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The British actress Vanessa Redgrave (born 1937) has had a well-celebrated career as a theater, film, and television actress of substance. She is also a controversial, committed political activist.
VanessaRedgrave has been described as the "crown princess of a trans-Atlantic show business royal family." Her father was the noted classical actor Sir Michael Redgrave; her mother was a respected actress who performed under the name Rachel Kempson. Lynn Redgrave, the popular stage, screen, and television actress, and Corin Redgrave, an actor better known for his radical politics, were her siblings.
Born in London on January 30, 1937, Vanessa Redgrave was educated there, attending Queensgate School and later, 1955 to 1957, the Central School of Speech and Drama. (She joined the board of governors of the latter in 1963). Her first love was the dance. She initially trained for a career in ballet, but her height (she is nearly six feet tall) caused her to choose the stage instead. After some roles in stock she made her London theatrical debut in 1958 as the daughter of a schoolmaster, played by her father. Redgrave was married from 1962 to 1967 to the director Tony Richardson; they had two daughters, Joely and Natasha, both of whom became actresses. Redgrave also had a son Carlo, born in 1969. The father was the Italian actor Franco Nero, with whom she had a long relationship. He played Lancelot to her Guinevere in the film of the musical Camelot (1967).
During her acting career she undertook a wide variety of roles, including important parts in George Bernard Shaw's Major Barbara and Anton Chekov's The Seagull. She played leads in various Shakespeare plays, including The Taming of the Shrew, and was for a time a member of the Royal Shakespeare Company. In 1966 she originated the title role in the well-received dramatization of Muriel Spark's novel The Prime of Miss Jean Brodie. During the 1970s her stage roles included Polly Peachum in The Three Penny Opera and Gilda in Noel Coward's Design for Living as well as parts in various Shakespeare plays. In the 1980s she again appeared in The Seagull and The Taming of the Shrew as well as other plays, including a dramatization of Henry James' The Aspern Papers. She also appeared in productions of Eugene O'Neill's A Touch of the Poet and a spirited revival of Tennessee Williams' Orpheus Descending.
Her reviews were not always euphoric, but generally she has been well-received by the critics, such as considering her as possibly "the greatest actress of the English-speaking theater." Her stage performances won her numerous awards, including the prestigious English Evening Standard Drama Award as Actress of the Year (1961, 1967) and the Laurence Olivier Award (1984).
Her screen career was more uneven, but not without distinction. Her film debut came in 1958, but she did not receive her first important movie role until 1966, as the dazzling ex-wife in Morgan. It was followed by an enigmatic role in Antonioni's Blow-Up, a confused blend of fantasy and reality set in "swinging London." She did not always choose her screen roles wisely, and among her more than 25 movies were pot boilers like Bear Island (1980), a weak adaptation of an adventure novel; The Devils (1971), an overheated version of an Aldous Huxley work about the excesses of religion in 17th-century London; and Steaming (1985), a failed attempt by Joseph Losey to film a feminist play. But Redgrave also had to her credit such films as Julia (1977), in which she played the fiery anti-Fascist eponymous heroine; The Bostonians (1984), a version of the James novel in which she played a betrayed feminist; Prick Up Your Ears (1987), a fascinating film about the career and death of homosexual writer Joe Orton in which she played his literary agent; and The Ballad of the Sad Cafe (1991), based on the novella of Carson McCullers.
Many of her directors commented on her ability before the cameras; Fred Zinneman said she "is being rather than acting." Redgrave garnered various awards for her film roles, including Academy Award nominations for her performances in Morgan, Isadora, and The Bostonians; an Academy Award as best supporting actress for Julia; and New York Film Critics Award, best supporting actress, for Prick Up Your Ears. She twice won the Cannes Film Festival Best Actress Award (Morgan, Isadora).
Her television credits also cover a wide range of roles and won her various awards. She appeared as the Wicked Queen in a "Faerie Tale Theatre" version of Snow White (1985), in a three-part "American Playhouse" dramatization of the Salem witchcraft trials (Three Sovereigns for Sarah, 1985), and in 1986 the nine-part miniseries Peter the Great (as his sister, for which she received an Emmy Award nomination). Redgrave also received an Emmy nomination for her role as a transsexual tennis pro and doctor (Second Serve, 1986). She won an Emmy for her performance in Playing for Time (1980) as Fania Fenelon, a Jewish musician who survives Auschwitz.
Jewish groups strongly criticized the casting of Redgrave as Fenelon because of her outspoken pro-Palestinian sympathies. In 1977 she had produced and narrated a tough anti-Israeli film, The Palestinians, and she had made clear her support for the Palestine Liberation Organization (PLO). A woman of definite political beliefs, Redgrave was also active in "ban-the-bomb" groups. A member of England's left Radical Workers Revolutionary Party, she stood as their candidate for Parliament from Moss Side in 1979. She described her "leisure interest" as "changing the status quo." Her politics led to a suit Redgrave filed in 1984 after the Boston Symphony Orchestra canceled her contract to narrate a performance of Stravinsky's Oedipus Rex. A jury awarded her $100,000 damages for breach of contract but rejected her charges that the dismissal was for political reasons.
Before her political notoriety surfaced she was made (1967) a Commander, Order of the British Empire (C.B.E.).
Her single-minded commitment to political causes was notorious. By Redgrave's account, her daughter Natasha once pleaded with her to stop traveling and spending time on political causes and spend more time at home. Redgrave said "I tried to explain that our political struggle was for her future and that all the children of her generation." Undaunted by her daughter's emotional plea, Redgrave continued to spend most of her time on activism. Her theater and movie career suffered from her controversial causes leading to lesser and smaller roles being offered. Other acting assignments included: Howards Way (1995) with Emma Thompson; Two Mothers for Zachary (1996), a made for TV movie based on a famous child custody case, with Balerie Bertinellia; and Sense of Snow (1997), cameo role in Danish author Peter Hoeg's best-thriller of the same name. Redgrave demonstrated her vast theatrical talents, directing and acting in a 1997 Shakespearean mini-series, stagged at the Alley Theater in Houston, Texas. However one may respond to her political zealousness, she remains an actress of distinction.
Further Reading
She is included in various editions of Who's Who, Who's Who in the Theatre, and Celebrity Register. See also Benedict Nightingale, New York Times (September 17, 1989) and Frank Bruni, New York Times Magazine (Februray 1997). Redgrave wrote an autobiography, Vanessa Redgrave: An Autobiography (1995).
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| Vanessa Redgrave CBE | |
|---|---|
Vanessa in "Cradle Will Rock" |
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| Born | January 30, 1937 London, England |
| Years active | 1958 - present |
| Spouse(s) | Tony Richardson (1962–1967) Franco Nero (2006-present) |
Vanessa Redgrave CBE (born 30 January 1937) is an Oscar, Tony and Emmy Award winning English actress of stage, film and television. She is a member of the Redgrave family, the world-renowned theatrical dynasty. A former Trotskyist and leading member of the Workers' Revolutionary Party, she is also a social activist for human rights and has been a UNICEF Goodwill Ambassador since 1995. She made a spectacular stage debut in 1961 playing Rosalind in As You Like It with the Royal Shakespeare Company and has since made more than 35 appearances on both London's West End and Broadway winning both Tony and Olivier Awards. She has also starred in more than 50 films, including Camelot, The Loves of Isadora, Julia (for which she won the Academy Award), Playing for Time (for which she won an Emmy Award), Mission Impossible and Mrs. Dalloway. She was the recipient of the Lifetime Achievement Award at the 47th San Sebastian International Film Festival.[1][2] She is the mother of actresses Joely Richardson and the late Natasha Richardson.
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Redgrave was born in London, the daughter of actors Sir Michael Redgrave and Rachel Kempson. Laurence Olivier announced her birth to the audience for a performance of Hamlet at the Old Vic, when he told them that Laertes played by Sir Michael had a daughter. She was educated at The Alice Ottley School, Worcester & Queen's Gate School, London before "coming out" as a debutante. Her siblings, Lynn Redgrave and the equally outspoken Corin Redgrave, are also acclaimed actors.
Redgrave's daughters, Natasha Richardson (1963-2009) and Joely Richardson (by her 1962–1967 marriage to film director Tony Richardson) have also built respected acting careers. Redgrave's son Carlo Nero (né Carlo Sparanero), by her relationship with Italian actor Franco Nero (né Francesco Sparanero), is a writer and film director. She met Nero while filming Camelot in 1967, the year in which she divorced her husband Tony Richardson who left her for french actress Jeanne Moreau.
In 1967, Redgrave was made a Commander (CBE) of the Order of the British Empire. It is understood that she declined a damehood (DBE) in 1999.[3]
From 1971 to 1986, she had a long-term relationship with actor Timothy Dalton. On 31 December 2006, Redgrave married Franco Nero.[4] Her daughter, Tony Award-winning actress, Natasha Richardson died on March 18, 2009, following a skiing-related traumatic brain injury.[5][6]
Vanessa Redgrave entered the Central School of Speech and Drama in 1954. She first appeared in the West End, playing opposite her brother, in 1958.
In 1960, Redgrave had her first starring role in Robert Bolt's The Tiger and the Horse, in which she co-starred with her father. In 1962 she played Imogen in William Gaskill's production of Cymbeline for the Royal Shakespeare Company. In 1966 Redgrave created the role of Jean Brodie in the Donald Albery production of The Prime of Miss Jean Brodie, adapted for the stage by Jay Presson Allen from the novel by Muriel Spark. She won four Evening Standard Awards Best Actress Evening Standards Awards for Best Actress in four decades. She was awarded the Laurence Olivier Award for Actress of the Year in a Revival in 1984 for The Aspern Papers
In the nineties, her theatre work included Prospero in The Tempest at Shakespeare's Globe in London. In 2003 she won a Tony Award for Best Actress in a Play for her performance in the Broadway revival of Eugene O'Neill's Long Day's Journey Into Night. In January 2006, Redgrave was presented the Ibsen Centennial Award for her "outstanding work in interpreting many of Henrik Ibsen's works over the last decades."[7] Previous recipients of the award include Liv Ullmann, Glenda Jackson, and Claire Bloom.
In 2007, Redgrave played Joan Didion in Didion's Broadway stage adaptation of her recent book, The Year of Magical Thinking, which played 144 regular performances in a 24-week limited engagement at the Booth Theatre. For this, she won the Drama Desk Award for Outstanding One-Person Show and was nominated for the Tony Award for Best Performance by a Leading Actress in a Play. She reprised the role at the Lyttelton Theatre at The Royal National Theatre in London to positive reviews. She also spent a week performing the work at the Theatre Royal in Bath in September 2008. She once again performed the role of Joan Didion for a special benefit at New York's Cathedral of Saint John the Divine on October 26, 2009. The performance was originally slated to debut on the 27th of April, but was pushed due to the death of Redgrave's daughter Natasha. The proceeds for the benefit were donated to the United Nations Children's Fund (UNICEF) and the United Nations Relief and Works Agency (UNRWA). Both charities work to provide help for the children of Gaza and southern Israel.
Highlights of Vanessa Redgrave's early film career include her first starring role in Morgan: A Suitable Case for Treatment (for which she earned an Oscar nomination, a Cannes award, a Golden Globe nomination and a BAFTA Film Award nomination); her portrayal of the cool London swinger, Jane, in 1966’s Blowup; her spirited portrayal of dancer Isadora Duncan in Isadora (for which she won a National Society of Film Critics Award for Best Actress, a second Prize for the Best Female Performance at the Cannes film festival, along with a Golden Globe and Oscar nomination in 1969); and various portrayals of historical figures - ranging from Andromache in The Trojan Women, to Mary of Scotland in Mary, Queen of Scots.
In 1977, Redgrave funded and narrated a documentary film on the Palestinian people and the activities of the Palestinian Liberation Organization. That same year she starred in the film Julia, about a Jewish woman murdered by the Nazi regime in the years prior to World War II for her anti-Fascist activism. Her co-star in the film was Jane Fonda who, in her 2005 autobiography, noted that
"there is a quality about Vanessa that makes me feel as if she resides in a netherworld of mystery that eludes the rest of us mortals. Her voice seems to come from some deep place that knows all suffering and all secrets. Watching her work is like seeing through layers of glass, each layer painted in mythic watercolor images, layer after layer, until it becomes dark - but even then you know you haven't come to the bottom of it ... The only other time I had experienced this with an actor was with Marlon Brando ... Like Vanessa, he always seemed to be in another reality, working off some secret, magnetic, inner rhythm." [8]
Redgrave's performance in Julia garnered an Academy Award for Best Supporting Actress. However, members of the Jewish Defense League (JDL), led by Rabbi Meir Kahane, burned effigies of Redgrave and picketed the awards ceremony in the spring of 1978 to protest against both Redgrave and her support of the Palestinian cause.
In her acceptance speech, Redgrave announced that neither she nor the Academy would be intimidated by "a small bunch of Zionist hoodlums - whose behavior is an insult to the stature of Jews all over the world, and to their great and heroic record of struggle against fascism and oppression."[9] Her statement was greeted by both applause and boos from the audience.
Later in the broadcast veteran screenwriter and Oscar presenter Paddy Chayefsky told the audience members that
“there's a little matter I'd like to tidy up...at least if I expect to live with myself tomorrow morning. I would like to say that I'm sick and tired of people exploiting the Academy Awards for the propagation of their own personal propaganda. I would like to suggest to Miss Redgrave that her winning an Academy Award is not a pivotal moment in history, does not require a proclamation and a simple ‘Thank you' would have sufficed.”
His remarks were greeted by applause from the audience.
In 1978, Rabbi Meir Kahane published a book entitled Listen Vanessa, I am a Zionist, which was later renamed Listen World, Listen Jew, in direct response to Redgrave's comments at the Academy Awards. To this day many right-wing Jewish groups, such as the JDL, consider Redgrave an opponent and a supporter of terrorism, citing remarks she has made such as, "Zionism is a brutal, racist ideology. And it is a brutal racist regime."[10]. The JDL itself, however, has been described by the Federal Bureau of Investigation (FBI) in Congressional testimony as a “violent” and “extremist” "terrorist" group. In a sidebar in its “Terrorism 2000/2001” report, the Bureau notes, “The Jewish Defense League has been deemed a right-wing terrorist group.” [11] The report, written twenty five years after the Julia incident, referred to a splinter group of the original JDL, acting at the onset of a major schism in the JDL which would last 5 years. [12] However, due to their consistent use of violence, most American Jews are hostile to the JDL, and consider it an embarrassment. The mainstream Jewish Anti Defamation League has called Meir Kahane's position "a gross distortion of the position of Jews in America" and argues that he "has consistently preached a radical form of Jewish nationalism which reflected racism, violence and political extremism." [13]
In June 2005 Redgrave was asked on Larry King Live: “Regardless of distinctions about policy, do you support Israel's right to exist?” “Yes, I do,” Redgrave replied.[14]
Later film roles of note include those of suffragette Olive Chancellor in The Bostonians (1984, a fourth Best Actress Academy Award nomination), transsexual tennis player Renée Richards in Second Serve (1986); Mrs. Wilcox in Howards End (1992, her sixth Academy Award nomination, this time in a supporting role); crime boss Max in Mission: Impossible (1996, when discussing the role of Max, DePalma and Cruise thought it would be fun to cast an actor like Redgrave; they then decided to go with the real thing); Oscar Wilde’s mother in Wilde (1997); Clarissa Dalloway in Mrs. Dalloway (1997); and Dr. Sonia Wick in Girl, Interrupted (1999). Many of these roles and others, garnered her various accolades.
Her performance as a lesbian grieving the loss of her longtime partner in the HBO series If These Walls Could Talk 2 earned her a Golden Globe for “Best TV Series Supporting Actress” in 2000, as well as earning an Emmy Award for Outstanding Supporting Actress in a TV Movie or Miniseries. This same performance also led to an “Excellence in Media Award” by the Gay & Lesbian Alliance Against Defamation (GLAAD). The award honours “a member of the entertainment community who has made a significant difference in promoting equal rights for lesbian, gay, bisexual, and transgendered people”. In 2005, Redgrave joined the second season cast of the hit FX series Nip/Tuck, portraying Dr. Erica Noughton, the mother of Julia McNamara, who is played by her real life daughter Joely Richardson. She also made appearances in the third season and will appear in the shows sixth season this fall. In 2006, Redgrave starred opposite Peter O'Toole in the acclaimed film Venus. A year later, Redgrave starred in Evening and the acclaimed Atonement, in which she garnered a Broadcast Film Critics Association award nomination for her performance that only took up seven minutes of screen time. In 2008, Redgrave appeared as a narrator in an Arts Alliance production, id - Identity of the Soul. The performance is due to tour worldwide, this year tens of thousands turned out to see the event as it toured the West Bank.
In 2009, it was announced Redgrave would star in a television remake of BBC's The Day of the Triffids, which also stars her daughter, Joely. It would be the fourth collaboration Redgrave would have with her. In the midst of losing her daughter, Natasha Richardson, Redgrave signed on to play Eleanor of Aquitaine in Ridley Scott's version of Robin Hood, which began filming shortly after Natasha's death. Redgrave would later withdraw from the film due to personal reasons. The part was given to her Evening co-star Eileen Atkins.[15] She then agreed to star in Letters to Juliet opposite her husband Franco Nero and most recently signed on to appear as Volumnia in Ralph Fiennes' directorial debut of William Shakespeare's Coriolanus, which begins filming in Serbia starting January 2010.[16]
Since the 1960s, Redgrave has supported a range of human rights causes, including opposition to the Vietnam War, nuclear disarmament, freedom for Soviet Jews (she was awarded the Sakharov medal by Sakharov's widow, Yelena Bonner, in 1993 for her efforts), and aid for Bosnian Muslims and other victims of war. She also advocates the unification of Ireland. She was a co-founding member of Artists Against Racism.
Her opposition to Stalinist oppression led her, early in her career, to join the Workers' Revolutionary Party (UK) (WRP), on whose ticket she twice ran for Parliament. Redgrave's Trotskyist political views have been a cause of controversy for some, as has her membership in the WRP. She remained loyal to WRP founder Gerry Healy when he was expelled from the WRP in the mid-1980s. She and other Healy loyalists founded the short-lived Marxist Party in the 1990s. Since 2004, she has been a member of the Peace and Progress Party.
In 1980, Redgrave made her first American TV debut as concentration-camp survivor Fania Fénelon in the Arthur Miller-scripted TV movie Playing for Time — a part for which she won an Emmy as Outstanding Lead Actress in 1981. The decision to cast Redgrave as Fénelon was, however, a source of controversy. In light of Redgrave's support for the Palestinian Liberation Organization (PLO),[17] even Fénelon objected to her casting. Redgrave was perplexed by such hostility, stating in her 1991 autobiography her long-held belief that "the struggle against anti-Semitism and for the self-determination of the Palestinians form a single whole."[18]
In 1984, Redgrave sued the Boston Symphony Orchestra, claiming that the orchestra had fired her from a performance due to Redgrave's outspoken support of the PLO.[19] Lillian Hellman testified in court on Redgrave's behalf.[19] Redgrave won on a count of breach of contract, but did not win on the claim that the Boston orchestra had violated her civil rights by firing her.[19]
In 1995, Redgrave was elected to serve as a UNICEF Goodwill Ambassador.
In December 2002, Redgrave paid £50,000 bail for Chechen separatist Deputy Premier and special envoy Akhmed Zakayev, who had sought political asylum in the United Kingdom and was accused by the Russian government of aiding and abetting hostage-takings in the Moscow Hostage Crisis of 2002—in which 128 hostages lost their lives during a Russian special forces (OMON) action—and guerrilla warfare against Russia.
At a press conference Redgrave said she feared for the life of Zakayev if he were to be extradited to Russia on terrorism charges. He would "die of a heart attack" or some other mysterious explanation which would be offered by Russia, she said.[20] On 13 November 2003, a London court rejected the Russian government's request for Zakayev's extradition. Instead, the court accepted a plea by lawyers for Mr Zakayev that he would not get a fair trial—and could even face torture—in Russia. "It would be unjust and oppressive to return Mr Zakayev to Russia," Judge Timothy Workman ruled.[21]
In 2004, Vanessa Redgrave and her brother Corin Redgrave announced the launch of the Peace and Progress Party which would campaign against the Iraq War and for human rights.
Redgrave has been an outspoken critic of the "War on Terror" — the US and British governments' response to the terrorist attacks of 9/11.[22][23] During a June 2005 interview on Larry King Live, Redgrave was challenged on this criticism and on her "far left" political views. In response she questioned if there can be true democracy if the political leadership of the United States and Britain does not "uphold the values for which my father's generation fought the Nazis, [and] millions of people gave their lives against the Soviet Union's regime. [Such sacrifice was made] because of democracy and what democracy meant: no torture, no camps, no detention forever or without trial...[Such] techniques are not just alleged [against the governments of the U.S. and Britain], they have actually been written about by the FBI. I don't think it's being 'far left'...to uphold the rule of law."[24]
In March 2006, Redgrave remarked in an interview with US broadcast journalist Amy Goodman, that “I don't know of a single government that actually abides by international human rights law, not one, including my own. In fact, [they] violate these laws in the most despicable and obscene way, I would say.”
Goodman’s interview of Redgrave took place in the actress’s West London home on the evening of 7 March, and covered a range of subjects — though in particular, the cancellation of the Alan Rickman production, My Name is Rachel Corrie, by the New York Theater Workshop. Such a development, said Redgrave, was an "act of catastrophic cowardice" as "the essence of life and the essence of theater is to communicate about lives, either lives that have ended or lives that are still alive, [and about] beliefs, and what is in those beliefs."[25]
In June 2006, she was awarded a "lifetime achievement" award from the Transilvania International Film Festival, one of whose sponsors is a mining company named Gabriel Resources. She dedicated the award to a community organisation from Roşia Montană, Romania, which is campaigning against a gold mine that Gabriel Resources is seeking to build near the village. Gabriel Resources placed an "open letter" in The Guardian on 23 June 2006, attacking Redgrave, arguing the case for the mine, and exhibiting support for it among the inhabitants: the open letter is signed by 77 villagers.[26]
In December 2007, Redgrave was named as one of the possible suretors who paid the £50,000 bail for Jamil al-Banna, one of three British residents arrested after landing back in the UK following four years' captivity at Guantanamo Bay. Al-Banna is alleged to have run a terrorist cell called the Islamic Alliance which recruited people to fight jihad in Afghanistan and Indonesia. He also is accused of distributing extremist propaganda produced by Osama bin Laden. Redgrave has declined to be specific about her financial involvement but said she was "very happy" to be of "some small assistance for Jamil and his wife", adding, "It is a profound honour and I am glad to be alive to be able to do this. Guantanamo Bay is a concentration camp."[27]
"I've come to see through the course of my life that people understand what I've tried to do, however inadequately I do it. I've just found people have come to understand me and be glad that I tried to do what I tried to do. And I do feel very inadequate about it, but I feel I must try . . . I think that any citizen can understand that you must raise your voice and do the best you can to speak out."[24]
"I've been to Sarajevo a few times and have got to know a lot of people there who put on plays during the siege. I wanted to share in that because I knew it was important to them . . . I began to see something of what was going on there in terms of actually keeping up people's spirit to resist - the resistance that causes change - even in the worst imaginable circumstances. And I realized that it paralleled the same spirit that existed during the Holocaust and in the gulag. Theater and poetry were what helped people stay alive and want to go on living. That experience changed me, because I realized that if, as actors or writers or directors or designers, we can keep the will to resist alive in as many people as possible, then that's what we are about, and that's what we can do. It's more and more important because of the terrible things that are happening in our cities and the political and economic agendas that various governments have."[28]
"As a mother you have got to have a view for now and a view for the future."[29]
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