the page boy speaks to Achilles of the legends surrounding him. Achilles answers the boy in such a way that it seems Achilles himself is skeptical about the legends. During Thetis' scene she is standing in a tide pool, an allusion to her mythological role as a sea nymph.

A debate which was roused by the film was the portrayal of the relationship between Achilles and Patroclus. It has been debated whether or not these two men were lovers by historians for centuries, which is discussed at length here - Achilles and Patroclus. Although in the film Patrocolus is portrayed as young and inexperienced Homer tells us that he is in fact older than Achilles and an experienced solider, sent to provide Achilles with sage council and temper his impetuousness.

According to the Iliad, the entire war from the time of Helen's abduction by Paris until the fall of Troy took ten years and not the few weeks depicted in the movie. The Iliad begins with the falling out between Achilles and Agamemnon, which takes place approximately ten years into the conflict. Some characters are missing in the movie (notably Diomedes, Idomeneus, Calchas, Hecuba and Cassandra). The film also depicts a lengthy romance between Achilles and his captive Briseis. This romance does not exist in the original story, in which Briseis along with Chryseis are kidnapped when the Achaeans sack the town of Chryse, an ally of Troy. Briseis was given to Achilles and Chryseis to Agamemnon, and it was not until Agamemnon was forced to return Chryseis that he demanded Briseis from Achilles. In the movie, the duel between Paris and Menelaus takes place with an understanding on both sides that the results of the duel will not be honored (i.e. the war will not be decided solely by it). Hector knows that the Greeks did not sail the distance just for one man's wife, and Agamemnon only agrees to the duel once Menelaus suggests that it would be a good pretence for a surprise attack. In the Iliad, the duel was understood to be taking place in good faith (interestingly, Paris challenged any Greek who would fight him, only to sulk back into the ranks when Menelaus was produced, until Hector persuaded him to fight). Paris begins to lose the duel, but is rescued by Aphrodite who whisks him away to his room, where he is berated by Helen for his cowardice. The movie takes a different course, having Hector intervene to save his brother by killing Menelaus himself and allowing Helen a more modern-day sympathy for Paris' plight, declaring "I don't want a hero, my love, I want a man I can grow old with".

In the movie, Achilles is killed by Paris during the fall of Troy -- he does shoot him through his heel, but this is not the killing strike (and it appears it is more the distraction of trying to save Briseis that leaves him vulnerable than the wound to his heel). Rather, several shots to the chest appeared to kill him, but before he died, Achilles pulled them from his chest, leaving the remaining arrow evident to the Greeks who found him as the "killing strike". In mythology Paris shoots Achilles in the heel with an arrow guided by Apollo. This happens because Apollo is angry at Achilles because he slew Troilus, Hector and Paris' brother on the Altar of Apollo. This happens before the Trojan Horse is even built and thus Achilles never would have entered the horse. Additionally, there is no mention in the Iliad of Achilles returning Briseis to Priam nor of him entering the city to save her from the burning of Troy.

Achilles shows contempt for Apollo by beheading his statue and sacking his temple despite the warnings of his comrades. He tells Briseis that she will find her love affair with Apollo one-sided and posits that the gods envy mortals. Although, in mythology, Achilles did have a special relationship with the gods, having an immortal mother and having been bestowed with supernatural protection, such a depiction of his theological views is not entirely accurate. In the Iliad, it is Achilles who offers to protect the prophet Calchas against Agamemnon in exchange for his advice as to how to end the wrath of Apollo; however, Achilles' murder of Troilus on the temple of Apollo in some versions of the Troilus myth is often interpreted as signifying a deliberate insult to the god. Also, no Greek would describe worship of the gods as a "one-sided" love affair. Their mythology is full of double-sided affairs, and when they are one-sided, it is usually because the human resists.

Moreover, Briseis is referred to as a Vestal, a virgin servant of the temple of Vesta (Hestia in Greek mythology), while in the movie she serves in the temple of Apollo. In the Iliad, Briseis is a widow. Achilles first thinks that Briseis is a slave but realizes she is of noble descent upon smelling her hair. In Ancient Rome (where Vestals actually existed) Vestals were chosen only from patrician families until plebeians were admitted, long after the War of Troy.

Deviations from the Aeneid

Homer's Iliad only tells the myth up to the point of Hector's funeral: the rest of the myth comes from Virgil's Aeneid.

One major character left out of the film is Sinon. In the Aeneid Sinon is a young Greek who appears coincidentally the same time as the Trojan Horse. He claims to have been deserted by the Greeks for a number of reasons, and explains that the Horse is a gift to the gods for a safe trip home. In reality, he is just lying to the Trojans, but Priam obliviously believes him and gives him a warm welcome. Many other Trojans, such as Laocoon and Cassandra, warn that Sinon is a traitor (actually, not a traitorous Trojan, but a loyal Greek agent), but when Laocoon is devoured by a large serpent, everyone agrees to take the horse inside the walls. After Sinon and the Horse are let into the city, he lets all the men out to begin the attack.

Laocoon and Casandra were also left out.

Music

Composer Gabriel Yared originally worked on the score for Troy for about a year, having been hired by the director, Wolfgang Peterson, who trusted him to be able to write an epic score, despite Gabriel Yared's previous work being anything but epic.

Gabriel wrote an original score for Troy, which was conducted by Harry Rabinowitz and Nick Ingman. Tanja Tzarovska sang on Yared's score, as she later would on Horner's version of the soundtrack. However, after having screened the movie with an early incomplete version of the score, the reactions were against the score and in less than a day Gabriel was off the project and the studio was already looking for someone else to do a complete rewrite[3]

Around the time of the film's release in theaters, Gabriel Yared briefly made his Troy music available on the Internet on his personal website. Currently, Yared's score can only be found as an unofficially-released bootleg album on the Internet.

In the end, the final score was written by James Horner utilizing droning vocals, traditional in Eastern Mediterranean music and brass instruments used to support the film's mythos. Drums are conspicuous in the most dramatic scenes; most notably, in the duel between Achilles and Hector.

Perhaps as a result of the unusually short time in which Horner wrote the score, a mere 9 days, or perhaps simply another example of Horner borrowing from himself as well as others, the score for Troy also contains some elements of the musical score Horner did for the 2001 World War II movie Enemy at the Gates with part of the musical score for the arrival of Achilles and the Greek forces on the beaches of Troy utilising part of the musical score from Enemy At The Gates when the poorly-armed soldiers of the Red Army were assaulting the German Army's lines in Stalingrad's main square.

Furthermore, various elements of the soundtracks seem to have been borrowed from 20th century Russian music, significantly from that of Shostakovich and Rachmaninoff. In particular there is a phrase from the 4th movement of Shostakovich's 5th symphony which is continually repeated while the armies are prepared for war.

The end-credits song "Remember"[4] ("Remember Me") was composed by James Horner with Josh Groban, David Foster, Randy Kerber, Jochem van der Saag, and Tanja Tzarovska, with lyrics by Cynthia Weil,[4] sung by Josh Groban.

Director's Cut

Troy: Director's Cut was screened at the 57th Berlin International Film Festival on February 17, 2007, and received a limited theatrical release in Germany in April 2007. [3] Warner Home Video reportedly shelled out more than $1 million for the Director's Cut, which includes "at least 1,000 new cuts" or almost 30-minute extra footage (Running Time: 196 minutes). The DVD is scheduled for release on September 18, 2007. Special features will include Petersen audio commentary and additional bonus material, such as the casting search for Helen of Troy, screen-tests between Brad Pitt and Keira Knightley, who was up for the role of Briseis, and excerpts from the director's son's book on the making of the film, Troja: Gefangen im Troianischen Krieg (Troy: Embedded in the Trojan War). [4] [5]

Awards (Wins and Nominations)

2005 ASCAP Film and Television Music Awards

2005 Academy Awards (Oscars)

2005 Japanese Academy Prize

  • Nominated - Best Foreign Film

2005 MTV Movie Awards

2005 Motion Picture Sound Editors (Golden Reel Award)

  • Nominated - Best Sound Editing in Foreign Features — Wylie Stateman, Martin Cantwell, James Boyle, Harry Barnes, Paul Conway, Alex Joseph, Matthew Grime, Steve Schwalbe, Howard Halsall, Sue Lenny, Simon Price, Nigel Stone

2005 Teen Choice Awards

  • Won - Choice Movie Actor - Drama/Action Adventure — Brad Pitt
  • Nominated - Choice Breakout Movie Star - Male — Garrett Hedlund
  • Nominated - Choice Movie - Drama/Action Adventure
  • Nominated - Choice Movie Fight/Action Sequence

Trivia

  • The Trojan horse prop that was used on the set of the film now stands in Canakkale, Turkey, near the remains of the ancient city of Troy. The horse was a gift offered presumably because of the close proximity of the UNESCO Heritage site. (Location in GeoHacks)
  • Brad Pitt suffered an injury when he jumped off his ship during filming. Fittingly, he tore his Achilles tendon.
  • The first battle scene contains an anachronism: Achilles jumps up and stabs Boagrius through the trapezius, in front of the scapula, and through the aorta; Boagrius takes one step forward and drops dead. This is exactly the way a matador kills a bull, using a technique about two hundred years old—two thousand years after the Trojan War. At least one cardiologist has confirmed that the method is—barely—possible. [citation needed]
  • Near the end of the film, when Troy is burning, Orlando Bloom approaches a young man supporting his father. When asked who he is, the young man says that he is Aeneas. Orlando Bloom's character then tells him to find a new home for the Trojan survivors. This is a reference to The Aeneid by Virgil, in which the main character, Aeneas, flees the ruin of Troy with his father and other survivors to found a new Trojan kingdom in Italy. This is one myth of the founding of Rome and the genesis of the Roman Republic.
  • Brad Pitt mentioned that the filming was grueling, due to the fact he had to quit smoking.
  • Brad Pitt and Eric Bana did their own fighting scenes. They even had a side bet, where each would pay the other for every accidental hit made: $50 for light strikes, and $100 for strong hits. Pitt paid $750 to Bana, who did not have to pay Pitt anything.
  • Diane Kruger gained 15 pounds to play the role of Helen. She thought that at that time women were less concerned with looking like supermodels than they are today.
  • Brad Pitt's physical transformation for the role took place under the watchful eye of Gregory Joujon-Roche and his team of fitness experts at Holistic Fitness in LA.
  • Peter O'Toole reportedly had this to say of the film and its Director: "Ugh, what a disaster. The director, that Kraut, what a clown he was. When it was all over, I watched 15 minutes of the finished movie and then walked out. At least I had one good scene." (http://www.imdb.com/news/sb/2004-11-01)

See also

Notes

Further reading

  • Petersen, Daniel (2006). Troja: Embedded im Troianischen Krieg (Troy: Embedded in the Trojan War). HörGut! Verlag. ISBN 3-93823-099-1.

External links


Preceded by
Van Helsing
Box office number-one films of 2004 (USA)
May 16, 2004
Succeeded by
Shrek 2

 
 

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