Ulrich von Lichtenstein (c.1200/10-c.1275), a Middle High German Minnesänger, belonged to an important Austrian noble family and was himself a man of mark, becoming high Steward (Truchseß), and later marshal, of his native province of Styria. He fought in internal wars in Styria and in the campaign in Hungary in 1246, when he was present at the battle on the Leitha, in which his lord, Friedrich II, der Streitbare, was killed.
Ulrich's Minnelieder are formally derived from Walther von der Vogelweide and Reinmar der Alte. They reflect conventional Minnedienst, and are classified by the poet under such headings as tanzwîse, sincwîse, tagewîse, or ûzreise (Ausreise). The most remarkable feature of Ulrich's poetry, however, is the framework in which he himself assembled it. Under his own title Frauendienst (Vrouwen dîenest) he collected some 60 songs and connected them with an autobiographical narrative of c.3, 700 lines written in rhyming couplets. This purported autobiography (and there seems no doubt that the episodes are not entirely fictitious) is, however, partial, since it concerns only Ulrich's life of Minnedienst in the service, successively, of two different ladies. The devotion to the ideal mistress (which in Ulrich coexists satisfactorily with the claims of a wife) appears to have something of the role of a sport and is combined with a sporting activity to which Ulrich was passionately attached—the joust. Tournaments are his real-life substitute for Arthurian romance. In this way an element of realism, and with it an expression of sensuality, is infused into the stylized poetry of remote love, though this view has been challenged. Frauendienst was completed in 1255; it was followed two years later by Das Frauenbuch (Der Vrouwen Buoch), a theoretical discussion of minne in rhyming dialogue between a knight and a lady. Both works appeared, ed. K. Lachmann, in 1841; Frauendienst, ed. F. V. Spechtler, in 1987.




