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Vilmos Zsigmond

 
Cinematographer: Vilmos Zsigmond
  • Born: Jun 16, 1930 in Czeged, Hungary
  • Occupation: Cinematographer, Actor, Director
  • Active: '60s-2000s
  • Major Genres: Drama, Thriller
  • Career Highlights: The Last Waltz, Deliverance, McCabe & Mrs. Miller
  • First Major Screen Credit: The Sadist (1963)

Biography

Hungarian-born cinematographer Vilmos (William) Zsigmond, who graduated from the Budapest Film School, emigrated to the United States following the brutal Russian repression of the 1956 Hungarian uprising. He moved up from still photographer and laboratory technician to cinematographer during the next seven years, making his debut with the Arch Hall Jr. exploitation film The Sadist (1963). Throughout the next few years, he worked in low-budget movies, including The Time Travelers (1966) and The Monitors (1969), before moving up to serious major pictures in 1971 with James Goldstone's Red Sky at Morning, produced by Hal Wallis at Universal. That same year, Zsigmond photographed Robert Altman's McCabe and Mrs. Miller, a high-profile failure that was widely reviewed and taken very seriously by critics despite its lack of box-office success, and Peter Fonda's The Hired Hand. His next notable appearance behind the camera was in John Boorman's Deliverance (1972), which became a huge hit, widely acclaimed for all of its production details. Altman's The Long Goodbye (1973) and Steven Spielberg's theatrical debut, The Sugarland Express (1974), followed. And in 1977, Zsigmond served as photographer of Close Encounters of the Third Kind, Spielberg's enormous science fiction hit, for which Zsigmond earned an Oscar. His work since then, in pictures such as The Last Waltz, The Deer Hunter, Heaven's Gate, The River, and The Witches of Eastwick, has kept him among the most visible of cinematographers. He has maintained a strong working relationship with Brian De Palma, collaborating with the director on Obsession, Blow Out, the infamous The Bonfire of the Vanities, and The Black Dahlia. Zsigmond has continued to work as well with a variety of different directors such as Richard Donner, Kevin Smith, and Woody Allen. He has also photographed the work of actors turned directors Sean Penn and Jack Nicholson. He has also directed one movie, The Long Shadow (1992), a joint Israeli-Hungarian production. ~ Bruce Eder, All Movie Guide
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Filmography: Vilmos Zsigmond
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Wikipedia: Vilmos Zsigmond
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Vilmos Zsigmond, A.S.C.

Vilmos Zsigmond at 43rd KVIFF
Born June 16, 1930
Szeged, Hungary

Vilmos Zsigmond, A.S.C. (born June 16, 1930) is an Academy Award winning Hungarian-American cinematographer.

Contents

Biography

Zsigmond was born in Szeged, Hungary, the son of Bozena (née Illichman), an administrator, and Vilmos Zsigmond, a celebrated soccer player and coach.[1][2] He studied cinema at the Academy of Drama and Film in Budapest.[3][4] He received an MA in cinematography.[1] He worked for five years in a Budapest feature film studio becoming "director of photography".[1] Together with his friend and fellow student László Kovács, he chronicled the events of the 1956 Hungarian Revolution in Budapest on thirty thousand feet of film[1] and then escaped to Austria shortly afterwards.[1]

In 1962, he became a naturalized citizen of the United States.[2] He settled in Los Angeles and worked in photo labs as a technician and photographer. During the 1960s, he worked on many low-budget independent films and educational films, as he attempted to break into the film industry[1]. Some of the films that he worked on during this period credited him as "William Zsigmond," including the classic horror B-Film, The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies. In 1964 working with a favorite crew which included László Kovács, Jim Enochs, and Ernie Reed, Vilmos shot the European style, neo-noir, black and white film "Summer Children" (aka a Hot Summer Game)which has recently been fully restored digitally for DVD release. The first film he worked on in the United States was "The Sadist," starring Arch Hall, Jr.

He gained prominence during the 1970s working on Robert Altman's McCabe & Mrs. Miller and The Long Goodbye[1], John Boorman's Deliverance and Steven Spielberg's The Sugarland Express and Close Encounters of the Third Kind, the latter of which won him the Academy Award for Best Cinematography. Zsigmond has worked with Brian De Palma on Obsession, Blow Out, The Bonfire of the Vanities, and The Black Dahlia, with Michael Cimino on The Deer Hunter and Heaven's Gate, with Richard Donner on Maverick and Assassins , and with Woody Allen on Melinda and Melinda and Cassandra's Dream.

Has been a longtime user and endorser of Tiffen filters.

Awards and nominations

References

  1. ^ a b c d e f g Schaefer, Dennis; Larry Salvato (1986). "Vilmos Zsigmond". Masters of Light: Conversations with Contemporary Cinematographers. University of California Press. p. 311. ISBN 9780520053366. 
  2. ^ a b Vilmos Zsigmond Biography (1930-)
  3. ^ "Vilmos Zsigmond". The New York Times. http://movies.nytimes.com/person/118036/Vilmos-Zsigmond/biography. Retrieved 2008-12-27. 
  4. ^ "Vilmos Zsigmond". MSN. http://movies.msn.com/celebrities/celebrity-biography/vilmos-zsigmond/. Retrieved 2008-12-27. 

External links


 
 
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Cinematographer. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
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