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Walking Tall

Plot

A runaway box-office hit to the tune of 17 million dollars, Walking Tall is the unabashedly manipulative story of real-life Tennessee sheriff Buford Pusser. As played by Joe Don Baker, Pusser can either be regarded as a tireless champion of justice or a baseball-bat-wielding hooligan. But with some of the most scurrilous villains this side of a Republic serial as the main targets of Pusser's wrath, the audience cannot help but applaud the sheriff's strongarm methods. When the town baddies seek vengeance by killing Pusser's wife (Elizabeth Hartman), the you-know-what really hits the fan! Never resorting to subtlety, Walking Tall was such a winner that it spawned two sequels, a made-for-television movie, and a weekly TV series -- none of which were enjoyed by the real Buford Pusser, who had long since died under questionable circumstances. At the time of the film's theatrical release, the MPAA rating system was comparatively new, so the studio launched an ad campaign aimed at parents, letting them know that the R-rated Walking Tall contained violence and not sex, and therefore was good family entertainment. ~ Hal Erickson, Rovi

Review

Looked at from a modern viewpoint, it's easy to understand why critics of the early '70s had problems with Walking Tall. Its politics support knee-jerk vigilante justice, the technical credits are hit-and-miss (note the frequent boom shots), the plot rewrites the real events that inspired the story to manipulate its audience, and it wallows in brutal violence. However, it also remains easy to see why this film clicked with the audiences of the day. It is exciting, it milks its gritty premise for all the action and drama it can muster, and it is driven by an unforgettable, star-making lead performance from Joe Don Baker. Mort Briskin's script is shamelessly manipulative in its shuffling of the facts, but still manages to work on a basic good vs. evil level. Phil Karlson, a veteran director of gritty crime melodramas like The Phenix City Story, captures the story's sweaty Southern atmosphere nicely and stages the events in a tough, pull-no-punches fashion that makes up for its lack of finesse with its sheer visceral power. However, the best element of the film is Joe Don Baker's performance as Buford Pusser. His down-home charm tempers the recklessly obsessive nature of his character, he delivers an impressive physical presence during the frequent action scenes, and he pours plenty of heartfelt emotion into the film's more dramatic moments. His presence dominates the film, but it is also worth noting that Elizabeth Hartman delivers a fine supporting performance as Pusser's wife, who plays a careful-thinking devil's advocate to his justice-obsessed character and lends the story a bit of humane warmth in the process. In short, Walking Tall may be a little too dated and lacking in polish for many modern viewers, but it is necessary viewing for anyone interested in action cinema since it remains one of the most influential (and frequently imitated) films of this genre to emerge from the 1970s. ~ Donald Guarisco, Rovi

Cast

Joe Don Baker - Buford Pusser; Noah Beery, Jr. - Grandpa Carl Pusser; Brenda Benet - Luan Paxton; Lynn Borden - Margie Ann; John Brascia - Prentiss Parley; Ed Call - Lutie McVeigh; Sidney Clute - Sheldon Levine; Gene Evans - Sheriff Al Thurman; Leif Garrett - Mike Pusser; Bruce Glover - Grady Coker; Elizabeth Hartman - Pauline Pusser; Arch Johnson - Buel Jaggers; Ted Jordan - Virgil Button; Don Keefer - Dr. Lamar Stivers; Sam Laws - Willie Rae Lockman; Gene Lebell - Bouncer; Dawn Lyn - Dwana Pusser; Pepper Martin - Zolan Dicks; Rosemary Murphy - Callie Hacker; Gil Perkins - 1st Bouncer; Felton Perry - Obra Eaker, Deputy; Logan Ramsey - John Witter; Richard X. Slattery - Arno Purdy; Russell Thorson - Ferrin Meaks; Kenneth Tobey - Augie McCullah; Lurene Tuttle - Grandma Pusser; Red West - Sheriff Tanner; Douglas Fowley - Judge Clarke; Carey Loftin - Dice Player; John Myhers - Lester Dickens

Credit

Phyllis Garr - Costume Designer, Oscar Rodriguez - Costume Designer, David Hall - First Assistant Director, Ralph E. Black - First Assistant Director, Phil Karlson - Director, Harry Gerstad - Editor, Charles A. Pratt - Executive Producer, Walter Scharf - Composer (Music Score), Don Black - Songwriter, Jack H. Young - Makeup, Joe Altadonna - Production Designer, Philip M. Jefferies - Production Designer, Stan Jolley - Production Designer, Jack A. Marta - Cinematographer, Mort Briskin - Producer, Charles A. Pratt - Producer, Joel Briskin - Producer, Sass Bedig - Special Effects, David Dockendorf - Sound/Sound Designer, Andrew Gilmore - Sound/Sound Designer, Gil Perkins - Stunts, Carey Loftin - Stunts, Mort Briskin - Screenwriter, Johnny Mathis - Featured Music

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