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Veronica Lake

 
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Veronica Lake
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  • Date of Birth: November 14, 1919
  • Place of Birth: Brooklyn, New York
  • Date of Death: July 7, 1973
  • Given name: Constance Frances Marie Ockleman

    Known as "the Peek-a-Boo Girl," actress Veronica Lake was a film star in the early 1940's. The blond beauty was known for her hairstyle, which cascaded over her right eye; it was emulated so much that U.S. government officials actually asked her to change the style during World War II, for fear that women working on assembly lines as part of the wartime effort might be injured by having their long hair caught in their machinery. Her best-known films included Sullivan's Travels with Alan Ladd, This Gun for Hire with Joel McCrea, and So Proudly We Hail! with Claudette Colbert. By 1945, however, her career had peaked, and by 1948 she no longer had a contract with Paramount pictures. The decades afterwards were characterized by attempts at television acting, some roles on the stage, and occasional movie appearances. At the time of her death of hepatitis at the age of 53 in 1973, Veronica Lake was drinking heavily, working as a cocktail waitress, and was married to her fourth husband, a fisherman.

    Last updated: October 13, 2004.

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    Actor: Veronica Lake
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    • Born: Nov 14, 1919 in Brooklyn, New York City, New York
    • Died: Jul 07, 1973
    • Occupation: Actor
    • Active: '40s
    • Major Genres: Comedy, Drama
    • Career Highlights: Sullivan's Travels, The Blue Dahlia, So Proudly We Hail!
    • First Major Screen Credit: Sullivan's Travels (1941)

    Biography

    When Brooklyn-born Constance Ockleman was prodded into a performing career by her ambitious mother, she chose her stepfather's name, Keane, for her nom de stage. After a year of thankless bit parts, she was dropped by RKO Radio Pictures. When she re-emerged at MGM in a small role in the Eddie Cantor vehicle Forty Little Mothers (1940), she was known as Veronica Lake. While posing for publicity pictures, Lake inadvertently allowed her blonde hair to obscure one eye, thereby creating her movie persona as "the girl with the peek-a-boo bang." Signed by Paramount in 1941, Lake quickly ascended to leading roles. Directors such as Preston Sturges and René Clair had the patience to draw genuine performances from her, but, for the most part, she was cast on the basis of her beauty and popularity, with acting hardly an afterthought. In This Gun for Hire (1942), Lake was teamed with up-and-coming Alan Ladd, thereby launching one of Paramount's most successful screen duos. Eventually renegotiating her contact and finding brief domestic happiness with her second husband, director André De Toth, the actress flourished professionally and financially until 1948, when she was hit with the double whammy of being dropped by Paramount and being sued for support payments by her mother. De Toth wangled a good role for Lake in the 20th Century Fox film Slattery's Hurricane (1949), but it failed to rekindle her stardom. She left Hollywood in the early '50s, making a living with stage appearances. But increasing personal problems and a stage injury effectively ended her career, and, by 1959, she was working as a Manhattan barmaid. Lake staged a comeback as a Baltimore TV host in the early '60s, and, in 1966 and 1970, financed two cheap films for herself (Footsteps in the Snow and Flesh Feast). She wrote a tell-all autobiography in 1969 and sought stage work in England. Lake returned to the U.S. in 1971; but after more personal problems and failed comeback attempts, she died of hepatitis two years later while visiting friends in Burlington, VT. ~ Hal Erickson, All Movie Guide
     
    Quotes By: Veronica Lake
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    Quotes:

    "Hollywood gives a young girl the aura of one giant, self-contained orgy farm, its inhabitants dedicated to crawling into every pair of pants they can find."

     
    Wikipedia: Veronica Lake
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    Veronica Lake

    from the trailer for Sullivan's Travels (1941)
    Born Constance Frances Marie Ockelman
    November 14, 1922(1922-11-14)
    Brooklyn, New York, U.S.
    Died July 7, 1973 (aged 50)
    Montreal, Canada
    Years active 19391970
    Spouse(s) John S. Detlie (1940–1943)
    André De Toth (1944–1952)
    Joseph A. McCarthy (1955–1959)
    Robert Carleton-Munro (1972–1973)

    Veronica Lake (November 14, 1922[1] – July 7, 1973) was an American film actress and pin-up model who enjoyed both popular and critical acclaim, most notably for her femme fatale roles in film noir with Alan Ladd during the 1940s, as well as her peek-a-boo hairstyle.

    Contents

    Early life and career

    Veronica Lake was born Constance Frances Marie Ockelman in Brooklyn, New York. Her father, Harry E. Ockelman, of Danish-Irish descent,[2] worked for an oil company onboard a ship. When she was about one year old, the family moved to Florida but returned to Brooklyn before she was five. Her father died in an industrial explosion in Philadelphia in 1932 when she was 9. Her mother, née Constance Charlotta Trimble (1902-1992), [3] (listed as "Veronica F." on the 1920 census), married family friend Anthony Keane, a newspaper staff artist, a year later, and Ockelman began using his last name.

    Connie was sent to Villa Maria, an all-girls Catholic boarding school in Montreal, Canada, which she hated and from which she was expelled. The Keane family later moved to Miami, Florida. Constance Keane attended high school in Miami, where she was known for her beauty. She had a troubled childhood and was, according to her mother, diagnosed as schizophrenic.[4]

    In 1938, Keane moved with her mother and stepfather to Beverly Hills, California, where her mother enrolled Keane in the celebrated Bliss-Hayden School of Acting at the Beverly Hills Playhouse. Her first appearance on screen was for RKO, playing a small role among several coeds in the 1939 film, Sorority House. Similar roles followed, including All Women Have Secrets and Dancing Co-Ed.

    During the making of Sorority House, director John Farrow first noticed how her hair always covered her right eye, creating an air of mystery about her and enhancing her natural beauty. She was then introduced to the Paramount producer Arthur Hornblow, Jr. He changed her name to Veronica Lake because, "[w]hen I think about Veronica, I think about classic, and ... [her] beauty is a classical beauty",[cite this quote] and the surname suited her blue eyes.

    Her contract was subsequently dropped by RKO. She married art director John S. Detlie in 1940. Another small role in the comedy, Forty Little Mothers, brought unexpected attention. In 1941, she was signed to a long term contract with Paramount Pictures. On August 21, she gave birth to a daughter, Elaine Detlie.

    1940s icon

    Her breakthrough film was I Wanted Wings in 1941, a major hit in which she played the second female lead and was said to have stolen scene after scene from the rest of the cast. This success was followed by Hold Back the Dawn later that year. She was soon regarded as a witty, intelligent and trend-setting actress and had starring roles in more popular movies, including Sullivan's Travels, This Gun for Hire, I Married a Witch, The Glass Key, and So Proudly We Hail!. Looking back at her career years later, Lake remarked, "I never did cheesecake; I just used my hair."[5]

    For a short time during the early 1940s, Lake was considered one of the most reliable box office draws in Hollywood and was also known for her onscreen pairings with actor Alan Ladd. At first, the couple was teamed together merely out of physical necessity: Ladd was just 5 feet 5 inches (1.65 m) tall and the only actress then on the Paramount lot short enough to pair with him was Lake, who stood just 4 feet 11½ inches (1.51 m). They made four films together.

    A stray lock of her shoulder-length blonde hair during a publicity photo shoot led to her iconic 'peekaboo' hairstyle, which hid one eye, and was widely imitated. During World War II, she changed her trademark image to encourage women working in war industry factories to adopt more practical, safer hairstyles.[6]

    Although widely popular with the public, Lake had a complex personality and acquired a reputation for being difficult to work with. Eddie Bracken, her co-star in Star Spangled Rhythm was quoted as saying "[s]he was known as 'The Bitch' and she deserved the title."[7] In that movie, Lake took part in a song lampooning her hair style, "A Sweater, A Sarong and a Peekaboo Bang", performed with Dorothy Lamour and Paulette Goddard.[8]

    Lake's career stumbled with her unsympathetic role as Nazi sympathizer Dora Bruckman in 1944's The Hour Before the Dawn. During filming, she tripped on a lighting cable while pregnant and began hemorrhaging. She recovered, but her second child, William, was born prematurely on July 8, 1943, dying a week later from uremic poisoning.[9] By the end of 1943, her first marriage ended in divorce. Meanwhile, scathing reviews of The Hour Before Dawn included criticism of her unconvincing German accent, which was said to have interfered disastrously with her acting.

    Nevertheless, Lake was making $4,500 per week (equaling over $2.7 million per year in 2007, after allowing for inflation) under her contract with Paramount. Lake is said to have begun drinking more heavily during this period and people began refusing to work with her. Paramount cast Lake in a string of mostly forgotten films. A notable exception was The Blue Dahlia (1946) in which she again co-starred with Alan Ladd (who reportedly was also less than fond of her). During filming, author Raymond Chandler referred to her as "Moronica Lake."[10] Paramount decided not to renew her contract in 1948.

    She married film director Andre De Toth in 1944, with whom she had a son, Andre Anthony Michael De Toth, born October 25, 1945, in Los Angeles, California and a daughter, Diana De Toth, born October 16, 1948. Lake was also sued by her mother for support payments that year.

    Later years

    After a single film for 20th Century Fox, her career collapsed. By the end of 1952, she had appeared in one last film (Stronghold, which she later described as "a dog"), filed for bankruptcy, and divorced de Toth. The IRS seized the remainder of her assets for unpaid taxes. Lake turned to television and stage work, and in 1955, married songwriter Joseph A. McCarthy.

    After breaking her ankle in 1959, Lake was unable to continue working as an actress. She and McCarthy divorced, and she drifted between cheap hotels in Brooklyn and New York City and was arrested several times for public drunkenness and disorderly conduct.

    A reporter found her working as a barmaid at the all women's Martha Washington Hotel in Manhattan. At first, Veronica claimed that she was a guest at the hotel and covering for a friend. Soon afterward, she admitted that she was employed at the bar. The reporter's widely distributed story led to some television and stage appearances. In 1966, she had a brief stint as a TV hostess in Baltimore, Maryland, along with a largely ignored film role in Footsteps in the Snow.

    Her physical and mental health declined steadily and by the late 1960s Lake was in Hollywood, Florida, apparently immobilized by paranoia (which included claims she was being stalked by the FBI).[11]

    She published her autobiography Veronica, amid much publicity and positive reviews.[12] With the proceeds, Lake co-produced and starred in her last film, Flesh Feast (1970), a very low budget horror movie with a Nazi-myth storyline.

    She then moved to the UK, where she had a short-lived marriage with "English sea captain" Robert Carleton-Munro before returning to the U.S. in 1973, having filed for divorce. Lake was immediately hospitalized and although she is said to have made a cheerful and positive impression on the nurses who cared for her, she was apparently estranged from her three surviving children. She had no guests or visitors and was destitute again.

    Death

    Lake died of hepatitis and acute renal failure (complications of her alcoholism) in Montreal. Her corpse was moved by her last lover, Nat Perlow, to Vermont, who told border agents that she was just sleeping. This had been Lake's wish, as she did not want the public to know that she had died in Montreal, the "Sin City of the North". [1] Her ashes were scattered off the Virgin Islands. In 2004, some of Lake's ashes were reportedly found in a New York antique store.[13] Her son, Michael De Toth, died on October 25, 1991 in Olympia, Washington at the age of 45.

    Lake has a star on the Hollywood Walk of Fame at 6918 Hollywood Boulevard for her contributions to the motion picture industry.

    Quotes

    • "You could put all the talent I had into your left eye and still not suffer from impaired vision."[15]
    • "I've reached a point in my life where it's the little things that matter... I was always a rebel and probably could have got much farther had I changed my attitude. But when you think about it, I got pretty far without changing attitudes. I'm happier with that." (1970)

    References in popular culture

    • Barry Smolin's song Veronica Lake is about an irresolute sighting of a homeless Veronica Lake at Union Station in Los Angeles.
    • The Archie comics character Veronica Lodge was partially named after Veronica Lake, who was in the midst of her early celebrity when the comic book character was introduced in the spring of 1942.
    • In Alfred Hitchcock's "Shadow of a Doubt", 1941, the young daughter named Ann says her prayers before going to sleep... "God bless Mama, Papa, Captain Midnight, Veronica Lake, and the President of the United States."
    • The Bugs Bunny cartoon A-Lad-In His Lamp features a lake called Veronica Lake.
    • Clips of Veronica Lake were used in Dead Men Don't Wear Plaid, a 1982 spoof of and homage to film noir.
    • In 2009 video game Still Life 2 which is a sequel to the 2005 game, Still Life, Veronica Lake is the favourite actress of game's villain. He's obsessed with her movies, especially The Blue Dahlia

    Filmography

    Year Title Role Other notes
    1939 Sorority House Coed Uncredited, Alternative title: That Girl from College
    The Wrong Room The Attorney's New Bride Credited as Connie Keane
    Dancing Co-Ed One of Couple on Motorcycle Uncredited, Alternative title: Every Other Inch a Lady
    All Women Have Secrets Jane Credited as Constance Keane
    1940 Young As You Feel Bit part Credited as Constance Keane
    Forty Little Mothers Granville girl Uncredited
    1941 I Wanted Wings Sally Vaughn
    Hold Back the Dawn Movie Actress Uncredited
    Sullivan's Travels The Girl
    1942 This Gun for Hire Ellen Graham
    The Glass Key Janet Henry
    I Married a Witch Jennifer
    Star Spangled Rhythm Herself
    1943 So Proudly We Hail! Lt. Olivia D'Arcy
    1944 The Hour Before the Dawn Dora Bruckmann
    1945 Bring on the Girls Teddy Collins
    Out of This World Dorothy Dodge
    Duffy's Tavern Herself
    Hold That Blonde Sally Martin
    1946 Miss Susie Slagle's Nan Rogers
    The Blue Dahlia Joyce Harwood
    1947 Ramrod Connie Dickason
    Variety Girl Herself
    1948 Saigon Susan Cleaver
    The Sainted Sisters Letty Stanton
    Isn't It Romantic? Candy Cameron
    1949 Slattery's Hurricane Dolores Greaves
    1950 Your Show of Shows TV, 1 episode
    Lights Out TV, 1 episode
    1950-1953 Lux Video Theatre Various TV, 3 episodes
    1951 Somerset Maugham TV Theatre Valerie TV, 1 episode
    Stronghold Mary Stevens
    1952 Celanese Theatre TV, 1 episode
    Tales of Tomorrow Paula TV, an episode
    Goodyear Television Playhouse Judy "Leni: Howard TV, 1 episode
    1953 Danger TV, 1 episode
    1954 Broadway Television Theatre TV, 1 episode
    1966 Footsteps in the Snow
    1970 Flesh Feast Dr. Elaine Frederick Alternative title: Time is Terror

    References

    1. ^ U.S. Census, April 1, 1930, State of New York, County of Kings, enumeration district 1657, page 8-B, family 151, Constance Ockelman (sic), age 7 years, born in Brooklyn. Her father, Harry Ockelman, Jr., is listed as unmarried in the 1920 U.S. Census of Pennsylvania.
    2. ^ Veronica's paternal grandfather was born in Denmark as were his parents, and her paternal grandmother was born in Ireland as were her parents. U.S. Census, Jan. 1, 1920, State of Pennsylvania, County of Delaware, enumeration district 188, p. 9-B, family 186.
    3. ^ Veronica's maternal grandmother and maternal grandfather were the children of Irish immigrants. U.S. Census, Jan. 1, 1920, State of New York, County of Kings, enumeration district 290, p. 8-A, family 189. U.S. Census, April 15, 1910, State of New York, County of Kings, enumeration district 655, p. 5-A, family 125.
    4. ^ Chierichetti, David (2004). Edith Head: The Life and Times of Hollywood's Celebrated Costume. HarperCollins. pp. 70. ISBN 0-060-56740-6. 
    5. ^ Bloomfield, Gary L.; Shain, Stacie L. (2004). Duty, Honor, Applause: America's Entertainers in World War II. Davidson, Arlen C.. Globe Pequot. pp. 409. ISBN 1-592-28550-3. 
    6. ^ "Veronica Lake's remains resurface". USA Today. 2004-10-12. http://www.usatoday.com/life/people/2004-10-12-veronica-lake_x.htm. Retrieved on 2008-06-02. 
    7. ^ Donnelley, Paul (2003). Fade to black: A Book of Movie Obituaries. Omnibus Press. pp. 392. ISBN 0-711-99512-5. 
    8. ^ Parish, James Robert; Pitts, Michael R. (2003). Hollywood Songsters: Singers Who ACT and Actors Who Sing: A Biographical Dictionary. Taylor & Francis. pp. 480. ISBN 0-415-94333-7. 
    9. ^ Parish, Robert James (2001). The Hollywood Book of Death: The Bizarre, Often Sordid, Passings of More than 125 American Movie and TV Idols. Contemporary Books. pp. 74. ISBN 0-809-22227-2. 
    10. ^ Hiney, Tom (1999). Raymond Chandler: A Biography. Grove Press. pp. 154. ISBN 0-802-13637-0. 
    11. ^ Lenburg, Jeff (2007). Peekaboo: The Story of Veronica Lake. iUniverse. pp. 236. ISBN 0-595-19239-4. 
    12. ^ Lenburg, Jeff (2007). Peekaboo: The Story of Veronica Lake. iUniverse. pp. 238, 239. ISBN 0-595-19239-4. 
    13. ^ "Veronica Lake's Ashes For Sale?"
    14. ^ Porter, Darwin (2005). Howard Hughes: Hell's Angel. Blood Moon Productions Ltd.. pp. 639. ISBN 0-974-81181-5. 
    15. ^ Halliwell, Leslie; Walker, John (2003). Halliwell's Who's Who in the Movies. HarperCollins. pp. 274. ISBN 0-060-53423-0. 

    Further reading

    • Oderman, Stuart, Talking to the Piano Player 2. BearManor Media, 2009. ISBN #1-59393-320-7.

    External links



     
     

     

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