For more information on Vincent Millie Youmans, visit Britannica.com.
| Britannica Concise Encyclopedia: Vincent Millie Youmans |
For more information on Vincent Millie Youmans, visit Britannica.com.
| American Theater Guide: Vincent [Millie] Youmans |
Youmans, Vincent [Millie] (1898–1946), composer. Born in New York, where his father and grandfather were well‐known hatters, he originally considered a career in engineering but soon turned to music. A stint in the navy in World War I, during which time John Philip Sousa played one of his compositions, confirmed him in his decision. Youmans served as a song plugger and inserted interpolations into a failed revue before writing much of the score for Two Little Girls in Blue (1921). In 1923 he collaborated on Wildflower and Mary Jane McKane, then a year later wrote his first complete score for Lollipop. The biggest musical comedy success of the 1920s was his No, No, Nanette (1925), whose songs included “I Want to Be Happy” and “Tea for Two.” Oh, Please! (1926) offered “I Know That You Know,” while from the far more successful Hit the Deck! (1927) came “Hallelujah” and “Sometimes I'm Happy.” Thereafter Youmans decided to abandon musical comedy writing and return to operetta. He had also co‐produced Hit the Deck! and ambitiously attempted to produce other offerings. But his subsequent shows proved failures and drove him to bankruptcy. Rainbow (1928) was followed by Great Day (1929), which despite its short run left behind its title melody as well as “More Than You Know” and “Without a Song.” Youmans's last shows were Smiles (1930), Through the Years (1932), and Take a Chance (1932). Especially in his early years, his identifying signature was his employment of the shortest themes, often two to four notes, repeated with variations in harmony and in tempo. In later years Youmans's musical line was frequently longer, but he never fully discarded his early technique. After writing the music for the film Flying Down to Rio, he contracted tuberculosis. This, his heavy drinking and partying, coupled with a curious intractability in negotiations, all combined to remove him from the scene and hastened his death. Biography: Days to Be Happy, Years to Be Sad, Gerald Bordman, 1982.
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| Discography: Vincent Youmans |
| Wikipedia: Vincent Youmans |
Vincent Youmans (September 27, 1898 - April 5, 1946) was an American popular composer and Broadway producer.
| Vincent Youmans | |
|---|---|
| Birth name | Vincent Millie Youmans |
| Born | September 27, 1898 New York City, New York |
| Origin | |
| Died | April 5, 1946 (aged 45) Denver, Colorado |
| Occupations | composer, Broadway producer, orchestrator |
Contents |
Vincent Millie Youmans was born in New York City on September 27, 1898 and grew-up on Central Park West on the site where the Mayflower Hotel once stood. His father, a prosperous hat manufacturer, moved the family to upper-class Larchmont, New York.[1] Youmans attended the Trinity School in Mamaroneck, NY and Heathcote Hall in Rye, New York. Originally, his ambition was to become an engineer and attended Yale for a short time. He dropped out to become a runner for a Wall Street brokerage firm before he was drafted to fight in World War I. He took an interest in the theatre when he produced troop shows for the Navy. After the war, he was a Tin Pan Alley song plugger for the TB Harms Company and then as a rehearsal pianist for famed composer Victor Herbert’s operettas.[2]
No, No, Nanette was the biggest musical-comedy success of the 1920s in both Europe and the USA and his two songs "Tea for Two" and "I Want to Be Happy" are considered standards. From 1927, Youmans also produced his own shows. He had another major success with Hit the Deck! (1927; including ‘Hallelujah’), but his subsequent productions were failures, though many of their songs remain popular. His last contributions to Broadway were some songs for Take a Chance (1932).[3]
Youmans collaborated with the greatest songwriters on Broadway: Herbert Stothart, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Mack Gordon, Buddy De Sylva and Gus Kahn.[2] He collaborated with lyricist Ira Gershwin on the score for Two Little Girls in Blue, which won wide acclaim. His next show, with lyrics by Otto Harbach and Oscar Hammerstein II, was Wildflower. His most enduring success, however, was No, No, Nanette, with lyrics by Irving Caesar.
Youmans’s early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, apparently influenced by Jerome Kern, he turned to longer musical sentences and more free-flowing melodic lines.[3]
Youmans was forced to retire in 1934, after a professional career of only 13 years, only returning to Broadway to mount the ill-fated extravaganza The Vincent Youmans Ballet Revue (1943), an ambitious mix of Latin-American and classical music, including Ravel's Daphnis and Chloe. Choreographed by Leonide Massine, it lost some $4 million.[4] More than any of his contemporaries, he made constant re-use of a limited number of melodies; he published fewer than 100 songs, but 18 of these were considered standards by ASCAP.[3]
He died of tuberculosis in Denver, Colorado. At his death, Youmans left behind a large quantity of unpublished material.
In 1970, Youmans was inducted into the Songwriter's Hall of Fame.
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