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Notes on Drama:

Uncle Vanya

Contents:

Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


Anton Chekhov 1897

Uncle Vanya, Anton Chekhov’s masterpiece of frustrated longing and wasted lives, was originally a much more conventional drama in its earlier incarnation. Previously known as The Wood Demon, the play was rejected by two theaters before premiering in Moscow in December of 1889 to a very poor reception (it closed after three performances). Sometime between that date and 1896, Chekhov revised the play, altering it radically. Although the work that emerged is more static than the original — in terms of narrative events, far less happens — it is considered one of the most poignant evocations of thwarted desire ever written. Vanya is literally haunted by the man he might have been: “Day and night like a fiend at my throat is the thought that my life is hopelessly lost.”

Uncle Vanya was scheduled to premiere at the Maly Theater in Moscow, but the Theatrical and Literary Committee overseeing it and other imperial theaters asked Chekhov to make substantial revisions to the play. Instead of making the suggested changes, he withdrew the play and submitted it to the Moscow Art Theater, where Uncle Vanya was first performed on October 26, 1899, under the direction Konstantin Stanislavsky. It was well received.

With Uncle Vanya and Chekhov’s three other dramatic masterpieces — The Sea Gull, The Three Sisters, and The Cherry Orchard — Chekhov demonstrated that a production could be riveting without conforming to traditional notions of drama. In Critical Essays on Anton Chekhov, Russian author Vladimir Nabokov (Lolita) noted that Chekhov’s plays are not overtly political or freighted with a social message: “What mattered was that this typical Chekhovian hero was the unfortunate bearer of a vague but beautiful human truth, a burden which he could neither get rid of nor carry.” Today, Chekhov stakes a double claim in the world of literature: he is equally acclaimed as a master of the short story and of the dramatic form. Uncle Vanya is widely considered to be his greatest achievement in the latter genre and a masterpiece of modern drama.

 
 
Wikipedia: Uncle Vanya
Anton Chekhov (left) and Maxim Gorky in Yalta.
Anton Chekhov (left) and Maxim Gorky in Yalta.

Uncle Vanya is a tragicomedy by the Russian playwright Anton Chekhov published in 1899. Its first major performance was in 1900 under the direction of Konstantin Stanislavski.

Uncle Vanya is unique among Chekhov's major plays because it is essentially an extensive reworking of a play published a decade earlier, The Wood Demon. By elucidating the specific revisions Chekhov made during the revision process, including reducing the cast-list from almost two-dozen down to a lean nine, changing the climactic suicide of the The Wood Demon into the famous failed homicide of Uncle Vanya, and altering the original happy ending into a more problematic, less final resolution, critics such as Donald Rayfield, Richard Gilman, and Eric Bentley have sought to chart the development of Chekhov's dramaturgical method through the 1890s.

Uncle Vanya was published in 1899, but it is difficult to determine when the work was originally finished, or when the revision process took place. Rayfield cites recent scholarship suggesting Chekhov revisited The Wood Demon during his trip to the island of Sakhalin, a prison colony in Eastern Russia, in 1891.

Characters

  • Serebryakov, Aleksandr Vladimirovich - a retired professor.
  • Elena Andreyevna(or sometimes Yelena) - his young and beautiful second wife, 27 years old.
  • Sofia Alexandrovna (Sonia) - his plain daughter by his first marriage.
  • Voinitskaya, Maria Vasilievna - the widow of a privy councillor, mother of the first wife of the professor.
  • Voinitsky, Ivan Petrovitch ("Uncle Vanya") - Sonia's uncle, and Maria Vasilievna's son.
  • Astroff, Michail Lvovich - a doctor.
  • Telegin, Ilya Ilyitch - an impoverished landowner.
  • Marina - an old nurse.
  • A Workman

Themes

Uncle Vanya is thematically preoccupied with what might sentimentally be called the wasted life, and a survey of the characters and their respective miseries will make this clear. Admittedly, however, it remains somewhat difficult to organize these concepts into a coherent theme as they belong more to the play's "nastroenie", its melancholic mood or atmosphere, than to a distinct program of ideas.

Film versions

Several well-known film versions of Uncle Vanya exist.

Uncle Vanya
Directed by Stuart Burge
Written by Anton Chekhov
Constance Garnett
Starring Michael Redgrave
Laurence Olivier
Joan Plowright
Sybil Thorndike
Music by Alexis Chesnakov
Release date(s) 1963
Running time 120 min
Language English
IMDb profile
  • Dyadya Vanya, a Russian film version, adapted and directed by Andrei Mikhalkov-Konchalovsky in 1972
  • A film version of the star-studded 1963 Chichester Festival stage production, directed for the stage and starring Sir Laurence Olivier ("The finest Uncle Vanya we shall ever see in English," according to one critic.)
  • Country Life, an Australian adaptation, stars Sam Neill as the country doctor.
  • Sir Anthony Hopkins directed and starred in August, an English film adaptation.

Actors who have appeared in notable stage productions of Uncle Vanya include Constantin Stanislavsky, Olga Knipper, Anthony Sher, Ian McKellen, William Hurt, George C. Scott and Trevor Eve.

External links


 
 

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