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Vladimir Solovyov

 
Gale Encyclopedia of Biography:

Vladimir Sergeevich Soloviev

The Russian philosopher and religious thinker Vladimir Sergeevich Soloviev (1853-1900) was an early exponent of the ecumenical movement. He was also a leader of the modern reaction against extreme rationalism.

Vladimir Soloviev was born on Jan. 28, 1853, the second son of a distinguished historian. He graduated from Moscow Gymnasium No. 1 in 1869 and entered the science faculty at Moscow University. Three years later he transferred to the philosophy faculty, graduating in 1873, and then attended classes in the seminary of the St. Sergius Monastery. He also studied European philosophy in preparation for his master of arts thesis, an attack on materialism which was accepted in 1874 (The Crisis of Western Philosophy). He lectured for a year at Moscow University and then took a leave in England. In the British Museum he had a vision of a beautiful woman whom he identified as Sophia, or the Divine Wisdom (he had first seen her when he was only 9 years old). This time she told him to go to Egypt, where in November 1875 she appeared to him in the desert.

This desert vision changed Soloviev's life. He became increasingly interested in religion. In 1877 he took a post in the Education Ministry in St. Petersburg, where he was close to Slavophile circles. In 1878 he completed his Treatise on God-Manhood. Two years later his doctoral dissertation (Critique of Abstract Principles) was accepted. His public lecturing was suppressed after April 1881 because of his appeal to spare the lives of those who had assassinated Alexander II, an appeal which incensed the authorities.

The decade from 1881 to 1890 was the fullest in Soloviev's life, a period of intense work for the reconciliation of the churches. He worked closely with J. G. Strossmayer, Archbishop of Djakovo (in what is now Yugoslavia), who wished to unite the Slavs with the West under the Pope. In 1888 Soloviev traveled to Paris with his latest book (written in French), Russia and the Universal Church, but had little success with French Catholics.

The last decade of Soloviev's life was one of frustration and growing darkness. He continued to write profusely, notably, Three Meetings (1897) and The Justification of the Good (1898). His 1898 trip to Egypt greatly depressed him. In the last year of his life he published Three Conversations, which he considered his most important book, even though it repudiated much of his earlier work. He died at Uzkoe, the estate of the Trubetskoys, on Aug. 13, 1900.

Further Reading

S.L. Frank, ed., A Solovyev Anthology (1950), is poorly translated but remains much better than any of the books in English about Soloviev. Probably the best concise treatment of Soloviev's life and ideas is the chapter on him in Nicolas Zernov, Three Russian Prophets (1944). Written from the Roman Catholic point of view, Maurice d'Herbigny, Soloviev: A Russian Newman (trans. 1918), is rather turgid and one-sided; the chapter on Soloviev in Karl Pfleger, Wrestlers with Christ (trans. 1936), is cursory; and Egbert Munzer, Solovyev: Prophet of Russian Western Unity (1956), is intellectually shoddy.

Additional Sources

Stremooukhoff, D., Vladimir Soloviev and his messianic work, Belmont, Mass.: Nordland Pub. Co., 1980, 1979.

Sutton, Jonathan, The religious philosophy of Vladimir Solovyov: towards a reassessment, New York: St. Martin's Press, 1988.

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Gale Encyclopedia of Russian History:

Vladimir Sergeyevich Soloviev

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(1853 - 1900), philosopher, theologian, journalist, poet, literary critic.

At the end of the nineteenth century, Vladimir Soloviev sought to counter the secular trend in Russian thought by articulating a world view grounded in Christianity. As a young man, Soloviev seemed destined to become the foremost academic philosopher of the Slavophile school, and his early works, such as The Crisis of Western Philosophy: Against the Positivists (1874), reflected Slavophile themes, but in time he gravitated from Slavophilism to Westernism, much like his father, the renowned historian Sergei Mikhailovich Soloviev. When Alexander II was assassinated in 1881, Soloviev called upon the new tsar to set an example of Christian forgiveness by sparing the lives of the terrorists. The ensuing scandal led to his exile from Russia's government-controlled universities, a lifelong career as an independent writer, and eventually an association with the liberal journal Vestnik Evropy (European Messenger). Soloviev led an unconventional life as a kind of secular monk dedicated to intense intellectual work; the result was a remarkable output of philosophy, theology, poetry, literary criticism, and social commentary.

Soloviev's philosophical approach was a synthesis of Western philosophy (particularly German idealist thought) and the Orthodox faith in which he had been raised. His philosophical system emphasized the integration of science, philosophy, and religion. At the center of his philosophical outlook was the concept of the unity of all - the idea that the world was an Absolute in the process of becoming. On this basis, he developed a unique Christian metaphysics in his Lectures on God-Manhood (1877 - 1881). He argued that reality had been fractured by the Fall, and that history, the center of which was the Incarnation of Christ (the "Godman"), was a process leading to renewal of the unity of all. In this work, he also introduced the elusive concept of Sophia, which at various times he referred to as the "world soul," the ideal of a perfect humanity, and the "eternal feminine" principle in the Divine.

Soloviev's fascination with Sophia was reflected in personal mystical experience. His reputation as a mystic derived from his poetry, most famously the poem "Three Meetings," in which he described three encounters with Sophia, first as a young boy, then during his studies in the British Museum, and finally in the Egyptian desert.

Meanwhile Soloviev was developing a liberal theology similar to the Social Gospel movement in the West. He criticized conservative intellectuals for compromising the moral claims of the Gospels, and advocated unification of the Roman Catholic and Russian Orthodox churches. Soloviev's enthusiastic ecumenism provoked a nationalist backlash, which in turn led to his Christian critique of nationalism (The National Question in Russia, 2 vols., 1888, 1891). Soloviev went on to produce a wide-ranging ethical treatise, The Justification of the Good (1897), in which he provided an overall theory as well as practical discussion of such issues as nationalism, capitalism, and war. He also contributed to the development of a liberal philosophy of law in Russia.

In the year of his untimely death at age forty-seven, Soloviev published Three Conversations on War, Progress, and the End of History, a controversial work of fiction that questioned the efficacy of human action in an evil world. The work concluded with "The Short Tale of the Anti-Christ," a futuristic story about the end of the world. Some scholars argue that Soloviev here rejected his liberal theology, but others contend that the central meaning of the story is consistent with his earlier work, because a unified, truly ecumenical humanity triumphs.

A uniquely independent thinker during his life, Soloviev had great influence after his death. His theology inspired social activism among some Orthodox clergy, a trend cut short by the Bolshevik Revolution. His philosophy paved the way for Orthodox thinkers like Sergei Bulgakov and Pavel Florensky. His mystical poetry inspired symbolists like Alexander Blok and Andrei Bely. And after the Soviet Union came to an end, many Russians returned to Soloviev as a guidepost for creating a new Russian philosophy.

Bibliography

Copleston, Frederic C. (1986). Philosophy in Russia: From Herzen to Berdyaev. Notre Dame, IN: Notre Dame University Press.

Gaut, Greg. (1998). "Can a Christian Be a Nationalist? Vladimir Soloviev's Critique of Nationalism." Slavic Review 57:77 - 94.

Groberg, Kristi A. (1992). "The Feminine Occult Sophia in the Russian Religious Renaissance: A Bibliographic Essay." Canadian-American Slavic Studies. 26:197 - 240.

Kline, George L. (1985). "Russian Religious Thought." In Nineteenth Century Religious Thought in the West. Vol. 2, ed. Ninian Smart. Cambridge, UK: Cambridge University Press.

Kornblatt, Judith, and Gustafson, Richard, eds. (1996). Russian Religious Thought. Madison: University of Wisconsin Press.

Sutton, Jonathan. (1988). The Religious Philosophy of Vladimir Soloviev: Towards a Reassessment. New York: St. Martin's Press.

Walicki, Andrzej. (1987). Legal Philosophies of Russian Liberalism. Oxford: Clarendon Press.

—GREG GAUT

Columbia Encyclopedia:

Vladimir Sergeyevich Soloviev

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Soloviev, Vladimir Sergeyevich (vlədyē'mĭr sĭrgā'əvĭch sələvyôf'), 1853-1900, Russian religious philosopher and poet; son of Sergei Mikhailovich Soloviev. Soloviev believed in the incarnation of divine wisdom in a being called Sophia, a concept that greatly influenced the young symbolist poets, especially Blok. He advocated a synthesis of Eastern and Western churches in Russia and the Universal Church, which he wrote in French in 1889 (tr. 1948). The imminent coming of the Antichrist was the theme of his Three Conversations on War, Progress, and the End of History (1899, tr. 1915). The best known of his mystical poems is Three Meetings (1899), which describes his visions of Sophia. Soloviev is also noted for political writings and literary criticism.

Bibliography

See biography by M. d'Herbigny (1918); studies by E. Munzer (1956) and P. M. Allen (1973).

Wikipedia on Answers.com:

Vladimir Solovyov (philosopher)

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Vladimir Sergeyevich Solovyov

Vladimir Sergeyevich Solovyov
Full name Vladimir Sergeyevich Solovyov
Born January 28, 1853(1853-01-28)
Moscow, Russia
Died August 13, 1900(1900-08-13) (aged 47)
Uzkoye, Moscow Governorate, Russia
Era 19th-century philosophy
Region Russian philosophy
School Russian symbolism

Vladimir Sergeyevich Salavyov (Russian: Влади́мир Серге́евич Соловьёв; January 28 [O.S. January 16] 1853 – August 13 [O.S. July 31] 1900) was a Russian philosopher, theologian, poet, pamphleteer and literary critic, who played a significant role in the development of Russian philosophy and poetry at the end of the 19th century and in the spiritual renaissance of the early 20th century. [The name Solovyov derives from "соловей", "solovey", Nightingale in Russian.]

Contents

Life and work

Vladimir Sergeyevich Solovyov was born in Moscow on 16 January 1853, in the family of the historian Sergey Mikhaylovich Solovyov (1820–1879).[1] His mother, Polyxena Vladimirovna, belonged to a Ukrainian-Polish family, having among her ancestors the thinker Hryhori Skovoroda (1722–1794).[citation needed]

In his teens Solovyov renounced Orthodox Christianity for nihilism, but later he changed his convictions and began expressing views in line again with the Orthodox Church.[2] What prompted this change was his disapproval of Positivism.[2] In his The Crisis of Western Philosophy: Against the Positivists he attempted to discredit the Positivists' rejection of Aristotle's essentialism or philosophical realism. In Against the Postivists he took the position of intuitive noetic comprehension, noesis or insight stating consciousness, in being is integral (Russian term being sobornost) and has to have both phenomenon (validated by dianonia) and noumenon validated intuitively?[2] Positivism, according to Solovyov, only validates the phenomenon of an object, denying the intuitive reality which people experience as part of their consciousness.[2]

Vladimir Solovyov was also a friend and confidant of Fyodor Dostoyevsky. In opposition to Dostoyevsky's apparent views of the Roman Catholic church, Solovyov was sympathetic to Roman Catholic Christianity. He favored the healing of the schism - (ecumenism, sobornost) - between the Orthodox and Roman Catholic Churches - eventually,"through an ethical and social standpoint,"[3] converting to Roman Catholicism.[4] Solovyov believed that his mission in life was to move people toward reconciliation or absolute unity or sobornost.

Solovyov never married or had children, but he pursued idealized relationships as immortalized in his spiritual love poetry, including with two women named Sophia.[5] He rebuffed the advances of mystic Anna Schmidt, who claimed to be his divine partner.

Solovyov died an apparently homeless pauper, leaving his brother Mikhail Sergeevich and several colleagues to defend and promote his intellectual legacy.[6]

Vladimir Solovyov by Ivan Kramskoy, 1885.

Influence

It is widely held that Solovyov was one of the sources for Dostoyevsky's characters Alyosha Karamazov and Ivan Karamazov from The Brothers Karamazov.[7] Solovyov's influence can also be seen in the writings of the Symbolist and Neo-Idealist of the later Russian Soviet era. His book The Meaning of Love can be seen as one of the philosophical sources of Leo Tolstoy's The Kreutzer Sonata (1889).

He influenced the religious philosophy of Nicolas Berdyaev, Sergey Bulgakov, Pavel Florensky, Nikolai Lossky, Semen L. Frank, the ideas of Rudolf Steiner and the poetry and theory of Russian Symbolists, namely Andrei Belyi, Alexander Blok, Solovyov's nephew, and others. Hans Urs von Balthasar explores his work as one example of seven lay styles that reveal the glory of God's revelation, in volume III of The Glory of the Lord (pp. 279–352).

Sophiology

Solovyov compiled a philosophy based on Hellenistic philosophy (see Plato, Aristotle and Plotinus) and early Christian tradition with Buddhism and Hebrew Kabbalistic elements (Philo of Alexandria). He also studied Gnosticism and the works of Valentinus.[8] His religious philosophy was syncretic, and fused philosophical elements of various religious traditions with Orthodox Christianity and his own experience of Sophia.

Solovyov described his encounters with the entity Sophia in his works, Three Encounters and Lectures on Godmanhood among others. Solovyov's fusion was driven by the desire to reconcile and or unite with Orthodox Christianity these various traditions via the Russian Slavophiles' concept of sobornost. His Russian religious philosophy had a very strong impact on the Russian Symbolist art movements of his time.[9] Solovyev's teachings on Sophia have been deemed a heresy by ROCOR and as unsound and unorthodox by the Patriarchate of Moscow.[10]

Sobornost

Vladimir Solovyov by Nikolai Yaroshenko, 1892.

Solovyov sought to create a philosophy that could through his system of logic or reason reconcile all bodies of knowledge or disciplines of thought, and fuse all conflicting concepts into a single system. The central component of this complete philosophic reconciliation was the Russian Slavophile concept of sobornost (organic or Spontaneous order through integration; which is related to the Russian word for 'catholic'). Solovyov sought to find and validate common ground - or where conflicts found common ground - and by focusing on this common ground to establish absolute unity and or integral[11] fusion of opposing ideas and / or peoples.[12]

Criticism

Solovyov is criticized by Dmitry Galkovsky in the 1988 philosophic novel The Infinite Deadlock. Galkovsky views Solovyov's adoption and later renunciation of nihilist views as evidence of opportunism. He also characterizes Solovyov's writings on theocracy as a "parodic hybrid of slavophilic nationalism with Western nihilism."[13] In Galkovsky's interpretation Solovyov emerges as an impostor, whose primary goal was to create a caricatured form of religious conservatism that would draw audiences away from more "authentic" nationalists such as Yuri Samarin.

Quotes

"As long as the dark foundation of our nature, grim in its all-encompassing egoism, mad in its drive to make that egoism into reality, to devour everything and to define everything by itself, as long as that foundation is visible, as long as this truly original sin exists within us, we have no business here and there is no logical answer to our existence. Imagine a group of people who are all blind, deaf and slightly demented and suddenly someone in the crowd asks, "What are we to do?"... The only possible answer is "Look for a cure". Until you are cured, there is nothing you can do. And since you don't believe you are sick, there can be no cure."

Bibliography

Further reading

  • Kristi Groberg, ‘Vladimir Sergeevich Solov’ev: a bibliography’, Modern Greek Studies Yearbook, vol.14-15, 1998
  • Judith Deutsch Kornblatt, ‘Vladimir Sergeevich Solov’ev’, Dictionary of Literary Bibliography, v295 (2004), pp377–386
  • Dimitrii N.Stremooukhoff, Vladimir Soloviev and his messianic work (Paris, 1935; English translation: Belmont, MA: Nordland, 1980)
  • Jonathan Sutton, The religious philosophy of Vladimir Solovyov: towards a reassessment (Basingstoke, UK: Macmillan, 1988)
  • Nicholas Zernov, Three Russian prophets (London: SCM Press, 1944)
  • Nikolai Lossky History of Russian Philosophy «История российской Философии »(1951)

See also

References

  1. ^ Dahm, Helmut and Wright, Kathleen. Vladimir Solovyev and Max Scheler: Attempt at a Comparative Interpretation, page 219. Springer, 1975
  2. ^ a b c d History of Russian Philosophy section on Solovyov «История российской Философии »(1951) by N. O. Lossky,[page needed] Publisher: Allen & Unwin, London ASIN: B000H45QTY International Universities Press Inc NY, NY ISBN 978-0-8236-8074-0 sponsored by Saint Vladimir's Orthodox Theological Seminary
  3. ^ Von Balthasar, Hans Urs, The Glory of the Lord: A Theological Aesthetics - III: Studies in Theoloical Style: Lay Styles, Ignatius 1986, pg. 282ff
  4. ^ Falk, Henrich, Wladimir Solowjews Stellung zur katholischen Kirche, in Stimmen der Zeit, 1949, pgs. 421-435
  5. ^ The Religious Poetry of Vladimir Solovyov (Semantron Press, 2008)
  6. ^ Samuel Cioran. Vladimir Solov’ev and the Knighthood of the Divine Sophia (Wilfrid Laurier University Press, 1977), 71.
  7. ^ Zouboff, Peter, Solovyov on Godmanhood: Solovyov’s Lectures on Godmanhood Harmon Printing House: Poughkeepsie, New York, 1944; see Czeslaw Milosz's introduction to Solovyov’s War, Progress and the End of History. Lindisfarne Press: Hudson, New York 1990.
  8. ^ Russian Religious Thought by Judith Deutsch Kornblatt (Editor), Richard F. Gustafson (Editor), pp. 49-67, Publisher: University of Wisconsin Press (October 1, 1996) Language: English ISBN 0-299-15134-4 and ISBN 978-0-299-15134-8
  9. ^ Russian Religious Thought by Judith Deutsch Kornblatt (Editor), Richard F. Gustafson (Editor), pp. 49-67 Publisher: University of Wisconsin Press (October 1, 1996) Language: English ISBN 0-299-15134-4 and ISBN 978-0-299-15134-8
  10. ^ [1]OCA labels Sophianism of Solovyev as heresy
  11. ^ Dostoevsky and Soloviev: The Art of Integral Vision By Marina Kostalevsky [2]
  12. ^ History of Russian Philosophy «История российской Философии »(1951), pp. 81-134.
  13. ^ Galkovsky, D. The Infinite Deadlock, comment 564, p. 634 (3rd ed.) Dmitry Galkovsky's Publishing House, 2008.

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