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Wellman Braud

 
Artist: Wellman Braud
  • Born: January 25, 1891, St. James Parish, LA
  • Died: October 27, 1966, Los Angeles, CA
  • Active: '20s, '30s, '40s, '50s
  • Genres: Jazz
  • Instrument: Bass, Sax (Bass), Sax (Baritone)

Biography

One of the top string bassists of the 1920s, Wellman Braud was the first of the great Duke Ellington bass players, a tradition that would later include Jimmy Blanton, Oscar Pettiford, and even Charles Mingus. Braud grew up playing music in New Orleans, occasionally switching to guitar or drums. By the time he moved to Chicago in 1917, Braud was strictly a bassist. He was with Charlie Elgar (1920-1922) and toured Europe with Will Vodery's Plantation Revue before freelancing to New York. Braud became a key member of Duke Ellington's Orchestra (1927-1935), and his well-recorded bass (his only close competitor on his instrument during the period was Pops Foster) really drove the band during their many records. After leaving Ellington, Braud played with the Spirits of Rhythm (1935-1937) before forming his own trio. He recorded with Jelly Roll Morton (1939-1940) and Sidney Bechet (1940-1941), but opened a poolroom in New York in 1940, and thereafter became a part-time player. Among his later musical experiences were reunions with Duke Ellington (1944 and 1961), and stints with Bunk Johnson (1947) and Kid Ory's Creole Jazz Band (1956). ~ Scott Yanow, All Music Guide
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Wellman Braud
Also known as Wellman Breaux
Born January 25, 1891
Origin Flag of the United States St. James Parish, Louisiana, USA
Died October 29, 1966
Genre(s) Jazz
Occupation(s) Bassist
Instrument(s) String bass, Double bass
Associated acts Duke Ellington, Jimmie Noone

Wellman Braud (January 25, 1891October 29, 1966) was a United States jazz string bass player. He was a Creole. His family sometimes spelled their last name "Breaux", pronounced "Bro".

Born in St. James Parish, Louisiana, Braud came to New Orleans in his early teens. He was playing violin and string bass and leading a trio in venues in the Storyville District before 1910. He moved to Chicago, Illinois in 1917. In 1923 he went to London with the Plantation Orchestra, in which he doubled on bass and trombone. Next he moved to New York City where he played with Wilber Sweatman's band before joining Duke Ellington. His vigorous melodic bass playing, alternately plucking, slapping, and bowing, was an important feature of the early Ellington Orchestra sound in the 1920s and 1930s. Braud's playing on Ellington's regular radio broadcasts and recordings helped popularize the slap style of string bass playing, as well as encouraging many dance bands of the time to switch from using a tuba to a string bass. (Like many of his contemporary New Orleans bassists, Braud doubled on tuba, and he recorded on that instrument on some sides with Ellington.)

In 1936 Braud co-managed a short lived Harlem club with Jimmie Noone, and recorded with the group The Spirits of Rhythm from 1935 to 1937. He played with other New York bands including those of Kaiser Marshall, Hot Lips Page, and Sidney Bechet, and returned for a while to Ellington in 1944. In 1956 he joined the Kid Ory Band with whom he stayed for years.

He died in Los Angeles, California.


 
 
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