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Wang Xizhi

 
Art Encyclopedia: Wang Xizhi

(b Langye (modern Linyi), Shandong Province, AD 307; d 365). He developed calligraphy into a transcendent art form, which rather than simply conveying written information served as a vehicle for communication of a higher order, focusing on beauty of line and form and above all on dynamic and rhythmic flow and transmutation of energy. He nominally served the Eastern Jin court, holding various posts in the capital Jiankang (modern Nanjing, Jiangsu Province) and then becoming General of the Army on the Right ( youjun), by which title he is sometimes known. His last position was that of governor of Guiji, Zhejiang Province.

Part of the Wang family

See the Abbreviations for further details.



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Names
Wang Xizhi
Chinese: 王羲之
Pinyin: Wáng Xīzhī
Wade-Giles: Wang Hsi-chih
Zi: Yìshào (逸少)
Hao: Dànzhāi (澹斋)
Other names: Wáng Yòujũn (王右軍)

Shūshèng (書聖, literally
Sage of Calligraphy)

This is a Chinese name; the family name is 王 (Wang).

Wang Xizhi (Chinese: 王羲之, 303–361) was a Chinese calligrapher, traditionally referred to as the Sage of Calligraphy (書聖), lived in Jin Dynasty (265–420).

Born in Linyi, Shandong, he spent most of his life in the present-day Shaoxing, Zhejiang. He learned the art of calligraphy from Wei Shuo. He excelled in every script but particularly in the semi-cursive script. Unfortunately, none of his original works remains today.

His most famous work is the Preface to the Poems Composed at the Orchid Pavilion, the preface of a collection of poems written by a number of poets when gathering at Lanting near the town of Shaoxing for the Spring Purification Festival. The original is lost, but there are a number of fine tracing copies and rubbings. Wikisource has the text with translation.

Wang Xizhi is particularly remembered for one of his hobbies — rearing geese. Legend has it that he learnt the key of how to turn his wrist while writing by observing how the geese move their necks. There is a very pretty small porcelain cup depicting Wang Xizhi "walking geese" in the China Gallery of the Asian Civilisations Museum in Singapore. The other side of the cup depicts a scholar "taking a zither to a friend".

Wang Xizhi had seven children, all of whom were notable calligraphers. The most distinguished one was his youngest son, Wang Xianzhi.

Painting of Wang Xizhi by a later Yuan Dynasty artist.

References

  • Li, Siyong, "Wang Xizhi". Encyclopedia of China (Chinese Literature Edition), 1st ed.
  • Khoo Seow Hwa and Penrose, Nancy L, Behind the Brushstrokes: Tales from Chinese Calligraphy. Singapore: Graham Brash, 1993.

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