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Wilko Johnson

 
Artist: Wilko Johnson
  • Born: 1947
  • Active: '70s, '80s, '90s, 2000s
  • Genres: Rock
  • Instrument: Guitar, Vocals
  • Representative Albums: "Pull the Cover," "Solid Senders," "Red Hot Rocking Blues"

Biography

Best-known as the guitarist in Dr. Feelgood, one of British pub rock's greatest bands, Wilko Johnson went on to a long solo career playing the kind of rootsy, R&B-based rock & roll he loved. Born John Wilkinson (which he inverted to come up with his stage name) in 1947, Johnson grew up in the coastal Canvey Island area, and played around the local music scene during the '60s (often in jug bands). He studied at Newcastle University beginning in 1967, but returned home during breaks to keep up his musical activities. In 1971, after returning from a trip to India, he joined the band that became Dr. Feelgood, and quickly became one of their focal points thanks to his maniacally intense stage presence. Dr. Feelgood played locally for a couple of years and made their debut in London in the summer of 1973; their distinctively scruffy image and menacing energy soon made them a hot commodity on the pub rock circuit. The band released their debut album, Down By the Jetty, in 1975; Johnson stayed for two more studio albums (Malpractice and Sneakin' Suspicion) and the chart-topping live document Stupidity, contributing a number of fine original songs. However, tensions between Johnson and the rest of the group led to his departure toward the end of 1977.

Johnson soon formed a backing band called the Solid Senders, which featured keyboardist John Potter, bassist Steve Lewins, and drummer Alan Platt. They signed to Virgin in 1978 and released the LP Solid Senders that year. The following year, Johnson joined Ian Dury's Blockheads, where he remained until 1980; there he met bassist Norman Watt-Roy, who later became a regular collaborator. In early 1981, Johnson released his second album, Ice on the Motorway, and two years later issued the EP Bottle Up and Go! with Lew Lewis; several small-scale LPs, mostly for European labels, followed over the '80s: 1984's Pull the Cover, 1985's Watch Out!, 1987's Call It What You Want, and 1988's Barbed Wire Blues. The latter was the first recording with his new regular group the Wilko Johnson Band, which featured Watt-Roy and drummer Salvatore Ramundo, and remained a concert fixture around England for the next decade or so. In 1998, Johnson finally had the opportunity to release another album, Going Back Home for Mystic. Johnson began to cut back on his concert appearances in 1999, but still found the wherewithal to cut Live in Japan 2000 the following year. ~ Steve Huey, All Music Guide
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Wikipedia: Wilko Johnson
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Wilko Johnson
Birth name John Wilkinson
Born 12 July 1947 (1947-07-12) (age 62)
Canvey Island, Essex, England
Genres Rock, pub rock, rhythm and blues
Occupations Musician, guitarist, songwriter
Instruments Guitar
Years active 1974–present
Labels United Artists
Associated acts Dr. Feelgood, The Blockheads
Website wilkojohnson.org.uk

Wilko Johnson (born John Wilkinson, 12 July 1947, Canvey Island, Essex[1]) is a English guitarist and songwriter, particularly associated with the 1970s UK rhythm and blues band, Dr. Feelgood.

Contents

Career

Johnson was first educated at the Westcliff High School for Boys. Johnson played in several local groups before moving to the University of Newcastle upon Tyne to study English.[2] Returning to Essex, he played with the Pigboy Charlie Band, which evolved into Dr. Feelgood – a mainstay of the 1970s pub rock movement.[2]

Johnson developed his own unique style, coupling a choppy guitar style with a novel dress sense (he favoured a black suit and a pudding bowl haircut) and jerky movements.[3]

It should be noted that Johnson's unique, highly percussive guitar style, is because he does not use a pick in his right hand, something that enables him to play rhythm guitar and riffs or solos at the same time. Another reason for his unique style is that he is naturally left handed, but plays guitar right handed. Such a style - which also makes it easier to move around abruptly on stage with the jerky movements of an automaton without the fear of losing his pick - was probably derived, at least in part, from blues-oriented American fingerstyle guitar.[citation needed]

Johnson himself describes how the style evolved from an attempt to copy Mick Green of Johnny Kidd and The Pirates, a guitarist he admired.[citation needed] He maintained this style even after leaving Dr. Feelgood.

His style formed the essential force behind Dr. Feelgood during their initial years, including the band's first four albums, Down by the Jetty, Malpractice, Stupidity and Sneakin' Suspicion, all released between 1975 and 1977. [4] Johnson had a cult following amongst fans of the four-piece band, helped by some electrifying stage performance during their extensive UK and north European touring of that period.[citation needed] The live album, Stupidity, reached number one in the UK Albums Chart, but although Johnson played on Dr. Feelgood's first 5 single releases, including "Roxette" and "Back in the Night", the only single to chart during his membership of the band was "Sneakin' Suspicion ", whilst 5 of their 6 chart singles, notably the punk-tinged Top 10 single "Milk and Alcohol" were after he left. He left the band in April 1977, following disagreements over the tracks to be included in the Sneakin' Suspicion album. [5]

In 1977, he was a founding member of the Solid Senders;[3] with keyboardist John Potter, bassist Steve Lewins, and drummer Alan Platt. They signed to Virgin in 1978 and released the album, Solid Senders that year.[6] The Wilko Johnson Band played at the 'Front Row Festival', a three-week event at the Hope and Anchor, Islington in late November and early December 1977, featuring many early punk rock acts.[7] This resulted in the inclusion of two tracks by The Wilko Johnson Band ("Dr. Feelgood" & Twenty Yards Behind"), on a hit double album of recordings from the festival. The Hope & Anchor Front Row Festival compilation album (March 1978) which reached number 28 in the UK Albums Chart[8]

A couple of years later joined Ian Dury's band, The Blockheads.[3] He then formed the Wilko Johnson Band, joined by Blockhead bassist Norman Watt-Roy and drummer Salvatore Ramundo.[3] Ramundo was later replaced by Steve Monti (former Curve and The Jesus and Mary Chain drummer).[3] In early 1981, Johnson released his second album, Ice on the Motorway, and two years later issued the EP "Bottle Up and Go!" with Lew Lewis; several small-scale LPs, mostly for European record labels, followed over the 1980s: 1984's Pull the Cover, 1985's Watch Out!, 1987's Call It What You Want, and 1988's Barbed Wire Blues.[6]

In 1992 Johnson appeared at the Eurockéennes music festival, and the following year at GuilFest.

In 1998, Johnson finally had the opportunity to release another album, Going Back Home for Mystic. Johnson began to cut back on his concert appearances in 1999, but still found the wherewithal to cut Live in Japan 2000 the following year.[6] The Wilko Johnson band still play on the pub circuit, in spite of his wife's and booking manager Irene's death in 2004.[3]

Throughout 2005 and 2006 the band teamed up with The Hamsters and John Otway to take part in the The Mad, the Bad & the Dangerous tour. He played Club Bang Bang at the 100 Club on 6 October 2006.[3]. Johnson continues to play live, mainly in the south of England.

In 2007 a DVD (produced by Monti) was released of one of the concerts.

See also

References

  1. ^ Worldmusicdatabase.org
  2. ^ a b Southend-sites.co.uk
  3. ^ a b c d e f g Punkbands.i12.com
  4. ^ Moon, Tony (2002). Down By The Jetty - The Dr Feelgood Story (2nd ed.). Borden, Hants: Northdown Publishing Ltd.. pp. 124. ISBN 1-900711-15-X. 
  5. ^ Moon, Tony (2002). Down By The Jetty - The Dr Feelgood Story (2nd ed.). Borden, Hants: Northdown Publishing Ltd.. pp. 58. ISBN 1-900711-15-X. 
  6. ^ a b c Allmusic.com biography
  7. ^ Thompson, Dave (2000). Punk. Ontario: Collector’s Guide Publication. pp. 102. 
  8. ^ Gambaccini, Paul (1996). British Hit Albums (7th ed.). London: Guinness World Records Limited. pp. 366. ISBN 0-85112-619-7. 

External links


 
 

 

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