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Uffizi

 

Art museum in Florence, housing the world's finest collection of Italian Renaissance painting. The core collection derives from the Medici family of Tuscany. In 1559 Cosimo I hired Giorgio Vasari to design the Uffizi Palace (1560 – 80), originally for use as government offices (uffizi). In 1565 Vasari built the corridor over the Ponte Vecchio connecting the Uffizi with the Pitti Palace. In 1737 Maria Ludovica, last of the Medici, bequeathed the family collections to Tuscany; the collection was given museum status and opened to the public in 1769. The building was restored and enlarged after bomb damage in World War II and flooding in 1966. In addition to Florentine paintings, the Uffizi houses outstanding works of other Italian and non-Italian schools, antique sculpture, a gallery of self-portraits, and 100,000 prints and drawings.

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Uffizi (ūf-fē'tsē), palace in Florence, Italy, built in the 16th cent. by Giorgio Vasari for Cosimo I de' Medici as public offices. It houses the state archives of Tuscany and the Uffizi Gallery, one of the world's richest art collections. Besides the Florentine, all the Italian as well as the Dutch and Flemish schools are well represented, with works by Botticelli, Raphael, Leonardo, Michelangelo, Titian, and Rubens, to name only a few. It also houses the world-famous statue of the Venus of the Medici (Greek, 3d cent. B.C.), with other Greek, Roman, and Renaissance sculpture. The Uffizi contains a fine collection of artists' self-portraits. In 1993 a car bomb (alleged to have been set by the Sicilian Mafia) damaged or destroyed portions of the palace, destroying three paintings and damaging more than 30 other works of art. In 1998 a renovated Uffizi reopened with damaged artworks and galleries restored. It now includes a new wing, bookshop, cafe, multimedia information center, and other features.


Fine Arts Dictionary: Uffizi Gallery
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A famous art museum in Florence, Italy.

Wikipedia: Uffizi
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The narrow courtyard between the Uffizi's two wings creates the effect of a short, idealized street. View toward the Palazzo Vecchio
View of hallway.[1]
The narrow courtyard, showing view toward the Arno River
Ceiling frescos in the main corridor.

The Uffizi Gallery (Italian: Galleria degli Uffizi, Italian pronunciation: [ˌɡalleˈriːa ˈdeʎʎi ufˈfiːtsi]), is one of the oldest and most famous art museums of the Western world. It's housed in the Palazzo degli Uffizi, a palazzo in Florence, Italy.

Contents

History

Building of the palace was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici as the offices for the Florentine magistrates — hence the name "uffizi" ("offices"). Construction was continued to Vasari's design by Alfonso Parigi and Bernardo Buontalenti and ended in 1581. The cortile (internal courtyard) is so long and narrow, and open to the Arno River at its far end through a Doric screen that articulates the space without blocking it, that architectural historians[2] treat it as the first regularized streetscape of Europe. Vasari, a painter as well as architect, emphasized the perspective length by the matching facades' continuous roof cornices, and unbroken cornices between storeys and the three continuous steps on which the palace-fronts stand. The niches in the piers that alternate with columns were filled with sculptures of famous artists in the 19th century.

The Palazzo degli Uffizi brought together under one roof the administrative offices, the Tribunal and the state archive (Archivio di Stato). The project that was planned by Cosimo I, Grand Duke of Tuscany to arrange that prime works of art in the Medici collections on the piano nobile was effected by Francis I of Tuscany, who commissioned from Buontalenti the famous Tribuna degli Uffizi that united a selection of the outstanding masterpieces in the collection in an ensemble that was a star attraction of the Grand Tour.

Over the years, further parts of the palace evolved into a display place for many of the paintings and sculpture collected by the Medici family or commissioned by them. According to Vasari, who was not only the architect of the Uffizi but also the author of Lives of the Artists, published in 1550 and 1568, artists such as Leonardo da Vinci and Michelangelo gathered at the Uffizi "for beauty, for work and for recreation." [3]

After the house of Medici was extinguished, the art treasures remained in Florence by terms of the famous Patto di famiglia negotiated by Anna Maria Lodovica, the last Medici heiress; it formed one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public.

Because of its huge collection, some of its works have in the past been transferred to other museums in Florence — for example, some famous statues, to the Bargello. A project is currently underway to expand the museum's exhibition space by 2006 from some 6,000 metres² (64,000 ft²) to almost 13,000 metres² (139,000 ft²), allowing public viewing of many artworks that have usually been in storage.

In 1993, a car bomb exploded in Via dei Georgofili and damaged parts of the palace, killing five people. The most severe damage was to the Niobe room, the classical sculptures and neoclassical interior of which have been restored, although its frescoes were damaged beyond repair. The identity of the bomber or bombers are unknown, although it was almost certainly attributable to the Sicilian Mafia who were engaged in a period of terrorism at that time.

Today the Uffizi is one of the most popular tourist attractions of Florence. In high season (particularly in July), waiting times can be up to five hours. Visitors who reserve a ticket in advance have a substantially shorter wait.

In the summer 2007, in early August, Florence was caught with a large rainstorm, and the Gallery was partially flooded, with water leaking through the ceiling, and the visitors had to be evacuated.

Popular culture

Collections

Here is only a small selection from the world-class collection of paintings:

The collection also contains some ancient sculptures, such as the Arrotino and the Two Wrestlers.

Gallery

See also Category:Collections of the Uffizi.

Notes

  1. ^ The blankness of the walls was originally covered with tapestries.
  2. ^ Siegfried Giedion, Space, Time and Architecture (1941) 1962 fig.17.
  3. ^ Fossi, Gloria. The Uffizi. (Giuniti, 1999), p. 8.

External links

Coordinates: 43°46′07″N 11°15′19″E / 43.768639°N 11.255214°E / 43.768639; 11.255214


 
 

 

Copyrights:

Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Fine Arts Dictionary. The New Dictionary of Cultural Literacy, Third Edition Edited by E.D. Hirsch, Jr., Joseph F. Kett, and James Trefil. Copyright © 2002 by Houghton Mifflin Company. Published by Houghton Mifflin. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Uffizi" Read more