Results for Vassar Clements
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Artist:

Vassar Clements

Born:
Apr 25, 1928 in Kinard, South Carolina

Died:
Aug 16, 2005 in Nashville, Tennessee

Representative Songs:

"Katy Hill," "Paddy on the Turnpike," "Columbus Rag"

Representative Albums:

Hillbilly Jazz, Crossing the Catskills, The Bluegrass Sessions

Similar Artists:

A Member of the Group:

Performed Songs By:

Millie Clements, Bob Hoban, Fred Bogert

Worked With:

  • Genre: Country
  • Active: '70s - 2000s
  • Instruments: Violin, Fiddle

Biography

Combining jazz with country, Vassar Clements became one of the most distinctive, inventive, and popular fiddlers in bluegrass music. Clements first came to prominence as a member of Bill Monroe's band in the early '50s, but he never limited himself to traditional bluegrass. Over the next four decades, he distinguished himself by incorporating a number of different genres into his style. In the process, he became not only one of the most respected fiddlers in bluegrass, he also became a sought-after session musician, playing with artists as diverse as the Monkees, Hank Williams, Paul McCartney, Michelle Shocked, Vince Gill, and Bonnie Raitt.

Clements taught himself to play fiddle at the age of seven. Soon afterward, he formed a band with two of his cousins. By the time he was 21, Clements' skills were impressive enough to attract the attention of Bill Monroe. Monroe hired the young fiddler and Clements appeared on the Grand Ole Opry with the mandolinist in 1949. The following year, the fiddler recorded his first session with Monroe.

For the next six years, Clements stayed with Monroe's band, occasionally leaving for brief periods of time. In 1957 he joined Jim & Jesse's Virginia Boys, and stayed with the band for the next four years. In the early '60s Clements was sidelined for a while as he suffered from alcoholism. By the end of the '60s he had rehabilitated, and he returned to playing in 1967. That year he moved to Nashville and began playing the tenor banjo at a residency at the Dixieland Landing Club. In 1969 he toured with Faron Young and joined John Hartford's Dobrolic Plectorial Society. The band only lasted ten months, and after its breakup Clements joined the Earl Scruggs Revue; he stayed with that band for a year.

Clements began playing sessions in 1971, appearing on albums by Steve Goodman, Gordon Lightfoot, David Bromberg, J.J. Cale, and Mike Audridge over the next two years. In 1972 he was featured on the Nitty Gritty Dirt Band's hit album Will the Circle Be Unbroken, which helped establish him as a country and bluegrass star. Clements capitalized on the record's popularity in 1973, when he released his first solo album, Crossing the Catskills, on Rounder Records and began touring the festival and college circuits. That same year, he appeared on a number of albums, including the Grateful Dead's Wake of the Flood, Jimmy Buffett's A White Sport Coat and a Pink Crustacean, and Mickey Newbury's Heaven Help the Child.

In 1974, Clements signed a record contract with Mercury Records, releasing two albums for the label -- Vassar Clements and Superbow -- the following year. That same year, he appeared in the bluegrass supergroup Old & in the Way, which also featured Jerry Garcia, David Grisman, Peter Rowan, and John Kahn. He also had a cameo role in Robert Altman's film Nashville in 1975. In 1977, Clements released two albums for two different labels -- The Vassar Clements Band on MCA Records and The Bluegrass Session on Flying Fish. It would be four years before he released another solo album. During that time, he toured constantly and appeared on numerous albums. Clements reappeared in 1981 with Hillbilly Rides Again and Vassar, which were both released on Flying Fish.

During the '80s and '90s, Clements continued to record sporadically, but he cut numerous sessions for other artists and played numerous concerts every year. In 1995, Clements reunited with Old & in the Way, which released That High Lonesome Sound in 1996. The solo Back Porch Swing followed three years later; Full Circle appeared in spring 2001. In 2004 he released Livin' With the Blues, his first blues-based album. ~ Stephen Thomas Erlewine, All Music Guide
 
 
Columbia Encyclopedia: Clements, Vassar,
1928–2005, American virtuoso fiddle player, b. Kinards, S.C. Self-taught, he played with Bill Monroe's Blue Grass Boys from 1949 to 1956. Though his roots were in country and western music and he began his career playing bluegrass, Clements was accomplished in many genres, including jazz, pop, rock, and swing. Known for his innovative style and technical prowess, he played or recorded with such diverse performers as the Nitty Gritty Dirt Band, Paul McCartney, Linda Ronstadt, Bonnie Raitt, Jerry Garcia, Earl Scruggs, John Hartford, and Dave Holland. Clements, who made more than 25 solo albums, also played the viola, cello, bass, mandolin, guitar, and banjo.
 
Wikipedia: Vassar Clements
Cover of Old and in the Way (1975)
Cover of Old and in the Way (1975)

Vassar Clements (April 25, 1928August 16, 2005) was an American fiddler.

Clements taught himself to play the fiddle at age 7, and though he had no formal training was recognized as one of the world's most versatile fiddle players and was considered a virtuoso. The first song he learned was "There's an Old Spinning Wheel in the Parlor". He described his talent saying, "It was God's gift, something born in me. I was too dumb to learn it any other way. I listened to the [Grand Ole] Opry some. I'd pick it up one note at a time. I was young, with plenty of time and I didn't give up. You'd come home from school, do your lessons and that's it. No other distractions. I don't read music. I play what I hear."

He didn't always earn his living playing music, though. In the mid-1960s he was employed briefly at the Kennedy Space Center in Florida, where he worked on plumbing. He also performed several other blue-collar jobs including work in a Georgia paper mill, as switchman for Atlantic Coast Line Railroad; he even sold insurance and once operated a convenience store while owning a potato chip franchise in Huntsville, Alabama.

In his 50 year career he played with artists ranging from Woody Herman, and the Nitty Gritty Dirt Band to The Grateful Dead, Linda Ronstadt and Paul McCartney, and earned at least five Grammy nominations and numerous professional accolades. He once recorded with the pop group the Monkees by happenstance, when he stayed behind after an earlier recording session. He also appeared in Robert Altman's 1975 film Nashville and Alan Rudolph's 1976 film, Welcome to L.A..

His 2005 Grammy award for best country instrumental performance was for "Earl's Breakdown," by the Nitty Gritty Dirt Band, and featured Clements, Earl Scruggs, Randy Scruggs and Jerry Douglas.

Born in Kinard, South Carolina, but grew up in Kissimee, Florida. He began his musical career at age 14 when he associated with Bill Monroe, and later officially joined the Blue Grass Boys band where he remained for seven years. In 1957 he joined bluegrass band Jim and Jesse McReynolds where he remained until 1962. In 1967 he returned to Nashville where he became a much sought after studio musician.

After a brief touring stint with Faron Young he joined John Hartford's Dobrolic Plectral Society in 1971 when he met guitarist Norman Blake and Dobro player Tut Taylor, and recorded Aereo-Plain, a widely acclaimed "newgrass" album that helped broaden the bluegrass market and sound. After less than a year he joined Earl Scruggs, who first earned widespread renown for playing the theme to sitcom The Beverly Hillbillies.

His 1972 work with the Nitty Gritty Dirt Band on their album Will the Circle Be Unbroken earned him even wider acclaim, and later worked with the Grateful Dead's Wake of the Flood and Jimmy Buffett's A White Sport Coat and a Pink Crustacean.

In 1974, he joined Jerry Garcia, David Grisman, Peter Rowan and John Kahn in releasing the bluegrass album, Old and in the Way.

Though he played numerous instruments, Mr. Clements indicated that he chose the fiddle over guitar recalling that, "I picked up a guitar and fiddle and tried them both out. The guitar was pretty easy, but I couldn't get nothing out of the fiddle. So every time I'd see those instruments sitting side by side, I'd grab that fiddle."

Big band and swing music were considerable influences upon his style and musical development, and he said that, "Bands like Glenn Miller, Les Brown, Tommy Dorsey, Harry James and Artie Shaw were very popular when I was a kid. I always loved rhythm, so I guess in the back of my mind the swing and jazz subconsciously comes out when I play, because when I was learning I was always trying to emulate the big-band sounds I heard on my fiddle."

Vassar Clements played on over 2000 albums. His last album, Livin' With the Blues, released in 2004, featured guest appearances by Elvin Bishop, Norton Buffalo, Maria Muldaur and others.

Mr. Clements, whose last performance was February 4, 2005 in Jamestown, N.Y., died of lung cancer that spread to his brain on August 16, 2005 at age 77.

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Copyrights:

Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Vassar Clements" Read more

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