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Warren Beatty

 
Who2 Biography: Warren Beatty, Actor / Filmmaker
Warren Beatty
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  • Born: 30 March 1937
  • Birthplace: Richmond, Virginia
  • Best Known As: The star of Bonnie and Clyde

Warren Beatty began as a standard young heartthrob, making a splash opposite Natalie Wood in 1961's Splendor in the Grass. But he morphed into something more complicated, playing handsome antiheroes in complex movies like Bonnie and Clyde (1967, with Faye Dunaway), McCabe and Mrs. Miller (1971, also with Keith Carradine), and Shampoo (1975). He began writing and directing, and won an Academy Award for directing Reds, a sprawling 1981 movie about the Russian Revolution (co-starring Diane Keaton and Jack Nicholson). Beatty also earned a reputation as an off-screen heartbreaker, dating a long string of leading ladies, including Madonna, with whom he candidly appears in Truth or Dare (1991). In 1991 Beatty married actress Annette Bening, his co-star in the gangster movie Bugsy (1991, co-starring Ben Kingsley). His 1998 movie Bulworth (co-starring Halle Berry and Don Cheadle) was a political satire that seemed to echo Beatty's outspoken political views, opinions he was later to voice during a brief flirtation with a run for president in 2000.

Beatty is the younger brother of actress Shirley MacLaine.

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Britannica Concise Encyclopedia: Henry Warren Beatty
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(born March 30, 1937, Richmond, Va., U.S.) U.S. film actor, producer, director, and screenwriter. He studied acting with famed coach Stella Adler in New York and made his film debut in Splendor in the Grass (1961). He later starred in and produced the influential film Bonnie and Clyde (1967). Often cowriting, directing, or producing his own films, he later starred in Shampoo (1975), Heaven Can Wait (1978), Reds (1981, Academy Award for direction), and Bulworth (1998).

For more information on Henry Warren Beatty, visit Britannica.com.

 
Columbia Encyclopedia: Warren Beatty
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Beatty, Warren (Henry Warren Beatty) ('tē, bē'-), 1937-, motion picture actor, director, producer, and screenwriter, b. Richmond, Va. An eminently bankable star, the handsome, charismatic, yet oddly elusive leading man made his film debut in Splendor in the Grass (1961). His reputation as a Hollywood Don Juan often overshadowed his considerable talents, which were nonetheless apparent in his next smash hit, Bonnie and Clyde (1967), which he also produced. Among his more notable later movies are Robert Altman's McCabe and Mrs. Miller (1971); The Parallax View (1974); the very popular Beatty-produced Shampoo (1975); Heaven Can Wait (1978); the ambitious and romantic saga of the Russian Revolution Reds (1981), for which he won the best-director Oscar; the colossal comedic flop Ishtar (1987); the comic book-like Dick Tracy (1991), costarring Madonna; Bugsy (1991), in which his complex and forceful gangster portrait is perhaps his most effective performance; and another directorial effort, Love Affair (1994), costarring his wife, Annette Bening. Long active in liberal politics, he briefly received media attention in 1999 as a potential presidential hopeful. The actress Shirley MacLaine is his sister.
Quotes By: Warren Beatty
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Quotes:

"For me, the highest level of sexual excitement is in a monogamous relationship."

Actor: Warren Beatty
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  • Born: Mar 30, 1937 in Richmond, Virginia
  • Occupation: Actor, Writer, Director
  • Active: '60s-'90s
  • Major Genres: Comedy, Drama
  • Career Highlights: McCabe & Mrs. Miller, Bonnie and Clyde, Truth or Dare
  • First Major Screen Credit: The Roman Spring of Mrs. Stone (1961)

Biography

It might have been easy to write off American actor Warren Beatty as merely the younger brother of film star Shirley MacLaine, were it not for the fact that Beatty was a profoundly gifted performer whose creative range extended beyond mere acting. After studying at Northwestern University and with acting coach Stella Adler, Beatty was being groomed for stardom almost before he was of voting age, cast in prominent supporting roles in TV dramas and attaining the recurring part of the insufferable Milton Armitage on the TV sitcom Dobie Gillis. Beatty left Dobie after a handful of episodes, writing off his part as "ridiculous," and headed for the stage, where he appeared in a stock production of Compulsion and in William Inge's Broadway play A Loss of Roses.

The actor's auspicious film debut occurred in Splendor in the Grass (1961), after which he spent a number of years being written off by the more narrow-minded movie critics as a would-be Brando. Both Beatty and his fans knew that there was more to his skill than that, and in 1965 Beatty sank a lot of his energy and money into a quirky, impressionistic crime drama, Mickey One (1965). The film was a critical success but failed to secure top bookings, though its teaming of Beatty with director Arthur Penn proved crucial to the shape of movie-making in the 1960s. With Penn again in the director's chair, Beatty took on his first film as producer/star, Bonnie and Clyde (1967). Once more, critics were hostile -- at first. A liberal amount of praise from fellow filmmakers and the word-of-mouth buzz from film fans turned Bonnie and Clyde into the most significant film of 1967 -- and compelled many critics to reverse their initial opinions and issue apologies. This isn't the place to analyze the value and influence Bonnie and Clyde had; suffice it to say that this one film propelled Warren Beatty from a handsome, talented film star into a powerful filmmaker.

Picking and choosing his next projects very carefully, Beatty was offscreen as much as on from 1970 through 1975, though several of his projects -- most prominently McCabe and Mrs. Miller (1971) and The Parallax View (1974) -- would be greeted with effusive praise by film critics and historians. In 1975, Beatty wrote his first screenplay, and the result was Shampoo (1975), a trenchant satire on the misguided mores of the late '60s. Beatty turned director for 1978's Heaven Can Wait, a delightful remake of Here Comes Mr. Jordan that was successful enough to encourage future Hollywood bankrolling of Beatty's directorial efforts. In 1981, Beatty produced, directed, co-scripted and acted in Reds, a spectacular recounting of the Russian Revolution as seen through the eyes of American Communist John Reed. It was a pet project of Beatty's, one he'd been trying to finance since the 1970s (at that time, he'd intended to have Sergei Bondarchuk of War and Peace fame as director). Reds failed to win a Best Picture Academy Award, though Beatty did pick up an Oscar as Best Director. Nothing Beatty has done since Reds has been without interest; refusing to turn out mere vehicles, he has taken on a benighted attempt to re-spark the spirit of the old Hope-Crosby road movies (Ishtar [1984]); brought a popular comic strip to the screen, complete with primary colors and artistic hyperbole (Dick Tracy [1991]); and managed to make the ruthless gangster Bugsy Siegel a sympathetic visionary (Bugsy [1992]). In 1998 he was able to breath new life into political satire with Bulworth, his much acclaimed film in which he plays a disillusioned politician who turns to rap to express himself. In 2001, Beatty rekindled memories of Ishtar as he starred in another phenomenal bust, Town & Country. Budgeted at an astronomical 90 million dollars and earning a miserable 6.7 million dollars during it's brief theatrical run, Town & Country was released three years after completion and pulled from theaters after a mere four weeks, moving critics to rank it among the biggest flops in movie history.

Fiercely protective of his private life, and so much an advocate of total control that he will dictate the type of film stock and lighting to be used when being interviewed for television, Beatty has nonetheless had no luck at all in keeping his many amours out of the tabloids. However, Beatty's long and well-documented history of high-profile romances with such actresses as Leslie Caron, Julie Christie, Diane Keaton, and Madonna came to an abrupt end upon his 1992 marriage to Bugsy co-star Annette Bening, with whom he later starred in 1994's Love Affair, his blighted remake of the 1957 An Affair to Remember. ~ Hal Erickson, All Movie Guide
Wikipedia: Warren Beatty
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Warren Beatty

Warren Beatty at the 1990 Academy Awards
Born Henry Warren Beaty
March 30, 1937 (1937-03-30) (age 72)
Richmond, Virginia, U.S.
Occupation Actor, director
Years active 1957–present
Spouse(s) Annette Bening (1992–present)

Henry Warren Beatty (pronounced /ˈbeɪti/, BAY-tee [1], born March 30, 1937) is an American actor, producer, screenwriter and director.

Contents

Early life and education

Beatty was born Henry Warren Beaty in Richmond, Virginia's, Bellevue neighborhood. His mother, Kathlyn Corinne (née MacLean), was a Nova Scotia–born drama teacher, and his father, Ira Owens Beaty, was a professor of psychology, a public school administrator, and a real estate agent.[2][3] Beatty's grandparents were also teachers. The family was Baptist.[4][5] His father moved the family from Richmond to Norfolk, Virginia, and then to Arlington, Virginia, where he became a middle school principal. The family also lived in Waverly, Virginia, in the 1930s. Beatty's sister, three years his senior, is the multi-award winning actress and writer Shirley MacLaine.

Beatty was a star football player at Washington-Lee High School, in Arlington, Virginia. Encouraged to act by the success of his sister, who had recently established herself as a Hollywood star, he decided to work as a stagehand at the National Theater in Washington, D.C., during the summer prior to his senior year. This enabled him to establish contact with a few famous actors. Upon graduation from high school, he turned down 10 football scholarships to enroll in drama school.

He studied acting and directing at the Northwestern University school of drama. While at Northwestern, he appeared in the annual Dolphin show. He is a member of the Sigma Chi Fraternity. He dropped out after his freshman year to enroll in the Stella Adler Conservatory of Acting in New York City. By the age of twenty-two, Beatty had appeared in about forty Off Broadway productions. He garnered a best actor Tony Award nomination in 1960 for his performance in William Inge's drama A Loss of Roses. It was to be his only appearance on the Broadway stage.

Military service

Under his original name of Henry W. Beaty, Warren Beatty enlisted in the California Air National Guard on February 11, 1960. Assigned the service number 28 282 310, Beatty was assigned as an inactive guard member attached to Van Nuys Air Guard Base.

He was next slated for the military occupation specialty of a personnel assistant (73010), and assigned to attend basic training attached to the 162nd Tactical Control Group. Beatty never attended this training, but he was promoted from Airman Basic to Airman First Class in August 1960 (under the rank system in use during 1960s, this was the equivalent of a modern day Senior Airman).

On January 1, 1961, Beatty was discharged from the Air National Guard due to physical disability. He was also simultaneously discharged from the United States Air Force Reserve. Since he served on inactive duty only, Beatty was not awarded any military decorations.[6]

Career

The handprints of Warren Beatty in front of The Great Movie Ride at Walt Disney World's Disney's Hollywood Studios theme park.

Beatty started his career making appearances in television series such as Studio One (1957), Playhouse 90 (1959), and The Many Loves of Dobie Gillis (1959). He made his film debut under Elia Kazan's direction and opposite Natalie Wood in Splendor in the Grass (1961). The film was a box office success and Beatty was nominated for a Golden Globe Award in the category Best Motion Picture Actor - Drama. Subsequently he appeared in several films which went relatively unnoticed. Then, at age 30, he achieved critical acclaim and power as a producer and star of Bonnie and Clyde (1967) which was nominated for 10 Academy Awards.

Because of his work on Bonnie and Clyde (1967), Beatty is generally regarded as the precursor of the New Hollywood generation, which included such filmmakers as Francis Ford Coppola, Steven Spielberg, George Lucas and Martin Scorsese.

Afraid of being typecast as a milquetoast leading man, and still smarting over the What's New, Pussycat? debacle, where he was outmaneuvered by Woody Allen and eventually forced to leave the production, Beatty produced Bonnie and Clyde as a means of controlling the projects he was involved with. He hired the untested writers Robert Benton and David Newman, as well as director Arthur Penn, and controlled every facet of production, including cast, script and final cut of the film, as he would throughout the rest of his career, be it as producer/director or only as producer. It should be noted that in Bugsy it was Beatty, the producer, who had final cut on the film, not Barry Levinson, the director.

Bonnie and Clyde became a blockbuster and cultural touchstone for the youth culture of the era. The film, along with Easy Rider, marked the beginning of the so-called “New Hollywood” era, where studios gave unprecedented freedom to filmmakers to pursue their own idiosyncratic vision.

Subsequent Beatty films include McCabe & Mrs. Miller (1971), The Parallax View (1974), Shampoo (1975), and Heaven Can Wait (1978). The last two films gave him box-office power, making forty-nine and eighty-one million dollars, respectively. He used this to make his long in the works (he had started doing research and some filming as far back as 1970) Reds (1981), an historical epic about the Communist journalist John Reed who observed the Russian October Revolution. Beatty is one of the few people ever to receive Oscar nominations in the Best Picture, Actor, Directing and Writing categories from a single film. This feat is all the more impressive since Beatty achieved it twice. He was nominated for all four awards for his film Heaven Can Wait (1978) but won none of them; he was nominated a second time for all four awards for his film Reds (1981), winning the Directing Award. Beatty received additional nominations for Best Picture and Best Actor in both Bonnie and Clyde (1967) and Bugsy (1991). He was also nominated two other times for Best Original Screenplay: in 1975 for Shampoo and in 1998 for Bulworth.

After a six year hiatus, he returned in 1987 starring alongside Dustin Hoffman in the big-budget Ishtar, which was critically panned and is regarded as one of the biggest box office bombs in film history. In 1990, he bounced back when he produced, directed and starred (along side with his Ishtar co-star Hoffman) in the title role as the comic strip character Dick Tracy in the film of the same name. The film was one of the highest grossers of the year and was also the highest-grossing film in Beatty's career to that point. He failed to repeat the box-office success of Dick Tracy in subsequent films.

In 1991, he starred as the real-life gangster Bugsy Siegel in the biopic Bugsy which was critically acclaimed and made almost fifty million dollars at the U.S. box-office. His following film Love Affair (1994) failed to do well. In 1998 he wrote, produced, directed and starred in the political satire Bulworth which was critically appreciated gaining him another nomination for Best Original Screenplay. In 2001, he appeared in his last film to date, Town and Country, which became the second-largest money loser of any movie ever made (after The Adventures of Pluto Nash) based on contemporary dollars lost:[7] it was made on a budget of approximately USD $90 million, but earned only $6.7 million domestically. Since then, Beatty has not acted in any films but has expressed interest in returning to cinema.

In 2006, Beatty was named Honorary Chairman of the Stella Adler Studio of Acting, succeeding Marlon Brando. In 2007, the Hollywood Foreign Press Association awarded Beatty the Cecil B. DeMille award, presented at the Golden Globe ceremony by Tom Hanks. Beatty was honored with the AFI Life Achievement Award in 2008.

Beatty is on the Board of Trustees at The Scripps Research Institute.

Personal life

Beatty has had several high-profile relationships with his costars, including Natalie Wood (Splendor in the Grass), Julie Christie (McCabe & Mrs. Miller, Shampoo, Heaven Can Wait), Diane Keaton (Reds), Isabelle Adjani (Ishtar') and Madonna (Dick Tracy).

In 1989, he recorded the duet, "Now I'm Following You" with Madonna for her 1990 album, I'm Breathless.

After years of dating many famous women, he married Annette Bening on March 10, 1992, with whom he co-starred in the film Bugsy. They have four children: Kathlyn Elizabeth Beatty (born January 8, 1992), Benjamin MacLean Beatty (born August 23, 1994), Isabel Ira Ashley Beatty (born January 11, 1997) and Ella Corinne Beatty (born April 8, 2000).

Tribune lawsuit

In May 2005, Beatty sued Tribune Co. for $30 million in damages, claiming he still maintains the rights to Dick Tracy. Beatty received the rights in 1985 and claimed that Tribune moved to reclaim them in violation of various notification procedures. There was talk of a sequel, and Beatty did express interest in reprising the part, but the sequel was sidelined by unexpected legal disputes. In March 2009, Tribune filed suit against Beatty, saying that Beatty had "made no productive use" of the rights for over a decade, causing them to revert back to Tribune.[8]

Political activism

A longtime activist in various liberal political causes, Beatty has, at various times, been extremely active in the presidential politics of the Democratic Party. In 1968, he hit the campaign trail for the first time, supporting Senator Robert F. Kennedy's bid for his party's presidential nomination. His involvement in the senator's campaign, which included stump speaking and fundraising, was cut short when Kennedy was shot and killed by Sirhan Sirhan on the same night that he won a crucial primary in California.

Four years later, Beatty joined the campaign of Senator George McGovern as an advisor. As part of the so-called "Malibu Mafia," a group of Hollywood celebrities who were part of the candidate's "inner circle," Beatty gave McGovern's campaign manager Gary Hart advice about the handling of public relations and was instrumental in organizing a series of rock concerts which raised over $1 million for the senator's campaign.

In 1984, and again in 1988, Beatty was to play a similar role in Hart's own presidential campaigns. Hart, who had, by that time, become a senator himself, had become friends with Beatty during the 1972 campaign and the relationship had grown closer during the intervening decade. After Hart's second campaign imploded over allegations that he had committed adultery with a former beauty queen named Donna Rice, a mutual friend of the two explained why they were so close: "Gary always wanted to have Warren's life and Warren always wanted to have Gary's. It was a match made in heaven."

Beatty in the White House with first lady Nancy Reagan and Diane Keaton, 1981

Beatty seriously considered becoming a candidate for the Democratic Presidential nomination during the summer of 1999 . After it became clear that the only two contenders for the Democratic Party's nomination were to be Vice President Al Gore and former Senator Bill Bradley of New Jersey, Beatty made it generally known that he was dissatisfied with the two choices and began to drop hints that he might be willing to seek the nomination himself. After meeting with several powerful liberal activists and influential Democratic operatives, including pollster Pat Caddell, who had worked previously for Hart, McGovern, California governor Jerry Brown and President Jimmy Carter, and adman Bill Hillsman, who had worked on the campaigns of Senator Paul Wellstone and Governor Jesse Ventura, Beatty announced in September 1999 that he would not seek the nomination. However, he continued to be courted by members of a different political party, the Reform Party, who were looking for an alternative to Pat Buchanan, a conservative who had switched parties after losing the Republican Party's presidential nomination for the third time in a row. Despite frequent entreaties by Governor Ventura, real-estate magnate Donald Trump, and syndicated columnist Arianna Huffington, Beatty refused to enter the race and Buchanan eventually won the Reform Party's nomination.

Despite his decision not to seek the presidency in 2000, Beatty intimated that he might still run at a later time, telling reporters that he would do so if he thought he "could make an impact on the debate". As California governor Gray Davis' popularity with California voters dropped, Beatty campaigned against the 2003 special election. He was the keynote speaker at the California Nurses Association's 2005 convention, and recorded radio ads urging voters to reject Governor Schwarzenegger's ballot proposals. The propositions were defeated at the ballot box, increasing speculation that Beatty might run against Schwarzenegger in the 2006 election. But, in early 2006, Beatty announced he would not seek the Democratic gubernatorial nomination. Beatty's anticipated run for president in 2000 was lampooned by Gary Trudeau in his strip Doonesbury.

At the Academy Awards in 1999 there was a large controversy over the award of an honorary Oscar to legendary film director Elia Kazan. Kazan had given names of suspected communists to HUAC over 40 years before. Although many well known liberals (such as Ed Harris and Nick Nolte) in attendance refused to acknowledge Kazan, Beatty applauded.[citation needed]

Filmography

Year Film Role Notes
1961 Splendor in the Grass Bud Stamper Golden Globe Award for Most Promising Newcomer
Nominated — Golden Globe Award for Best Actor – Motion Picture Drama
The Roman Spring of Mrs. Stone Paolo di Leo
1962 All Fall Down Berry-Berry Willart
1964 Lilith Vincent Bruce
1965 Mickey One Mickey One
Promise Her Anything Harley Rummell
What's New Pussycat (executive producer) (uncredited)
1966 Kaleidoscope Barney Lincoln
1967 Bonnie and Clyde Clyde Barrow (also producer)
Nominated — Academy Award for Best Actor
Nominated — Academy Award for Best Picture
Nominated — BAFTA Award for Best Actor in a Leading Role
Nominated — Golden Globe Award for Best Actor – Motion Picture Drama
1970 The Only Game in Town Joe Grady
1971 McCabe & Mrs. Miller John McCabe (also writer)
$ Joe Collins
1973 Year of the Woman (documentary)
1974 The Parallax View Joseph Frady
1975 Shampoo George Roundy (also producer and co-writer with Robert Towne)
Writers Guild of America Award for Best Original Screenplay
Nominated — Academy Award For Best Original Screenplay
Nominated — Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
The Fortune Nicky Wilson
1978 Heaven Can Wait Joe Pendleton (also director with Buck Henry, producer, and writer)
Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Saturn Award for Best Actor
Saturn Award for Best Writing
Writers Guild of America Award for Best Adapted Screenplay
Nominated — Academy Award for Best Actor
Nominated — Academy Award for Best Picture
Nominated — Academy Award for Best Director
Nominated — Academy Award for Best Adapted Screenplay
Nominated — Directors Guild of America Award for Outstanding Directing - Feature Film
Nominated — Saturn Award for Best Direction
1981 Reds John Reed (also director, producer, and writer)
Academy Award for Best Director
David di Donatello for Best Producer
Directors Guild of America Award for Outstanding Directing - Feature Film
Golden Globe Award for Best Director
Los Angeles Film Critics Association Award for Best Director
National Board of Review Award for Best Director
Writers Guild of America Award for Best Original Screenplay
Nominated — Academy Award for Best Actor
Nominated — Academy Award for Best Picture
Nominated — Academy Award for Best Original Screenplay
Nominated — BAFTA Award for Best Actor in a Leading Role
Nominated — Golden Globe Award for Best Actor – Motion Picture Drama
Nominated — Golden Globe Award for Best Screenplay
1984 George Stevens: A Filmmakers Journey (documentary)
1987 Ishtar Lyle Rogers (also producer)
1990 Dick Tracy Dick Tracy (also producer and director)
1991 Madonna: Truth or Dare (documentary)
Bugsy Bugsy Siegel (also producer)
National Board of Review Award for Best Actor
Nominated — Academy Award for Best Actor
Nominated — Academy Award for Best Picture
Nominated — Golden Globe Award for Best Actor – Motion Picture Drama
1992 Writing with Light: Vittorio Storaro (documentary)
1994 Love Affair Mike Gambril (also writer)
1998 Bulworth Sen. Jay Billington Bulworth (also producer, director and writer)
Los Angeles Film Critics Association Award for Best Screenplay
Nominated — Academy Award for Best Original Screenplay
Nominated — Chicago Film Critics Association Award for Best Adapted Screenplay
Nominated — Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Nominated — Golden Globe Award for Best Screenplay
Nominated — Satellite Award for Best Actor - Motion Picture Musical or Comedy
Nominated — Writers Guild of America Award for Best Original Screenplay
1999 The Book That Wrote Itself (cameo)
2001 Town & Country Porter Stoddard
2003 Dean Tavoularis: The Magician of Hollywood (documentary)
2005 One Bright Shining Moment (documentary)

References

Further reading

  • Ellis Amburn, The Sexiest Man Alive : A Biography of Warren Beatty, HarperCollins Publishers Inc., New York, 2002. ISBN 0-06-018566-X
  • Suzanne Finstad, Warren Beatty : A Private Man, Random House, Inc., New York, 2005. ISBN 1-4000-4606-8

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Who2 Biography. Copyright © 1998-2008 by Who2, LLC. All rights reserved. See the Warren Beatty biography from Who2.  Read more
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