Twin Peaks is an American Emmy Award-nominated, Peabody and Golden Globe-winning television serial drama created by David Lynch and
Mark Frost, which first aired in the United States on
April 8, 1990 and ended on June
10, 1991. The show is set in the fictional town of Twin Peaks in northeastern
Washington state. The primary filming took place in Snoqualmie, Washington and North Bend,
Washington. The central plotline tells the story of FBI Special
Agent Dale Cooper (played by Kyle MacLachlan) and
his investigation of the murder of a popular local teenage school girl and homecoming queen,
Laura Palmer (played by Sheryl Lee), whose body was
found on a river bank, wrapped in plastic. Although the series was created by Lynch and Frost, the majority of episodes are
credited to different writers and directors. The show was co-produced by Aaron Spelling's
production company, Spelling Entertainment, and ran for 30 episodes over two
seasons.
Twin Peaks initially aired in the United States on the ABC Network, and in its first season was one of the most successful television programs on
ABC. Declining ratings in the second season led to the series being cancelled. Despite the series' eventual declining performance
with audiences, Twin Peaks quickly became a pop culture touchstone, and inspired
a film prequel, Twin Peaks: Fire Walk with
Me, released in 1992. The series also later influenced several television series in different ways, including
Northern Exposure, Picket Fences,
Wild Palms, American
Gothic, The X-Files, Carnivàle,
Lost, Desperate Housewives,
Wolf Lake, Eerie,
Indiana, and Night and Day. Many of these series have been
referred to as "the next Twin Peaks," either before their run, or after popular success, and examine the human condition
and the underworld of a seemingly-perfect suburban setting.
Due to its success in the mid-to-late '90s, Bravo re-aired Twin
Peaks in the U.S. from 2003-2004. Also, NBC
Universal's horror-themed cable channel Chiller, which launched on March 1, 2007 is currently airing the series. Twin Peaks was ranked on TV
Guide' magazine's "Top 25 cult shows" at #20[1], and one of the "Top 50 Television Programs of All Time" by the same guide
at #45.[2]
In 2007, Channel 4 (UK) ranked Twin Peaks #9 on their list of the "50 Greatest TV
Dramas." [1] Also that year, TIME magazine included the show on their list of the
"100 Best TV Shows of All Time." [2]
Plot Synopsis
The series is set in 1989, with each episode — barring occasional exceptions — representing a single day in the
chronology.
On the morning of February 24th, in the town of Twin Peaks, Washington state, lumberjack
Pete Martell discovers a naked corpse tightly wrapped in a sheet of clear plastic on the bank of a
river. Following the arrival of Sheriff Harry S. Truman, his deputies, and
Dr. Will Hayward on the scene, the body is discovered to be that of homecoming queen Laura Palmer, the most popular girl at the local high
school. The news spreads among the town's residents, particularly Laura's family and friends. Meanwhile, just across the state
line, a second girl, Ronette Pulaski, is found walking along the railroad tracks in a fugue state. Since Ronette was discovered across
the state line, FBI Agent Dale Cooper is called in to investigate. Cooper's initial examination of Laura's body reveals a tiny
typed letter 'R' inserted under her fingernail. He recognizes this as the "calling card" of a killer
who took the life of Teresa Banks a year earlier in a town located "in the southwest corner of the state" (revealed in
Twin Peaks: Fire Walk With Me to be Deer Meadow).
Cooper quickly establishes that Laura's character and relationships are not as they first appear, and that she's far from the
wholesome homecoming queen that those closest to her believed her to be. It is revealed that Laura was two-timing her boyfriend
Bobby Briggs with sullen biker James Hurley, a fact
known to Laura's best friend Donna Hayward. Cooper also finds traces of cocaine in Laura's
diary, indicating a drug habit she shared with Bobby. Meanwhile, Donna and James begin an investigation of their own into Laura's
death, and find themselves embarking on a romantic relationship with each other.
Laura's cousin Maddy Ferguson arrives to stay with Laura's parents prior to the
funeral. Maddy, who resembles Laura closely, befriends Donna and James and helps them in their efforts to find the killer — even
impersonating Laura at one point to fool Laura's psychologist, Dr. Lawrence Jacoby.
During his investigation, Cooper stays at the Great Northern Hotel owned by the Horne family. The Hornes' sultry daughter
Audrey develops a crush on Cooper that initially appears to be mutual. However, Cooper
later rebuffs her advances, on the grounds that she is a high schooler, and that she is involved in the case he is working on.
With Audrey's help, Cooper traces Laura's cocaine usage to a brothel called One-Eyed Jack's, which Audrey later infiltrates on
Cooper's behalf. It is revealed that Laura had also been working as a prostitute there.
Agent Cooper, The Man from Another Place, and Laura Palmer in the "red room" of Cooper's dream, later revealed to be part of the
Black Lodge.
Cooper also experiences a bizarre dream, in which he sees a one-armed man called Mike, who chants a strange poem: "Through the
darkness of future past / The magician longs to see / One chants out between two worlds / Fire walk with me." Mike tells Cooper
about another man called BOB, and how they went "killing together." BOB also appears as a man with long, gray hair, dressed in
denim, who swears to Cooper, "I will kill again." As the dream continues, Mike shoots BOB. Cooper then finds himself twenty-five
years later, sitting in a mysterious red-curtained room. It is here that he meets the diminutive Man From Another Place, who intones clues to Cooper in the form of strange phrases, and then
proceeds to dance to a jazzy beat. Also present is the spirit of Laura Palmer, who kisses Cooper, and then whispers into his ear
the name of her killer. When he awakens, Cooper is unable to recall the killer's name.
Cooper and the local police force are then able to track down Mike, whose full name is Phillip Michael Gerard. Gerard appears
to be nothing more than a shoe salesman, and claims to know nothing of the Bob that Cooper describes. However, it eventually
becomes clear that Gerard is possessed by an "inhabiting spirit" (the true "Mike"), who reveals
to Cooper and his colleages the true nature of BOB — BOB is a fellow inhabiting-spirit who has possessed someone in Twin Peaks
"for over forty years."
Cooper is also visited by an apparition of a mysterious Giant, who provides
him with further clues in the murder investigation. All of the information that Cooper has gained from psychic and empirical
means, including the mysterious utterances of an eccentric local woman known as The Log
Lady, leads him to a number of suspects; but when he discovers the existence of Laura's second, secret diary, he realizes
that therein lies the key to solving the mystery. Harold Smith, a local man who was one of Laura's confidants, holds this diary.
The secret diary reveals that from a very early age Laura was abused by a figure called "Bob," and that her use of drugs and sex
are the means she has used to numb herself and escape from him.
On the night before she is to leave town, Maddy is brutally murdered by Laura's father, Leland, who is revealed as the man who
is possessed by BOB. Cooper and Truman apprehend him, and as they interrogate the crazed Leland, it becomes clear that Leland has
little to no memory of his grotesque actions while under BOB's influence. After confessing to two murders, BOB forces Leland to
smash his own head against the wall of his cell. As Cooper and Truman rush to his side, Leland's memories of what he has done
return to him, and in his dying moment, Leland claims to see Laura. However, as Cooper and the others note, if BOB has truly left
Leland's body, it means his spirit is now loose in the woods of Twin Peaks.
With the murder investigation concluded, Cooper is then all set to leave Twin Peaks, when he is framed for drug trafficking by
the criminal Jean Renault, and is temporarily suspended from the FBI. Renault holds
Cooper responsible for the death of his brother Jacques, who was murdered by a grieving
Leland Palmer when Jacques was under suspicion for Laura's murder.
After Renault is killed in a shoot-out with police, and Cooper is cleared of the charges, his former FBI partner and mentor
Windom Earle comes to Twin Peaks to play a deadly game of chess with Cooper, in which each
piece of Cooper's that he takes means someone dies. As Cooper explains to Truman, during his early years with the FBI alongside
Earle, Cooper had begun an affair with Earle's wife, Caroline, while she had been under his protection as a witness to a federal
crime. Earle went mad and killed Caroline, tried to gut Cooper with a knife, and was subsequently committed to a mental
institution. Now having escaped and come to Twin Peaks, Earle hides out in the woods so that he may go about plotting his revenge
scheme.
As this is going on, Cooper continues to try to track down the origins and whereabouts of BOB, and learns more about the
mysteries of the dark woods surrounding Twin Peaks. It is here he learns of the existence of the White Lodge and the
Black Lodge, two mystical extradimensional realms whose gateways reside somewhere in the
woods, and which are occupied by spirits that appear in Cooper's dreams and visions (metaphorically referred to as owls — "The
owls are not what they seem"). Cooper also falls in love with a new girl in town, Annie
Blackburn.
When Annie wins the Miss Twin Peaks contest, Windom Earle kidnaps her and takes her to the Black Lodge, which Cooper realises
has been Earle's goal all along. The Black Lodge then is revealed to be the place where BOB, the Little Man From Another Place,
and the Giant come from, and where the red-curtained room of Cooper's dream is located. Cooper follows Earle into the Lodge, and
has a set of bizarre encounters with doppelgangers of dead characters,
including Caroline Earle and Laura and Leland Palmer.
During Cooper's journey, Windom Earle is apparently killed when his soul is consumed by an enraged BOB after Earle tries to
claim Cooper's own soul in trade for Annie's life. Cooper then tries to escape, but cannot find the exit in the non-linear path
of the Black Lodge. He is also chased by his own smiling doppelganger as he tries to find a way out. The Cooper doppelganger
catches him, as BOB laughs. Cooper returns to the woods, with Annie by his side, both found unconscious on the ground by Truman.
Some time later, Cooper awakens in his room at the Great Northern Hotel, and is tended to by Truman and Doc Hayward. He then
requests to brush his teeth in his bathroom. Locking the door behind him, Cooper then smiles uncharacteristically as he pours
toothpaste into the sink. He then slams his head into the mirror, and when Cooper's bloody face turns toward the camera, he
laughs — we see his reflection is that of BOB. Apparently the Cooper doppelganger has exited the Black Lodge, thus taking the
real Cooper's place. The series then ends on this cliffhanger.
Following the cancellation of Twin Peaks, series co-creator David Lynch created a feature film, Twin Peaks: Fire Walk With Me, that detailed the last week of Laura Palmer's life, as
well as subtly expanding on the events of Cooper's fate in the series finale — Cooper remaining trapped in the Black Lodge while
his evil shadow self (doppelganger) is out there in the world under the control of BOB.
Production
Origins
A producer at Warner Brothers wanted Lynch to direct a film about the life of
Marilyn Monroe, based on the book The Goddess. Lynch recalls in the Lynch on
Lynch book that he was "sort of interested. I loved the idea of this woman in trouble, but I didn't know if I liked it being
a real story."[3] Mark Frost was hired to write the
screenplay. Even though this project was dropped by Warner Brothers, Lynch and Frost became good friends, and wrote a screenplay
entitled One Saliva Bubble, with Steve Martin attached to star in it. However, this
film was not made, either.
Lynch's agent, Tony Krantz, had been trying to get the filmmaker to work on TV since Blue
Velvet, but he was never really that interested in the idea. "So one day Mark and I were talking at Du Pars, the
coffee shop on the corner of Laurel Canyon and Ventura, and, all of a sudden, Mark and I had this image of a body washing up on the shore of a lake,"
Lynch remembered in an interview.[4] Lynch and Frost
pitched the idea to ABC in a ten-minute meeting with the network's drama
head, Chad Hoffman, with nothing more than this image and a concept, according to the director: "The mystery of who killed Laura
Palmer was the foreground, but this would recede slightly as you got to know the other people in the town and the problems they
were having...The project was to mix a police investigation with a soap opera. We had drawn a map of the city. We knew where
everything was located and that helped us determine the prevailing atmosphere and what might happen there."[5]
ABC liked the idea, and asked Lynch and Frost to write a screenplay for the pilot episode. Originally, the show was entitled
Northwest Passage and set in North Dakota, but the fact that a town called Twin
Peaks really existed (much like Lumberton in Blue Velvet) prompted a revision in the
script. They filmed the pilot with an agreement with ABC that they would shoot an additional "ending" to it so that it could be
sold directly to video in Europe as a feature if the TV show was not picked up. However, even
though ABC's Bob Iger liked the pilot, he had a tough time persuading the rest of the
network brass. Iger suggested showing it to a more diverse, younger group, who liked it, and the executive subsequently convinced
ABC to buy seven episodes at $1 million apiece. Some executives figured that the show would never get on the air. However, Iger
planned to schedule it for the spring. The final showdown occurred during a bi-coastal conference call between Iger and a room
full of New York executives — Iger won, and Twin Peaks was on the air.
Casting
Twin Peaks features members of the loose ensemble of Lynch's favorite character actors, including Jack Nance, Kyle MacLachlan, Grace
Zabriskie, and Everett McGill. It is also notable for the casting of several
veteran actors who had long been absent from the screen, including 1950s movie stars Piper
Laurie and Russ Tamblyn, and former Mod
Squad star Peggy Lipton.
Improvisation
At several points during the filming, Lynch improvised by incorporating on-set accidents into the story. The most notable of
these occurred when set decorator Frank Silva was accidentally filmed in a mirror during Sarah Palmer's vision at the end of the
pilot. When David Lynch saw Silva's face, he liked it so much he kept it in the show, and cast Silva as "BOB," the mysterious
tormentor of Laura Palmer. [6]
During the filming of the scene in which Cooper first examines Laura's body, a malfunctioning fluorescent light above the table flickered constantly, but Lynch decided not to replace it, since he liked
the disconcerting effect that it created.[citation needed] Also, during the take, one of the minor actors misheard a line and,
thinking he was being asked his name, he told Cooper his real name instead of saying his line, briefly throwing everyone off
balance. Lynch was reportedly pleased with the lifelike, unscripted moment in dialog, and kept the "mistake" in the final
cut:[citation needed]
- ATTENDANT: I have to apologize again for the fluorescent lights. I think it's a bad transformer.
- COOPER (Kyle MacLachlan): That's quite all right.
- TRUMAN (Michael Ontkean): Agent Cooper, we did scrape those nails when we brought her in.
- COOPER: Here it is. There it is. Oh my God, here it is!
- COOPER (to attendant): Would you leave us, please?
- ATTENDANT: Jim.
- COOPER: Uh...would you leave us alone, please?
- ATTENDANT: Oh. Certainly.
Music
-
Composer Angelo Badalamenti, a frequent
contributor to Lynch projects, scored the series and provides the leitmotif "Laura's Theme,"
the famous title theme, and other evocative pieces to the soundtrack. A handful of the motifs
were borrowed from the Julee Cruise album Floating Into the
Night, which was written in large part by Badalamenti and Lynch, and was released in 1989. This album also serves as
the soundtrack to another Lynch project, "Industrial Symphony No. 1," a live
Cruise performance also featuring Michael J. Anderson (the "Man From Another Place"). The song "Falling" (sans vocals) became the theme to the show, and the songs
"Rockin' Back Inside My Heart," "The Nightingale," "The World Spins," and "Into the Night" (found in their full versions on the
album) were all, except the latter, used as Cruise's roadhouse performances during the show's run. A second volume of the
soundtrack is scheduled for release on October 23, 2007.
Locations
The towns of Snoqualmie and North
Bend, in Washington, which were the primary filming locations for stock Twin
Peaks exterior footage (many exterior scenes were actually filmed in wooded areas of Malibu, California), are only about an
hour's drive from the town of Roslyn. This town was the set of the series
Northern Exposure, which debuted the same year, and also focused on the
eccentric populace of a small northwestern town. A scene in the Northern Exposure first-season episode "The Russian Flu"
was shot at Snoqualmie Falls, which was also featured in the opening titles sequence of
Twin Peaks.
The background behind the actors of Invitation to Love is not a studio set, but the interior of the Ennis House, an architectural landmark of Frank Lloyd Wright in
the Hollywood area of Los Angeles.
Response
During the first season, it was the search for Laura Palmer's killer that served as the engine for the plot, and caught the
public's imagination, although the creators admitted this was largely a macguffin— each
episode was really about the interactions between the townsfolk. The unique (and often bizarre) personalities of each citizen
formed a web of minutiae which ran contrary to the quaint appearance of the town. Adding to the surreal atmosphere was the
recurrence of Dale Cooper's Lovecraftian dreams, in which the FBI agent is given clues
to Laura's murder in a supernatural realm that may or may not be of his imagination.
The first season contained only eight episodes (including the two-hour pilot episode), and was considered technically and
artistically revolutionary for television at the time, and geared toward reaching the standards of film. It has been said that Twin Peaks began the trend of accomplished cinematography now commonplace in today's television dramas. Lynch and Frost maintained tight control
over the first season, handpicking all of the directors, with some that Lynch had known from his days at the American Film Institute (e.g., Caleb Deschanel
and Tim Hunter) or referrals from those he knew personally.
Its ambitious style, paranormal undertones, and engaging murder mystery made Twin
Peaks a surprising hit. Its quirky characters, particularly Kyle MacLachlan's special
agent Dale Cooper, were unorthodox for a supposed 'crime drama,' as was Cooper's method of interpreting his dreams to solve the crime.
Following the cliffhanger finale of the first season, the show's popularity reached its
zenith, and "Peaksmania" seeped into mainstream popular culture (such as Saturday Night
Live, in which Kyle MacLachlan hosted and performed a sketch that parodied the show).
Twin Peaks swept the Emmy Awards in 1990 with eight
nominations, although it failed to win one.
Declining ratings
With the unpopular resolution of the show's main drawing point (Laura Palmer's murder) and with the storylines becoming more
obscure and drawn out, public interest finally began to wane, and "Peaksmania" seemed over. This discontent, coupled with
ABC changing its timeslot over a number of occasions, led to a huge drop
in ratings after being the most-watched television programming in the USA in 1990. On
February 15, 1991, ABC announced that the show had been put on
"indefinite hiatus," a move which usually leads to cancellation.[7]
This wasn't quite the end, though, as there was still a large enough fanbase for viewers to begin an organized letter-writing
campaign, dubbed C.O.O.P (Citizens Opposed to the Offing of Peaks). The campaign was successful, and ABC agreed to another six episodes to finish the season.
In the final episodes, Agent Cooper was given a love interest, Annie Blackburn
(Heather Graham), to replace the intended story arc with Audrey Horne. The series finale
did not sufficiently boost interest, and the show was not renewed for a third season, leaving an unresolved cliffhanger ending
that continues to be debated.
David Lynch himself returned to direct the finale of the series, annoying a few of the
actors and writers, as they had previously felt "abandoned" by him. The writers, for their part, didn't appreciate his changes to
their scripts[citation needed].
Later, David Lynch, having been long unhappy with ABC's "meddling"
during the second season, sold the whole show to Bravo for a small sum. Bravo
began airing the show from scratch again, along with Lynch's addition of introductions to each episode by the Log Lady and her
cryptic musings.
Characters
| Grouping |
Name |
Description |
Played by |
| The FBI |
Special Agent Dale Cooper |
Investigates the murder of Laura Palmer, unorthodox detective, falls in love with Twin Peaks and all its rural life,
fascinated with the paranormal |
Kyle MacLachlan |
| Albert Rosenfield |
Abrasive forensics expert, whose façade hides a spiritual nature |
Miguel Ferrer |
| Chester Desmond |
Investigates murder of Teresa Banks, mysteriously disappears |
Chris Isaak |
| Sam Stanley |
Forensics specialist, assists Desmond in the investigation of Teresa Banks'
murder |
Kiefer Sutherland |
| Phillip Jeffries |
Long-lost FBI agent, who knows of the Lodges and their inhabitants |
David Bowie |
| Roger Hardy |
Agent working for Internal Affairs who temporarily suspends Cooper from the FBI. |
Clarence Williams III |
| Gordon Cole |
Stone-deaf Regional Bureau Chief, known to shout constantly |
David Lynch |
| Dennis/Denise Bryson |
Cross-dressing DEA agent who
investigates drug allegations against Dale Cooper |
David Duchovny |
| Diane |
Cooper's never-seen secretary; when Cooper speaks into his tape recorder each episode, the intended recipient is Diane |
(never seen or heard) |
| Twin Peaks Sheriff's Department |
Sheriff Harry S. Truman |
Lover of Josie Packard |
Michael Ontkean |
| Deputy Andy Brennan |
Dorky sidekick, lover of Lucy |
Harry Goaz |
| Deputy Hawk, Tommy Hill |
Native American, expert tracker |
Michael Horse |
| Lucy Moran |
Ditzy receptionist, on and off lover of Deputy Andy Brennan |
Kimmy Robertson |
| Cappy |
Rarely-seen young, male assistant at the police station, possibly another deputy |
Ron Kirk |
| The Palmers |
Laura Palmer |
Murder victim and the center of the story, Laura Palmer connects almost everyone in Twin Peaks |
Sheryl Lee |
| Leland Palmer |
Laura's father, known for his compulsive singing and dancing |
Ray Wise |
| Sarah Palmer |
Laura's psychic mother |
Grace Zabriskie |
| Maddy Ferguson |
Laura's identical-looking cousin |
Sheryl Lee |
| The Haywards |
Doctor William Hayward |
The doctor of Twin Peaks, assists on the autopsy of Laura Palmer |
Warren Frost |
| Eileen Hayward |
Doctor Hayward's wheelchair-bound wife |
Mary Jo Deschanel |
| Donna Hayward |
Laura's best friend, lover of James Hurley |
Lara Flynn Boyle/Moira Kelly[8] |
| Harriet Hayward |
Donna's younger sister |
Jessica Wallenfels |
| Gersten Hayward |
Donna's youngest sister |
Alicia Witt |
| The Hornes |
Benjamin Horne |
Wealthy businessman, owns Great Northern Hotel, Horne's Department Store and a brothel on the Canadian border |
Richard Beymer |
| Jerry Horne |
Ben's playboy brother and business partner |
David Patrick Kelly |
| Sylvia Horne |
Ben's constantly-angry wife |
Jan D'Arcy |
| Audrey Horne |
Ben's sultry teenage daughter |
Sherilyn Fenn |
| Johnny Horne |
Ben's mentally handicapped son, tutored by Laura |
Robert Davenport/Robert Bauer[9] |
| Packard/Martell Family |
Josie Packard |
Widowed sawmill owner with a dark past, lover of Sheriff Truman, tutored by Laura |
Joan Chen |
| Andrew Packard |
Late ex-owner of the Packard Sawmill and ex-husband of Josie |
Dan O'Herlihy |
| Catherine Packard Martell |
Sister of Andrew, schemes with secret lover Ben Horne to burn down the sawmill |
Piper Laurie |
| Pete Martell |
Long-suffering husband of Catherine, fishing enthusiast |
Jack Nance |
| The Briggs |
Major Garland Briggs |
Intelligent and gifted Air Force officer involved in Project Blue Book, deep-space monitoring, and the woods surrounding Twin Peaks |
Don S. Davis |
| Betty Briggs |
Unassuming and loving wife and mother |
Charlotte Stewart |
| Bobby Briggs |
Rebellious teenager, captain of the football team, boyfriend of Laura Palmer, secret lover of Shelly Johnson |
Dana Ashbrook |
| The Hurleys |
Big Ed Hurley |
Owner of Big Ed's Gas Farm, secret lover of Norma Jennings |
Everett McGill |
| Nadine Hurley |
Ed's one-eyed, mad, super-strong, curtain drape-obsessed wife |
Wendy Robie |
| James Hurley |
Ed's nephew, secret love of Laura Palmer, lover of Donna Hayward |
James Marshall |
| The Jennings |
Norma Jennings |
Double-R Diner owner, lover of Big Ed Hurley, organizer of Meals on Wheels with
Laura |
Peggy Lipton |
| Hank Jennings |
Norma's husband, paroled criminal, conspirator with Josie Packard |
Chris Mulkey |
| Annie Blackburn |
Younger sister of Norma, an ex-nun with a troubled past |
Heather Graham |
| The Johnsons |
Leo Johnson |
Brutish trucker and drug-runner, had a
sexual relationship with Laura Palmer |
Eric Da Re |
| Shelly Johnson |
Abused young wife of Leo, waitress at Norma's diner, secret lover of Bobby Briggs |
Mädchen Amick |
| The Milfords |
Mayor Dwayne Milford |
Long-time mayor of Twin Peaks, has an ongoing feud with his brother Dougie |
John Boylan |
| Dougie Milford |
Publisher of the Twin Peaks Gazette local newspaper, known to marry often |
Tony Jay |
| Lana Budding Milford |
Seductive fiancée of Dwayne, and widow of Dougie, known to charm almost any man that's around her |
Robyn Lively |
| The O'Reillys |
Black Rose/Blackie O'Reilly |
The madame of One Eyed Jacks |
Victoria Catlin |
| Nancy O'Reilly |
Blackie's sister, lover of Jean Renault |
Galyn Gorg |
| The Renaults |
Jacques Renault |
Canadian croupier, drug-runner, and bartender at the Roadhouse. Had sexual relationship
with Laura Palmer |
Walter Olkewicz |
| Jean Renault |
Oldest and most dangerous Renault brother, veteran criminal, insurance agent. |
Michael Parks |
| Bernard Renault |
Youngest Renault brother, mules drugs over the border |
Clay Wilcox |
| Others |
Margaret Lanterman ("The Log
Lady") |
Mystic, widow who divines through a log she carries with
her everywhere |
Catherine E. Coulson |
| Windom Earle |
Psychotic but brilliant ex-partner of Cooper, desires the powers of the Lodges |
Kenneth Welsh |
| Dr. Lawrence Jacoby |
Eccentric former psychiatrist of Laura with an obsession for Hawaii |
Russ Tamblyn |
| Thomas Eckhardt |
Former business partner of Andrew Packard, obsessively in love with Josie Packard |
David Warner |
| Jones |
Thomas Eckhardt's assistant |
Brenda Strong |
| Emory Battis |
Store manager of Horne's Department Store, recruits girls from the perfume counter to work at One Eyed Jack's |
Dan Amendola |
| Harold Smith |
Agoraphobic horticulturist, Laura's
Meals on Wheels friend |
Lenny Von Dohlen |
| Dick Tremayne |
Pretentious employee of Men's Department at Horne's, ex-lover of Lucy |
Ian Buchanan |
| Mike Nelson |
Bobby's best friend, high school wrestling champ, ex-boyfriend of Donna. |
Gary Hershberger |
| Mike, AKA Phillip Gerard, "The One-Armed Man" |
A one-armed shoe salesman inhabited by the once evil spirit of Mike, connected to the Man From Another Place. |
Al Strobel |
| Ronette Pulaski |
Ex-employee of One Eyed Jacks and Horne's Department Store, was with
Laura the night she died |
Phoebe Augustine |
| Evelyn Marsh |
Rich woman who James Hurley runs into, and who is beaten by her husband |
Annette McCarthy |
| Teresa Banks |
First victim, found almost exactly one year before the murder of Laura Palmer |
Pamela Gidley |
| Roadhouse Singer |
Angelic singer at the Roadhouse, known for her dream-like voice |
Julee Cruise |
| The Elderly Room Service Waiter |
Elderly bellhop at the Great Northern who appears to have some kind of link to the White
Lodge and the mysterious goings-on in Twin Peaks |
Hank Worden |
| Lodge Inhabitants |
BOB |
Malevolent spirit similar to Mike, haunts the woods and inhabits humans |
Frank Silva |
| The Man From Another Place |
Enigmatic dwarf. Consumer of garmonbozia, often seen in the Red Room. |
Michael J. Anderson |
| The Giant |
A supernatural giant who appears at key moments and provides Cooper with cryptic clues. |
Carel Struycken |
| Mrs. Tremond / Chalfont |
Connected to the Lodges, Pierre's grandmother, intentions unknown |
Frances Bay |
| Pierre Tremond / Chalfont |
Also connected to the Lodges, intentions unknown |
Austin Jack Lynch/Jonathan J. Leppell[10] |
The creation of BOB
Frank Silva was a set decorator who worked on the pilot episode. One day, when he was
moving furniture in Laura Palmer's bedroom, a woman remarked to Silva not to get locked in the (Laura Palmer's) room. The image
of Silva trapped in the room sparked something in Lynch, who then asked Silva if he was an actor. Silva replied "Yes," and Lynch
told him that he had a part in mind for him on the series. Silva accepted, and Lynch shot footage of him behind Laura's bed with
no real idea of what he would do with it.
When Lynch shot the scene of Sarah Palmer's frightening vision, Silva's reflection was accidentally caught in the footage.
Silva can be seen in the mirror behind Sarah Palmer's head. Lynch was made aware of this accident, but decided to keep Silva in
the scene.
MIKE, the One-Armed Man
MIKE's appearance in the pilot episode was only originally intended to be a "kind of homage to The Fugitive. The only thing he was gonna do was be in this elevator and walk out."[11] However, when Lynch wrote the "Fire walk with me" speech, he
imagined MIKE saying it in the basement of the Twin Peaks hospital – a scene that would appear in the European version of the
pilot episode, and surface later in Agent Cooper's dream sequence. MIKE's full name, Phillip Michael Gerard, is also a reference
to Lieutenant Philip Gerard, a character in The Fugitive.
The Man from Another Place
Lynch met Michael J. Anderson in 1987. After seeing him in a short film, Lynch
wanted to cast the actor in the title role in Ronnie Rocket, but that project
failed to get made. While editing the alternate ending of the foreign version of the pilot episode, an idea occurred to Lynch on
his way home one day: "I was leaning against a car — the front of me was leaning against this very warm car. My hands were on the
roof and the metal was very hot. The Red Room scene leapt into my mind. 'Little Mike' was there, and he was speaking backwards...
For the rest of the night I thought only about The Red Room."[12]
Laura Palmer
To save on money, Lynch intended to cast a local girl from Seattle "just to play
a dead girl."[13] The local girl ended up being
Sheryl Lee. "But no one — not Mark, me, anyone — had any idea that she could act, or that she
was going to be so powerful just being dead."[14] Indeed,
the image of Lee wrapped in plastic became one of the show's most enduring and memorable images. And then, while Lynch shot the
home movie that James takes of Donna and Laura, he realized that Lee had something special. "She did do another scene — the video
with Donna on the picnic — and it was that scene that did it."[15] As a result, Sheryl Lee became a semi-regular addition to the cast, appearing in flashbacks as
Laura, and becoming a recurring character — Maddy, Laura's cousin who also becomes another victim of BOB.
Episode list
-
Themes
Note found in the train car.
As with much of Lynch's other work (notably Blue Velvet), Twin Peaks
explores the gulf between the veneer of small-town respectability and the seedier layers of life beneath it. Each character from
the town leads a double life. The show further resembles Lynch's previous and subsequent work, in that it is difficult to place
in a defined genre: stylistically, the program borrows the unsettling tone and
supernatural premises of horror films, and
simultaneously offers a bizarrely comical parody of American
soap operas with a campy, melodramatic presentation of the morally-dubious activities of its
characters. Finally, like the rest of Lynch's oeuvre, the show represents an earnest moral inquiry distinguished by both
weird comedy and a deep vein of surrealism.
A popular feature of the series was Frost and Lynch's use of repeating and sometimes mysterious motifs — trees, water, coffee,
donuts, owls, ducks, fire — and numerous embedded references to other films and TV shows, such as The Twilight Zone (mysteriously malfunctioning electrical equipment), and The Patty Duke Show (the phenomenon of identical cousins).
Invitation to Love
Invitation to Love is a fictional soap opera in Twin Peaks. It is seen
briefly on TV screens in all but the first of seven episodes of the first season, and was shot in the Ennis House.
The show acts as a commentary on events unfolding in Twin Peaks itself, often highlighting some of the more outlandish
or melodramatic elements of the show. The most obvious example of this "show-within-a-show" commentary can be found when
Maddy Ferguson, the near-identical cousin of Laura
Palmer, first arrives in Twin Peaks. Just before Maddy first appears on the show, an episode of Invitation to Love
is shown in which it is revealed that there are identical twin characters in Invitation to Love who are played by the same
actress, much as Maddy and Laura Palmer are almost identical, and are both played by Sheryl
Lee. It is also implied in the brief snippet of the show that is shown that Jade and Emerald, the two characters in
Invitation to Love, are characters with very different personalities, much as sweet and innocent Maddy is diametrically
opposed to the dark and secretive Laura in Twin Peaks.
Another example can be found in the final episode of the first season, when Leo Johnson
is shot in a dramatic fashion, and a similar event is shown happening to the character of Montana in Invitation to Love.
Both shootings involve the character who has been shot lying down and slowly dying.
There is one final reference in one episode of the second season (audio only).
Invitation characters
- Jared Lancaster, soap patriarch and owner of "The Towers." Aging father to Emerald and Jade. Played by "Evan St. Vincent"
(Peter Michael Goetz).
- Chet, geeky husband to Jade, and keeper of Jared's will. He is played by the fictional actor "Martin Hadley" (Lance Davis).
- Montana, an aggressive, rapacious bully who schemes with Emerald to gain ownership of The Towers. He is played by "Jason
Denbo" (Rick Giolito).
- Emerald, seductive, manipulative twin sister to Jade. Schemes with Montana to end her father's life and collect the
inheritance. Played by "Selina Swift" (Erika Anderson).
- Jade, sweeter, more innocent twin to Emerald, who tries to save her father's life. Wife of Chet. Also played by "Selina
Swift" (Erika Anderson).
Video and DVD releases
The pilot episode, first shown on TV in the US, was released on video in Europe in 1989. The European version is 20 minutes
longer than the TV pilot, with a different ending added to bring closure to the story. Cooper, Truman, Hawk, and Andy find
BOB, who admits to Laura's murder, and then is shot by Mike, the one-armed man. The Red Room dream sequence that ends episode 2, where Cooper encounters the
Man from Another Place and Laura Palmer, was originally shot for this film. Lynch was so happy with the material that he
incorporated part of it into the second episode of the regular series (that is, the third episode shown in the U.S., including
the pilot) as a dream Cooper has about the case. This version of the pilot was also offered by Warner Home Video in the United States, resulting in a rights-entanglement which prevented the
broadcast version of the pilot being released for a number of years. On October 30, 2007, the broadcast version of the pilot will
finally receive a legitimate U.S. release as part of the Twin Peaks "Definitive Gold Box Edition"[16]. This set will include both versions of the pilot.
On December 18th, 2001, the first season (episodes 1-7, minus the pilot) of Twin Peaks was released on DVD in Region 1
for the very first time by Republic Pictures, then a unit of Spelling Entertainment, (which had an output deal through Artisan Entertainment, now part of Lions Gate
Entertainment). The box set was noted for being the first TV show to have its audio track redone in DTS. The region 1 release was heavily criticized for not
including the key pilot episode, which could not be included due to the fact Lynch sold
the rights to it to Warner Home Video in order to facilitate its video release in Europe. When
the series was released on video in the US (twice by Spelling Entertainment's
Worldvision Home Video), the pilot episode was excluded both times. In turn,
Warner Home Video released the pilot on video — however, it was actually the European version, and was labelled as having "bonus
footage." The televised pilot episode is included in the UK (region 2) DVD release from Universal Home
Entertainment. A DVD collection of Season One was released in Australia by
Paramount Pictures, in 2001. In 2006, Season 2 was released by the same distributor
in two parts (Collections 1 and 2). In addition, the entire series was released in Australia in a box set collector's
edition.[17]
The first season DVD box set is known to have production errors, which cause many DVD players to freeze. One known track
glitch occurs during the opening credits of episode 2. Another glitch occurs fifteen minutes into episode 4, during Donna and
Audrey's scene in the girls' high school lavatory. The European DVD box set of season two has an audio flaw where in episode 12,
the center and right channels have been flip-flopped.
The release of Season Two was complicated by the sale of