| Vince Clarke |
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| Background information |
| Birth name |
Vincent John Martin |
| Born |
3 July 1960 (1960-07-03) (age 49) |
| Origin |
South Woodford, England |
| Genres |
Synthpop, dance music |
| Occupations |
Songwriter, remixer, DJ, musician, producer |
| Instruments |
Synthesizer, guitar, vocals |
| Years active |
1979 – present |
| Labels |
Mute Records
Reset Records |
| Associated acts |
Depeche Mode, Yazoo, The Assembly, Erasure, Robert Marlow |
| Website |
www.vinceclarkemusic.com |
| Notable instruments |
| Roland Synthesizers, Moog Synthesizers, Oberheim Synthesizers, Casio CZ-101 |
Vince Clarke (born Vincent John Martin, 3 July 1960, South Woodford, London) is an English pop musician and songwriter, who has been involved with a number of successful groups, including Depeche Mode, Yazoo, The Assembly and Erasure.
Early years
Raised in Basildon, Essex, Clarke initially studied the violin and then the piano.
In the late 1970s, Clarke and schoolmate Andrew Fletcher formed the short-lived band No Romance in China. In 1979, he teamed up with Fletcher to form French Look, an early incarnation of Depeche Mode that was later re-named Composition of Sound, following the addition of Martin Gore. Clarke initially handled vocals.
Depeche Mode
In 1980, singer David Gahan was drafted in to complete the line up and the band was re-named Depeche Mode. The band initially adopted a slick synthesised electropop sound, which produced the album Speak and Spell and the Clarke-penned singles "Dreaming of Me", "New Life" and "Just Can't Get Enough" in 1981. Clarke left Depeche Mode shortly thereafter. There were many rumoured reasons pertaining to his departure, but the one that is most commonly said and that he's admitted to was because he did not enjoy the direction that the band was going in. In addition, in later interviews (including the documentary on a remastered release of A Broken Frame), it was stated that he didn't enjoy the public aspects of success, such as touring and interviews, and found himself frequently at odds with his bandmates, particularly on the tour bus. When asked about his departure from Depeche Mode in the VH1 Behind the Music television series he said, “I think everybody in the band, especially myself, imagined that the reason we were doing so well was because of themselves… We were pretty young and very lucky, and things had happened very quickly for us and I don’t think we were really mature to handle the situation”. Depeche Mode went on to achieve international stardom.
Clarke has commented on Depeche Mode's post-Speak and Spell material as being a little dark for his taste, but good nonetheless. When asked about it, he said, "Martin was a strong writer. He always had been. And I think when I left, it gave him chance just to sort of emerge as the songwriter. I mean, he could always write songs. It's not like he just started because I left".[cite this quote]
Yazoo
Clarke then teamed up with singer Alison Moyet (at the time known by the nickname of 'Alf') to form the extremely popular synthpop band Yazoo (known as Yaz in the U.S.), which produced two albums and a string of hits including "Don't Go", "Situation", "Only You", "Nobody's Diary", "The Other Side of Love", and "Walk Away From Love".
Yazoo split in 1983, and Moyet went on to have a solo career. Yazoo reformed in 2008 for a series of live dates to celebrate 25 years since the duo's split-up.
The Assembly
In 1983 Clarke teamed up with Eric Radcliffe and their idea was to collaborate as one-off associations with different artists on each new single, thus the name The Assembly, notably with Feargal Sharkey the hit "Never Never". He also founded the label Reset Records with Eric Radcliffe. During 1983 & 1984, he also produced 4 singles "The Face of Dorian Gray" "I Just Want To Dance", "Claudette" and "Calling All Destroyers" for his friend Robert Marlow, which were released on this label. They also produced an album, which was shelved but was released in 1999 under the name The Peter Pan Effect. In 1985, another collaboration took place with Paul Quinn of Bourgie Bourgie, the result was the single "One Day" by Vince Clarke & Paul Quinn. However, the project never took off, and Clarke moved on to other projects.[1]
Erasure
In early 1985, Clarke put an ad in Melody Maker for a singer, and one applicant was Andy Bell, who was a fan of his earlier projects. He teamed with Bell to form the group Erasure, and the duo became a big selling act in British pop music with international hits like "Oh L'amour", "Sometimes", "Chains of Love", "A Little Respect", "Chorus", "Love to Hate You", "Take a Chance on Me" and "Always".
The band has released fifteen albums to date and have enjoyed a long string of hit singles spanning their twenty-four years together, most recently topped off by the 2005 top five hit "Breathe" taken from their Nightbird album. In 2006 Erasure produced a country-western style acoustic album consisting of mostly non-single cuts from their previous albums. This album, Union Street was preceded by the single "Boy" originally included on their 1997 Cowboy album.
On 26 January 2007, in a video message on the official Erasure website,[2] the band announced the release of their sixteenth (thirteenth studio) album, entitled Light at the End of the World. Released in the UK on 21 May 2007, with a US release the following day, it was preceded by the single "I Could Fall in Love with You", released on 2 April 2007. The second single, "Sunday Girl" was subsequently released.
The album was produced by Gareth Jones and was a more 'dance oriented' effort than some of their more recent work with Clarke making reference to the new material sounding potentially a bit more like Andy Bell's 2005 solo effort Electric Blue.
Erasure went on to tour with Cyndi Lauper, Deborah Harry, Margaret Cho and other artists, for the 2007 True Colors Tour of the United States, a tour which benefited gay, lesbian, bisexual, and transgender freedoms and rights. Erasure then went out on their own, headlining the "Light at the End of the World" tour in North America and Europe.
The band released a new EP, Storm Chaser, in September 2007. The EP contains nine tracks, one of them the winner of an online fan remix contest, for the track "When A Lover Leaves You", from the Light at the End of the World album.
Clarke has stated in recent interviews that a new Erasure album is already in the works, one of a darker soundtrack nature.
Additional work
In July 1984, Clarke teamed Stephen Luscombe of Blancmange, Pandit Dinesh and Asha Bhosle. The group, West India Company, released a four track, self-titled EP.
Clarke worked with synthpop producer Martyn Ware (of Heaven 17) in 1999 as "The Clarke & Ware Experiment" and released the album Pretentious. The duo collaborated again in 2001 for the album Spectrum Pursuit Vehicle, which was created with "3D music technology" specifically designed for listening in headphones. 2001 also saw the release of the Clarke-produced album Erasure's Vince Clarke which featured The Peter Pan Effect, an album that he and Eric Radcliffe produced for his long time friend, Robert Marlow. Clarke wrote "Let's Get Together" for the pop girl group Girl Authority for their second album, Road Trip. The song was originally meant to be for Depeche Mode, but was never recorded by them. Clarke also co-wrote "What Do I Want From You?" with Freeform Five, for their album Strangest Things (2005).
Clarke was an essential component of a 2000 project called Family Fantastic.[3] They produced the album Nice!.[4] In 2007 Family Fantastic released a second album, entitled Wonderful.
On 21 May 2009, Clarke was awarded by an "Outstanding Song Collection" prize, during the Ivor Novello Awards ceremony of the same day, in recognition of 30 years in the music industry.
Discography
With Depeche Mode
With Yazoo
With The Assembly
In duet with Paul Quinn
With Erasure
Solo
- Lucky Bastard (1993, CD sampler)
In duet with Martyn Ware
- Pretentious (1999, as The Clarke and Ware Experiment)
- Spectrum Pursuit Vehicles (2001, simply as Vincent Clarke & Martyn Ware)
With Family Fantastic
- Nice (2000)
- Wonderful (2007)
In The RadioActivators
- Knock on Your Door (2001)
Remixes
He has remixed the following songs for artists other than Erasure:
Production and recording methods
When Clarke started out in the music industry in 1979, all synthesizers were analogue. In order to connect analogue synthesizers, drum machines and sequencers together, a complex series of patch cables was required controlling each aspect of the instruments sound. When the MIDI standard was introduced in 1983, Clarke, like most other electronic musicians, gradually migrated to the new technology. MIDI only requires one cable per instrument connection. However, he never felt as comfortable using MIDI as he did with his older analogue instruments, despite the ease of MIDI controllers and connections. For the Chorus album in 1991, he gathered together his collection of analogue synthesizers from various recording studio locations in London and set up a small studio in Amsterdam.[5] This led Clarke to assemble an intricate patch system to more easily enable the control of his analogue instruments. In a 1993 interview for the Erasure fan club magazine Private Ear, Clarke stated about analogue “I can hear and feel that it's tighter than MIDI - we can even prove it using 'scopes. Because everything is clocked simply, it arrives bang on the beat. The whole production starts to 'tick over'. Just look at Kraftwerk's stuff. I think that 'feel' has been lost with MIDI sequencers. No matter what you do with MIDI, the music will never sound as good as it did in the good or Futurist days. That's why our tracks sound the way they do."
Clarke continued to expand his collection of analogue synthesizers and in 1994 set up 37B, a recording studio within his custom made home, named ‘Ammonite’, in Surrey. From 1994 to 2003, all Erasure albums were either wholly or in part recorded at 37B.[6]
Clarke moved to Maine in 2004, but was unable to transport his studio equipment with him. Subsequent Erasure albums have been produced using computer based MIDI software synthesizers which Clarke stores on his laptop computer.
As of 2009, Clarke has set up his pre-midi analog synthesizers in a wooden hut-like structure in Maine, and combined it with a digital, logic based set up to form a new recording studio which is open for commercial use. It is called The Cabin.[7]
Personal life
Clarke has been married to Tracy Hurley since 2004, and together they have a son named Oscar.[8]
References
External links
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Erasure |
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| Vince Clarke · Andy Bell |
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| Compilations |
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| Live album |
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| Box Sets |
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| Singles |
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| Video/DVD |
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| Persondata |
| NAME |
Clarke, Vince |
| ALTERNATIVE NAMES |
Martin, Vincent John (birth name) |
| SHORT DESCRIPTION |
Musician |
| DATE OF BIRTH |
July 3, 1960 |
| PLACE OF BIRTH |
South Woodford, London, England |
| DATE OF DEATH |
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| PLACE OF DEATH |
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