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Vladimir Ussachevsky

 
Music Encyclopedia: Vladimir (Alexis) Ussachevsky

(b Hailar, Manchuria, 3 Nov 1911; d New York, 4 Jan 1990). American composer. He arrived in the USA in 1931 and studied at the Eastman School, then moved to Columbia, first as a student and later as lecturer. In 1951, with Luening, he began composing electronic pieces ( Of Wood and Brass, 1965), notable for their flexible and skilful treatment of sound sources; but he also produced choral music in a style indebted to his Russian Orthodox heritage.



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Columbia Encyclopedia: Vladimir Ussachevsky
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Ussachevsky, Vladimir (vlədyē'mĭr ūsəchĕf'skē), 1911-90, Russian-American composer, b. Manchuria. Ussachevsky emigrated to the United States in 1931 and studied at the Eastman School. He joined the faculty of Columbia Univ. in 1947. After composing many works for traditional instruments, Ussachevsky began working in electronic music in 1951, in collaboration with his former teacher Otto Luening. The two, together with Milton Babbitt and Roger Sessions, became (1959) directors of the Columbia-Princeton Electronic Music Center in New York City. Ussachevsky wrote many tape pieces, such as Of Wood and Brass (1964) and much film music. In a series of works written between 1961 and 1973, including Creation Prologue (1961) and Epilogue "Spell of Creation" (1971), he combined choruses with electronic tape.
Artist: Vladimir Ussachevsky
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  • Born: November 03, 1911, Hailar, Manchuria, China
  • Died: January 04, 1990, New York, NY
  • Active: '30s, '40s, '50s, '60s, '70s, '80s
  • Genres: Classical
  • Instrument: Composer, Tape
  • Representative Albums: "Film Music," "Metamorphosis"

Biography

A leading catalyst behind the rise of American electronic music, composer Vladimir Ussachevsky was born November 3, 1911 in Hailar, Manchuria; he emigrated to the U.S. in 1930, and after graduating from Pomona College went on to study at the Eastman School of Music. There he composed his first major works, among them 1935's Theme and Variations and 1938's Jubilee Cantata, as well as various other pieces for piano, vocal, choral and orchestral performance. Upon earning his Ph.D. in 1939, Ussachevsky joined the faculty at Columbia University in 1947; around this time he began making his first forays into electronic music, culminating a few years later with his acquisition of an Ampex tape recorder. In 1952, he and colleague Otto Luening presented the first tape music performance ever given in the U.S., where among the pieces premiered was Ussachevsky's musique concrète landmark Sonic Contours; key works including 1954's Poem of Cycles and Bells and 1956's Piece for Tape Recorder followed, and in 1958 Ussachevsky and Luening received a Rockefeller Foundation grant to open the Columbia-Princeton Electronic Music Center, the first such electro-acoustic facility in America. Complete with four analog tape studios for electronic composition as well as the room-sized RCA Mark II Synthesizer, the CPEMC was the launching pad for countless experimental works, not the least of which were those written by Ussachevsky himself. He died January 4, 1990. ~ Jason Ankeny, All Music Guide
Wikipedia: Vladimir Ussachevsky
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Vladimir Kirilovitch Ussachevsky (Hailar, Manchuria, November 3, 1911 – New York, New York, January 2, 1990) was a composer, particularly known for his work in electronic music.

Contents

Biography

Born to Russian parents in Manchuria (now Inner Mongolia, China), Ussachevsky emigrated to the United States in 1931 and studied music at Pomona College in Claremont, California (B.A., 1935), as well as at the Eastman School of Music in Rochester, New York (M.M., 1936, Ph.D., 1939). His early, neo-Romantic works were composed for traditional instruments, but in 1951 he began composing electronic music. He served as president of the American Composers Alliance from 1968 to 1970 and was an advisory member of the CRI record label, which released recordings of a number of his compositions. Recordings of his music have also been released on the Capstone, d'Note, and New World labels.

Teaching career

In 1947, following a stint with the U.S. Army Intelligence division in World War II, he joined the faculty of Columbia University, teaching there until his retirement in 1980. Together with Otto Luening, Ussachevsky founded, in 1959, the Columbia-Princeton Electronic Music Center in New York City. While acting as head of the Electronic Music Center Ussachevsky specified the ADSR envelope in 1965, a basic component of modern synthesizers, samplers and electronic instruments.[1] Ussachevsky also taught and was composer-in-residence at the University of Utah.

His notable students include Charles Wuorinen, Alice Shields, Ilhan Mimaroglu, Charles L. Bestor, Ingram Marshall, Wendy Carlos, and Richard Einhorn.

Discography

"VLADIMIR USSACHEVSKY ELECTRONIC AND ACOUSTIC WORKS 1957–1972". New York: New World Records (80654-2), 2007.[2] This is a compilation rerelease of recordings originally issued on various CRI LP's in the 1960s and 70's.

  • Metamorphosis (1957)
  • Linear Contrasts (1958)
  • Wireless Fantasy (1960)
  • Of Wood and Brass (1965)
  • Computer Piece No. 1 (1968)
  • Two Sketches for a Computer Piece (1971)
  • Three Scenes from The Creation (1960; rev. 1973)
  • Missa Brevis (1972)

"Vladimir Ussachevsky: Film Music". New York: New World Records (80389), 1990.[3]

  • Suite from No Exit (1962)
  • Line of Apogee (1967)

References

  1. ^ http://www.rebooters.net/moogobitnytimes.html
  2. ^ New World Records: Album Details
  3. ^ New World Records: Album Details

External links



 
 
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Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
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